I haven’t used pencil crayons in so long. Drew Penelope, just cuz her redesign was really cute, even with all the shit that happened.
Guess who made QR codes for Penelope’s suits? Me ^_^
Free to use, go nuts, be free my fellow New Leaf players. It took me a long time but I had a blast making them.
I was bored during the self-quarantine, so I decided to ripoff @doubleca5t
Sly/Carmelita: You think that the only thing that could possibly have made Lupin the 3rd better would be if Lupin and Zenigata really wanted to fuck each other.
Bentley/Penelope: You think the concept of “opposites attract” is highly overrated. And you probably really hate Thieves in Time.
Murray/Penelope: You think that the concept of “opposites attract” could not be rated highly enough. And you probably really hate Thieves in Time.
Sly/Bentley: You are a firm believer in the inherent eroticism of jumping and pressing the circle-button.
Sly/Murray: Your ideal relationship dynamic involves wacky hijinks, after which, hilarity ensues.
Bentley/Murray: Your ideal relationship dynamic is Nerd and Jock. And by Nerd and Jock I mean that really wholesome Webtoon comic-series.
Bentley/Dimitri: Your ideal relationship dynamic is nerd and theater-kid. And you’re a scalie.
Sly/Bentley/Murray: You think the only way that the found-family trope could possibly be improved is if it involved a polycule.
Sly/Penelope: You are the author of a Sly Cooper/Sailor Moon crossover-AU, wherein Penelope portrays Usagi and Sly portrays Tuxedo Mask. And you probably really hate Thieves in Time.
Carmelita/Penelope: You think it’s a real shame that Sly 3 doesn’t pass the Bechdel-test. You probably also think that the redesigns in Thieves in Time were either too horny or not horny enough.
Carmelita/Contessa: Looking back on your childhood you can pinpoint Sly 2: Band of Thieves as the catalyst of your hypnosis fetish.
Sly/Panda-King: Your ideal relationship dynamic is enemies to friends to lovers.
Murray/Panda-King: You’re always a sucker for bara. Especially when one of them is a literal bear.
Murray/Muggshot: Same with Murray/Panda-King except you’re also into BDSM.
Dimitri/Mz. Ruby: You are a firm believer in the inherent eroticism of vogueing. And you’re a scalie.
Carmelita/Neyla: You’re really into BDSM, despite never having tried it
Sly/Neyla: You’re really into BDSM, despite never having tried it, AND you’re heterosexual.
Dimitri/Neyla: You’re really into BDSM and have probably tried it.
Neyla/Penelope: You are the rare breed of person who thought Penelope’s betrayal in Thieves in Time might have actually made too much sense.
Neyla/Contessa: You’re a firm believer in the inherent eroticism of police corruption. And you probably have a hypnosis fetish.
Neyla/Clockwerk: You’re into BDSM, upgraded your hypnosis fetish to a mind-rape fetish, and you’re into vore. Among other things…
Murray/Dimitri: You are a firm believer in the inherent eroticism of a “Barney the Dinosaur” origin story.
Dimitri/Penelope: You are Dimitri Lousteau, and you probably really hate Thieves in Time.
Also, it goes without saying that if you like any of these ships, you’re a furry.
More humanized Bentley&Penelope fluff
I LOVE the way the sword pose came out. I don’t even care that I forgot to add glasses to it! XD
I want to believe Penelope was kidnapped and impersonated. She still designed the blimp. Her impostor (an evil robot) did everything else. Even her motive was fabricated.
Here's something that could happen in Sly 5.
When the boys (Sly, Bentley, and Murray) eventually find out and take her back, she's going to be a guilt-ridden mess hell-bent on destroying her impostor and her creator for breaking Bentley's heart and making everyone hate her, with several measures of self-loathing for nearly doing the same thing herself.
The reunion scene would need to happen early in the episode in which this story takes place, during the second mission, and no later. That way, the player can get used to her being fully playable for the first time ever before the boss fight.
All three boys, while elated to have Penelope back, will quickly notice that something is seriously wrong with her. They think her impostor did everything, including designing the blimp. When they ask her what's wrong, she refuses to elaborate.
