Muzan when he can’t leave the infinity fortress cuz of the sun
Part 7 - Revenge
Disclaimer- blood and gore
Please read this first.
Part 0; Part 1; Part 2; Part 3; Part 4; Part 5; Part 6;
Part 8; Part 9; Part 10; Part 11; Part 12; Part 13; Part 14; Part 15; Part 16; Part 17;
Bakugou: *punches Izuku*
Izuku, starry eyed: "Woow, Bakugou, that was so cool!"
Kirashima: "What a manly punch!"
Eraserhead: *grumbles, but is secretly impressed by how good a punch it was, even though he wants to improve his form a bit*
Shigaraki: *nods* "I can see why you're the one closest to Deku."
All Might: "What good friends they are!"
Theres nothing fictional abt the two sisters you're shipping😦
proshippers: “it’s okay cause it’s fictional!”
also them:
Modern huts in various parts of Africa. These eco-friendly dwellings have modern amenities while maintaining the aesthetic of the local countryside. This montage highlights the rural architecture of Burkina Faso, Zimbabwe, South Africa, Kenya, and Uganda.
the upper moons 👹🐾
Close up
I have a question, in a certain part of the fandom when it comes to criticizing characters like Bakugou, Endeavor, etc., an answer that is repeated a lot is that those who criticize don't understand the cultural context of Japan and therefore we don't understand the way in which Horikoshi wrote. But is this really true? I don't deny that there are aspects of Japanese culture in the manga but many actions of the characters feel very Westernized for the cultural issue to be an impediment in understanding the manga, more than anything when the idea of the heroes and everything written by Horikoshi feels a direct reference to US comics, not just a comic but directly movies like the MCU.
For understanding any character or the world of BNHA generally, of course some knowledge of Japanese culture would help shed light on some of the narrative choices and themes. This was written by a Japanese man with an intended audience of Japanese manga readers.
And it's true that Japan overall does tend to have a more laissez faire attitude towards bullying and domestic violence.
However, BNHA also clearly depicted these actions as horrific early on in the manga. Beyond that, BNHA is a manga where that argument is weaker than usual because it is so heavily inspired by American culture and American media specifically.
If an author spells out how horrific bullying, systemic discrimination, and domestic abuse are in his work, it's not too much to ask for the characters who were the victims to get the panel time to demonstrate how they were affected by these actions. The atonement doesn't carry much weight without an understanding of the result of the wrongdoing in the first place.
What a good consequence should look like and how atonement should occur is going to be tied up in cultural norms. But there's no cultural excuse for sidelining the victims because the author feared it would make the atoning characters unpopular. Objectively bad writing decisions are bad writing decisions regardless of culture.
My Hero Academia is the first series ever where the main character get throw in the sideline so much he is not the main character anymore for another character. Like holy shit wtf man. I am still struggling to understand the ending despite rereading the entire time. There are rushed endings but my god at least the author in rushed endings do give him some of respect to main character. In MHA, it is nothing
When it comes to shonen anime and manga (i say shonen because that's where i have seen, it mainly happen tbh)
Heck, this is a common thing to the point that there are YouTube videos based on showing it. Take, for example, this👇.
In this case, you kinda get the obvious, which is the main character : izuku midoriya and the one who stole the show : katauki bakugo.
See here is the thing a lot of the time mangakas due to the competitive and toxic industry they are in will prirotise and parade the fan favourite character as that's what gets them money. While you can argue that this may not be true for every series, you have to admit that it's weird that just right after bakugo started getting popular after the sports festival arc he also ended up getting a lot more screentime and that in my own opinion is due to the money that bakugo can bring into the series.
Now add this and combine it with the fact that horikoshi has stated that his favourite character is also bakugo katuski, and then you get well a certain mixture (unpleasent to say the least)
Due to this combination, the focus of the story shifting to bakugo makes sense while izuku becomes an accessory piece to the story that the author uses to vaguely delve into the intracies he built in his story.
I wasn't particularly surprised by the ending as the treatment of the izukus character and the way the stories themes were being handled were already quite poor from the beginning of the bakugo vs. izuku 2.0 fight, meaning that my expectations were low.
There are various posts talking about the characters' assassination that izuku has been through, and honestly, I agree heck I was one of them.
a really strong mental connection
literally besties who happen to be dating
no opinion is controversial for any of them: enfp becomes a person with no filter when they're around entp
categorically attracted to each other's intellect, which boosts their already huge egos
enfp definitely pretended to be unamused/unaffected by entp's obvious attempts to flirt at first
every conversation/activity can tacitly turn into a competition between them
they are similar enough to be compatible and different enough to keep it interesting and challenging → great chemistry
both of them are extremely creative when it comes to pickup lines and witty/sexy comebacks
never run out of things to talk about or do together
rivals to lovers vibes
never beating the good girl x bad boy allegations
they both finally found someone to be unapologetically genuine, weird and nerdy with
What do you think about All Might’s writing at the end?
I thought All Might making a stand and throwing a suitcase at someone with bkdk saving him would exactly be his endgame, but I didn't like how it was executed:
All Might making a desperate stand quirkless is fully in character, but I thought it would be more spontaneous. Him having poured his earnings into a powered suit in secret, with no build-up, and then hide it from everyone while sending literal children to the frontline is not it.
The armored suit was too powerful and was really harmful for the overall balance of the power system in-story and had to be retconned constantly why it was impossible to have quirkless heroes before
All Might 1-man suit combo-ing all of Class A and sucking away the oxygen and highlight from the next generation he supposedly raised was a bad overall decision for the narrative, imho. It made it look like he was taking the power of the kids he was supposed to lift up for himself
All Might learning Shigaraki was Nana's grandson was a huge moment of the first Kamino fight, yet the narrative did nothing useful with it.
So I get that people like All Might looking "raw" in the fight and that AM wanted to have more of his backstory, but to me AFO vs All Might felt really cringe and reductive. It felt like its entire purpose was to build a moment for Bakugou to swoop in as savior and really didn't add much to All Might as a character and took away the story-space from a big Class A combo that has been set-up for forever.
In the epilogue, All Might had not a lot of moments:
he repeated Gran Torino's line about death being salvation
he praised Bakugou and Deku because they saved him
he brought the armored suit to Deku as a surprise, which in the end felt like a gimmick moment and created its own problematic issues around Deku's passivity, etc.
To be honest, it felt to me like those warm moments that All Might was so loved for has gradually disappeared. It says a lot that he had memorable moments with Shoto and Bakugou during the final war, but not really with Deku.
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