it drives me bonkers the way people don’t know how to read classic books in context anymore. i just read a review of the picture of dorian gray that said “it pains me that the homosexual subtext is just that, a subtext, rather than a fully explored part of the narrative.” and now i fully want to put my head through a table. first of all, we are so lucky in the 21st century to have an entire category of books that are able to loudly and lovingly declare their queerness that we’ve become blind to the idea that queerness can exist in a different language than our contemporary mode of communication. second it IS a fully explored part of the narrative! dorian gray IS a textually queer story, even removed from the context of its writing. it’s the story of toxic queer relationships and attraction and dangerous scandals and the intertwining of late 19th century “uranianism” and misogyny. second of all, i’m sorry that oscar wilde didn’t include 15k words of graphic gay sex with ao3-style tags in his 1890 novel that was literally used to convict him of indecent behaviour. get well soon, i guess…
Note - We’ve updated this post with more tools and clarifications!
Every day, there seem to be more reasons to break up with Google.
So we’ve rounded up a bunch of privacy-centric alternatives for all your deGoogling needs.
Check out the full list over on the blog!
- The Ellipsus Team xo
"Would you still love me if I-" I would still love you if we reincarnated a million times and you killed me in each and every one of them. And I would be grateful that your face is the last thing I get to see before I die in every lifetime. Next.
If you’ve ever been on the hunt for writing advice, you've definitely seen the phrase “Show, Don’t Tell.”
Writeblr coughs up these three words on the daily; it’s often considered the “Golden Rule” of writing. However, many posts don't provide an in-depth explanation about what this "Golden Rule" means (This is most likely to save time, and under the assumption that viewers are already informed).
More dangerously, some posts fail to explain that “Show, Don’t Tell” occasionally doesn’t apply in certain contexts, toeing a dangerous line by issuing a blanket statement to every writing situation.
The thing to take away from this is: “Show, Don’t Tell” is an essential tool for more immersive writing, but don't feel like a bad writer if you can’t make it work in every scenario (or if you can’t get the hang of it!)
“Show, Don’t Tell” is a writing technique in which the narrative or a character’s feelings are related through sensory details rather than exposition. Instead of telling the reader what is happening, the reader infers what is happening due to the clues they’ve been shown.
EXAMPLE 1:
Telling: The room was very cold. Showing: She shivered as she stepped into the room, her breath steaming in the air.
EXAMPLE 2:
Telling: He was furious. Showing: He grabbed the nearest book and hurled it against the wall, his teeth bared and his eyes blazing.
EXAMPLE 3 ("SHOW, DON'T TELL" DOESN'T HAVE TO MEAN "WRITE A LOT MORE")
Telling: The room hadn't been lived in for a very long time. Showing: She shoved the door open with a spray of dust.
Although the “showing” sentences don’t explicitly state how the characters felt, you as the reader use context clues to form an interpretation; it provides information in an indirect way, rather than a direct one.
Because of this, “Show, Don’t Tell” is an incredibly immersive way to write; readers formulate conclusions alongside the characters, as if they were experiencing the story for themselves instead of spectating.
As you have probably guessed, “showing” can require a lot more words (as well as patience and effort). It’s a skill that has to be practiced and improved, so don’t feel discouraged if you have trouble getting it on the first try!
There are no foolproof parameters about where you “show” and not “tell" or vice versa; it’s more of a writing habit that you develop rather than something that you selectively decide to employ.
In actuality, most stories are a blend of both showing and telling, and more experienced writers instinctively switch between one and another to cater to their narrative needs. You need to find a good balance of both in order to create a narrative that is both immersive and engaging.
Your writing is just not what you’ve pictured in your head, no matter how much you do it over. Conversations are stilted. The characters are flat. The sentences don’t flow as well as they do in the books you've read. What’s missing?
It’s possibly because you’ve been “telling” your audience everything and not “showing”! If a reader's mind is not exercised (i.e. they're being "spoon-fed" all of the details), your writing may feel boring or uninspired!
Instead of saying that a room was old and dingy, maybe describe the peeling wallpaper. The cobwebs in the corners. The smell of dust and old mothballs. Write down what you see in your mind's eye, and allow your audience to formulate their own interpretations from that. (Scroll for a more in-depth explanation on HOW to develop this skill!)
Because "Show, Don't Tell" is a more immersive way of writing, a reader is going to feel the narrative beats of your story a lot more deeply when this rule is utilized.
