Why Muzan’s “natural Disaster” Line Was Kind Of Accurate, Actually

My friend is celebrating his birthday today. A few days ago, I asked him to suggest something for me to draw for him, and he requested a drawing of Shinobu. This is definitely the most beautiful drawing I've ever made

You might have answered this or this ask was a long time coming, but what do you think of Bakugo?

He's an author's pet and fandom darling who makes lots and lots of money, so any "development" he gets is entirely Sisyphean. His redemption arc could have been GREAT.

As it is, it stagnated terribly because the author liked Bakugo when he'd get angry and yell at people. Which is precisely what his supposed development should have him NOT doing. Every single lesson he supposedly learns is just a performance for that moment: he doesn't actually learn that lesson because he's just going to backslide after that. The author refuses to commit. Think about how the series ends: the guy still gets mad and yells at the press, and his hero rankings are actively getting worse. The guy claims he wants to be the best. That he wants to be the number 1 hero. But he does absolutely nothing to reach that goal besides train and improve his battle power. The same as usual. He CERTAINLY has the power to do so, given all the boosts the author gave him! Mirio can't do shit to him. In terms of power, Bakugo absolutely should be on top. The entire series hyping this dude to eventually be number 1 and then the ending portraying him as a loser who failed at his one major ambition because his time at UA and all the previous lessons we supposedly saw him learn didn't stick...is baffling. It reeks of the author's fear of fan backlash. He knew a portion of the fanbase didn't like Bakugo, so he has Tin Tin become the number 1 hero instead. Making you honestly question what was the point of all of this? Bakugo is VERY privileged. We've got characters in this series who get basically ZERO character work, have no personality traits or backstory (Sato!) and then here's Bakugo who gets loads of screentime, a whole slew of power ups, gets to come back from the dead and then laugh off his injuries. Mirko lost multiple limbs, Kyoka lost an ear, Endeavor lost an arm and apparently the use of his legs. But the narrative said maybe Bakugo might lose an arm, but he's Bakugo so of course he doesn't. The author loves Bakugo too much, which is why everything is so easy for him: -Everyone loves him despite his anti social and quite frankly utterly unacceptable behavior. His continued bad actions being tolerated looks like blatant favoritism because of his strong quirk.

-He has the easiest lay-up redemption arc ever. NO ONE knows the extent of how horrible he was in the past except for his victim, who has already forgiven him. There was zero push back for him becoming a better person. He doesn't have a "Dabi" or any real opposition. It's entirely about him learning not to self sabotage.

-Even when he got kidnapped by the villains, they treated him with kid gloves. No torture, no beatings, he didn't have his quirk taken from him. He wasn't subjected to any sort of brainwashing. They didn't have to rescue Bakugo as he was in the process of being turned into a Nomu. The villains didn't take his mom and dad hostage to force him to be a villain. The guy is able to attack them the second they set him free, and then the plot bails him out when he's about to get his ass kicked. Let's explore a "What If?" We'll make Bakugo's redemption arc pop more while also giving Shigaraki the last laugh here. Okay, so Kamino happens and Shigaraki is mega pissed. It's revealed that actually, he believes Bakugo would have been a good villain because he had AFO's "friends" go look into his history, and he got ahold of lots of social media and classroom footage of Bakugo's bullying. Bakugo escaped before Shigaraki could show him all this and further make his point about why Bakugo was 100% villain material. So, he puts all of this unedited stuff together in a truth bomb and AFO's contacts, who he has access through via Kurogiri, ensure this gets to every news station in Japan. There's years worth of material of cell phone footage and social media posts, by his classmates, of Bakugo's asshole behavior. People recorded him bullying, yelling, breaking rules, belittling people. Izuku in particular. But the killshot is the stolen classroom security footage where he told Izuku to kill himself. Instantly, Bakugo's life is significantly harder. The new friends he made at UA see him completely differently. The teachers look like clowns for defending this guy on live TV. All Might is dumbstruck that Katsuki was really that bad before and is appalled.

