will be recycling this blog as multi muse so feel free to unfollow <3
Hiiii Sexy Dm To Get Spoiled With Weekly Allowance.....
a business proposal without exact numbers? you've become negligent, Satoru.
thinking hard about the line 'i loved you longer than i knew you' because i used it months ago for a piece i drew and it's been haunting me since bc that's how i imagine the dynamic between gojo and geto, spending only 3 years of their youth together but loving each other in distance for 10 more also this is the piece
ordered a horror stories book online and it made me think that Geto doesn't have a favorite genre to read, he will read any book that piques his curiosity and finishes it whether he likes its contents or not, because he just has to finish what he started. it's after his deflection that he begins to be more selective of what he reads, completely discarding books that are popular among non-sorcerers, finding it annoying to have something in common with them as he continously tries to draw the line that separates them, a constant reminder of the position he chose to be in and to avoid any notion of sympathy born from their linked interest.
You will always fall in love, and it will always be like having your throat cut, just that fast.
You are going to break your promise. I understand.
You’re lonely too.
It will stop your breath, how cruel I can be.
I am a demanding creature. I am selfish and cruel and extremely unreasonable.
I am your servant.
I crawl at your feet; for before your love, your kisses, I am debased.
For you alone I will be weak.
I belong here, and you will not deny me.
I say these things, and the world listens.
I do not tolerate a world emptied of you. I have tried.
In the dark, I have pored over the loss of you like pale gold.
I will not let her speak because I love her, and when you love someone, you do not make them tell war stories.
I moved the earth and the water for you.
You will always run away with her.
You will always lose her.
You will always be a fool.
You will always be dead, in a city of ice, snow falling into your ear.
You have already done all of this and will do it again.
No one should be judged for loving more than they ought, only for loving not enough.
We look terrible to you, and severe, and you see our blood flying.
What we carry between us is hard-won, and we made it just as we wished it to be, just the color, just the shape.
There need never be any rules between us.
Let us be greedy together; let us hoard.
Do not leave me, swear that you will never leave me.
I am selfish. I am cruel. My mate cannot be less than I.
Sleep with fists closed and shoot straight.
I can’t abide a poor liar.
You look like a winter’s night. I could sleep inside the cold of you.
Oh, quit that. Blushing is for virgins and Christians.
Scold me; deny me. Tell me you want what you want and damn me forever. But don’t leave me.
Bad luck relies on absolutely perfect timing.
In his own country, Death can be kind.
What is the world but a boxing ring where fools and devils put up their fists?
Men die. It’s practically what they’re for.
I am no one; I am nothing.
Nothing in me was not made by you.
A revelation is always the end of something. It might even be cause for grief.
Just tell yourself a story that’ll satisfy you and pretend he told it.
Forever isn’t bright; it isn’t like that. Forever is cold and hard and final.
I savor bitterness - it is born of experience. It is the privilege of one who has truly lived.
If you want to kill yourself, do not use us as your knife.
What did I do wrong? Was I boring? Did I ignore you?
Don’t you dare speak to me like that.
I have worn nothing but blood and death for years.
I have fought all your battles for you, just as you asked me.
I have learned not to cry when I strangle a man.
I have learned to watch everything die.
I am not a little girl anymore, dazzled by your magic. It is my magic, now, too.
Are we not devils?
No one is now what they were before the war.
I have not seen you without your skin on.
Close up your head; your brain is getting loose.
We obsess. It’s in our nature.
I’ve a devil of a habit for being right.
In war you must always choose sides.
If you try to be a bridge laid down between them, they will tear you in half.
We are all dead. All equal. Broken and aimless and believing we are alive.
My old bones will follow yours soon enough.
It is better to be strong and cruel than to be fair.
I will see him with his skin off before I agree to fall in love.
After love, no one is what they were before.
I have survived, but I have not been spared.
In the space of one heartbeat to another I loved you and I was lost to you.
Frighten me, make me cry, only come back.
It’s not so bad, my darling. Being dead. It’s like being alive, only colder.
You’ll think it’s love, while he dines on your heart.
You will be so beautiful when you are old.
I cannot keep you and I cannot let you go.
You will live as you live in any world…with difficulty, and grief.
I look at you and it is like my throat being cut.
She said you’d come and I swore to eat your heart.
I still want to kiss you.
My heart is being cut in two. I cannot bear it.
What happens to anything beautiful?
I have to know, I have to or else you will just rule me until the end of everything because you know and I do not.
so i got watching a ton of new tv shows lately, and it occurred to me that actually i do love it when characters are unexpectedly saved by someone who just happened to be exactly in the right place at precisely the correct moment, yk? and i failed to think of the right name, so the title of this list is entirely thanks to a very dear friend of mine who informed me! so here's a list, i hope you guys love it, DO NOT ADD TO THIS LIST OR EDIT IT!!! i like to edit them over time as new ideas come to me.
[ ALIBI ]: the sender provides a false alibi to protect the receiver from legal issues.
[ HAND ]: the sender suddenly arrives to grab the receiver's hand before they fall to their death
[ CAR ]: the sender arrives on scene as the impromptu getaway driver for the receiver (who hadn't been expecting it).