Describing how a character has fallen to their knees sobbing and tearing our their hair is going to strike a reader's heart more than saying: "They were devastated."
Describing blood trickling through a character's fingers and staining their clothes will seem more dire than saying: "They were gravely wounded."
Telling can be a great way to show your characters' personalities, especially when it comes to first-person or narrator-driven stories. Below, I've listed a few examples; however, this list isn't exclusive or comprehensive!
Initial Impressions and Character Opinions
If a character describes someone's outfit as "gaudy" or a room as "absolutely disgusting," it can pack more of a punch about their initial impression, rather than describing the way that they react (and can save you some words!). In addition, it can provide some interesting juxtaposition (i.e. when a character describes a dog as "hideous" despite telling their friend it looks cute).
2. Tone and Reader Opinions
Piggybacking off of the first point, you can "tell, not show" when you want to be certain about how a reader is supposed to feel about something. "Showing" revolves around readers drawing their own conclusions, so if you want to make sure that every reader draws the same conclusion, "telling" can be more useful! For example, if you describe a character's outfit as being a turquoise jacket with zebra-patterned pants, some readers may be like "Ok yeah a 2010 Justice-core girlie is slaying!" But if you want the outfit to come across as badly arranged, using a "telling" word like "ridiculous" or "gaudy" can help set the stage.
3. Pacing
"Show, don't tell" can often take more words; after all, describing a character's reaction is more complicated than stating how they're feeling. If your story calls for readers to be focused more on the action than the details, such as a fight or chase scene, sometimes "telling" can serve you better than "showing." A lot of writers have dedicated themselves to the rule "tell action, show emotion," but don't feel like you have to restrict yourself to one or the other.
If you’re stuck on a section of your story and just can’t find it in yourself to write poetic, flowing prose, getting words on the paper is more important than writing something that’s “good.” If you want to be able to come back and fix it later, put your writing in brackets that you can Ctrl + F later.
Keeping your momentum is the hardest part of writing. Don't sacrifice your inspiration in favor of following rules!
Imagine you’re the protagonist, standing in the scene that you have just created. Think of the setting. What are things about the space that you’d notice, if you were the one in your character’s shoes?
Smell? Hear? See? Touch? Taste?
Sight and sound are the senses that writers most often use, but don’t discount the importance of smell and taste! Smell is the most evocative sense, triggering memories and emotions the moment someone walks into the room and has registered what is going on inside—don’t take it for granted. And even if your character isn’t eating, there are some things that can be “tasted” in the air.
EXAMPLE:
TELLING: She walked into the room and felt disgusted. It smelled, and it was dirty and slightly creepy. She wished she could leave. SHOWING: She shuffled into the room, wrinkling her nose as she stepped over a suspicious stain on the carpet. The blankets on the bed were moth-bitten and yellowed, and the flowery wallpaper had peeled in places to reveal a layer of blood-red paint beneath…like torn cuticles. The stench of cigarettes and mildew permeated the air. “How long are we staying here again?” she asked, flinching as the door squealed shut.
The “showing” excerpt gives more of an idea about how the room looks, and how the protagonist perceives it. However, something briefer may be more suited for writers who are not looking to break the momentum in their story. (I.e. if the character was CHASED into this room and doesn’t have time to take in the details.)
Movies and TV shows quite literally HAVE TO "show, and not tell." This is because there is often no inner monologue or narrator telling the viewers what's happening. As a filmmaker, you need to use your limited time wisely, and make sure that the audience is engaged.
Think about how boring it would be if a movie consisted solely of a character monologuing about what they think and feel, rather than having the actor ACT what they feel.
(Tangent, but there’s also been controversy that this exposition/“telling” mindset in current screenwriting marks a downfall of media literacy. Examples include the new Percy Jackson and Avatar: The Last Airbender remakes that have been criticized for info-dumping dialogue instead of “showing.”)
If you find it easy to envision things in your head, imagine how your scene would look in a movie. What is the lighting like? What are the subtle expressions flitting across the actors' faces, letting you know just how they're feeling? Is there any droning background noise that sets the tone-- like traffic outside, rain, or an air conditioner?
How do the actors convey things that can't be experienced through a screen, like smell and taste?
Write exactly what you see in your mind's eye, instead of explaining it with a degree of separation to your readers.
I find that because music evokes emotion, it helps you write with more passion—feelings instead of facts! It’s also slightly distracting, so if you’re writing while caught up in the music, it might free you from the rigid boundaries you’ve put in place for yourself.