Bakugo then has to fight an uphill battle where it's seriously questioned if he'll get to stay at UA. Having all of his past actions thrown in his face when he thought he was in the clear makes him take a good hard look at how he acted and still acted. He has a very tough discussion with his parents, Aizawa and Nezu where Nezu points out the pattern of behavior he's personally seen from Bakugo during his time at UA. The excessive force used in the battle trials, his behavior during the sports festival, him ignoring orders to go fight at the summer camp instead of using his quirk to fly away to safety, how he failed the provisional license exam for conduct issues, and then his later fight with Midoriya(Deku vs Kacchan 2,) which they now identified is not a "rivals" relationship, but instead a bullying dynamic. Nezu entered into that conversation fully prepared to expel Bakugo and wipe his hands clean of what he saw as a liability to his school. However, Bakugo's genuine remorse for his actions and willingness to do whatever it takes to make this right causes him to change his mind. He's instead put on probation and takes anger management. If he dips a toe out of line from then on, he's done.

Bakugo has to re-earn his friendships, and deal with major negative PR from what he did in the past. Everyone looks at him differently now and he fights an uphill battle to be a hero. He went from the top all the way to the bottom.

We've accomplished multiple things here. -Shigaraki is significantly less impotent than before and he actually inflicted some lasting damage to hero society, and Bakugo in particular. -We organically furthered Bakugo's redemption arc and made him have to confront his dark past just as it seemed like he reached a turning point. -We gave Bakugo an issue to solve that he's forced to either grow from or kiss his hero dreams goodbye. This isn't something that can be defeated with violence. You could even have Midoriya continue to be Green Jesus in this scenario. He forgave Bakugo ages ago. We just have the other characters react to Bakugo not being who they thought he was. Social consequences hurt way worse than physical ones. Bakugo could laugh off a beating, but how's he react when his friends don't want him sitting next to them at lunch anymore? How's he feel when Mineta's the only guy who wants to be seen with him, since his reputation is already in the gutter?

I'll end this by discussing how this series robbed Bakugo of his humanity. Anger is a secondary emotion. When you feel anger, it first begins as something else. Shame, guilt, fear, weakness, helplessness. Anger is just an easy and motivating emotion to feel that can mask what you actually experience inside. So, we get Bakugo's "apology" where he explains how he didn't like Izuku. But why? The series doesn't dig deeper into what he isn't saying. Was it because he saw a kid with no quirk who was heroic and had people who liked him, but Bakugo only felt valued because of his powerful quirk? Did he ask himself, subconsciously, if anyone would care about Katsuki if he didn't have his power, and in his heart, he said no? The guy is unable to truly accept compliments, but he's an egotist who needs attention and to be acknowledged. Why? What's eating him inside that he needs this constant validation, both internally and externally? If the underlying reasons behind why you get angry are addressed, then you stop feeling angry. If it's based on insecurities and those get fixed, you just feel better. You've learned new coping strategies. Even at the end of the series, the anger is still present. He gets mad because people want to talk to their famous hero who killed the quirk devil? Because people give him the praise he's rightfully entitled to for being objectively one of the strongest people on the planet who uses their powers to help people? So he ends the series....not the number 1 hero. He doesn't have much of a relationship with Izuku anymore. And he's dissatisfied. And his anger problem still hasn't been fixed since the issues behind it never got addressed. Well, I guess Shoto is the only real winner among the important hero kids.

The Bakugou Experence(TM)

Bakugou: *punches Izuku*

Izuku, starry eyed: "Woow, Bakugou, that was so cool!"

Kirashima: "What a manly punch!"

Eraserhead: *grumbles, but is secretly impressed by how good a punch it was, even though he wants to improve his form a bit*

Shigaraki: *nods* "I can see why you're the one closest to Deku."

All Might: "What good friends they are!"

Going back to review MHA, I don't really understand the participation of at least 20 teenagers in the cast if they're not going to do anything

I mean, Aoyama is justifiable as well as Uraraka, Kirishima, Iida and Yaoyorozu

The rest are like they're in the background and suddenly in the last arc everyone perfectly understands the protagonist and his motivations, when at most they interacted with him at USJ, it feels like Hori read "Class 1-A as a Family" in AO3 and continued the story from there.

Bakugo has continuity and importance until he is kidnapped and from there he seems like an extra character (because he has no evolution, the mini-endeavour of the group)

Horikoshi, you should have made AFO take out his quirk, because seriously, it is incomprehensible what he is doing here

Hey, wanna know something kinda sad I realized? Every relationship Endeavor has is based around utility.

