This Is Breathtakingly Beautiful

I’ll keep on dickridding jjk till my last breath. I acknowledge its flaws but through it all there were still so many beautiful moments and for that I will love it.

Akutami Gege Devouring His Son

There is no Ernesto Foulworth in Ba Sing Se

Purple haze feedback is written so beautifully at times. My favorite scenes so far are the flashbacks, specifically buccarati learned about the drug trade. I wish there was an illustration for that as in my minds eye it is so tragically gorgeous.

THE PEDIATRIC WARD WHAT THE HELL?!

I could never imagine him of all people willfully choosing to work with children. There are too many cans of worms.

Im so glad we are talking about this. What is this butchering of Chishiya. When I choose to finish the show I’ll need to repent by rereading the manga at least 3 times.

I was also really excited to see the letter scene and the Mona Lisa scene even more. It’s such a beautiful scene.

Something personal on the Mona Lisa panels:

I never liked the Mona Lisa. Her popularity definitely added to it but the painting never spoke to me. These panels made me appreciate the painting more and what it can mean to others. I’m grateful as an artist to have gotten more hindsight into that as well.

Semi spoilers on Chishiya in Season 2 bcs the serie made me super pissed off about this

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The fact that they changed his past and put him in the paediatric ward with all the implication of "eh now I'm so apathetic because I've seen people die because of the corrupt system and I pretend I don't care" gne gne... IT DOES NOT IMPROVE THE CHARACTER. ON THE CONTRARY.

Chishiya was not in pediatrics, he was a medical student "on field" in the hospital and he's the same person who, when a dying patient gave him a letter for his wife and children, he smiled, said "Don't worry I'LL HAND IT OVER" and then proceeded to THROW IT IN A TRASH CAN JUST OUTSIDE THE ROOM SAYING THAT FOR HIM THOSE THINGS ARE JUST A PAIN IN THE ASS.

Chishiya doesn't care about understanding people's hearts, he has no interest in the concept of life. He says that himself.

I don't know what the fuck they wanted to do but twisting this big part of him made my balls drop

Thoughts on the dr stone petrification scars

Big disclaimer,

This is just my personal thoughts and stuff I put together n noticed, a subjective interpretation, don't take it seriously Im probably wrong

Some of these are very elaborate while others are just me pointing out details I liked. Sorry. I'll start with the longer rants

This post contains characters (currently) exclusive to the manga and main plot spoilers. Maybe I'm looking to much into it but I swear to motherfucking God there's scar symbolism. anyway

Senku and Taiju

Something that always stood out to me is how similar their scars are both in shape and position, except that Taiju's is cut on the right eye and the points are on opposite sides. Now listen to me... Senku and him are opposites; one's big brained but physically a twig and the other one is the strongest most resistant man you'll ever meet but doesn't really understand anything about science. That's why opposite scars and why they need each other to go on... But their marks are in the same direction because they have the same goal and interests + deep down they're both extremely caring people who would do anything for those around them, despite how different and contrasting their personalities are at first glance.

Oh and Senku's marks are completely symmetrical and do NOT go away. Idk logic perseverance etc + Taijus are more coarse and asymmetrical. To contrast their way of thinking I think. They could be similar because they were the first ones to wake up from the petrification too but you know

Francois & the Nanami brothers

Francois' scar looks like explosion or sound waves. (Manga) Ryusui snaps his fingers to call them creating a similar shape, which is really cool I'll admit. Their scar is on their hand, just like Ryusui's.

So, both Ryusui and Sai also have scars on their hands, except Ryusui's may resemble a glove so pirate-like if we don't count the color + it's on the hand he snaps his fingers with. Mark resembling a rich man or a pirate's glove on the same hand he uses to call his butler and ask for service, and it only covers his fingers. Could be something like a symbol of power/status.

