My aim's fine, Mr. Hickey. I've shot smaller hawks than you.
-> 20/∞ CHARACTER DYNAMICS in The Terror
The Terror's cinematography is absolutely breathtaking.
So many shots have compositions that look like they could be paintings in a museum exhibit on 19th Century Realism. Obsessed with the purposeful use of blocking to portray the class divide and the mundane but backbreaking labor of sailing.
Also, I love how, as a historical drama, it leans heavily into the camera language of sci-fi and horror to create this otherworldly and ominous feeling without having to be so on the nose. It's all about the light and framing--everything is stark or slightly offkilter like the glacial landscape slowly killing the characters.
Only two episodes in and this show might beat out even Severance when it comes to my favorite visual storytelling of 2025.
Actually the navy superstition about women on boats being bad luck was real all along and the expedition was doomed from the start because James Fitzjames was a woman.
lets be anthropological artefacts with the tuunbaq
Early color photographs of Antarctica, circa 1915, by Australian adventurer Frank Hurley.
Stupid hobbitses and their STINKING pussieses
Ty Dave I will shit the bed tonight most immediately
*about to die right after my first ever meaningful human connection voice* are we brothers francis
she has that raw vulnerable look in her eyes you only see in captains of doomed polar exploration vessels at the end of vanity