I mean of course there’s his family: He only married his wife for her to give him his perfect heir, and up until the present he only ever showed affection to the one most capable of being that heir; emotionally neglecting the rest completely, as we can tell from Touya’s treatment and Natsuo’s recounting of his own childhood. And even now, with his “redemption arc”, it feels like with his realizing his rank won’t satisfy him and the things he did to get it not worth it, that he’s only trying to make up for things for a new purpose; convincing himself he’s a good person who loves his family. (Especially given how much he mopes about his family not liking him.) Not once has it felt, to me anyway, like he’s done something for any of them that wasn’t self-motivated; with his kindest actions being the ones that were only partially self-motivated.

And now, he’s on the opposite side of that with the rest of the family; where it seems they only really interact with him for what he can do for them or their other family members. From the start, Shoto’s only ever professionally worked with him for what such a high ranking hero could do for his own career, and seemed to only really be open to giving him a chance because Rei and Fuyumi seemed open. But they were only really open for his and each other’s sake; which is also why Natsuo humours the idea at all, he was just more open about that fact. And now with recent events; they have put genuine trust in him, but only for Touya’s sake. To his family, who have each only every (at best) been a means to an end for him, he is only ever (at best) a means to an end for them.

And of course this is true for his professional life too, the core of his being for so many years of his life. Of course he has no friends in that professional life; just employees and coworkers who work for/with him out of mutual convenience. And of course, even his long obsessed-over rank is based more on how useful he is to the public than anything else (numerous sources have shown he hardly owns much of it to plain popularity, though even what popularity he does have serves a purpose now). Heck a lot of fans, many of his own defenders even, have theorized that he owes his utility to not being in jail after Dabi revealed all his crimes. The No. 1 hero is too useful in these trying times for the other heroes to arrest him; justice be damned.

And meanwhile everyone who doesn’t have use for him, be they villains actively fighting him or civilians deciding they just don’t need heroes, well they all seem to hate him. In fact I find it interesting that Dabi, the only other Todoroki more concerned with his own feelings and well being than any of his family members, is the only character in the series intentionally trying to hold him accountable for all the things he did.

The man has no one he genuinely unconditionally loves or that unconditionally loves him. Everyone he interacts with, their relationship is directly proportional to how useful they are to him and/or how useful he is to them.

What a sad existence, if one very fitting for his character.

A Shoto arc retrospective

Can I say something really mean about my hero academia? Can I??

I got into mha when I was a 14 yo girl, I saw Deku vs. Todoroki at the sports festival and I was immediately sucked into the story.

I was a little girl being physically abused by a parent at home, and when I saw Shoto, the first ever character I came across in TV who was being abused in a similar way as me, it sparked hope deep in my chest. That he was going to be saved, that he was going to be believed and helped and rescued and maybe, just maybe, that meant that there was a chance for me too.

Maybe I was going to be saved.

For years, I daydreamed about the time when the truth of Endeavor would come out, when Shoto was finally going to be safe. Sometimes it was my only comfort when I dissociated during or after being hurt.

Then it happened, and Shoto wasn’t saved, and Endeavor faced no consequences with the law or his reputation. Shoto’s feelings on the matter were never addressed. He never got to cry, his friends never got to comfort him, Aizawa or any other adult in his life never got to save him like I had imagined so many times.

Maybe it’s selfish of me to project my desire to be saved onto a fictional character that isn’t mine.

But I was 14, and I was still scared to call what was being done to me ‘abuse’, and Shoto was my anchor through a lot of pain. Because he was like me, isolated and hurt. And I hoped that I could be saved like he was going to be.

And then he wasn’t.

Now I’m 23, and mha is ending, and I’ve never been more disappointed by a piece of media in my life.

I have a theory when it comes to the emasculation & sexualisation of Izuku and rampant sexualisation of the underaged characters in MHA, and why fans and outsiders see it as such.

Before you continue reading I just want to let you know this is not a safe space for proshitters & self identified fujoshis (you know who you are. If the shoe doesn’t fit then you can interact). If you are a proshipper or a self identified fujoshis then its best for both our sakes you block me. If I find you in my likes or mentions I will hide your comment and block you.

I’m also not a fan of toga x oochako, and Im saying this because I mentioned it briefly but its not the worst ship for me to block you (bkdk will always take that spot).