On the other hand, Sai's scars completely cover the lower part of his arms and hands, which are what he uses to code. Sai ran away in order to be able to schedule quietly and is completely locked in his work. Tell me you get it please

Yoo

I'm getting into crack theory with this but please do bear with me. His scar makes him look like Alex, the protagonist of A Clockwork Orange. A Clockwork Orange deals a lot with the theme of unscrupulous rebellion, hurting someone because you think you have complete freedom, and police brutality, which are big parts of Yoo's character. As far as I remember the eyelash marks are left on the MC after being forced to watch 484737 movies showing super beast crimes so he understands what he is doing is wrong and redeems himself. Yoo covers his face a lot to hide the mark and only removes the piece of stone that covers it at the end of the manga when he is 100% team Senku.

IN ADDITION, something important in A Clockwork Orange are the vulgar idioms and slang that teenagers invent and are completely unknown to the viewer and curiously the name and surname of Yoo are formed by informal interjections in Japanese. I've only read the book tho, never watched the movie so if I got anything about the eye marks wrong mb

Tsukasa and Stanley

I really like how similar their scars are, considering both were absurdly overpowered antagonists that had to be defeated using much more advanced science + both kill Senku at one point + their eyes are similar to some extent. I love parallels

Dr Xeno

Scar becomes? White? Splits into pieces? After he's revived a second time and decides to help Senku. Something about his ideals splitting/changing maybe. And being no longer evil thus willing to kill teenagers

Gen

Gen's scar seems to resemble a mouth that changes shape depending on whatever emotion he's feeling (or pretending to feel). I don't have anything else to say genuinely peak character design, specially taking into account that facades are a huge part of his arc and relationships with other characters (let's remember that he's the one to suggest everyone paints their scar again in solidarity with Senku. Hm).

Yuzuriha and Mirai

Yuzu's resemble the roots and vines that protected her body while she was petrified, while Mirai's make her look like a baby chicken breaking out of its shell. I think they're both cute details considering their characters:)

Homura

Considering she's a gymnast who uses her legs a lot to move, I find cool that it's on her thigh. It makes her legs look like they're cracking

Hyoga

Very circular and repetitive, something related to his weapon maybe. I find interesting that he covers them. Insert cursed speech jujutsu kaisen joke

Addition: Ukyo has no visible mark which is also cool on its own way, given that one of his abilities is easily perceiving sounds other people don't notice at all

Ko-fi donation redraw reigen because I have to give one of these to every person who donates

all those terms for when you dont really like something but someone else does and you respect that… youve heard of “not my cup of tea” and “whatever floats your boat” and now its time for this phrase to shine

This was a most interesting and informative post.

You Simple Vile Monstrosity: Rook and the Flowers of Evil

My other two dumb history posts have at least a semblance of fun fact to them, but this is mostly going to be literary analysis and some theory. There's some interesting stuff here sure, but I don't really think it adds much to the overall landscape of twst theories. But it does make Rook make more sense to me so I am making this post anyway.

So without further ado, if you are like me and enjoy reading twst theories, you might know that the beginning lines of Twisted Wonderland are something we have been debating the meaning of since the game came out really. While I think we have been closing in on their true meaning as Chapter 7 progresses along, the phrase "Flowers of Evil" can actually refer to something specific: a french poetry collection of the same name (Les Fleurs du mal in french) by a poet name Charles Baudelaire originally published in 1857. The collection was extremely controversial, but today it is highly lauded and has inspired several other literary works, including a manga series by Shūzō Oshimi of the same name. I found out about the poetry collection while working on this request and finally finished reading it... and another essay by Baudelaire for reasons we can talk about later on in the post. For now let's talk poetry.

Beauté! 100 Points!

