Naoki Urasawa And Yoneyama Mai On Drawing Older Men

jesus christ. surviving is not enough. you have to eat the strawberries and paint and cook an absurdly delicious dinner. thanks zombie show

though i guess you can’t really ‘discover’ one of the biggest names of science fiction, this is specifically about isaac asimov

sigh

longing // oc

you know those little critical thinking questions that they had at the end of short stories in literature textbooks? we should start putting those in posts. i miss them,,,,,,

questions:

what call to action is the author arguing for?

why does this work lack capitalization? what might this tell you about the author? what might this tell you about the context this work is meant to be read in?

is the addition of the questions self referential? does that make this post humorous? how so? how would the post be different without the addition of the questions?

the human brain literally needs the color green (grass, leafs) to like self-calibrate and not go insane i sincerely believe this

you better believe im gonna romanticize the shit out of that crane and those metal containers

i am normal about this game

May I add, I always found weird equalling the RCM with (what I assume is) the American police system, because such an analogy undermines the colonial aspect that pervades the writing of Disco Elysium. The RCM serves as a police body, of course, but it is still in its foundation a Citizens Militia, an (ostensibly) local organization that emerges in the category 5 catasthrope that is the occupation of Revachol by foreign forces. The RCM is formed because no one, (and could be argued, as is done in Disco Elysium!!! not even the RCM itself), can restore a modicum of order in Revachol. It is not a police body that emerges out of a state machinery with the highest security expenditure in the world.

I’ve always disliked the ACAB in the context of DE discourse because I feel it obfuscates motivations of characters like Kim, who voluntarily choose to join the RCM. A man who wears bomber jackets relics of a revolutionary past, yet sympathizes with moralist rhethoric. Kim is not only proudly Revacholian, he also believes in the RCM despite its multiple shortcomings. At the same time Kim suffers more than most the chauvinistic discrimination that usually pervades police bodies. Such contradictory allegiances only make sense in the context of the colonial condition of Kim and of the city of Revachol.

“ACAB”, “the only happy ending should be leaving the RMC”, “you’re a terrible person if you draw/write these characters enjoying the sort of corrupt cop stuff that they canonically do in-game” discourse is killing meeee

God forbid you don’t performatively remind everyone that you do hate cops, actually; and god forbid that you don’t find that True Healing and Happiness for them can only be achieved by leaving the force.

Metas could be written about how Kim and Harry are actually deeply flawed people who enjoy wielding some form of authority in a way that they actually feel best working as cops

(is it healthy? no. is it Good™? no. Is it true to their character? this is where media interpretation comes in)

Metas could be written about how that doesn’t mean ACAB isn’t real, that just means they’re the kind of shitheads (that we, the players, still love) who enjoy being cops

Metas could be written questioning the amount they’d have to change to adapt to a life as civilians, how much and what kind of a push they’d need to go for it,  if it’s change they could even manage, if they could financially survive it, if they could find fulfillment in any other career, at their age

But no. Why waste time on that instead of easy slogans. I mean, we like them, these characters, and we don’t want to feel guilty for liking them, because what does it say about us, then, that we like flawed cops?

(nothing it says nothing it says we played a good nuanced extremely well-written game that skillfully made us like the sort of character whose past actions include sequestering some woman and beating a dude into disability. that’s what it says. i’d even argue that discomfort is part of the point)

being as i am an idiot, and having been one my whole life, i just wanna say that i find it very easy to do nothing, and go nowhere. i eat chocolate late at night in the dark. i stand in the garden also. and i’m often waiting for something to happen. and i’m stupid.

“Psycho Killer” by Talking Heads in Mindhunter season 1 episode 2 (2017) dir. David Fincher