I think we should take more time to appreciate the cruel irony in so many of the bsd backstories, because Asagiri has this way of writing that's not just "oh sad things happened to this character." They're twisted, each in their own special way.
Atsushi: His whole life, he was treated awfully because he had the tiger. And yet, that tiger is what helped him survive that treatment, it's a manifestation of that will to live he grew because of his abuse. It's the source of all his strength and all his pain. The director told him to only hate him, never to hate himself, and yet, all his life, he blamed only himself for his misfortune. The one lesson the director wasn't trying to teach him is what he learned.
Dazai: At the beginning of dark era, Odasaku has one of the healthiest wills to live. And he reaches out to save Dazai from his own darkness, but he can't. But at the end of dark era...it's flipped. Dazai is begging Odasaku to stay, he's reaching out to stop him, he's telling him to find some meaning in life, that things will get better. Mr. "life is meaningless" himself is trying to tell his friend that life has value because he doesn't want him to go. It's right after he told Odasaku how he knows he's destined to lose everything he desires, and then Oda leaves him because he's lost his will to live. And when he dies, he sees himself as a man who failed to become good, to give up killing, yet Dazai sees him as a success story that people can change.
Chuuya: Chuuya's friends betrayed him because they thought he was betraying them by joining the Mafia. And then Chuuya joined the Mafia in order to protect the friends who just betrayed him.
Yosano: She only wanted to save lives. All she wanted was to help people, to heal them, and yet it was that kindness that ended up turning against her. Because by helping them, she also became the source of all their problems and all their pain. She saved their lives so much that all they wanted was to die.
I could go on for longer, but then this post would be very, very long. There's just something about the cruel irony in each of the backstories that make them all feel so tragic.
Before I get into this I need to define what queerplatonic means.
It is a relationship which is more intense and intimate than is considered common or normal for a "friendship", but doesn't fit the traditional sexual-romantic couple model. It is characterized by a strong bond, love, and emotional commitment, yet is not perceived by those involved as "romantic".
In other words something that is between friendship and romance.
Do you remember that chapter/episode where Mira convinces Lucy that Natsu has a crush on her? Lucy doesn't believe her at first but slowly she started seeing everything Natsu says and does as evidence of him having feelings for her. She then freaks out and has mixed feelings about being in a romantic relationship with Natsu. However eventually she becomes more comfortable with that idea. In the end she is embarassed and disappointed but this incidents does affect their relationship in any way. In that chapter Lucy went from seeing their relationship as platonic to seeing it as romantic and back to viewing it as platonic in a matter of hours.
This is what Mashima wrote about that chapter.
A lot of anti NaLu arguments claim that Mashima has already intended NaLu to be platonic. That's however not what Mashima actually said. He said he didn't intend their relationship to be romantic. I think that's important to note.
Now this is quite old and given that Mashima is from a different culture and speaks a different language, him knowing this specific term that a lot of english speakers don't know is unlikely. So it's entirety possible that he intended NaLu to be a queerplatonic relationship without knowing the specific term for that kind of relationship.
Mashima states he has been written NaLu as more than just friends but less than lovers. Something in between friendship and romance. In other words queerplatonic.
A lot of the good faith anti NaLu arguments claim that Nalu isn't a bad relationship but a platonic one. While to NaLu shippers their relationship is very obviously romantic. Both sides are convinced that their interpretation is canon. I think this happens because their relationship exists in the area between friendship and romance. It's neither or both depends on your perspective. It's friends with benefits but the benefit is that they live together and cuddle a lot.
A relationship with a strong bond, emotional commitment and love where people in the relationship don't think of their relationship as romantic does very much perfectly describe NaLu. I think Lucy has feeling for him but she doesn't necessarily view their relationship as romantic.
While not exclusive queerplatonic relationships are more common amoung aro/ace people. A lot of people including myself have speculated about Natsu being on the ace spectrum. He shows little to no sexual attraction and what little attention he does show is directed towards Lucy. Which to me feels very much like grey/demi sexual. It's something to consider.
From the begining it felt like there was something more present in their relationship. A sort of ease and tenderness that isn't typically depicted in romantic relationships
That being said I don't think their relationship was romantically coded the way Gruvia or Jelsa were.
I do think Mashima has changed his views on NaLu and is writing them to be more romantic and that's perfectly fine. As things stands now their relationship feels more on the romantic side rather than platonic and I would very much like to see them actually get together. I just don't think that was his original intention.
But regardless of intentions fairy tail is fiction and so your interpretation of NaLu be it romantic or platonic is perfectly valid. Similarly even if I'm wrong my interpretation of them being queerplatonic is also valid.
I think viewing NaLu as a queerplatonic relationship is interesting and it's something we should consider while discussing whether NaLu is platonic or romantic.
Ok so im currently still in shock that were getting new day I picked up dazai content so bare with me, but onece again Asagiri has included playing cards in his art so of course I have to break down what they mean.
