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5 Ways to Improve Worldbuilding in Speculative Fiction

Written by: Angela Brown

When you build a new world, you’re responsible for building the very essence of any good story. In the genre of speculative fiction, which can include science fiction, fantasy, and magical realism, it may be tempting to go overboard with your writing. Doesn’t creating a new reality mean that you get to pack in as much intricate detail and description as you want? Nope – not unless you want to risk putting your readers to sleep. What about creating a fantastical land with no logic and rules? It sounds great in theory, but any contradictions can actually confuse people—or even worse, make them give up trying to make sense of your world and stop reading. Here are five suggestions that might help you improve your worldbuilding ability:

1. Be Unpredictable No one wants to read just another variation of the same old story they’ve read before. There are tons of speculative fiction tales out there, and the majority of dedicated readers have seen and read it all. What you need to give them is something fresh and something new. Hook them in, keep them engaged, and keep them guessing. Even readers who are new to the genre want to see what makes it so different from other genres, so it’s up to you to defy their expectations. ‘Defying Expectations’ states that the key element of a successful story is the need for the reader to have a sense of epiphany—where they learn something new. “At that moment, the brain will release several hormones, such as dopamine, serotonin, adrenaline, and others associated with learning,” which gives you that magical addictive rush that gets you addicted to discovering the story’s outcome. So, go ahead and create that plot twist that takes your story in a completely different direction—maybe you’ll even surprise yourself.

2. Stay Grounded Even though the word “speculative” is part of the genre, it’s always best to make sure that some elements of the story remain grounded in aspects of reality. You can always include strange and wonderful details alongside these aspects, but if they don’t flow with the plot, this may break the reader’s fragile immersion in your story. In order to build a believable yet fascinating world, you only need to look at current trends for inspiration. Maryville University claims that many online universities now offer flexible start dates, personalized support, and completely online coursework – is it such a stretch to create a dystopian world in which schools in the future had students sitting in their homes and attending lectures through virtual reality, never actually meeting anyone or experiencing anything for themselves? Also, researchers from the United Nations have estimated that by 2050, medical technologies will see over 3 million people live over the age of 100 at any given time – is immortality really that far off? To sum this up, you should build upon what’s familiar and combine it with other fantastical elements to give that special magic.

3. Be Flawed One of the biggest problems that speculative fiction writers often face is the inability to accept that their worlds and characters may be flawed. Perfection is boring. You need to ask yourself, “Is there a problem in my world that needs to be solved? How can I make my characters suffer, and more importantly, why do my readers care?” Everyone should have their personal downfalls, even your all-powerful heroes and gods. In ‘Creating a Sense of Wonder in Your Writing’ it suggested creating characters so that they are both realistic and fascinating. A common tendency is for authors to create flat stock archetypes like your typical elves and dwarves. Instead, he suggests modeling characters on interesting historical figures like Hitler or Gandhi to add a dose of multi-dimensional realism. In the end, it pays off to recognize the little quirks and faults in your worlds. Instead of working hard to iron them out, just embrace them because they help your world echo our reality.

4. Show, don’t tell When you start writing your first draft, D.N. Bryn, a speculative fiction writer, suggests diving straight in. As your main character interacts with your world, it also helps your reader learn about it. There’s always more time in later drafts to adjust and develop stronger explanations behind your ideas. Also, she suggests that you should limit the amount of exposition in your first chapter. Once your readers are already immersed in the first chapter, they’re more likely to sit through exposition in the second because they’ve already formed a bond with the story and the characters. Lastly, she emphasizes the “build” in worldbuilding. It’s important that each new piece of information is based off what you’ve already established, starting with the most basic of concepts. This prevents you from drowning the reader in a flood of information.

5. Step in, step back As Margaret Atwood mentions in a feature on Fast Company, you want to devote time to looking at how your characters may see their world, and then step back and look at the big picture. For Atwood, she likes to “wonder what people would have for breakfast…and whether or not they would say a prayer over them, and how they would pay for them, and what they would wear during that meal … Breakfast can take you quite far.” Basic acts like these allow you to indirectly allude to your world’s values, systems, and customs. Similarly, V.E. Schwab identifies “world-building and setting… as the first character”, which she develops before anything else. After these core elements and norms are planned out, she adds greater detail. It’s always important to make your reading accessible to your reader- otherwise, all your great ideas may go unread.

