Hi There. I Saw Your Vigilante Esteban AU. I Really Loved It. Though, It Does Make Me Wonder. Have You

post-curse BATB headcanon

the enchantress’s magic spreads farther than anybody guessed, least of all her

following the curse, things are…..well, they’re joyous, obviously. They’re beautiful. They’re glad, and new, and full of sunlight. But also, sometimes….

Plumette wonders if Lumiere has gotten a little taller. Not a lot, not tremendously so—just an inch or two. It might be the new heels he bought as soon as he could, but she doesn’t quite think so.

Lumiere thinks Plumette’s hair might have gotten curlier, her skin a little softer. No, he thinks, that cannot be quite right, time was frozen during the spell, non? And yet—ohhh, she is as good to him as ever, what does it matter, she is radiant as always, with or without the extra locks.

Cogsworth sees Mrs. Potts moving around the kitchen and thinks, now, didn’t she used to have a touch of the gout in that one leg? And yet there she walks now, as she did when we first met almost thirty years ago. I must have a cog wrong, somewhere, thinks Cogsworth.

He could not always play with his eyes entirely closed, could he, her darling Cadenza? surely he was not so supernatural as that? Garderobe looks at him again and sees his eyes shut, his fingers flying over a passage she knows he shouldn’t know. Something has grown better with his fingers in the time he wasn’t using them. Magia.

Chapeau never says much, but he sees that Cogsworth’s back does not hurt him so anymore. It’s like a gear has shifted and released some spring he didn’t know he had.

Mrs. Potts knows Chapeau should not be that strong—yet he lifts Chip easily, now, as easily as if he were just a cup. Yet before—he’s a skinny man, Mr. Chapeau, I don’t know where he got that from. Mrs. Potts gets herself a cup of tea and thinks about it, crossing her two perfectly fine feet without another thought.

Cadenza notices no difference. His amore is as beautiful as ever, and the only magia he’s privy to is when she chooses to sing for him.

Today the stickers I ordered online finally arrived, I'm happy the stickers are beautiful and I think they look great on my sketchbook

Headcanon that even though Toshinori is weak, he’s fast. That razor sharp gaze never slowed, his reflexes haven’t dulled with age or illness.

Everyone forgets this, of course. How could they not? He’s a different person nowadays, even though he really, actually isn’t. people know that he’s All Might, but they look at him and honestly see a completely unrelated person. He’s separate. He’s not the same.

So it’s only natural that sometimes they kind of, sorta, almost forget. Forget that he was the strongest hero of his time, that he could and did change the weather with only a swing of his powerful fist. That his mere existence kept crime and violence at a historical low, ushering in the longest era of peace since quirks dawned.

Oh sometimes though, sometimes, they’ll get a reminder. Bakugou will throw a pen at the back of his head in class when the man is turned around lecturing and Toshinori, without pausing for breath, without even a hitch in his perfect script, will snatch it out of the air and have it hurdling back even faster and so, so much harder before they know what happened. The class notices, and takes turns testing it on occasion. They forget the least of all, and Midoriya, he never does.

He’s sturdy, too. Toshinori may pay a higher tribute to a willow tree than his own youth nowadays, but he doesn’t get knocked on the ground. It’s something in his unbreakable stance, how he still holds himself like a 300 lb immovable object, like he forgets that his body has changed. The other teachers see this and realize that in his prime, All Might wasn’t always standing due to strength, but sheer insurmountable skill.

I like to think that rarely, during administrative meetings, Toshinori will begin speaking in his thundering voice like a leader again, slipping into that persona when he needs to be firm, and the other pros will go cold with the reminder. Subconsciously they will bend their opinions under that voice, instinctually following it like they did in times past.

Kind hearted, cold blooded Toshinori Yagi.

if you mischaracterize ford for the sake of making a good plot or just because your understanding of ford as a character is a bit warped then thats a bit of a shame, but i’d still read it. ‘he would not fucking say that’ i say, continuing to happily read along anyways

if you mischaracterize stan for any reasons i throw my phone at the wall, i click out of the fic, an angel loses its wings, i start writing even more fanfiction to counter balance you, etc etc

ford being uncharacteristically awful? unrealistic but i can get down with this for funsies. stan being uncharacteristically awful? we’re done here.

Some interesting facts about Hank you might have missed (Detroit: Become Human)

DBH is full of little details that help understand the characters’ background and their motivations, details which can go entirely amiss if the player isn’t paying enough attention to their surroundings. 

You have to play several times over to notice bits and pieces of information scattered everywhere and be able to reconstruct the characters’ background by patiently piecing them together. If you’re thorough enough, you can even uncover whole chunks of the characters’ past which they refuse to talk about (something VERY frequent in Hank’s case…and equally frustrating). 

