I showed her heights she never saw—
“Woulds’t climb?” I said,
She said, “Not so” —
“With me?” I said, “With me?”
I showed her secrets
Morning’s nest,
The rope that Nights were put across—
And now, “Would’st have me for a Guest?”
And she could not find her yes—
And then, I brake my life, and lo!
A light for her, did solemn glow,
The larger, as her face withdrew—
And could she, further, no?
- By Emily Dickinson
I have two groups of comfort shows: the ones that completely destroy me emotionally, and the ones that are just super light hearted comedies and slice of lifes. The second category makes sense as a comfort show but it's just ironic that the shows that have me bawling all the way through, somehow, bring me some comfort.
Nikita Gill, from Your Heart is the Sea: Poems; "The Difference Between Alone and Lonely,"
Severance is about rebellion, about people who were literally created to obey finally questioning and breaking through that conditioning. There’s a storyline about someone doing a complete 180 and choosing to rebel when they realise they have a child that they’re not allowed to see, and I love that the storyline wasn’t given to the female lead, but to a previously comic male character. There’s a storyline about breaking protocol because for the first time ever you have fallen in love, in intense, overwhelming, impossible love, and I love that the storyline wasn’t given to the female lead, but to a pair of awkward old guys. The storyline about grief and guilt also goes to a guy, to the male lead.
I love that the female lead is the only one whose radicalisation comes entirely from within, the person motivating her is her, she’s not doing it for anyone else, she wants her freedom, and failing that, she wants bloody revenge even at the cost of utter self-destruction.
poppy and ian's relationship is so insane that it has rearranged my dna
idk about you but recently i’ve been enjoying the slow rise of very particular “food themed” genre of cinema(?)(idk how else to describe it) where food must go on par with some sort of psychological thriller; bonus points if creators manage make it funny or weird, or both. main examples are The Menu (2022), The Bear (2022- ) and Drops of God (2023- )
and of course there is also subcategory devoted to cannibalism: Yellowjackets (2021-), Gannibal (2022) and upcoming tv-series The Horror of Dolores Roach (2023)