Worldbuilding may sound like a complicated journey, but it’s a highly rewarding process. Ultimately, your main focus should be on helping your readers understand your characters and plotlines. This means sharing your unique version of a world that they want to explore. If you’re having trouble finding some inspiration, you might want to have a look at The Internet Speculative Fiction Database (ISFDB), which catalogs various works and upcoming releases. For more helpful writing tips and suggestions, feel free to subscribe to #WritingTips.

Angela Brown has always wanted to be a writer. She first started writing sappy poems about taking care of her cats when she was 9 years old, and then she wrote some articles for the school paper. Pretty soon, she was writing short stories and fan fiction, and by college, she’d realized it was what she wanted to do for the rest of her life. She currently works for a contact center in the day and works on her writing at night, blogging until she’s confident enough in her short stories to get them published.

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BEAUTIFUL!! 💜💚

Gwenvid doodle dump!!! Ugh I love them so much.

Some words to use when writing things:

winking

clenching

pulsing

fluttering

contracting

twitching

sucking

quivering

pulsating

throbbing

beating

thumping

thudding

pounding

humming

palpitate

vibrate

grinding

crushing

hammering

lashing

knocking

driving

thrusting

pushing

force

injecting

filling

dilate

stretching

lingering

expanding

bouncing

reaming

elongate

enlarge

unfolding

yielding

sternly

firmly

tightly 

harshly

thoroughly

consistently

precision

accuracy

carefully

demanding

strictly

restriction

meticulously

scrupulously

rigorously

rim

edge

lip

circle

band

encircling

enclosing

surrounding

piercing

curl

lock

twist

coil

spiral

whorl

dip

wet

soak

madly

wildly

noisily

rowdily

rambunctiously

decadent

degenerate

immoral

indulgent

accept

take

invite

nook

indentation

niche

depression

indent

depress

delay

tossing

writhing

flailing

squirming

rolling

wriggling

wiggling

thrashing

struggling

grappling

striving

straining

Drawing Men’s Shirt Collars Row 1 & 2 Row 3: Left(Unknown), Right Row 4: Left(Unknown), Right Row 5 Row 6

By ArchetypeWriting.com

AGGRETSUKO SEASON 2 REVIEW (SPOILERS)‼️‼️

Ok, I know some people are complaining about this season, and while there were some things I would’ve changed, IT WAS SOOOOO GOOD!!

From the trailers I originally thought I was gonna hate Tadano, but I actually really liked him? Like, he was such a chill dude and even when Retsuko broke things off, he was respectful. He had a lot of layers to him, and wasn’t the cliche, one-dimensional dude bro I thought he was gonna be. However, I am glad that he and Retsuko broke up, not only because obvious ship, but particularly when it was obvious he and Retsuko were not on the same page about marraige and having a family. But even then, I still really liked him as a character! •w•

Speaking of Haida, I was sort of disappointed with how little of a role he played this season. He wasn’t completely reduced to the side, but I would’ve liked more scenes with him (and Retsuko skkfsk).

Ooohhh, but I ADORED what this season added to Kabae’s character! I went from finding her agonizingly annoying in season 1 to being one of my favorite characters in the whole series. They way she helped Anai and played with her kids as well as the story with her husband was so adorable! I loved how they took a sort of irrelevant character from the first season and added on to her. Amazing stuff!

The message of the whole season, however, is what I think was the best part, at least for me. Even though Retsuko and Tadano were great for each other personality wise, their morals just didn’t match up, and that’s ok. You shouldn’t force yourself to match up with your partner’s expectations. The point of a relationship is to be happy together, and if you can’t meet halfway, things might not work out, and that’s not a bad thing. I really think that moral should be incorporated into more shows.

I have plenty more opinions that I have on this season, but to just sum it all up, I really really enjoyed it, and I really really hope there’s a season 3!!

tadano says

Insulin costs like $5 to make. This is murder.

Plance is such a good ship wow