Every time I'm around mosquitoes I start thinking about how people made the entirely correct connection between places with a lot of temperate stagnant water and the spread of malaria, but didn't quite connect all the dots - this place has stagnant water, this place has people getting sick with this same illness. Clearly it's the stinky water causing this, maybe it smells bad and the bad air is causing this. It's unhealthy to breathe the outdoor air at night, people who are out at night or don't shutter their windows tightly when the sun goes down are more likely to get sick because the bad air gets in.
The missing middle part was mosquitoes. Mosquitoes breed in standing water, and mosquitoes spread malaria.
I think this kind of thing would make a fun worldbuilding exercise. Have something in your world that does function the way people think it does, but they're completely wrong about why that happens. Or they've gotten the right connection, but backwards.
Holy rites that ward off evil but the Pure Substance is actually just antibacterial. Birds whose call is an omen of an approaching dragon, but these birds actually just have some symbiotic relationship with them. Half-elves that seem predestined to turn to dabbling with dark and lethal magic, but actually they just have a stronger tolerance of The Thing That Kills You due to hybrid vigour. Everyone knows that tigers never attack holy women because of a pact between their gods, but actually it's because a tiger is an ambush predator and the priestesses' headwear vaguely resembles a human face from the back, and the tigers can't quite tell whether she's facing away or towards them.
When it feels like writing is impossible but you really really want to write anyway, just skip the bits that don't inspire. Write 15 openings of scenes and nothing else. Write that one emotional conversation with only the dialogue like a script. Write that one emotional conversation with none of the dialogue.
Be so self-indulgent you almost feel over-indulged by the end.
Sometimes you're torn between wanting to write but not having the spoons to actually do writing proper. So don't do it properly.
froggos got you covered for those low spoon days.
AU idea: when a Fey woman dies of unnatural causes, she can return to life by sacrificing her spiritual power. She wakes up healthy and whole, but normal.
Possibilities include:
Mia or Misty thought they were okay with turning away from their spirit medium heritage, until they wake up unmurdered and realize that they actually can't go back now. (They could even discuss the matter after they both survive!)
Maya could survive the 2-4 Bad Ending, or survive 3-5 in a painfully ironic way
Dahlia and Iris don't have spiritual power because they used it to survive a childhood illness or something
Morgan is sentenced to execution but it just ... doesn't stick. Law enforcement is baffled. She claims she can do it again (she cannot, she's just trolling as many men as possible before she dies)
For those of you who want to lock all of your works with all the silly AI scraping of AO3 (which AO3 is recommending you lock your works, as stated in this post)
Here is a quick and easy guide of how to edit ALL of your works at once.
From your Dashboard click on “edit works” on the far right. This will bring up all of your works that you can select.
Select all the works you want to edit, then hit “Edit” at the bottom right.
Scroll to nearly the bottom of the page where you find “Visibility” and select “only show to registered users” and then update at the bottom.
That’s it, all of your works have now been locked without having to go in and edit each fic individually.
I hope this helps!
The only thing I can say about writing right now is that you don’t need to polish or even finish everything you write. Unfinished works hold value just as intrinsically as finished ones; if finishing a project holds no appeal, move on. Maybe one day you’ll return to it, find an idea to nurture and raise. Maybe you’ll never look at it again, but the words were still written. The sentences were crafted. This unfinished thing is a sketch, then, forgotten in the depths of your sketchbook; why should we hold writers to different standards than other artists? Play around and have fun. Finish projects if you want to; move on if you don’t. Don’t guilt yourself over something with no moral bearing. Just write.