Hero Gets A Hold Of Villains Blueprints/plans. BUT The Hero Is A Huge Nerd And The Villains Plan Is Full

When the villain has been quite for days, Hero breaks into the villains lair to find their plans, they expected it to be hard, but hard as in boobie traps, but what they saw was much, much worse. Truth was the villain is... The villain is a... Massive slob. Slob as in literal piles of hoarded items all around.

"Well, truth is I was drawing up a plan for a takeover, but I kind of, just... Forgot were I put them, And I don't really have the best memory, so... I just remember it involves massive lab grown penguins... And I may or may not have already placed an order."

"Do you remember literally anything else!"

"let me think... Hmm... Naw, I got nothing. And I don't appreciate how judgemental you're being."

"Finders keepers bitch!!" "May as well if I can get a clean house out of it."

*shoving a giant box filled with candy wrappers in the garbage bag.* "You can't seriously be living like this."

*scrunching their nose at like 10 giant bags of dog food* "You know, I was considering switching to your side, but now I don't think I can't trust someone who lives like this."

*about the giant stack of teddies all with various villainous accesories* "The state of your house is literally making me more anxious than the giant penguins that could be loose in the city right now."

Enemies to lovers things that make me go ahHh— Angst edition promt

After being vulnerable with each other and revealing their deep secrets, something brings them back on opposite sides and they're fighting (combat optional but preferred) and the villian's so frustrated that they're fighting when they don't want to but because they have issues™ they react by trying to hurt hero more than them, pushing them farther and farther making them angrier, until they say that one thing and the hero stops and then their face visibly crumbles, looking shaken and hurt and betrayed, BETRAYED. And because the villian sucks they feel satisfied for a sec before it truly settles and they realise what they did and immediately start to regret it but it's too late the hero saw them be pleased. It's already over for the hero.

If you're looking to like me,

Don't go looking under my skin.

There are stories there that even I have forgotten I buried.

I'm made of molecules old as this universe, and Sometimes under my skin; it shows.

There exist hidden acloves you may never find your your way back.

And some black holes that stare back at you.

Be safe in my heart instead,

Where the carefully curated kindness and empathy and sunshine personality is kept.

Under my skin is where I store the behind the scenes stuff;

The scars and the traumas.

But if you're looking to love me;

Well, enter at your own risk.

—i just hope I don't disappoint.

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If your villain disguises themselve to seduce the hero, they legally have only two options going forward.

They fall in love with them in disguise but the hero is 100% not interested, saying they are in love with someone else, unbeknownst to them the one they're in love with them is their villainous form (because the hero has read one too many enemies to lovers books)

Or, or, The hero IS interested, and the villain vigorously denies their own feelings telling themselves it's all part of the plan, until on a date, the hero does something for them that they'd never do for them as a villain (I watched this drama about basketball rivals where A always wins until B plays in disguise and they let them win and they staight up loose it because they're so hurt, it still lives in my head rent free) and so the villain angrily reveals their identity. But the hero is just like, 'duh, I knew. Literally all you did was put on a wig, dumbass' (even better if their shapeshifter or something so they didn't have any way of knowing but still they just kNoW, you know)

Obsessed with the new dynamic that I'll call 'youre fired if you die'

A is boss/king of b. A is gruff and mean and socially awkward. B is sassy and sunshine and also mean. They do NOT like each other.

What follows is an idiots to lovers office romance filled with lots of bickering, ordering around (by grumpy) and mediaeval fantasy equivalent of unionization attempts ( by sunshine)

Highlights include-

"You're late." "It's literally just half a minute." "It'll be cut from your pay."

*sneezes in front of expensive object* *from the other room* "That'll be cut from you're pay"

*working slowly cause they cut they're hand or something* "Work faster." "I'm literally bleeding, can't you ask how I'm doing like a normal human." *Unable to in fact express concern like a normal human* "Well, stop bleeding."

And off course, *Actually dying* *in tears* "I'll fire you if you die"

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Enemies to lovers-: taken by surprise in a ball edition

A fancy ball but one party uses it gain advantage and surrounding everybody

Everyone rushing to loosen their ties and take of their jackets and tearing slits in their ball gowns and pulling out the hidden weapons that they definitely weren't supposed to bring

Bonus points if one pulls one out from behind their waistband and make eye contact with the other pulling one strapped on their thigh

Group combat when someone shoots at the ceiling to make the chandelier fall on one of them and the other runs to save them seconds before the impact,

Bonus points if it's the villainous one and they do the annoyed 'I can't believe I'm doing this' growl before running

Post Saving eye contact

When they're fighting and they perfectly matched and in sync and you can just see they'll be such a power couple.

During combat eye contact and banter

I just really like eye contact okay

When one is about to fall back during combat and their opponent grabs their wrist and/or their teammate comes up behind them to catch them.

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The villain and hero anyhow end up in a place where the only people they know are each other and have to find someone/something to get out. They both say don't want to be near one another, but one of them gets separation anxiety and follow the other absolutely everywhere, while making up more and more ridiculous excuses and pretending to hate it. The other, sees right through it, but let's them do their thing and enjoy it.

What's your headcanon of how your enemies to lovers ship react to their child asking them how they met?

Would they share a 'and I oop' look and just tell them, "We met at a, uh, a coffee shop honey." "Yup, that's all, the rest is history."

Or would they passively aggressively try to one up each other, rapidly spinning out of control. "We were friends for a really long time—"

"Until they disappeared for years without any contact and only turned up as the leader of our enemies—"

"And so they tried to kill me a couple of hundred times, as you do."

"You did that too!!" "Not nearly as much as you" " Did too!!" "Did not!!"

Or would they just raise chaos children who already know everything and run around in their old costumes and are choosing weather they'll be a hero or villain.

Or would they just sit them down when they're old enough to have the talk but it's just how most of their adopted aunts and uncles and other people that come over for every Sunday barbecue including their parents were criminals/ war criminals.

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The hero and villain fighting and the villians keeps using more and more power pushing the hero farther and farther back as they laugh at the hero trying to fight back and taunt and tease them, the hero biting back their responses. They use a blast a bit too strong and hero is thrown from their spot, the villain laughs and then stops when the hero doesn't reply. Tentatively saying hero and holding their breath waiting for a response, the panic finally settles as it doesn't come. Rushing to the hero's side to find them seriously hurt. Hurriedly taking them to be treated and the villian being overcome with guilt because they've been so disconnected with humanity for so long that they didn't even consider the possibility of the hero being hurt. They didn't want that.

(but I do. Can I have more of that)

"I'm only fighting these (Eldritche horror levels of danger) for you because I want to kill you myself. Don't think I'm trying to save you or care about you or anything. I totally totally don't." —the enemies to lovers dynamic we all love to see.

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