I’m obsessed with teenagers who turn 18 and post shit like this it’s the funniest thing in the world:
you heathens will reblog day specific posts any day of the week. i woke up thinking it was wednesday
There is something you Disney gays need to understand.
The Walt Disney Corporation never has, and never will be, your friend or ally.
Disney is a multi billion dollar conglomerate.
Their one and only goal is to make more money than they did the previous year.
That is it.
They aren't trying to help you or your community.
Any politics they have either reflects the best way for them to make money or it was because someone put political pressure on them to do it. Or it is a publicity stunt.
"But what about creators like Dana Terrace? Or the history of queer people in animation?"
Listen to me. Artists like Dana and others do not work at The Rat because they want to.
They work there because Disney buys up every other little animation company there is and shuts it down, ensuring that any money being made from the medium is going to them.
DreamWorks and a tiny handful of others are the only ones left in western animation.
I am not kidding.
Blue Sky, who made Ice Age, was one of Disneys latest victims.
They shut down all production, even for things that were nearly complete, on all products that did not fit their brand.
Such as the movie adaption of Lumber Janes, a queer focused comic by ND Stevenson (creator of the She-Ra reboot).
As for the historical guys, such as Howard Ashman AKA the father of the Disney Renaissance, they may have worked there and done amazing things but it doesn't mean they were respected by the company.
Howard and his fellow gay artists were only allotted the creative freedom to work because at the time Disney was nearly penniless and this was a last ditch effort to save the company.
Gay artists may have risen Disney up, but it does not mean that the company cares for them or us.
In the eyes of these boardroom execs, the artists are tools needed to make a profit.
And gay consumers are the fools who will buy the rainbows-colored sweatshop produced products and call the company woke.
So. What can we do about this?
Rule #1: Avoid giving Disney money at all costs.
I know this is really hard because they own literally everything. But do your best.
This also includes any of their streaming services.
Buy used DVDs or just pirate.
And before anyone gets their panties in a wad about wanting support queer creators like Dana Terrace, let me remind you:
Creators and animators are paid a lump some regardless of if something does well or not.
All that revenue produced by things like Gravity Falls or Luca goes to the execs and stock holders, not the people responsible.
Rule #2- Support artists directly
If you like things like The Owl House and Dana Terrace's work, make a lot of noise about it on social media.
Buzz absolutely is a currency and the more that is generated, the more likely that these things will get renewed.
Rule #3- Support Unions
Unions are what keeps artists from being treated like slaves.
And any union (regardless of background or career) is a good union.
Rule #4- Do not fall for Disney's bullshit
No matter how progressive they may seem, there is always an ulterior motive and always a catch.
They are not our allies no matter what.
Alright this is rly sad but here goes. I started doing my once-in-awhile bot purge from my followers list. And. I used to be able to just quickly scan and see the bots. They were the ones with default icons and generator-sounding names like "noun-girl-827". And if you weren't sure, you could click on the blog and it would be immediately obvious it was a bot because there's either just bad porn click bait, or nothing there.
Well. This time I had to give up immediately because I got like ten followers down the list and was having immense trouble figuring out who's a bot and who's real. Never ever used to see this but like 5/10 of the first few followers I checked on had just totally empty blogs. It wasn't until I'd already blocked 2 - assuming bots bc empty blogs - that I thought to check if they had any likes. And bam! There it was. All of their user activity.
We have people on this website now who have never reblogged a single post.
Y'all, I'm sure you're sick of seeing "you have to reblog thing" but you literally have to reblog things. That is how this website works. You understand that, right? How do you think the post you hit "like" on got in front of you? It wasn't because you liked enough things and Tumblrs algorithm figured out what you like enough to hand it to you. It's because you followed someone, a human person, who reblogged that post. And it came from another person who also reblogged it.
You are killing this website by refusing to interact with it in the way that makes it better than the other websites you ran from to come here.