Here are a few details about the life of Hank Anderson, the lieutenant who is chosen to help Connor with his investigation, along with some interpretations of my own about his mysterious past based on the evidence we find in the game:

[SPOILERS AHEAD. YOU HAVE BEEN WARNED]

The park where Hank goes to drink after the Eden Club mission is a playground for children. If you pay attention, you’ll see the place is full of recreational equipments, like a swingset, a toy house and a merry-go-round.  He says the place has a nice view and mentions going there a lot before something happened. This is where he used to bring his son Cole to play before his death.

What hurts most about this scene is how a human notices the photo of Hank’s dead son on his kitchen table, then the fact Hank drove to a playground and immediately associates them both, while an android (Connor) is unable to see the correlation between them. This is why Connor asks before what?. He’s clueless to the overwhelming evidence around him of Hank thinking about his son in that moment and choosing to revisit the playground. 

Hank used to be part of a multi-department unit called the Red Ice Task Force which successfully busted a ring of drug dealers that sold red ice in Detroit. He has a photo of his unit on his desk, and you can even see the notes he left on each of them, where some nicknames were scribbled and associated to each of their faces. Some of them are fond nicknames, others, not so much:

The nicknames (from right to left): 

Prick & Asskisser - the two male policemen in the far right

Nice girl - the smiling policewoman in front of Prick and Asskisser

Asshole - the smiling policeman on the front

Real police - the policewoman in the back, behind Asshole

A good cop - the policeman in the back, right next to her

Hank Anderson

??? - policeman on his left

Not seen since 2019. Owes me some $ - last policeman, in the far left

Hank worked in the Red Ice Task Force two years before the birth of his son Cole. Cole was born in 2029, as seen in the photo below.

Hank also lost his son in 2035, only three years before the events of DBH, as seen in Cole’s picture below.

The reason why Hank feels so disenchanted is because he worked hard to end the traffic of red ice in the city only to lose his son to a doctor who was a drug addict. This made him feel like his work was ultimately worthless and even guiltier about losing his son, since despite his efforts, there was nothing he could do to save him. The day Cole died, he learned he was fighting a losing battle. So he just gave up. On life. On his job as a good police officer. On everything.

Hank plays Russian roulette because deep down, he doesn’t want to die. Something keeps him from offing himself once and for all. He’s afraid of death. Proof of that is how scared he becomes when he is holding for dear life on the ledge right at top of that building during our chase for the deviant Rupert (where you must choose between saving Hank and keep chasing the android). Hank was so scared of the prospect of dying he punches Connor in the face and yells at him due to the android’s refusal to save him. Therefore, Hank might have suicidal tendencies, but he’s not truly suicidal. If he truly wished to die, then all he needed to do was to let go from that ledge or fully load his gun next time he’s at home and shoot himself. And he knows that.

His sense of guilt and helplessness for his son’s death is what makes him so protective of Connor. He’s aware Connor is just an android. And yet prevents him from facing potentially fatal situations. Hank just can’t cope well with death and will project his fatherly feelings for Cole onto Connor. This is why he commits suicide if he witnesses Connor’s death over and over. But this is also the reason why he warms up to Connor throughout the game. He inevitably associates the android with Cole despite himself.

Hank shoots you if he’s hostile after Connor repeats over and over again that he’s just a machine, unable to have real emotions. Hank’s actions have two root causes: 

1) The doctor who was high on red ice was emotionally dysfunctional. He used drugs to cope with his personal problems, a behaviour that seemed normal in Detroit given the socioeconomic hardship the city was going through (thirty percent rate of unemployment). We also see how androids are progressively replacing humans in every line of work. Remember when Hank complained how people are replacing normal relationships with humans for androids (Eden Club mission)? This seems to be a big issue in Detroit. Along with the huge unemployment rate, it indicates a depersonalisation of human interaction. That is to say, a tendency for humans to avoid contact with each other and replace real interaction either with an android or with drug abuse, something which Hank not only disapproves, but finds disturbing.

2) In the very first scene of the game, we see the mother despair when she learns they sent an android instead of a real human to save her daughter. Hank’s son didn’t survive because an android was sent to save him. Or at least that’s how Hank sees it. Much like that mother, he believes Cole would be alive if a human doctor had been there for Cole, another consequence of the ongoing depersonalisation process, as Hank sees it. 

This is why it’s so important for Connor to restore Hank’s faith in the possibility of there still being real human interaction left in this world. Of there being people who CARE about something. And if Connor fails to do so, repeatedly telling Hank he’s just a machine, this will trigger Hank to the point he’ll relive the day - or night - his son died because the hospital assigned a machine, something less than a human - an android - to save his son. Hank feels wronged, betrayed by mankind, by the very people he swore to protect as a police officer. Despite his efforts to save the city, they let him down. The fact that nobody cared enough to save Cole is what killed him inside and later triggered his suicidal tendencies. Human indifference took away the most important thing in his life.