Anyways here’s a rundown list based on what I’ve observed [Mentions of Homophobia, Misogyny & Sexualisation of underaged characters down below. Read at your own risk]:

1.1 Horikoshi’s bias: Any watcher with critical thinking skills are able to see Horikoshi has a clear bias towards characters like bakugo, aizawa, shinso and mineta and he confirmed it himself. From the beginning to the very end of the manga Horikoshi has failed to respect Midoriya’s autonomy as a character, and any time we ever got close to introspection its immediately shut out in favour of the same popular characters over and over again.

1.2:Horikoshi has repeatedly sexualised his underaged characters and seems to show no guilt or remorse over such actions, even in his confessions. This was no accident, and any attempt to address this in a critical light in the manga was a failure, just like all the controversial topics he tried to address in the series (mutant arc -I personally don’t like how others see it as a racism allegory as a Black person, but thats another topic for another day-, eugenic marriage, trafficking etc.)

It also doesn’t help Japan has a rampant pedophilia & SA problem, and the reason you don’t see it on the news is because of shame culture + language barrier + their good PR Team. Anybody who tries to tell you it doesn’t exist are all liars, and anybody who tries to justify it with it being part of their culture is a racist.

2.From a dudebros perspective: We all know dudebros are obsessed with masculinity and powerscaling, but in some cases they are fine with fictional male characters crying, even male characters who don’t fit the traditional masculine role. But Midoriya isn’t the traditional masculine role character and he cries alot. Along the way they mustve subconsciously picked up the writers mistreatment of Midoriya, and so to them it’s like why should they respect a character who acts like a crybabying bitch?

And then they see how “close” bakugo & midoriya are. Dudebros as a collective are homophobic, so at first they would deny it, but then slowly but surely theyd pick up on how weird it is for midoriya and bakugo to be this obsessed with each other. Pair that up with the delusional fujoshis who seem to be fucking *everywhere* they’re going to call Midoriya a gay bitch for being steamrolled by “the goat” Bakugo.

Then there’s the sexualisation part. No words are needed to be said. Dudebros as a collective have little to no morals, especially the misogynistic. They don’t care if the character is 14yr old they’re going to wank their dick off to it regardless and thats the unfortunate truth.

But I feel the other reason why they feel so comfortable wanking off freely is because Horikoshi basically gave them the greenlight to do so. He shamelessly sexualised his characters without attempting to address it in a critical light.

3.From a fandom gay (especially fujoshis) perspective: It’s inevitable that the fandom gays will always find a way to ship 2 male characters, even if the creator clearly states their relationship is platonic, that’s just how it is for the better or worse.

To some credit, I can see why the fujoshis are obsessed with bkdk to the point of it being the #1 ship in MHA (never to the point of peak delusional though). Horikoshi doesn’t know when to put Bakugo to the side for once, or make Bakugo have his own arc without Midoriya being tied into it. It also doesn’t help Horikoshi mishandled Midoriya’s bullied past so the fujoshis are going to either dismiss that entirely or stupidly justify it in the worst way possible. Everyday its parallel this rival that.

I also personally believe Horikoshi baited BKDK content for some extra cash because he realised thats what the fans are into and also realised how stupid it is to trick them, like dangling a carrot infront of a donkey but that’s just my conspiracy theory.

If its one thing fujoshis love is pushing heteronormative roles onto their “gay” favourites and having internalised misogyny, morals be damned. Midoriya is seen as emotional, Bakugo is seen as aggressive. What does that equal to them? Top & Bottom, Alpha & Omega, Dominant & Submissive.

Fujoshis & Proshitters arent going away anytime soon, but because Horikoshi did nothing to shoo away the allegations until the very end of the chapter the fujoshis felt very entitled to act out. If you call them out you’re homophobic, but they would have zero problem dragging Oochako by the mud for daring to get in the way of the ship, and when that arc of her & Toga came out these same ppl who also tried to say Oochako is a love interest repackeged her into being Toga’s love interest under the guise of “girl power & lets go lesbians”.

(Personally as a Lesbian Feminist I am offended by this take but once again I digress)

Once again Horikoshi sexualised his underaged female cast, and while the fandom gays try to play the moral highground holding Horikoshi accountable I personally believe are just as hypocritical. The proshippers mustve subconsciously seen the sexualisation as a greenlight to go full haywire.

~~

TLDR; Horikoshi’s ass writing gave the watchers the greenlight to disrespect Midoriya as this bitch. A crybaby ass bitch from the dudebros and a crybaby bottom bitch from the fujoshis point of view. An ultimate bitch.

