COLOR RUSH | EPISODE 5

The fact that they’re openly discussing the spectrum of sexuality like this instead of completely ignoring the subject really shows that, once again, P’Aof is so intensional with his portrayal of LGBTQIA+ characters. This is why Bad Buddy really is more than just a BL, it’s a story of people falling in love and discovering who they are. Together.

Lee Sejin (Mr. Heart) and Lee Ki Hyun (Light on Me) in 박원 - Fuxxxxx crazy

pran: being super annoying to each other is our love language and i don't know how to act when you are being super sweet, i am flustered okay because your actions are kinda really really love-shaped

falling in love is a rarity in this world. 

Still2gether Ep3 + text posts

Ep5 Ep4 Ep2 Ep1 Pt6 Pt7 Pt8 Pt9 Pt10 P11 P12

#our walking green flag willing to risk everything to get his boyfriend to talk to his bestfriend

Some of y’all think that holding hands and sharing a bed is immediately romantic, and this is why people cannot differentiate between romantic, platonic, and familial forms of love.

not so quick pitch 

Light on Me (2021 - Korea) 

Rating: 10/10

Foundational Romance Trope: friends to love triangle

There were some who thought this BL slow, and I get that, but really it’s just subtle and quiet. With Light on Me, Korea gave us an honest to goodness high school set BL with some classic old school yaoi tropes almost like they were doing a bit of a, 

“now that we’ve hit our stride, let’s perfect the vanilla sheet cake BL style.” 

It was great, of course, but very refined and elegant which some found off putting. It made me think of something like this… 

It’s what Korea does, repackage and perfect vanilla cake into this pretty glowing confection of precision joy. I’m cool with that. By all means, please include BL in the Hallyu take over. This is the K-pop of BL En-Hyphen style, manufactured super-powered cute but… restrained. 

But that doesn’t make it any less gut wrenching to watch. In fact, it makes every subtle tentative movement of care that ShinWoo attempts that much more telling. It makes every fear of exposure that prevents DaOn from taking action that much more traumatic. It makes every moment of TaeKyung’s brutal honestly and blunt communication that much more powerful. 

It’s like that intense moment of focus on the hand flex in an Austen adaptation - we are awaiting every crack in the sugar sculpture with bated breath. 

The filming in this show was precision engineered. The frame was kept uncluttered, characters appeared exactly in the center, there was little visual noise, and the lighting was full on, even in night shots. To me this reflected the character of TaeKyung - honest and almost stilted in his mannerisms. I feel like the director filmed this series as if the show itself were TaeKyung: careful and clear and specific. 

This may come off as one-note or simplistic to a casual viewer but it’s actually quite difficult to film something so precisely and still make it interesting to watch. It forced the viewer to focus almost entirely on the actor’s faces, their nuanced emotion, and their interpersonal relationships to the exclusion of all else. Lucky for us those actors served the lens beautifully. 

There is literally NOTHING distracting about this directing style. It’s like the camera was a neutral white room, a well-lit gallery in which the narrative hung suspended for us all to stand and stare at in hushed silence.

A love triangle has never before looked so perfect or been executed so perfectly, and it never will again. All BL love triangles that come after Light On Me (and we will get them now) are going to be unfavorably compared to this show. 

When I posted about Korea’s history with BL, I talked about how strategic and clever they are with tropes. Light on Me is a master class in how to use tropes to manipulate audience sympathy so they can’t decide which pair they prefer. Korean BL never just throws in a trope without purpose - they calculate its impact on story structure. Basically, LoM used this technique to infect fans with Second Lead Syndrome. It’s SO GOOD.  

So yes, Light on Me was cleverly engineered, but it was also SPECIAL, and here’s why:

This show gave us a small cast of beautifully acted complex and sympathetic characters and dwelled on their different motivations, communication styles, and narrative roles. It gently explored not what it means to love, or even be in love, but what it means to act on love, and what that says about integrity and emotional courage. In doing so, it managed to treat its characters with integrity too. And not just the three main characters but the mentor, the faen fatal, and the best friend support characters too. 

This show felt very fair. Fair to its characters. Fair to its story. And fair to us, the watchers. 

For me this BL was classy, a real winner, not the least of which because they NAILED the landing, including the final kiss. Korea is DOMINATING 2021. Like seriously. What’s going on here?  

Full analysis of the love triangle trope under the context of the second half fo this BL here. 

Bravo, Korea.

(source)