[ FATAL ]: the sender unwittingly arrives on scene when the receiver is being attacked, and to protect the receiver, they kill the assailant.
[ DISTRACT ]: the sender provides a diversion so the receiver can escape a dangerous situation.
[ OUT COLD ]: the sender knocks out an assailant before they can seriously wound the receiver.
[ DUNNO ]: the sender lies about the location of the receiver in order to protect them from pursuers.
[ FAKE ]: the sender, in a situation where they're forced to kill the receiver, only pretends to kill the receiver and takes their "dead" body away in the car.
[ SACRIFICE]: the sender sacrifices their life to ensure the receiver's survival.
[ BACK-UP ]: the sender arrives just in time to help the receiver in a fight.
[ EXCUSES ]: the sender provides an excuse for the receiver to stay at an event where they shouldn't be.
[ HIDDEN ]: the sender hides the receiver from pursuers.
[ SHELTER ]: the sender finds the unconscious receiver and brings them to a safe place.
[ HERO ]: the sender tackles the receiver out of the way of an attack.
[ RUN! ]: the sender tackles the attacker so the receiver can make a safe get-away.
[ FIGHT ]: the sender fights off the assailants so the receiver can flee to safety.
[ INTERCEPT ]: the sender unexpectedly emerges and stands between the receiver and a threat.
[ MISDIRECTION ]: the sender points a group of pursuers in the opposite direction to buy the receiver some time to hide.
[ SANCTUARY ]: the sender opens the door when the receiver knocks in search of help, and brings them into their home.
[ REPUTATION ]: the sender, being somewhat infamous in the area, arrives when the receiver is being hassled, causing the assailants to flee rather than risk the consequences of crossing them.
[ RECOGNIZE ]: the sender pretends to know the receiver in order to help them avoid unwanted attention.
[ AFAR ]: the sender incapacitates, distracts or kills an assailant from a distance to protect the receiver.
[ FRIENDS ]: the sender, unable to attend directly, sends friends over to protect the receiver when they encounter a threat.
[ NEGOTIATE ]: the sender intervenes in a tense situation and manages to smoothly persuade a potential threat to leave the receiver alone.
[ BRIBE ]: the sender gives a threat a significant amount of money to leave the receiver alone.
[ ANNOUNCE ]: the sender issues a declaration that the receiver is under their protection, assuring all potential attackers that any attempts will result in a brutal retaliation from them.
VERBAL PROMPTS:
" they're with me. "
" i was with them all night. "
" hey! these guys bothering you? "
" i wouldn't do that if i were you. "
" you must've really pissed those guys off, huh? "
" follow my lead... "
" don't worry. you're safe here. i won't let anyone hurt you. "
" you're lucky i found you when i did; those people were right down the street. "
" get in the car! now! "
" i'm gonna buy you as much time as i possibly can. make it count, okay? get out of here. now! "
" you can come out now. they're long gone. "
" nobody's going to hurt you like that again. "
@cursedfell
Sherliam can get married now, suck that ACD Estate
' well they're not with anyone anymore. '
a giggle before she fully turns to the other, eyeing him up and down, fingers locked behind her back as she steps closer in an almost childlike way. not a hint of fear or even weariness as he stand before her. it was clear who she killed mattered so little to him; perhaps he was even thankful.
' you're right, how rude of me. but to be fair they called me a mean name. '
and i needed an excuse to have some fun i just wish they lived a little longer
she giggles again and spins, the cloth of her dress almost suspiciously clean as she stands upon bloodied concrete. though she was curious as to what exactly they meant by calling her a cursed spirit, it ultimately meant nothing to her. her attention has already switched to the one before her, and she was already far more curious about him.
' it doesn't take a lot to notice when someone is more than what meets the eye. i've got a knack for reading people. '
their dreams. ambitions. fears. none is safe from my eyes
' i've been called plenty of things before. a heartless monster, wicked witch, the devil incarnate, and every other hurtful name you could think of. '
a pause as she smiles, her childish nature showing itself.
' but you can call me road kamelot. and who i am? who else but one of gods chosen disciples. who are you mister? '
❝ yeah, yeah ⸻ they called me in for this. ❞
leone's arms uncross, expression disgruntled. he hates doing jobs for the school, but money is money, as long as they're not expecting him to beat up a damned grade 1 or worse on his own. but, that's what contracts are for ⸻ covering his pathetic ass so that this grown adult can be chaperoned while he does his job.
sorcerers are usually capable of conducting their own investigations, but there's no denying that when leone's cursed technique is useful, it's useful.
still, he's decidedly glad to be such a pain in the ass to the school in turn. he's known @vzmky since his unemployed days of sitting on stoops and drinking himself into a spiraling stupor, and as much as he's actually come to like his company, a special grade companion means a ridiculous job.
❝ you still carry that lighter around ? pass it here, will ya ? apparently, i'm gonna need it. ❞
This is what LX has to deal with every day:
@limel1ghts @burntpa1ace
@einshi sasayama vc: kogami out here dressed like he’s trying to take the reverend’s daughter out on a date