I don't speak french, so I read an English translation done by Aaron Poochigian that does contain the original french text in the back half of the book. The Flowers of Evil is split into seven-ish parts: The Flowers of Evil (just containing "To the Reader"), Spleen and the Ideal, Parisian Scenes, Wine, Flowers of Evil (again but with 12 poems this time), Revolt, and then Death. The sections are more or less organized by the subject of the poems, Spleen and the Ideal is the largest with Baudelaire musing over what the ideal concept of beauty is while Wine deals with getting drunk (on wine mostly if you can believe it.) One of the things that jumps out very quickly about Baudelaire's work is that his concept of beauty is almost synonymous with his concept of evil. He writes a lot about maggots eating corpses, about decay, he has a few poems that talk about vampires appearing to be the highest form of beauty but really being husks of rotted flesh; it's all very much about this acceptance that evil is a part of life and human nature, so therefore there must be beauty in it. The concept of "ideal beauty" must by it's nature be divorced from the concept of "morality." When Rook talks about the potential for Leona or Malleus to kill him and how beautiful that would be, I think he means the act of destruction itself would be beautiful. The circumstances surrounding it and the consequences of it are irrelevant to the concept; this is also why while he initially says he cannot find the crimson lotuses in GloMas beautiful Deuce accuses him of doing just that after everything is said and done. He cannot find beauty in Rollo's actions, but the visual and the fight are beautiful because of the effort he and the other students put in to stop them. And perhaps most importantly, it's why he is willing to drink Vil's poison and look upon what is supposedly ultimate ugliness and say "In this moment you are the fairest of them all." Because how could an act born out of such raw and genuine emotion be anything but?

Le Chasseur D'Armour, The Hunter of Love

Baudelaire wasn't just a poet, he fancied himself a critic and wrote multiple essays, the one I read for this post is The Painter of Modern Life. Which is actually a collection of several but they are all related, and I was directed to them by this wordpress post. In it, Baudelaire muses over how things can be both beautiful and ugly, and why:

"Beauty is made up of an eternal, invariable element, whose quantity it is excessively difficult to determine, and of a relative, circumstantial element... which severally or all at once, the age, its fashions, its morals, its emotions."

He was talking about fashion plates that depicted outdated costumes, but his point was more or less that if you strictly look at the design of the costume they look ridiculous: ugly. But when you take into account their historical value (these particular plates were all from the around the time of the French revolution) they become exceedingly important: beautiful. He also mentions in this same essay the importance of not just taking into account the opinions of so called "masters" and sneers at people who think they understand what is beautiful just because they have seen a painting done by a professional:

"... to declare that Raphael, or Racine, does not contain the whole secret, and that minor poets too have something good, solid and delightful to offer... that we might love general beauty, as it is expressed by classical poets and artists, we are no less wrong to neglect particular beauty, the beauty of circumstance and the sketch of manners."

In chapter 5, while helping Vil judge the auditions for VDC, Rook gives every audition 100 points because, well, in his mind they are all an example of perfect beauty specifically because they are the work of amateurs, and that is no less valuable to him or less worthy of praise that the work of the master. Now granted he clearly does value professional quality (he did have reasons for voting for Neige other than being a massive simp. Valid ones even if loosing does sting) but that's only in the context of strict rules and guidelines. When Rook is asked for his opinion, while he certainly does believe there is an absolute, academic definition beauty, he doesn't place any value on where that beauty comes from. Baudelaire muses over how human life "accidentally" puts mysterious beauty into the world, and the true appreciator of beauty must make himself not strictly a poet but:

"...an observer of life, and only later set himself the task of acquiring the means of expressing it... For most of us... the fantastic reality of life has become singularly diluted. [But he] never ceases to drink it in; his eyes and memories are full of it."

I strongly dislike suggesting in these posts that xyz is "the definitive reason" for why a character acts the way that he does, but I do think it is very interesting how well this describes Rook's ethos. He thinks of himself as a hunter, but in order to do that he needs to observe. Sure he takes it to exceptionally extreme lengths, but it makes him one of the most lively members of the NRC cast. Baudelaire is right, there are a million things about life we miss on a day to day basis wherein true beauty lies, but Rook sees all of it. His eyes, memories, camera, and secret photo albums are fit to burst with it.

