george at every pre-job meeting
The ONLY WAY to combat the lack of funding in arts education is for professionals to take a few hours a week to share their skills for FREE, to empower and encourage the next generation of artists. THIS IS WHAT THE INTERNET IS FOR. Here’s 200 tutorials:
How to draw ANGRY EXPRESSIONS How to draw BATTLE DAMAGE How to draw BIRD HEADS How to draw BOOKS How to draw BOTTLES and GLASSES How to draw BOXES How to draw BREAKING GLASS How to draw BRICKWORK How to draw CABLES and WIRES How to draw CAR CHASES How to draw CATERPILLAR TRACKS How to draw CAVES How to draw CHARACTERS (3-SHAPES) How to draw CHARACTERS (FLIPPED-SHAPES) How to draw CHARACTER SHAPES How to draw CITYSCAPES How to draw COMIC COVERS How to draw COMPOSITION How to draw CONTRAST How to draw CONVERSATIONS How to draw CREATURE TEETH How to draw CROSS-CONTOURS How to draw DETAIL AT DISTANCE How to draw EARS How to draw FABRIC How to draw FEET & SHOES How to draw FEMALE HANDS PART ONE How to draw FEMALE HANDS PART TWO How to draw FLAGS How to draw FOOD TRUCKS How to draw FOREGROUND MIDGROUND BACKGROUND How to draw GAME BUILDINGS How to draw GEMS and CRYSTALS How to draw GHOSTS How to draw GIRL’S HAIR How to draw GOLD How to draw GRASS How to draw HAIR (1940s styles) How to draw HAIR IN MOTION How to draw HAPPY EXPRESSIONS How to draw HEAD ANGLES How to draw HOOVES How to draw HORNS How to draw HORSE HEADS How to draw IMPACT DEBRIS How to draw IN 3D How to draw INTEGRATING LOGOS How to draw INTERIOR BASICS How to draw IN-WORLD TYPOGRAPHY How to draw JUMPS How to draw JUNGLE PLANT CLUSTERS How to draw JUNK HOUSES How to draw LAMP POSTS How to draw LAVA How to draw LIGHTNING and ELECTRICITY How to draw MECHANICAL DETAILS How to draw MUSHROOMS and FUNGUS How to draw MONSTER HEADS How to draw MONSTER TENTACLES How to draw MONSTER TRUCKS How to draw MOUNTAINS How to draw NEGATIVE SPACE How to draw NEWSPAPERS How to draw NOSES How to draw OVERGROWN VEGETATION How to draw PEBBLES AND GRAVEL How to draw PERSPECTIVE BOXES How to draw PIGS How to draw PILLOWS and CUSHIONS How to draw POD HOUSES How to draw POURING LIQUID How to draw ROBOT ARMS How to draw ROCK FORMATIONS How to draw RUNNING FIGURES How to draw SAND How to draw SAUSAGE DOGS How to draw SEA WEED How to draw SHADOW COMPOSITION How to draw SHOULDER ARMOUR How to draw SIEGE WEAPONS How to draw SILHOUETTE THUMBNAILS How to draw SMALL FLAMES How to draw SMALL, MEDIUM, LARGE How to draw SMOKE EFFECTS How to draw SNOW How to draw SPACE BIKES How to draw SQUIRRELS How to draw STICK FIGURES How to draw SWORD FIGHTS How to draw THE HORIZON How to draw TIKI STATUES How to draw TREASURE CHESTS How to draw TREE BARK How to draw TREE ROOTS How to draw USING THE SHATTER TECHNIQUE How to draw VEHICLE STANCE How to draw VINES How to draw VINTAGE PLANES How to draw WATER How to draw WOODEN HOUSES
contains spoilers for season one of lockwood and co and the hollow boy
i’m curious how a second season of lockwood and co would develop lucy and holly’s dynamic given the differences in lucy’s character in the show and how she interacts with other women - a bunch of musings/rambling incoming.
(i adore both versions with my whole heart)
in the books a lot of lucy’s arc is unlearning her internalized misogyny (specifically the idea that girls cannot be both feminine and strong and her nlog tendencies). it’s done in a way i think is very thoughtful - her judgement of other woman is clearly born from an insecurity in her own femininity brought on by starting work very young and constantly being told being an effective agent is the only thing that should matter to her (i believe it’s her mother that tells her “pretty is not your profession”). she has a knee jerk resentment of holly and kat because of this, because if they *can* succeed in both being effective agents and traditionally feminine, that means that it is possible and she, lucy, is in some way lacking. all this coupled with a burgeoning attraction to lockwood and she’s suddenly hyper aware of and sensitive about all the ways she isn’t elegant or refined or graceful (and completely unaware of that fact that lockwood likes her because she’s lucy, and because she’s brave and kind and challenges him). it’s a really well done arc, and if i hadn’t known going in, i would’ve assumed the series was written by a woman based on how nuanced and empathetically its written (honestly major props and kudos to j stroud for that one).