Thoughout the game, Hank is watching you, trying to figure out what sort of person Connor is. This is why he questions your decisions after every mission. Remember his dialog with Connor where he asks why didn’t he shoot Chloe at Kamski’s place? That’s when he begins to wonder if androids aren’t more than just programmed machines and capable of free will…and even empathy.

Unless Connor’s actions succeed in restoring Hank’s hope in humanity, he sees no light at the end of the tunnel. And what could give a disillusioned, mourning father more hope than an android being able to feel and empathise with both humans and androids, to the point he rebels against his program and spares his targets, regardless of his mission?

There might be more on Hank, so this post will be edited in the future as I notice more details with each gameplay. 

If you liked this analysis, please like and share it. Do not repost without mentioning the source or without posting a link to the original post. I think that goes without saying, right?

so background. my fiancée and my mom have been calling each other “BFF” since we started dating over 5 years ago. like that was my mom’s contact name in Selena’s phone for half a decade.

anyway we just got engaged a few days ago, and now the two of them want to update their nicknames to reflect that. and. well. hold on i gotta gear up for this one

so my mother always tends to have new ideas for au's which is sometimes a bit annoying because I can't work in one au without having an idea for another, but coming to the point, what do you think about this idea? basically it would be some kind of roleswap but with martin whitly and harry watling just imagine this harry is the serial killer who has 23 victims to his name, martin on the other hand just blamed himself for edincott's death which was actually caused by Ainsley, so we have this murderous vicar and we have this surgeon who has never actually killed anyone but has dedicated himself to saving people.

Don't worry, I totally understand, I am... constantly making up new ideas, which makes it so hard to focus on anything involving my previous ones haha.

Hmmmm, so a while ago I saw a post where someone commented on how it's possible that they events we saw in the show of Harry were all told from his perspective, trying to make himself seem like such an innocent person in order to, ya know, not be guilty for kidnapping and all that, while he's talking to the one guy on death row.

This has me thinking that maybe he does this here too, pretends he never did those murders, they have the wrong person or he was just in the wrong place at the wrong time, he never did what he did. Come on, he's a vicar, well respected and loved by his community, how could he have ever done such horrible killings?

And Martin, hoo boy, taking the blame like Malcolm did, that would play so heavily on his mind. A constant reminder that there is blood on his hands, even if he didn't actually hold the weapon.

Fascinating... I rather like this, it has potential!

How did I not notice before that you can actually see Lumiere transforming back to human in Cogsworth’s eyeglass thingie? (If someone is able to show it better than in these photos–you can click on and through them and see what I mean, that’d be awesome). Maybe I was just focussing too much on Ian McKellan’s expressions lol. 

I never thought I'd say this but here it is!!

The long lost Gravity Falls "Next Time On," reel has FINALLY been found!

This right here is what made this show happen and the reason why every new Disney cartoon also has a next time on reel. GF's last big lost media hunt is over!

Alex Hirsch said that he was okay if this ever was to leak. So, if this goes down, blame Disney!!

You know I tend to be against the idea that hotch has no feelings but today I saw a post that says that hotch is a sociopath who wants to be different to show that he can be a good person and I liked the idea, just imagine the team at a dinner where rossi joking about how hotch can become too much like unsubs and hotch just explodes screaming that maybe it's because he's a sociopath and then he leaves rossi and the team doesn't see him until the next day. Morgan asked Garcia to review Hotch's medical records and Garcia confirms that Hotch was indeed diagnosed with an antisocial personality disorder at 21 (I like the idea that Hotch behaves a bit like Benedict Cumberbatch's Sherlock but you know din tar smart like Sherlock. I'm also totally ignoring the fact that the fbi wouldn't hire a sociopath)

Okay so like… this is so freaking fascinating to me. Sociopaths in general are fascinating because I always wonder what exactly about their brain is different from mine that makes it so they don’t “feel” things. And then there’s stories of those who never experienced emotions but learned how to fake them/mask to fit in with “normal” society.

And the idea of Aaron Hotchner, the Unit Chief of the FBI’s leading Behavioral Analysis Unit, being one of those people? Being someone who, in order to feel something has to hold the cold metal of a gun firmly in his hands, steady eye looking down the scope as he pulls the trigger, watching the blood fly and the unsub fall with a thud? The feeling isn’t exactly… excitement? Or regret? It’s just a buzz in the back of his mind, the closest thing he’s ever experienced to some sort of emotion. And he chases that feeling when he can, because he wants to know what it is. He wants to be able to understand it. The larger the weapon, the more blood that it creates in the death of an unsub, the more powerful the buzz.

Yeah I kinda lowkey like that.

(Of course I am not an expert in sociopathy or psychopathy and I am replying in a fictional sense. People diagnosed as such are not all horrible murderers!! Plenty of people who have these diagnosis live completely safe and “normal” lives, and have healthy relationships and jobs. I am just leaning into a fictional scenario).