While at a party, you hear screams coming from the main floor and you see flashing lights out the window. You assume the party is getting busted. What walks through the door is much worse than a police officer.
Becoming a writer is great because now you have a hobby that haunts you whenever you don’t have time to do it
hendery’s gift to winwin ☺️🎁
the curse is lifted! you are no a beast no more! congratulations! but you'll never forget the way they looked at you, will you.
this is rlly for everyone to love hc more TT // split by general/book1, book 3 spoilers, and book 5 spoilers via headings (though all are minor spoilers imo, except for the one in bk 5?)
there’s another question that pertains to TGCF’s comments, which I found interesting but have left out for now because it’s very very long. it’s half translated, so maybe i’ll finish it later
CW: domestic violence, Q.21 suicidal thoughts
the mdzs parts were prev translated here by @bigbadredpanda
original interview here
reposts and translations OK, but pls give credit!! twt @/uooongs, tumblr @uoongs, ig @/duoj1ao
GENERAL / BOOK 1 REFERENCES
Q14. TGCF characters’ heights?
Xie Lian 178cm (but can perfectly seem like 180), Hua Chen 190 (first appearance as a cute fresh youth was 185cm), Jun Wu 191, Feng Xin 188, Mu Qing 188, Mo Shui 189, Shi Wudu 187, Shi Qinxuan 186 (woman form 176), Pei Ming 188, Ling Wen 180, Quan Yizhen 184 (but has a very tall presence), Yin Yu 186 (but miraculously no matter how tall he is it’s hard to notice this person).
PS: Yu Shi [rain master?]’s cow is 150 without standing up
Q17. What was XL doing after his second time getting banished to the human realm? What was HC doing? Why couldn’t he find XL? HC previously swore to not let XL know he’s protecting him, so why did he decide to meet XL again after 800 years?
XL tried doing other jobs, but all didn’t go too well, and would bring sadness/strife to others, so could only collect trash by himself.
HC was looking for him while also working on his skills + earning money, expanding his power, and worked hard to become the strongest dude!
Really, it was because XL’s luck was so terrible and stuck to him so closely that he couldn’t meet HC. Actually, many times they almost saw each other, like in Banyue, and also when XL was Fangxin head priest, but both times they just missed each other. Finally XL ascended by himself and CEO Hua couldn’t contain himself and rushed over.
Keep reading
Just collecting links to audio drama because I love them
Jujusanpo
Jujusanpo #1 - 1st year's meetup Jujusanpo #2 - Chinese restaurant (TL) Jujusanpo #3 - Karaoke shop in Tokyo (TL) Jujusanpo #4 - The 1st JUPPON Grand Prix (TL) Jujusanpo #5 - Tachikawa (TL) Jujusanpo #6 - Odaiba (TL) Jujusanpo #7 - The 2nd JUPPON Grandprix (TL) Jujusanpo #8 - Business trip to Sendai (TL)
DVD Bonus
Holiday Wandering - part 1, part 2, part 3, part 4 (LN chapter TL) Resurrection Doll - part 1, part 2, part 3, part 4 (LN chapter TL) Night Gourmet (TL)
Livestage
1st years go to Kawaguchi 2nd years go to Kawaguchi Juju travel quiz
Tom actually laughs, “You didn’t like the singing butterflies?”
Harry snorts, and smiles fondly at Tom. “I loved the singing butterflies.”
- Full Circle (Ch. 9) by @tetsurashian
I had a lot of fun drawing this adorable scene. I highly recommend this fic if you need some lighthearted and funny Tomarry!
I have a question how can I pick Chinese names for my original characters there not real people and I see people in Chinese vocals use them I was wondering if there are any tips on choosing Chinese names
Hello! Chinese naming IRL is super complicated and takes into account a huge number of factors. This is why there are professional naming services, to help you calculate the most favorable name. A great twitter thread summarizing it for the casual audience is here:
https://twitter.com/yurouchng/status/1211935445619073024?s=20
If it’s only OCs, Jia Pu and Ba Zi are way too much to consider (and you likely won’t have them anyway), so I’d focus on meaning and how the name sounds, if possible.
I also have an additional suggestion regarding surnames: the top 100 most common surnames covers almost 85% of China’s population, and I’d guess the top 400 list should cover at least 99%. Hence there isn’t much room to be creative with them, unlike in English. I recommend just checking out the top 400 list on Wikipedia and picking your favorite:
https://en.wikipedia.org/wiki/List_of_common_Chinese_surnames
REFERENCES (Banshee; Ghost; Ghoul; Goblin; Haunt; Specter; Vampire; Wraith; Origins of Halloween)
A female spirit in Gaelic folklore whose appearance or wailing warns a family that one of them will soon die.
Banshee came from combining the Gaelic words meaning “woman of fairyland,” but any positive associations with fairies ends there.
