Not every day has to count. Some days are for repairing, resting, mourning. You don't have to perform every day. Some days are for doing nothing. For sleeping all day or being on your phone. Relaxing is ok, allowed and encouraged. Do what you need to do.
1989 taylor's version, out October 27th.
When ending your novel, there are a few things to consider.
You’ll want to build up tension during the climax, and wrap things up during the resolution. Don’t forget to conclude your main storyline and finish up your subplots as well.
There should be some room left for readers to interrupt things on their own, such as the fate of certain characters.
Not only is it important that your ending makes sense, but it should also evoke emotion.
Knowing how your novel will end sooner than later will help guide you to its finish without wandering too much on pointless scenes.
1) The Classic Cliff Hanger
Done wrong, this can leave readers unsatisfied. But if it’s done carefully, it can leave your audience yearning for more. Your protagonist’s main quest/goal should be concluded by the end of your novel, but leaving questions unanswered or a problem unresolved can be an intriguing cliffhanger. Cliff hangers don’t have to be groundbreaking, they can be small.
For example, Katniss survives The Hunger Games (concluding her main goal) but by tricking the Gamemakers into allowing two victors, we are left wondering what the consequences will be. Not only that, but we question what will come of her relationship with Peeta as he painfully realizes all of Katniss’s affection towards him was simply for the cameras.
2) End where you started
In a symbolic circle of events, you could potentially end your story in the location where it began. However, now the protagonist has newfound strengths or knowledge and can reflect on how they started. This cyclical ending can also work with a mirrored scene (ex. starting and ending with a sword fight).
3) The What-If Ending
Instead of a direct cliffhanger, this conclusion focuses on leaving the ending up to the reader’s imagination. In The Giver, Jonas successfully leaves behind his town and approaches Elsewhere on a speeding sled. He is barely holding onto consciousness and we are left wondering if he will make it there alive—and if it’s even a real place to begin with.
4) The Twist
An unexpected (but planned) ending that can excite and surprise your reader. While a twist should be unexpected, when a reader goes back, there should be breadcrumbs and hints that make it intentional.
5) Simply… Resolved.
There are no open-ended questions or cliffhangers. Everything is wrapped up neatly in a satisfying way for your readers.
Instagram: coffeebeanwriting
The first completed album!!!!!!
hunger games advertising goes hard as usual but unfortunately this confirms that i’ve been pronouncing every single name in this book incorrectly
Taylor calls herself crazy all throughout TTPD, but maybe I’m just as insane because I actually think she’s quite normal? Because if I ended a once happy 8 year relationship because the love was gone and we were both no longer in love to then get with a situation-ship who has been pinning for you for years only for them to abandon you when they finally got you, I’d commit full arson.
this is so dumb but there was that interview andrew garfield did with stephen colbert where he said grief is just all the unexpressed love we have left for someone who is gone and that no matter how much you tell someone you love them or show them, you will still have all of this love leftover when they're gone, and it's really helped me frame loss in a healthy way. like grief isn't a weakness. you will have it no matter what. it's proportional to the amount of love you had for someone and tried to show them every day and that's something you can take comfort in. or at least i do.
Suzanne collins wrote a trilogy where a main media propaganda strategy was to market a horrific act of violence as a love story to distract ppl and then it got adapted into a box office breaking movie and ppl made it all about the love triangle. so then since they didn’t get the point the first time Suzanne collins wrote a prequel story about the main dictator and she makes it so that you as a reader want it to be a genuine love story so badly even tho it’s so very clearly not and instead feels extremely unsettling to make her point even more meta which then gets adapted into another box office breaking film and now ppl are making romantic snowbaird tik toks. do u think she’s gonna write another book that’s somehow even more blatant or just give up and start executing ppl? hard to say but I wouldn’t blame her for the second one
the album is brutally honest, satirical, a bit cringe here and there, depressing and experimental at the same time, I would not side eye anyone for saying "I don't understand this" or "this isn't my cup of tea" or even "what the fuck is this" because it's obviously not a 1989 or midnights kind of album for everyone. I understand why she said she "had to put this out" but while she is at the peak of her career, she released an album that is not for beginners nor really for overall critics, it's knees deep into the taylor swift lore and probably the most herself an album has ever been, that does not mean it is a masterpiece but it makes it so insanely special
my favourite instagram account is "wheredoesthepeecomeout" and it's run by a girl who asks men on tinder where cis women pee from and then documents their answers
Fandom Maniac//Hufflepuff// fanfic writer and fanatic
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