“The gaze, human or animal, is a powerful thing. When we look at something, we decide to fill our entire existence, however briefly, with that very thing. To fill your whole world with a person, if only for a few seconds, is a potent act. And it can be a dangerous one. Sometimes we are not seen enough, and other times we are seen too thoroughly, we can be exposed, seen through, even devoured. Hunters examine their prey obsessively in order to kill it. The line between desire and elimination, to me, can be so small. But that is who we are. There must be some beauty—and if not beauty, meaning—in that brutal power. I am still trying, and mostly failing, to find it.”
— Ocean Vuong, Survival as a Creative Force
you wear an ancestor's face. you look like a woman you'll never meet. in that mirror, there's thousands of you. and in the bath, when you look down, she looks back, shaking and deforming in the ripples as she lies beneath the surface.
Evening dress Date:1905 Medium: Silk, Lace Museum of arts & crafts, Zagreb
Source
Consider:
Victorian England: 1837-1901
American Old West: 1803-1912
Meiji Restoration: 1868-1912
French privateering in the Gulf of Mexico: ended circa 1830
Conclusion: an adventuring party consisting of a Victorian gentleman thief, an Old West gunslinger, a disgraced former samurai, and an elderly French pirate is actually 100% historically plausible.
Marco Bozzato by Sofia Goncharenko – Haze Magazine (Winter 2020)