Bentley is especially concerned, but incredibly proud of his reinstated girlfriend for her enduring loyalty.
Cue Penelope pulling her weight several times over during her return episode and defeating her impostor, only to be consumed by all the guilt and confess to none other than Bentley about her treachery by the end. The only thing she doesn't reveal is her motive, saying it doesn't matter because what she did was wrong.
And because I love a good, happy ending, she will be forgiven. She's already spent the entire episode proving herself in spades. As for Sly and Murray's reactions? I'll leave that for you to decide. Would Sly drive himself crazy over not knowing her motive? I think he might.
I realize she will need a very sympathetic motive for this idea to work.
Here’s your intermittent reminder that Penelope the mouse
is introduced as explicitly a better RC specialist than Bentley
a top-tier engineer and mechanic
so good at dogfighting than when she became a combat pilot “at a young age” she was instantly elevated to celebrity status
very convincing at pretending to be a different age and gender???
apparently wasn’t lying about being a trained boxer
can hack pretty good
easily matches and contends with Bentley’s intellect and could, therefore, plan heists pretty good
just fuckin picked up a sword and used it to murder a guy who had dedicated his life to being an old-timey pirate captain, and, by extension, swordfighting.
Penelope could kick the ass of the collective Cooper Gang at any point and the only reason she doesn’t is to be polite
hi! I have a question, how do I write the movements of a ballerina? I'm writing a novel and now I'm at the part where my protagonist is dancing ballet for an audience in the theater. Could you help me with how to write her movements? I'm in doubt about how to write this
Adagio: “Slow tempo.” In ballet, a tempo in which the dancer moves slowly and gracefully.
Allegro: “Brisk tempo.” In ballet, a tempo in which the dancer moves briskly and excitedly.
Allongé: “Elongated.” An adjective used to describe poses that are stretched and elongated, like an arabesque.
Arabesque: A pose in which the dancer stands on one leg—either straight or demi-plié, and either flat-footed or en pointe—while extending the other leg straight behind at a right angle. The shoulders are square with the arms held to create a long line from fingertips to toes.
Arriére: "Backwards." A move that indicates backwards movement or motion.
Ballón: “To bounce.” A light jump. Used to indicate the delicacy of the movement or jump.
Chaseé: To slide.
Elevé: A rise upward onto the toes.
En l’air: "In the air." Indicates a movement or leg position that is held in the air.
Fondu: To melt (a melting action).
Frappé: To strike (like lighting a match on the floor).
Glissade: To glide.
Jeté: To throw.
Pas de deux: A “dance for two,” or duet, in classical ballet.
Petit saut: A small jump.
Pirouette: A complete turn of the body on one foot, either turning inward or outward, with the body centered over the supporting leg, the arms propelling the turn but remaining stationary during the turn, and the eyes “spotting” a fixed point while the head quickly turns.
Promenade: A slow pivot of the body while standing on one leg.
Rèvèrence: “Bow”. Traditional port-de-bras and port-de-corps showing respect and gratitude to the ballet master or audience.
Tournant: “Turn.” A term paired with a movement to indicate a body turn.
Variation: A solo in classical ballet.
Although ballet actually began in Italy, it was formalized in France in the 17th century. Ballet terminology has remained largely in the French language. Ballet dancers across the world learn and can communicate with this universal ballet vocabulary.
Sources: 1 2 3 4 ⚜ More: Word Lists ⚜ Dance
Hope this helps with your writing! If I wasn't able to include the right words you need, you can go through the sources. Still, remember your readers when describing the scene — perhaps some of them might not be familiar with these terminologies.
I thought I'd repost one of my full story previews from DeviantArt. A few months back, I posted this there. It's set during Episode 0, during Sly's portion of the tutorial in Chapter 2. We open just after Sly's little accident crossing over to the museum building...
It wasn't too long before Sly happened upon a small rat guard with a gas mask. Somehow he looked familiar upon a close inspection… Sly brushed it off and picked his pocket before taking him out. "Nah… It couldn't be." Just a coincidence, right? He didn't dare tell Bentley. What would he think?
