"What's going on in this house is not a simple affair." ~ she said.
"It is not." ~ he replied.
I think what he really meant here was not "it's something worse", but "it's something more". It's something that changed our whole lives.
Even if I can't help blaming him in this scene for not listening to her, I have to say that his way of feeling things deeply without ever letting them show completely is so precious to me.
This conversation is perfect, seen in the aftermath.
It perfectly depicts these two amazing characters in all their shades.
“They paint the world full of shadows... and then tell their children to stay close to the light. Their light. Their reasons, their judgments. Because in the darkness, there be dragons. But it isn't true…in the dark, there is discovery, there is possibility, there is freedom in the dark once someone has illuminated it.”
Edit: very helpful image ID from @etoilesombre added as alt text!
Outcast, fallen angel, you are loved. You are forgiven. You are redeemed. You are loved. - The Exorcist [insp]
I completely agree. It may seem sudden and it surely is unexpected, at least it was for me, but once you know it you finally can put all the pieces into place and that's just wonderful. I love this show for this thing they do of leaving nails all around and then giving wire to connect them all.
And yeah, that episode is not only a great work speaking about directory and scenes and all, but is also what definitely caught me in the Black Sails' web. Sure, the show has a lot of interesting point and themes that keep you into it, but making the main character bisexual in a pirate show and making of his lost love the cause of his whole fight and rage? Well, let's just say that their braveness was definitely rewarded. Absolute geniouses.
one time I looked up the ratings of each episode of black sails. I expected to see s2e5 near the top, but I wasn’t exactly surprised when it was actually at the bottom (free us from the clutches of homophobia man). I read some of the comments and they were saying that the reveal felt out of nowhere. Okay, so actually you just have no media literacy skills. For me, the revelation made so much sense that I experienced something akin to ascension. I felt I had unlocked all of the knowledge there was to unlock. My whole engagement with the show changed. That thing that had been bubbling under the whole time, in every interaction between Miranda and flint, in every mention of Thomas, in every display of rage from flint, in each one of his desperate schemes.
I just find it so hilarious that people thought it was out of nowhere? Louise Barnes and Toby Stephens were actually the only two cast members aware of the backstory from the beginning of the show, and you can see it so much in the way they act their characters. So much unspoken, but that doesn’t mean it’s not there. Season 1 ep 7 — that whole altercation they have where he refuses to apologise to England, the way she says ‘if he were here he’d agree with me’, the tension of it all. The note Thomas wrote in the front of their copy of meditations? It’s so obviously not out of the blue, it’s set up so brilliantly so as to evade perception but also to lodge itself in your brain before you even know what *it* is.
Tom Hopper (Billy) said it was the best episode of television he’s ever seen. Literally years later, in a promotional interview for the umbrella academy. I agree wholeheartedly.
saying that it was out of nowhere is just wrong. It’s either a) just a guise for your homophobia or b) a betrayal of your evidently terrible media literacy and critical analysis skills.
When I saw the episode so many things from season 1 finally clicked in to place inside my head. The enigma of Flint, for the first time, began to slightly unravel.
Max my beloved <33
So glad of having joined this year too!
Thank you so much for making this beautiful event possible every year!
Long live SwanQueen!
It’s so bizarre, I’m not scared of snakes or spiders. But I’m scared of butterflies. There is something eerie about them.
there's something to be said of flint's anger in the scene he beats singleton to death.
but.
i think we should recognize that part of it stems from strategy as well.
the conversation with billy at guthrie's house-
"but now it seems they feel i'm..." "too weak." "i was gonna say unlucky. so that's the thinking. we've been attacking ships with lighter loads because i'm too weak to do otherwise."
up until this moment flint didn't know that's how he was perceived. but now he does, and that he needs to prove to the crew that that's not true. and what better way to prove your strength than beating a man to death with your bare fists?
of course the anger played a huge role in it, i'm not going to deny it. but it didn't have to.
the puzzle pieces fit neatly together to set the scene. flint came into that fight with the full intent of unleashing that rage, not merely because he needed an outlet, but also because he knew it would help his image.
this, plus going after a ship like the urca...
afterwards, the crew could think what they wanted about flit's mental faculties. they could think what they wanted about his arrogance, his pride, his lies and schemes.
but not one of them would think him weak again.
Go tell them how this woman (and her husband) shaped this man's whole world.
I loved all the hints to Eleonor's true nature that are given in ep.4x6 (the one of her death), at least the one that I think it to be. I felt like in the end she came back to what she used to be, somehow (even if she never really changed, she was just pretending), and as always, everything ends just like it started (even if not exactly).
First Flint asked her if it would be impossible for her to join them once again and yes, I think that would be impossible because she had lost and given away way too much as a price to her previous life as a “pirate”, but the thing is that the independence of the pirates is in her true nature. And she claims it back each time she is left by her own or just each time she has the chance to. It happens for different reasons and under different motivations, but basically it's just breaking free from any kind of power which may try to control her.
In fact, she regained control on the situation as soon as Rogers went away, even if she did it for him too.
I think she was just searching for a wayout after all, because all her life she had had to be with the pirates’ side or with the “civilized” side but neither of them could offer her the freedom she really needed.
And I believe that with Madi she found a third way. It's very endearing to me how soon and naturally they get close to each other once again after so many years.
When she talks to her she says:
“I've found myself thinking about it. Of walking away from Nassau, from England, from civilization. One can be happy that way, can't they? A life of isolation and uncertainty as long as it is lived with someone you love and who loves you back. It is possible, isn't it?”
This is her third way. And I think that by this point (having almost nothing to lose anymore and feeling deep inside of her the real possibility of WR's betrayal) she was seriously contemplating the possibility of just leaving it all behind and going away with Madi, back with the only family she had ever known.
And it's so sad because she tried as a ruler, tired as a daughter, tried as a friend and tried as a lover, tried as a wife and tried as a sister and in the end it was never enough and way too much at the same time.
…yeah, they have been too mean to her. She deserved at least the chance to try as a mother.
She/her, writer, books lover (whichever, from every age and every nation) tv shows lovers (ouat, iwtv, black sails, hannibal, good omens...), anime, manga and danmei lover (mxtx especially), rock lover. Women lover. Earth lover. Ao3: https://archiveofourown.org/users/EleonoraParker/works
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