xkcd’s data recovery program gave me the prompt “Somewhere, this exists.” hehehe
My immediate thought was of the sarpenthyn Shallan saw at the not-a-zoo that one time! These critters: https://coppermind.net/wiki/Sarpenthyn
I haven’t heard anyone talking about the land octopi yet
We've talked about 9-point circles. Here is a further exploration of 9-point conics in case you are curious:
Badger and I were contemplating what color axehounds should be and then they said there should be sparkle axehounds and that reminded me of My Little Pony and then Badger drew this and it is EXCELLENT.
my little axehound, my little axehound ~
I hear it’s face day, so here’s my face XD. But also, look at the shiny new hat that I test-knit for @thechronicferuchemist ! It probably should be blocked, but even without blocking I’m super happy with how it came out :D (Her post about the hat is here)
I don't particularly identify with Melody, but I love her character and think it is super important that she exists (and a young adult novel is exactly the right place for her). Across his books, Sanderson has given us a whole collection of fantastic women who represent a wide range of personalities and strengths. Melody is our stereotypical high school girl. She loves unicorns and pegasus and flowers and drawing and is completely unapologetic about it. She dislikes math and is convinced that she is hopeless at it. She desperately wants to live up to expectations but hates the form they take and thinks they are impossible. She feels lost and alone. She is also amazing.
Spoilers for The Rithmatist under the break.
She really does struggle with math. It doesn't come easily to her. At the same time though, we get to see that with the right teacher and the right motivation and working at the right pace, she can learn the math. It isn't something she needs to or should just give up at. Even by the end of the book, she still isn't great at math. She has improved, but it is a level of improvement that is reasonable given the amount of time she has been working. We see promise for her to improve more as she continues to work at it. It feels real.
Despite this (in some sense because of it) ends up playing a very important role. Everybody knows that rithmatics is all about the math and the precision of getting your lines and curves and binding points in exactly the right place. It is essentially a science. There are Lines of Making and you can sort of affect what they are good at by their shape, but controlling them is essentially an exercise in programing. You have to know ahead of time what you want them to do and you have to give the instructions carefully. Chalklings are notoriously difficult to work with.
Melody sees things differently. She struggles with the science of rithmatics, but excels at the art. Her chalklings are not the rough sketches thrown in almost as an after thought. Every one is a work of art. They are elegant and detailed and at least approximately anatomically correct. She believes in them. She whispers instructions and they do her bidding. For Melody, working with chalklings, the thing everyone knows is a lost cause, comes naturally. Her role is just as important as Joel's in their final battle, and the fact that she can do magic and he can't is only a very small part of why. Her wonderful unicorns were just as important as Joel's fancy defense circle and carefully placed shots.
Melody is the woman on the programming project who makes sure the user interface is intuitive and functional even if she doesn't do much of the actual programming. She is the mathematician or the physicist who struggles with the more involved computations, but can easily see the symmetries that turn a nasty problem into a much more straight forward one. She is the inventor who sees beautiful, functional things in the natural world and asks why we don't just do it that way. She is Important even as she is very much a stereotypical girl.
Melody is there for all of the high school girls who are convinced they can't do math (or other traditional subjects) and that their passions don't matter. She is there to show them that if they work at it, they can succeed at the areas they feel hopeless in and that their passions do matter. At the same time, she reminds the rest of us that the more unusual perspectives and talents are important. They can provide solutions that simply do not occur to more conventional people.
Oathbringer Speculation: Soulcasters
We know that people who consistently use soulcasters over a long period of time are...changed. My theory is that they are being slowly turned into spren and sucked into Shadesmar and further that this is the source of Syl’s comment about how the power coalesces slowly and parts become sentient and a spren is born.