this isn’t, however, an aspect of lucy’s personality in the show. she’s still judgmental, prickly, and very much *lucy*, but it isn’t pointed specifically at the other female characters in the same way (she snipes at flo, but not in a way that is different from how she snipes at kipps or george, and doesn’t single kat out at all). this change actually makes sense to me, largely because lucy in the show is supposed to be 16, as opposed to her book counterpart, who is 13/14 at the beginning of the series. the same arc would be harder to pull off, because so much of it is tied to the particular moment we meet her in the books, and would have made show lucy look immature in a way that is less understandable (not to mention that while lucy as a narrator only really describes herself through the lens of her insecurities, the shows audience can see that ruby stokes is quite conventionally attractive). they also spend more time in the beginning establishing a meaningful friendship between her and norrie, and her having an important female friend prior to holly would change their dynamic. however, for the plot of the hollow boy to work properly, we still need that conflict between holly and lucy, and while it could just be a case of there being resentment about lucy feeling replaced, i had a few thoughts of other ways it could be developed that might be interesting to explore with these versions of the characters.
lucy is hostile to holly because she is still dealing with what happened to norrie and on some level feels like making another female friend would be disloyal or replacing her in some way. in this scenario, they could tie in those voice recordings she’s been sending to norrie, and use the moment at the end when holly and lucy realize they had similar trauma to resolve the conflict. holly’s been in a similar situation and she can finally talk about norrie in a way she hasn’t been able to with lockwood and george. you could have moments where lucy and holly are getting along and lucy is somehow reminded of norrie and instantly shuts down/goes back to being very businesslike. i think this would make sense and feel true to lucy of the show while also fitting into the hollow boy really well.
lucy’s mother in the show is more explicitly abusive than in the books, and she could be hostile to holly because she thinks she’s trying to “mother” her in some way. book lucy has a decent if strained relationship with her family, and sisters she’s close to. show lucy, however, was both verbally and physically abused and forced to run away (side note: i can’t see show lucy visiting her family like in the book, but think it’d be really touching to have her go visit norrie in the hospital, which could also make her a lot more vulnerable emotionally when she and holly first meet). this one could play out in a similar way to the books, with the final resolution being a moment of lucy realizing holly is just a scared kid like her (maybe a nice callback to her line in season one about being scared all the time). i also like this one because it could get more into the trauma of the kids who are forced into leadership/parentified positions too young, and maybe also echo some of kipps’ arc as well.
the show’s characterization of joplin is a bit different than in the books, and given the guilt lucy harbors for how everything with george went down at the end of season one, she could be very touchy about anyone new joining the group and knowing anything about what they are doing. i could totally see her watching holly and george get along and getting very protective, in the process unintentionally making george feel like she doesn’t trust his judgement anymore (which could set up some of the same protective feelings that lead her to leave at the end of the hollow boy).
anyway these are just my ideas and i’d be curious to hear other people’s thoughts!
The raven's cycling.
I... I have no explanation for this. I have a train to catch in a few hours, and that's where my mind goes apparently.
The gangsey is funny af honestly, I could to hundreds of those.
This is stunning, Oml.
Here is a little tale I had to write for school. It tells the story of a young boy travelling with a little goat accused of bringing destruction and misery.
I hope you will like it as much as I loved to write it.
Big thanks to my amazing friend @garden-of-the-snake-king for helping me & bringing your poetic words for the english translation.
Perhaps... I’ll start liking Voltron again
Remember me… / instagram
lifehack: when you see a Take One candy bowl in a restaurant, wait until noones looking and shovel candy into your pockets. god may judge you but his sins outnumber your own
A little preview of a storyboarding project that I'll be posting later.
Scene is from The Raven King by Maggie Stiefvater. The song is "Taimse Im' Chodladh" by Planxty.
Captions under the cut
[Slow air music plays in the background]
RONAN: I'm waiting for you to tell me what to do, Gansey. Tell me where to go.
GANSEY: We can't undo this. I can't undo it.
The heavy world's upon your shoulders, will we burn on or just smolder? Somehow, I know I'll find you there. Oh, you wanna see if you can change it (change it), still, I know I'll see you there.
↑ I put this verse but they all work, somehow (i wanted to do an even longer drawing at the beginning, sheesh).
Linking music with content is my absolute favorite thing to do. I did it with aftg, and also for trc with this post (muse!!) and obviously the animatic, which happens to have turned 1 year old very recently (happy birthday).
Anyway, I'll do a trc reread soon, last time was two years ago (!!), i've read extracts since but it won't do for much longer.