My Noble and Beautiful Flower of Evil

I mentioned the opening text at the beginning of this post, and I stand by my interpretation that the phrase "flower of evil" it uses likely is not a specific reference to any of the poems themselves... beyond the obvious note that it is a collection of poems about finding beauty in, well, evil and most of the characters are based off of villains.

But there was something that started gnawing at me when I read the introduction to my translation, which was written by a poet named Dana Gioia. It was a very well written summary of Baudelaire's life and the significance of his work, but it mentioned a connection that I have seen brought up in twst theorizing before: Edgar Allen Poe.

You see, Baudelaire was obsessed with Poe. To the point that (according to the introduction) "He considered Poe a sacred martyr for art and referred to him as 'Saint Edgar.' In his morning devotions, Baudelaire prayed first to God and then to Poe."

I have nothing to say on that (because really what could you) but the point that Gioia wanted to make in that introduction was that Poe had a massive influence on Baudelaire's writing style. He wrote multiple essays on his work and translated them into French because he felt like Poe deserved the recognition, so while Gioia used this to argue that Poe's influence on Baudelaire shouldn't be underestimated...

I can't find the post, but someone was talking about how Malleus's mother's name Meleanor is very similar to "Lenore" and I recall people sort of brushing that connection off. I don't that name is a coincidence. I think the poem "Lenore" might very well have been something thought about when constructing her character, and that the themes in Poe's work might be very relevant to the overall story of Twisted Wonderland.

Something about ravens and telltale hearts just feels like they fit; maybe we have got it all wrong and Yuu's visions aren't coming from the mirror in Ramshackle, but the floorboards.

Semi- Unrelated Fun Facts:

If you read the name Baudelaire and thought to yourself it sounded familiar, you might have be thinking of the Baudelaire children from A Series of Unfortunate Events. This isn't exactly a coincidence as the author of the series admits to his writing being heavily influenced by Charles Baudelaire to the point he actually wrote the afterword to the translation I own.

Dana Gioia is the former Poet Laureate of the state of California, something that deeply confused me. Apparently the Governor of California appoints someone to a 2 year term and they travel around the state to promote poetry and literacy which is apparently something that 46/50 U.S. states and D.C. does to????

My glorious motherland of Pennsylvania is not one of these states, apparently we only ever appointed one, then eliminated the position entirely after he retired, and then started just. Handing out ones to people in individual cities and counties. Which is so par for the course here I don't know why I am surprised.

One of the first things any college level literature course will try to drill into you is that you don't examine the life of an author when examining their work. It might sound silly, but I think Baudelaire is a great example of why that's important. The man was addicted to drugs and sex, refused to get a "real job", lived off his inheritance from his wealthy father and eventually whatever money he could convince his mother to send him his entire adult life, and had her use her political connections to bail him out of legal trouble multiple times.

If I thought too hard about that it would make his lines in "Skeleton Laborers" (Nothingness is treacherous.//Even Death is a deceiver.//Alas, forever and ever,//work may be awaiting us) fall terribly flat, which I think does them a disservice. The man was very talented and I am glad he wrote them because I felt very seen when I read them.

Baudelaire opened his publication with a note to the reader, but he made it a full poem entitled "To the Reader." I liked the ending stanza so much I used a version of it to title my blog, and eventually my current masterlist: (Boredom! Moist-eyed, he dreams, while pulling on//a hookah pipe, of guillotine-cleft necks.//You, reader, know this tender freak of freaks-//hypocrite reader-mirror-man-mytwin!)

Likewise the title of this post is also taken from part of a poem, "Hymn to Beauty" (Beauty, you simple, vile monstrosity,//I cannot care about your origin,//provided that your gaze, smile, feet show me//a sweet infinity I have never known.) I think that fits Rook's ideals rather well, don't you?