First off, let’s visit our friend Kaza in Interlude 4. We learn that she is slowly turning to smoke, but it seems to hold together well enough that she can wear a glove over her smoke fingers and still use her hand. She is forgetting the “ordinary passions of human life” and increasingly not needing to eat or drink. The she says that “I have begun to see the dark sky and the second sun, the creatures that lurk, hidden, around the cities of men.” It is clear that she is starting to see into Shadesmar and it isn’t too much of a stretch that in Shadesmar there might start also being evidence of her. The Aimian cook notes that she is “barely human anymore.” At the end of the interlude she chooses to “go with the smoke,” but the other times that she almost goes it sounds like she almost goes all the way into shadesmar and doesn’t come back, not that she almost turns into smoke in the physical realm and drifts off. Later in Celebrant (chapter 102) Kaladin finds himself in a tent with a “single bewildered spren made of smoke,” confirming that smoke spren are a thing.
In chapter 81 Kaladin meets a grain soulcaster and notes that “The woman had an inhuman look to her; she seemed to be growing vines under her skin, and they peeked out around her eyes, growing from the corners and spreading down her face like runners of ivy.” Then in Celebrant we meet spren that “were made entirely of vines, though they had crystal hands and wore human clothing.”
In chapter 105, we meet a soulcaster that makes stone and learn that his “skin beneath [his cloak] was colored like granite, cracked and chipped, and seemed to glow from within.” In Celebrant there “were other spren with skin like cracked stone, molten light shining from within.”
We don’t have a description of the Azish soulcaster that makes bronze, but it seems like a good bet that their description would match that of the Reachers, who “looked like humans with strange bronze skin—metallic, as if they were living statues.”
In Chapter 35 of Words of Radiance we meet a soulcaster that doesn’t quite fit any of the descriptions of spren that we meet in Celebrant, though she could potentially be in an earlier stage of the granite type: “Prolonged use of the Soulcaster had transformed the eyes so that they sparkled like gemstones themselves. The woman’s skin had hardened to something like stone, smooth, with fine cracks. It was as if the person were a living statue.”
We also hear about Honor and then the Stormfather making Honorspren, so soulcasters wouldn’t be the only way that sentient spren are formed, but I’m fairly convinced that it is at least one way that spren are born.
For reference and as a side note, in Celebrant they meet Cryptics, Honorspren, Reachers (bronze), Cultivationspren (vines), Inkspren, the ones whose skin turns to ash, the glowing granite ones, the ones made of smoke and possibly also ones made of fog/mist, though I’m not completely convinced those aren’t the same as smoke. If the fog/mist ones are different from the smoke ones, then this gives us 9 different types of sentient spren to correspond to the 9 non-bondsmith orders of the Knights Radiant.
For the Blad design, wouldn't another good idea be to put stabilizing lines of forbidding between the tips of the ellipses, so they are outside the defense? They would stabilize and anchor it, not restrict movement, and also protect from incoming attacks.
That would be great, but unfortunately it won't quite work. If you connect the tips of the ellipses, this is what will happen:
You could decrease the size of the portion that is cut off by playing with the dimensions of the ellipses, but you are never going to get the tip of the ellipse to stay inside that sharp angle at the top. The only Line of Forbiddance that touches the bind point at the tip and doesn't intersect the rest of the ellipse is the tangent line, which would be perpendicular to the major axis and thus never reach the second ellipse. You could contain the entire diagram in a square, but then you also can't attack.
If we could get bind points in places other than the tips, then a variation on your idea might work well. I have ideas for how we might be able to construct elliptic defenses with more bind points, but writing that up will require more coherence than I have this time of night ;-)
Hi, I'm auditioning for the role of Spook, Survivor of the Flames, and I'll be singing "Village Lanterne" by Blackmore's Night.
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So. I found my way to tumblr when I first discovered Brandon Sanderson's books. As a result, this, my main, was all Sanderson all the time. Tumblr won't let us change which blog is the main blog and my brain won't let me make this blog more general, so you'll find my general tumbling (currently including a great deal of Imperial Radch and Murderbot) on my "side blog" RithmatistKalyna.tumblr.com .
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