Here’s a link to my master list of instrumental writing playlists!
“Show Don’t Tell” is the core of an immersive scene, and requires tons of writing skills cultivated through repeated exposure. Like I said before, more experienced writers instinctively switch between showing and telling as they write— but it’s a muscle that needs to be constantly exercised!
If I haven’t written in a while and need to get back into the flow of things, I take a look at a writing prompt, and try cultivating a scene that is as immersive as possible! Working on your “Show, Don’t Tell” skills by practicing writing short, fun one-shots can be much less restrictive than a lengthier work.
In addition, get some inspiration and study from reading the works of others, whether it be a fanfiction or published novel!
If you need some extra help, feel free to check out my Master List of Writing Tips and Advice, which features links to all of my best posts, each of them categorized !
GOD I hate Shen Yurong. I mean the actor is doing incredibly - this is a really fucking hard role to play. But WANNING. Li Meng is killing this.
I honestly don't even think the show needed to show us her history in the flashbacks. The actress is already doing such a good job acting her history. And I'm dreading what's coming to her because she can't see it coming since she's so blinded by her desperation for Shen Yurong. And I think she'll die at that man's hands, which just feels tragic given what she's been through.
And although Shen Yurong is a monster of her own making, and while he is a victim and she is perpetuating the cycle of abuse, the fact of what he did to Xue Fangfei and what he is clearly getting ready to do to Wanning makes me believe he was always a hypocrite.
As a person, Wanning may have pushed him, but he did not have far to fall. What she did do, unfortunately, is teach him how to be conniving and get what he wants.
Shen Yurong was pressured into a difficult choice by Wanning, but he chose to be cowardly. Now he has the upper hand, and if he was only fighting for his freedom, I could root for him. But instead, he's fighting to climb higher and take back Xue Fangfei.
Wanning does deserve what's coming to her. She did abuse him and do countless terrible things.
Yet I pity her because of how well her actress is playing her – someone driven to the edge of madness, who has lost all perspective and sense of morality, who is grasping at the last thing that can make her feel human - love.
And Shen Yurong, I despise, because of how his actor is playing him - someone who never took responsibility, nor felt true guilt, for his own actions because he always felt he was wronged by fate and the world.
I haven't posted in a long time. I'm getting busy these days huhuhu
Because why not. These are ordered in terms of being my favorite as opposed to pure quality - if I was trying to be objective, it would probably be rearranged, but I like being petty and subjective.
You will notice that literally every drama on this list is a period drama. Much as I adore period cdramas, contemporary ones rarely work for me.
20. Princess Agents (tie)
MV: https://www.youtube.com/watch?v=ll6x8zf2CnQ
Our heroine is a slave in a brutal society who becomes a feared general, fighting for freedom and love of a Yan prince. But her heart might actually lie with a seemingly cold adversary who is madly in love with her (I shipped them so hard!) I was one of five people who loved the infamous cliffhanger ending because it made a brutal kind of sense (You can read the novel if you want a different resolution.)
20. Tribes and Empires (tie)
MV: https://www.youtube.com/watch?v=WyRsPAGUz-Q
This one has a hell of an open ending, but it’s so gorgeous and epic, I don’t even care. Set in a fantasy empire, it follows three men - a half-human prince, a cursed son of a general, and an orphaned leader of a barbarian tribe. A feast for the eyes.
19. Ice Fantasy
MV: https://www.youtube.com/watch?v=C05lhfrWgQg
A visually stunning high fantasy with elves, quests, a shockingly wonderful hero, brotherly love, toughest lady general ever as OTP and basically everything I like.
18. The General and I
MV: https://www.youtube.com/watch?v=0XDR17kwXYM
The lengthy OTP separation brings its place in this list down, but otherwise a gorgeous romance between two enemies - a general and a female strategist, is a total swoon and so intense.
17. Three Kingdoms 2010
MV: https://www.youtube.com/watch?v=j3RVpdYDpYA
This one is a magnum opus of 100 episodes, with a tour de force performance by Chen Jian Bin as Cao Cao. Battles, politics, and even though it’s very secondary, one of my favorite love stories in cdramas. This one is if you want to use your brain as well as your heart.
16. Colourful Bone
MV: https://www.youtube.com/watch?v=G4O5yb3VBh4
It probably doesn’t deserve to be this high on the list but it hits all my narrative and shippy kinks with a common-sense heroine taking in an abused and mistreated death machine and teaching him to be human. Mmmm.