Almost immediately afterwards, Sly started hearing voices coming from inside the museum. He could hardly make out what they were saying, but he did see shadows in the window. Among the figures he spotted was a strangely familiar… skunk? He didn't bother staying long enough to hear what they were talking about. There was a job that still needed completing.
Sly almost swore he could have heard a squeak coming from Bentley's end of the line, followed by a splash. "Something happen in there, you two?"
This time, it was Penelope, the mouse, talking. "No need to worry about us, Sly. We're fine! Just a literal rat!"
A smile escaped from Sly, followed by a small chuckle… "First-timers are the best, aren't they?" He pressed onward, happy to have someone other than just Bentley and Murray on the main roster for a change. He fondly remembered Bentley and Murray's first time way back in Cairo… Those two had come so far since those humble beginnings…
But whenever he recalled that memory, he couldn't help but remember Neyla, the traitorous Interpol officer/Klaww Gang member… Things were different now. She was purged from this world. Surely he'd never meet anyone like her again, right?
As it happened, Penelope had never been on a full scale adventure like this before. Not from the very beginning, at least. Her experience level easily dwarfed everyone else's. Not that it was her fault. Sly had the gall to retire before she could gain any real experience as a full time member.
He started to regret that decision as he kept going… How could he do that to someone he recently hired? Still, Sly looked forward to seeing what Penelope could do beyond what she had initially been hired for. Better later than never, he thought.
Wanted to draw one of my favorite characters, so I did. If your interested in seeing how this was drawing was made heres a link to video on it: https://www.youtube.com/watch?v=9t4r5qzJs6Q
Let's now go over all the change Bentley goes through in Thieves In Time Redux... I don't think I need to say who he's referring to...
Bentley during the prologue: Please tell me you're still in one piece! (During Penelope's segment)
Bentley during the prologue (again): I'm glad you made it back. And thank you for saving me from that guard's wrath. Am I worrying too much? (After Penelope's segment)
Bentley during Episode 1: Stay behind me and Murray. This place is dangerous. Did those guards back there hurt you? (During Something's Fishy)
Bentley during Episode 1 (again): I hope you learned your lesson. You nearly gave me a heart attack when you ran off! Then again, we might have lost Sly if you hadn't done that... (After Altitude Sickness)
Bentley during Episode 2: You really didn't have to jump in there and take those stings for me… but thank you. Let's get your injuries patched up. (After Cooper For Hire)
Bentley during Episode 2 (again): The way you broke me out of that prison was incredible! I was wrong to underestimate you! (After Jail Break)
Bentley during Episode 3: If only you'd told me sooner… Why didn't you say you were sick? (After Getting Stronger)
Bentley during Episode 3 (again): I'm positively speechless. You and Murray worked so well together against The Grizz! Feel free to go back hom-- Wait, you're staying? (After OP: Jurassic Thievery)
Bentley during Episode 4: You want to help Murray tear that tavern apart? The one that's loaded with those massive guards? You know what? Go for it! (During Short Supply)
Bentley during Episode 4 (again): Breaking yourself out of a tower and striking down the Black Knight?! Is there nothing you can't do?! (After OP: Frog Trap)
Bentley during Episode 5: Your services will definitely be required in this perilous structure. I'll have tea and cheesecake ready for you when you get back. (During Copy Cats)
Bentley during Episode 5 (again) This whole mess was your doing?! Young lady, you are in big trouble! (After All Rolled Up)
Bentley during Episode 6: I'm willing to wipe your slate clean if you put an end to what you started and-- You want to lead us to victory? I hope you don't let us down. (Before the final mission)
Bentley during Episode 6 (again): When I said "put an end to what you started", I didn't mean "fight Le Paradox all by yourself"! Please come back safely... (During the final mission)
Bentley during the epilogue: I knew you wouldn't let us down! Of course you can stay with us! Just never betray us again! (After the final mission)
So yeah. Thieves In Time Redux through the eyes of Bentley.
Sly 3: the evolution of Penelope