Are female spirits that, if seen or heard wailing under the windows of a house, foretell of a death in the family that lives there.
Today, the word is most frequently heard in the idiom “scream like a banshee” or “wail like a banshee,” which shows the power of myth and the imaginative power of language, since probably no one has actually heard one.
Most common meaning today is “a disembodied soul” or “the soul or specter of a deceased person”, which came next, a meaning based on the ancient folkloric notion that the spirit is separable from the body and can continue its existence after death. It originally meant “vital spark” or “the seat of life or intelligence,” which is still used in the phrase “give up the ghost.”
An older spelling of ghost, gast, is the root of aghast (“struck with terror, shocked”) and ghastly (“frightening”).
The German word for ghost, geist, is part of the word zeitgeist, which literally means “spirit of the time.”
A legendary evil being that robs graves and feeds on corpses.
Ghoul is a relatively recent English word, borrowed from Arabic in the 1700s.
Because it’s spelled with gh-, it looks vaguely like the Old English words ghost and ghastly (which share a common root in the Old English word gāst, meaning “spirit” or “ghost”).
In fact, it comes from the Arabic word ghūl, derived from the verb that means “to seize,” and originally meant “a legendary evil being held to rob graves and feed on corpses.” The word was introduced to western literature by the French translation of Arabian Nights.
An ugly or grotesque sprite.
Usually mischievous and sometimes evil and malicious.
To visit or inhabit as a ghost.
However, this is not the original sense of the word.
For centuries, it had a perfectly unfrightening set of meanings: “to visit often” and “to continually seek the company of.”
In the 1500s, it began to mean “to have a disquieting or harmful effect on,” as in “that problem may come back to haunt you.” The meaning here is simply the lingering presence of the problem, not the possibly scary nature of the problem itself; it is applied to thoughts, memories, and emotions.
The noun haunt retains this fright-neutral definition, “a place that you go to often,” as in “one of my favorite old haunts.”
A lingering idea, memory, or feeling may have led to the ghostly meaning of haunt, or one by a disembodied or imaginary spirit.
A visible disembodied spirit.
Specter originally meant “a visible disembodied spirit” in English—a good synonym for ghost. But, unlike ghost, the notion of being visible is paramount in specter, which came to English from the French word spectre, which developed directly from the Latin word spectrum, meaning “appearance” or “specter,” itself based on the verb specere, meaning “to look.”
Specere is also the root of many English words that have to do with appearance: aspect, conspicuous, inspect, perspective, and spectacle.
The reanimated body of a dead person believed to come from the grave at night and suck the blood of persons asleep.
Legends of bloodsucking creatures go back to Ancient Greece, with harrowing tales of them rising from burial places at night to drink peoples’ blood before hiding from dawn’s daylight. These stories were popular in eastern Europe.
Originally comes from the Serbian word vampir, which then passed from German to French, coming to English in the 1700s.
The extended senses of vampire, “one who lives by preying on others” and a synonym of vampire bat, were both in use within a few decades.
The exact likeness of a living person seen usually just before death as an apparition. The distinguishing quality of a wraith, compared with other ghosts, is its specificity.
Originally, it referred to either the exact likeness of a living person seen as an apparition just before that person’s death as a kind of spectral premonition of bad news, or a visible apparition of a dead person.
When referring to a living person, it’s a synonym of doppelgänger, or the “spirit double” of a living person (as opposed to a ghost, which refers to the spirit of a dead person). Doppelgänger is now frequently used in a broader sense to mean simply “someone who looks like someone else.”
When referring to a dead person, wraith is a synonym of revenant, which originally referred to a ghost of a particular person and subsequently has been used for a person who returns after a long absence.
The traditions of Halloween have their origins in Samhain, a festival celebrated by the Celts of ancient Britain and Ireland.
Samhain marked the end of summer and the onset of winter, and occurred on a date that corresponds to our November 1st.
It was believed that during the Samhain festival, the world of the gods was visible to humans, and the gods took advantage of this fact by playing tricks on their mortal worshippers. Those worshippers in turn responded with bonfires on hilltops and sometimes masks and other varied disguises to keep ghosts from being able to recognize them. Things tended to get spooky and dangerous around Samhain, with bloody sacrifices and supernatural phenomena abounding.
Samhain chugged along for centuries, until Christianity poked its nose in: in the 8th century CE, All Saints' Day, a somewhat new Christian holiday, got moved from May 13th to November 1st.
The evening before All Saints' Day became a holy—that is, a hallowed—eve. Within a few centuries, Samhain and the eve of All Saints' Day had been merged into a single holiday. Protestants of the Reformation and all that came after largely rejected the whole thing, but the holiday persisted among some communities.
19th-century immigrants to the U.S., including many from Ireland, brought their Halloween customs with them and deserve no small amount of credit for the holiday as it's celebrated in the U.S. today.