First we see a joker:
While Gogol is the obvious fit for the joker, the card also describes Dazai extremely well. He is almost always acting like the fool in any given situation, even in the mafia he loved to be as weird and funny as he could as well as tease and annoy the people around him, something jesters famously did.
In fact, his dynamic with Mori is very close to how a king and a jester used to work, where the jester was the only person who was allowed to openly mock the king and would usually heckle him. They also played a key part in psychological warfare, which we see Dazai specialises in.
I think the whole; wit, intelligence and unpredictability kind of speaks for itself.
Next card is the four of spades:
This one is also really fitting, it shows how after the day I picked up Dazai side A, Dazai settles into his little routine of going to bar lupin with Oda as well as how he finally has someone who he can trust and be comfortable around. Finally, it is a clear message of optimism, something Dazai never shows before he meets Oda.
Next the two of hearts:
This one is pretty obvious, it's Dazai and Oda spending time at bar lupin. It actually fits so well, there's not much I can say about it other then how it shows the love and care Dazai and Oda had for each other (platonically)
The first card is the three of spades:
Whyyyyyyyyyy... why Asagiri. This one is also fairly obvious but it has multiple meanings. It most clearly represents Dazai suffering in side B as he has to run the mafia without odasaku and live in utter loneliness while destroying all the connections he never got to have for the sake of a friend he never got to meet.
“It was hard,” muttered the young man. “It was really hard fighting Mimic without you in the organization. I had no choice but to take over for Mori and make enemies of everyone around me to expand the business. Everything I did was for this world’s—”
It also represents the moment on the platform where he nearly tells Odasaku the truth and goes with him to bar lupin, the horrible decision to abandon everything for Odas future
The next card is... the ace of spades:
The ace of spade has many meanings, most of which involve change or transition, but by far its most famous meaning it death. I really don't think I have to explain this one, Beast Dazai having the card of death has a pretty clear meaning.
But the ace of spade does have a secondary meaning, and this one is a little more hopeful, as it shows Dazai passing the safety of this world onto Atsushi and Auktagawa.
Finally, (it's a bit hard to see) we have the ten of diamonds:
I want to focus mostly on the highlighted part because it's what really applies to BEAST Dazai, he lived his whole life to create a world where what matters most to him, that Oda gets to be happy and write his books, becomes real. This card doesn't apply to Dazai directly, more to the fact that he made succeeding in his mission his only priority and discarded everything else.
the only card thats seen on Oda's section and one that clearly represents Odasaku as a character.
"King of clubs represents a dark man, who is loyal and kind. He is a good businessman, shrewd with money and investments, but isn’t selfish. In fact, the King of clubs is a very devoted father, husband and citizen. In a broader sense, the King of clubs encompasses idealized qualities of a fatherly figure. This card is universally considered as a very good omen."
I feel like this sums Odasaku up very well, the devoted father and loyal friend parts are just him to a t.
(this is also the card I think best represents Fukuzawa)
Right, I think I got everything, if you disagree with this or find something I missed, please reblog or comment with whatever you want to add, or send me an ask. I love discussing, and hearing other people's views as long as they're respectful.
If you add something, please add it in the post not the tags, so I can reply to it (or in the tags if that makes you more comfortable)
I love how this scene implies that zoro is a self diagnosed luffy enabler. like zoro COULD have gone with him but he specifically chose to stay behind. he took himself out of the equation completely and sent nami n sanji in his place. babygirl knows his strengths and his weaknesses i'll give him that
I find it interesting that Tsukasa reached for Nene without hesitation. It was probably because he needs her to fulfill his goals but I wanna be delusional and say he has a heart and cares for her / people
lol it is very hard to tell with tsukasa!! but he definitely does have a heart it’s just….selective lol.
and i think the fact that it's so hard to tell how tsukasa feels about people makes him and nene such good complements to each other!! nene is so expressive and open, and tsukasa is such a mystery to the audience and especially to amane, the person closest to him. these differences play off of each other beautifully. it's nene's openness and persistence and open-book optimism that gets us so many glimpses into tsukasa's feelings and past and world view and the different attitudes he's capable of embodying and expressing. and i personally think this moment is an example of that!
i think tsukasa catching nene was a very instinctive action he took!! i don't think he gave it any thought:
i loveeee this moment and these two pages like... he makes the decision so quickly that the panel of nene falling doesn't even have time to complete!! tsukasa physically breaks into the panel of nene falling, that's how fast and split second his decision is!! it's such a beautiful use of the space on the page. and tsukasa looks surprised by himself on the next page!! tsukasa is a very calucated person who usually has the upper hand, and in this moment he realizes he has truly given that upper hand and that foresight and that planning up, that he needs to resort to the last resort of calling amane for help. he resorts to what he sees as the impossible!! so i really don't think catching her was just part of the plan. there was definitely an emotional element involved there!!