15. Young Warriors
MV: https://www.youtube.com/watch?v=BO83qvKaoSM
What do you get when you have seven awesome heroic brothers, a star-studded cast, tragic stories about heroism and love and just amazingness? You get this drama.
14. Strange Hero Yi Zi Mei
MV: https://www.youtube.com/watch?v=wFVDAuFOyWE
Band of misfits fight corruption and uncover mysteries. This one is the most underrated drama on my list. Also, Wallace Huo has never been hotter in his life and that is saying something.
13. The Battle of Changsha
MV: https://www.youtube.com/watch?v=RbgFMaUfpnE
By the same people who wrote Minglan, this follows a family in 1930s China and is a quiet, devastating masterpiece.
12. Prince of Lan Ling
MV (warning - spoilery): https://www.youtube.com/watch?v=-jUVGP0HETo
He’s the consummate battle god. She is a mystical shaman. He is fated to be with someone else per prophecy but he doesn’t care and chooses her. True love, politics, battles, jealousy, amazingness, tragedy. I love them so.
11. Gong/Jade Palace Lock Heart
MV: https://www.youtube.com/watch?v=SVFPVkHaweo
This is Boys over Flowers goes Qing (where Domyoji’s behavior finally makes sense since he’s a literal prince and Rui likes to kill people.) This is such a amazing good fun, about a modern woman time traveling to the time of the fight for the throne between Kangxi’s sons. She thinks she likes the seemingly gentle Four but ends up with hot-blooded, awesome Eight. She herself is tough as all get out and this is pure deliciousness from beginning to end. Yang Mi and Feng Shao Feng had such amazing chemistry, people RPShipped them for years.
10. Return of the Condor Heroes 2006
MV: https://www.youtube.com/watch?v=JzXsBqVYp0I
My first cdrama ever, and what a gorgeous one it was. That’s what got me into cdramas. The childhood eps are pretty awful but after that, it’s pure shippy perfection with an incredible OTP. If you want to be in a constant romantic swoon, in that story of female master and her male disciple and their forbidden love, this one is for you.
9. Eternal Love/Three Lives Three Worlds Ten Miles of Peach Blossoms
MV: https://www.youtube.com/watch?v=t9-ry-W4Crg
Fated immortal lovers, reincarnations, the whole enchilada. Yang Mi and Mark Chao have insane chemistry that burns up the screen. The first few eps are slow, but it makes up for it afterwards.
8. Legend of Fuyao
MV: https://www.youtube.com/watch?v=SkMX1d0v7t0
A twisty epic romance with a super-powered heroine who is plain awesome and may destroy the world, and a smart, ruthless prince who’s only soft for her. I love it so much!
7. Legend of Condor Heroes 2008
MV: https://www.youtube.com/watch?v=c2fea109_qM
Plot twists, good guy hero with a mega smart OTP, tragic anti-hero who becomes a villain for a while with an amazing OTP, bromance, fights, everything. I just adore this one.
6. Bu Bu Jing Xin/Startling By Each Step
MV: https://www.youtube.com/watch?v=R9B3Rddrqt0
The one that started the time-travel craze (well, that and Gong), about a modern woman who time travels to the time of Emperor Kangxi’s sons’ fight for the throne, this is a gorgeously filmed tragic love story, with one of the most perfectly brutal endings out there. I adore it.
5. Nirvana in Fire
MV: https://www.youtube.com/watch?v=J4wps7SK9xo
This is a smart story about politics and revenge, where a survivor of a wrongly destroyed family comes to get justice. Seemingly laid back until it explodes. Not much romance but it doesn’t even need it.
4. Rise of the Phoenixes
MV: https://www.youtube.com/watch?v=w0BUvMKSj4E
Like the dramas to destroy you? Come right in. A story about a disfavored prince and a lost daughter of a previous dynasty, this is smart, gorgeous, and is going to wreck you.
3. Ever Night (s1)
MV: https://www.youtube.com/watch?v=x99seU5qJuc
I have talked enough about it recently so I won’t say much more, but if you want epic, movie-like quality, characters you will love, amazing battles and cinematography, complicated world-building and an OTP to die for, come right in.
2. The Myth
MV: https://www.youtube.com/watch?v=-rfyfKM_Ww0
For the longest time, this was my favorite cdrama, to be replaced only by Minglan. It starts out funny and ends up tearing out your heart. This is the only time in my drama watching experience I cried so hard I threw up. The story is about two accidental time-travelers - a photographer and a cook - who end up in Qin Dynasty China. And from then on it’s about how that cruel, horrifying world takes two perfectly normal men and by wracking their very souls turns one into a hero and the other into a monster. To me, this is Hu Ge’s best performance and as you see his protagonist desperately try to hold on to his humanity and his love in a world that is doing its best to destroy it, I dare you not to cry like a baby. His character is my ultimate cdrama crush.