Anyway, I'm sure you're all nice people, but I'm not going to play the "bot or not" game if you have an empty blog I'm going to block you.
already got a blazed marvel post. the adpocalypse is closer than we think so heres your daily PSA
yes even to dunk on them. i don't care if you have the sickest burn of the century lined up, don't even give them the time of day
the eventual and inevitable fall of twitter marks a change in the advertising industry, and tumblr is unclaimed territory. if we want tumblr to remain the social media bastion it has become, it needs to remain as unappealing to corporations as possible. do not engage. in a marketing strategist's eyes, any kind of attention is good attention. don't "silence, brand" them. don't kungpowpenis them. don't send them hate anons. don't hate-follow them. corporate tumblrs are not a single entity and they will not be harassed off this site. we only have a shot at repelling them because of tumblr's lack of an algorithm. so turn off recommended posts on your dashboard, put it chronological order, and install an adblocker. if you don't seek out these blazed posts and actively ignore them when they happen upon you, the corporations will starve. in this case, the best kind of protest is a silent one
Here's THE masterpost of free and full adaptations, by which I mean that it's a post made by the master.
Anthony and Cleopatra: here's the BBC version
As you like it: you'll find here an outdoor stage adaptation and here the BBC version
Coriolanus: Here's a college play, here's the 1984 telefilm, here's the 2014 one with tom hiddleston
Hamlet: The Kenneth Branagh 1996 Hamlet is here, the 1964 russian version is here and the 1964 american version is here. THe 1964 Broadway production is here, the 1948 Laurence Olivier one is here. And the 1980 version is here. Here are part 1 and 2 of the 1990 BBC adaptation. Have the 2018 Almeida version here.
Henry IV: part 1 and part 2 of the BBC 1989 version. And here's part 1 of a corwall school version.
Henry V: Laurence Olivier (who would have guessed) 1944 version. The 1989 Branagh version here. The BBC version is here.
Julius Caesar: here's the 1979 BBC adaptation, here the 1970 John Gielgud one.
King Lear: Laurence Olivier once again plays in here. And Gregory Kozintsev, who was I think in charge of the russian hamlet, has a king lear here. The 1975 BBC version is here. The Royal Shakespeare Compagny's 2008 version is here. The 1974 version with James Earl Jones is here.
Macbeth: here's the 1961 one with Sean Connery. Here's the 1971 by Roman Polanski, with spanish subtitles. Here's the 1948 www.youtube.com/watch?v=ljZrf_0_CcQ">here. The 1988 BBC onee with portugese subtitles and here the 2001 one). The 1969 radio one with Ian McKellen and Judi Dench is here and the 1966 BBC version is here. The Royal Shakespeare Compagny's 2008 version is here.
Measure for Measure: BBC version here.
The Merchant of Venice: here's a stage version, here's the 1980 movie, here the 1973 Lawrence Olivier movie, here's the 2004 movie.
The Merry Wives of Windsor: the Royal Shakespeare Compagny gives you this movie.
A Midsummer Night's Dream: have this sponsored by the City of Columbia, and here the BBC version.
Much Ado About Nothing: Here is the kenneth branagh version and here the Tennant and Tate 2011 version. Here's the 1984 version.
Othello: A Massachussets Performance here, the 2001 movie her is the Orson Wells movie with portuguese subtitles theree, and a fifteen minutes long lego adaptation here. THen if you want more good ole reliable you've got the BBC version here and there.
Richard II: here is the BBC version
Richard III: here's the 1955 one with Laurence Olivier, and here's the 1995 one with Ian McKellen. (the 1995 one is in english subtitled in spanish. the 1955 one has no subtitles and might have ads since it's on youtube)
Romeo and Juliet: here's the 1988 BBC version.
The Taming of the Shrew: the 1988 BBC version here, the 1929 version here, some Ontario stuff here and here is the 1967 one with Richard Burton and Elizabeth Taylor.
The Tempest: the 1979 one is here, the 2010 is here. Here is the 1988 one.
Timon of Athens: here is the 1981 movie with Jonathan Pryce,
Troilus and Cressida can be found here
Titus Andronicus: the 1999 movie with Anthony Hopkins here
Twelfth night: here for the BBC, herefor the 1970 version with Alec Guinness, Joan Plowright and Ralph Richardson.
The Winter's Tale: the BBC version is here
Please do contribute if you find more. This is far from exhaustive.
(also look up the original post from time to time for more plays)
I know everyone is clowning on Kanye rn (fucking rightfully so) but please, PLEASE be more aware of subtle antisemitism and look out for your jewish friends. Antisemitism is rising and we're not fucking safe, just take 5 minutes out of your day to look up dogwhistles and just completely deplatform nazis and white nationalists by either punching them or kicking them square in the ass (killing them is also morally okay!)
Can a full grown man aged 43 be a "discord kitten"
bitches hate me for my earnest whimsy and my pathological degree of avoidant behavior