More: Writing Notes & References ⚜ Word List: October
do you have any tips on how to write for a quiet character living a comfortable life abruptly being forced to adapt to a rowdy and somewhat violent environment?
common literary & character tropes
Beware the Quiet Ones: When the character who is hardly ever upset about something, suddenly raises their voice, the world turns upside down and seems to come to an end. There is an unleashed raging or cold speech of epic proportions that not even the most demented character in the story would want to sit through. This rage is almost always expressed verbally, though violence can also be included. Another version could be when the heroes' team is in low spirits, and The Quiet One, fed up with all the sulking, throws the table (or something else) to the side and gives a Rousing Speech to their comrades.
Elective Mute: It turns out that a character assumed to be unable to talk actually can speak, they just choose to be silent most of the time.
Emotionless Girl: An enigmatic female character who appears to be entirely emotionless. Whether she actually is emotionless depends on the story and often on her level of characterization.
Heroic Mime: A hero who never speaks.
Silent Scapegoat: Somebody who willingly takes the blame for everyone else's wrongdoings.
Suddenly Speaking: A character who was initially silent eventually reveals that they can speak after all.
The Quiet One: A character who does speak, but not as much as the other characters.
The Stoic: Quiet demeanor tends towards the brusque or outright rudeness, though there are a few polite Stoics. Some stoics may try to give the impression of a lot going on inside, cultivate an air of mystery and confuse other characters with cryptic one-liners. The Stoic sometimes displays emotion when under extreme stress or in other highly emotional situations, but their usual repertoire consists of mild boredom, detached interest, Dull Surprise or dignified disdain. The Stoics in ancient Greece were philosophers who believed that self-control is the highest virtue, and detachment from strong emotions and passion would give them greater insight in their quest for truth. They also thought that emotional reactions to the inevitable were silly; given that We All Die Someday, what is grieving over death but a judgment that the inevitable was somehow wrong? Stoics would later be criticized for fatalism and apathy.
The Voiceless: A character isn't shown speaking, but might still be capable of speech.
Tranquil Fury: This character can range from happy or stoic, but their anger is more quiet (but still dangerous). What defines this trope is the tendency to become deadly serious when it gets deadly serious.
In the story "The Six Swans", collected by the Grimm Brothers and Hans Christian Andersen among others, a Fallen Princess must make six shirts out of nettles and can't make a sound for seven years or the spell that transformed her six brothers into swans will never be broken. She manages to keep all of these conditions and gets to break the spell. This is an example of the Elective Mute trope.
Peter in Jumanji, who talks to no one but his older sister Judy ever since their parents' death by car accident. Once Alan gets out of the game and finds his parents are also dead, Peter starts talking to him as well.
Charles Wallace was an Elective Mute trope a child in A Wrinkle in Time. By the time of the later books, he has grown out of it.
Irish Mythology: The battle trance Nuada enters before the first battle of Maige Tuired is sometimes described as a battle fury. However, unlike The Riastrad, the famous "Warp Spasm" of the hero Cu Chulainn, Nuada does not become a berserker, but instead becomes exceptionally calm. This is an example of the Tranquil Fury trope.
Older Than Steam. Shakespeare's Henry V has the eponymous character's Tranquil Fury reaction to the tennis balls.
Dead Poets Society: The shy and insecure Todd Anderson spends most of the film struggling to get out two full sentences and is overlooked by the school and his parents. After his best friend kills himself, the school tries to bully him (and the other boys) into pinning the blame on their favorite teacher — and he leads half the class in an outright rebellion against the headmaster.
Don Vito Corleone from The Godfather is famously very soft-spoken, even hoarse, but an extremely menacing screen presence.
In the original novel The Godfather, both Vito and Michael Corleone were noted as young men for being soft-spoken, understated, and reasonable, especially in contrast to many of their Sicilian immigrant and first-generation compatriots. They go on to become in turn the most feared "Family" heads of their generations, while still rarely raising their voices above a normal speaking tone.
Sources: 1 2 3 4 ⚜ More: References ⚜ Writing Resources PDFs
This is already quite a specific character, and it seems you have a rough idea of your storyline. I don't want to intrude too much on your story, so I compiled tropes and examples in literature as well as other media that are somewhat related to what you described, and you could perhaps incorporate these (& edit as needed/desired) to further flesh out your specific character and plot. Consider which direction you want your story to go; what reactions you want your own character to show once they're thrust into that new environment (Will they continue to be quiet? Will they go the other end of the spectrum? Perhaps somewhere in between? Will they succeed in "adapting" in this new environment?). Do go through the sources for more information and examples. Plus these previous posts that may be useful as well:
On Shyness ⚜ On Mutism ⚜ On Introverts
Word Alternatives: Quiet ⚜ Five-Factor Model of Personality