These fans will always exist but this reputation is the most prominent I’ve ever seen. In my humble opinion no fandom can ever be compared to MHA and its sheer audacity. Horikoshi & his overall fans don’t actually like Midorya and it’s disheartening to watch.

Muzan was born into a wealthy family during Japan’s Heinan Period. His parents were highly respected and powerful during that time. So much so that his parents, Zetsubou and Ryuuki Kibutsuji planned on giving Muzan inheritance to all the estates they owned around Japan. And prior to Muzan getting diagnosed with a disease that would kill him, his parents hoped that their son would soon produce a heir by having Muzan be introduced to potential brides at the Kibutsuji estate.

Do you feel Overhaul with his Yakuza and the Meta Liberation Army make better Villians then the LOV.

Also do you think they were more competent in their goals compared to the LOV.

Well let's look at each of them.

Overhaul wanted to get rid of quirks and bring the Yakuza back into power for the boss that he had put into a coma. He committed horrible crimes in pursuit of this goal, but he did successfully find a way to remove quirks from people under the power of his own organization.

So he was absolutely the most competent, and I wonder how he would act if he found out that Midoriya was originally quirkless. It also could've been really cool to see like, Looking to the Future(heroes and quirks) vs Living in the Past(No quirks and the golden age of the Yakuza)

The MLA were quirk-supremacy, might makes right, kind of people, and that's pretty much just the world's view at large taken to the extreme. The idea of the original founder wanting free quirk use in a time where everyone was terrified of them could've been a cool theme to explore, instead they folded to a group of exactly six people. Gigantomachia also showed up, but the end result would've been the same if he hadn't.

Incompetent. Maybe thematically interesting. Most of their leaders don't even have powerful quirks of their own, they're only in charge because of the influence/money they have. Automatically proving that their own philosophy of quirk supremacy is meaningless.

The League of Villains overall, just wanted to do whatever they want and be free from consequences. Shigaraki wants to destroy things. Dabi wants to kill Endeavor and whoever else he chooses. Toga wants people's blood(consent optional). Compress was just a thief that wanted to Robin Hood-style deal with corruption, and ended up not doing anything like that. Twice just wanted somewhere to be accepted, he's the exception. Spinner was a victim of discrimination that jumped in the first ideological extreme that popped out at him. Their individual goals all turn into "tear everything down and leave nothing(except maybe the stuff we like)."

The League was also pretty incompetent. Nearly all of their successes were built off of what All for One had built. Doctor Ujiko and the nomu, Gigantomachia, hell, even Kurogiri. The League didn't do shit by themselves, but somehow they were the main villains of the series.

I just realized something about BNHA that I'm sure nobody on here talked about yet.

The show suffers from a protagonist centered morality.

Izuku or to a lesser extent those that're on the side of the heroes, are always seen as in the right and that anything going against that is automatically in the wrong and should be called out. Even if the other side makes a good point about something.

Take Eri and the reporters for example. The reporters raise good points about Bakugou and how irresponsible UA is, but are told "na nuh!" By Aizawa and it just ends at that.

Then Eri... She literally went from one place who used her power to another. It literally falls into "It's okay if WE do it!" even though this is supposed to be a story meant to point out the flaws in society but gets onto anyone who dares try to say anything bad about it!

God even after all this time BNHA still makes my blood boil!!

People need to talk about this more.

Good and bad in MHA has less to do with morality and more to do with who are the heroes and who are the villains. Which could have been a GREAT setup, only for Horikoshi to never talk about it.

Any time ANYONE has a point, they are immediately discredited or brushed aside. Like Izuku dismissing what Dabi said by defending Endeavor as his mentor. For this to come from our protagonist of all people that late in the game? It not only ignores something blatantly being called out, it also makes our protagonist look worse. Instead of addressing and amending the propaganda he set up, Horikoshi repeatedly reinforces it for some reason.

(This is a repeated problem with Izuku especially. He's such a blank prop that never got the development he deserves that any critiques about the world around him go right over his head. It's actually bittersweet that in the epilogue he is starting to come to a realization because no it's too late)

I've talked many times about how the LOV regressed into irredeemable monsters to make their suffering and the points they made meaningless. Spinner suffered from this the worst. He was the member of the LOV who didn't crave destruction and wanted to change things, only to forgo all of that in the Final War.

To watch all this happen when I used to love MHA is just so disappointing