i also think nene really has a knack for bringing out new sides of tsukasa. she's the reason he revealed that he's called for hanako before with no response!! she challenges him in ways he hasn't been challenged before!! she constantly surprises him and makes things interesting for him. i think she is definitely a very unique relationship in his life, and given all the reactions she gets out of him, i would say he definitely has at least some level of emotional investment in her as a person.
you are right though, that this doesn't necessarily mean he cares about her... but i don't think it's delusional for us to hope that it means something along those lines!! after all, they've spent a lot of time together leading up to this moment, and thanks to time travel, who knows how many interactions they've had that only tsukasa has experienced at this point? there's so much we don't know about tsukasa, constantly!! and i think the way he feels about nene is one of the more confounding mysteries about him.
i think it's very possible he has a soft spot for nene at this point! or at least is developing one. I’d believe it!! after all, if nene falls to her death who will listen to tsukasa talk about amane for four hours straight??
also look at them here:
serious analysis on pause they're best friends here. they are consulting they are looking to each other they are silently communicating!!! where do we go from here!!! nene said :0!!!!! tsukasa said O_O!!!!!
okay back to more text based analysis lol: from a different angle, you could also argue tsukasa's end goal with all of this is extending nene's life, as he's working to grant amane's wish, which, to his knowledge from the conversation in ch91, would be to extend nene's lifespan. so indirectly, but still supposedly his goal in a way!! which is a way to interpret his motivations in this moment as well.
and on the topic of tsukasa's goals, i think they show his heart!! yes, he's got an agenda, but overall his agenda has really just been to grant amane's wish. and it's an agenda he does his best to fulfill, which is a way of showing heart!! he thinks this is how amane can get whatever he wants. so in a way, even if this moment was just about needing nene as a means to an end, the end and the means of getting there are all motivated by his heart!!
but yeah in summary i definitely think there's a lot of depth to this relationship and to this interaction in particular. it haunts me constantly!! i love tsukasa i love nene i love the ways they play off of each other so much!! yes i'm biased because i would steal the moon from the sky for tsukasa and nene, but i really do think she makes him feel a lot!! whether that results in affection for her i think is beautifully complicated and unclear, and i can't wait to see their relationship progress throughout the rest of the manga!!
so i am with you in your delusions anon!! keep the faith!! i certainly will!! <3
I try new styles
Moomins: The Turning of the Leaves pg. 10 of 31
Snufkin is looking nervous
Page 9
Page 11
gacha life reaction videos are like my cocomelon. i go to my youtube reccomended tag, because after watching like two long *ss video essays my brain starts to melt. like is it just me??? i watch them when im not reading tcf, ditoeftv, orv, IM WATCHING THE REACTION VIDEOS. they have me in a chokehold and wont let go
From the moment they meet within Bungou Stray Dogs, Dazai and Fyodor are set up as foils.
Foil Definition. In literature, a foil is a character that shows qualities that are in contrast with the qualities of another character. The objective is to highlight the traits of the other character.
That is to say from the moment they are drawn in panel together, the audience is naturally meant to compare and contrast them. Their entire first scene plays their similarities and differences up. First, Dazai dresses as Fyodor not only as a joke but to draw the eye to how similar they are, both of them dark haired skinny males with pale complexions who wear overcoats.
Dazai explains he was able to predict where Fyodor would end up, because if he were in the same situation it was what he would do. When he says that, Fyodor shows Dazai the same smile he showed him earlier, like Dazai is looking in a mirror.
Dazai and Dotsoevsky are able to read each other so well, knowing the other like they know themselves. Which allows both of them to continually one up the other and predict the other’s movements. However their relationship extends far beyond ‘Being the same’, or just the fact that they’re both highly skilled manipulators who are able to pull off complex plans. It’s even much more than Dazai and Fyodor are just smarter than everybody else in a way that isolates them. They are each other’s inverse in almost every way while appearing to be exactly the same. I’ll elaborate in detail beneath the cut.
Keep reading
Favorite TLTS episode: Devil Dog.
Here are my reasonings for choosing that episode as my favorite:
1. IT'S MOSTLY BAFFY FANFAIR!
2. Bugs being absolutely dumb as hell and not giving a shit if Taz is a dog or not.
3. Daffy freaking out and being somewhat clingy and terrified for Bugs' life (They're married. Fight me.)
4. The consistent TOUCHING from Daffy
5. The ending tho😖😖😖😖It's too cute!
6. The moment after Bugs comes home and Daffy's trying to convince him not to go in but Bugs insists. I thought he was about to confess that he loved Bugs but nah, Fuckin Warner Bros. Played me. I think i've been queer baited for a second.
But the look Daffy's giving Bugs and Bugs is just done with his shit today. 🤣🤣🤣🤣🤣
7. Is this where Daffy got his green jacket from for the rap segment in Space Jam 2?!?!
Yep, it is. He got it from this episode. HC it still smells like Taz.
Thank you. I love this episode. That's all.