1. The Story of Minglan
MV: https://www.youtube.com/watch?v=FA7m2QktiUk
Aaaaaand, my n1. cdrama is the amazing, too short at 73 eps, The Story of Minglan. It is very hard to describe the plot of this - a sort of Elizabeth Gaskell meets period China. It follows three interconnected upper-class families, but more specifically, it is about Shen Minglan, a concubine-born daughter of a minister and Gu Tingye, the oldest, legitimate, and hated by his family son of a Marquess. Their narratives run largely parallel for the first half of the story and such is the genius of this drama that I, the ultimate romance junkie, did not mind that. Minglan is a rarity in dramaworld - she is fiercely smart, very collected and emotionally detached. Life in the troubled Shen household taught her to survive and to hide her feelings and talents. Tingye is a big cdrama love. Abused and reviled by his household where he can do no right (the Marquess hated having to marry his merchant mother for money and has displaced that hate on her son), Tingye manages to keep his warm heart but acquires the ability to go his own way. Both of the protagonists are wonderful and smart and magnetic and rootable for separately, but when they get together, the sparks go off the charts and they become my n1 cdrama OTP of all time. A lot of the story is about family battles, women’s world dilemmas and relationship (of all sorts) interactions. There is also politics and battles, but the true charm of this drama are the mundane details of the world and the fully-fleshed out people who inhabit it. If you watch only one cdrama in your life, make it this one.
Do you have any good words for pain? (Hurt for example) Like being in pain or exclamations of pain (ouch for example)
Ache - a usually dull persistent pain
Affliction - a cause of persistent pain or distress
Agony - intense pain of mind or body; anguish, torture
Anguish - extreme pain, distress, or anxiety
Bruise - an injury involving rupture of small blood vessels and discoloration without a break in the overlying skin; an injury especially to the feelings
Burn - to produce or undergo an uncomfortable or painful sensation like that of being injured by fire
Chafe - to make sore by or as if by rubbing
Clonus - a rapid succession of alternating contractions and partial relaxations of a muscle occurring in some nervous diseases
Colic - an attack of acute abdominal pain localized in a hollow organ and often caused by spasm, obstruction, or twisting
Cramp - a painful involuntary spasmodic contraction of a muscle
Deleterious - harmful often in a subtle or unexpected way
Discomfort - mental or physical uneasiness; annoyance
Distress - pain or suffering affecting the body, a bodily part, or the mind; trouble
Fester - to generate pus; putrefy, rot;; to cause increasing poisoning, irritation, or bitterness
Gripe - a pinching spasmodic intestinal pain—usually used in plural
Inflamed - to cause inflammation (i.e., injury that is marked by capillary dilatation, leukocytic infiltration, redness, heat, and pain) in (bodily tissue)
Lancinate - pierce, stab, lacerate
Malaise - a vague sense of mental or moral ill-being
Misery - a circumstance, thing, or place that causes suffering or discomfort
Noxious - physically harmful or destructive to living beings
Pernicious - highly injurious or destructive; deadly; (archaic): wicked
Prickle - a prickling or tingling sensation
Sore - a source of pain, distress or vexation; affliction
Spasm - an involuntary and abnormal muscular contraction; a sudden violent and temporary effort, emotion, or sensation
Sting - a wound or pain caused by or as if by stinging (sharp or piercing)
Suffer - to endure death, pain, or distress
Throb - to pulsate or pound with abnormal force or rapidity
Travail - a physical or mental exertion or piece of work; task, effort; agony, torment
Twinge - a sudden sharp stab of pain
Woe - a condition of deep suffering from misfortune, affliction, or grief
ouch, boo, ow, aw, woe, shucks, ay, rats, yuk, sheesh, alack, tush, pooh, yuck, wirra (Irish), phooey, alas, tsk, pshaw, bah, humph, tut, pish, ho hum, faugh, fie
Hope this helps with your writing. Do tag me, or send me a link. I'd love to read your work!
Illustration for Wait and Hope by @mightbewriting.
Me, reading my fic drafts: Damn this is pretty good, when's the author gonna finish it?
Li Rong: can't believe I married him twice