How you feel when you're Truly Deeply Evil but you find an indie audio drama/podcast community that is kind and welcoming and gets your vibe and you just want everyone to get puppy kisses and shit.
Always listen to your show in the way your audience is listening to your show.
We tend to edit using nice gear. Good over-the-ear headphones. Quiet rooms. But most of your audience will not listen to your show this way. A recent poll indicated that almost 20% of AD listeners listen with a *single* earbud in. Almost 10% listen on their phone speaker. That's a significant part of your audience that is listening in a mono environment or with tiny speakers (or both). You also likely have listeners with hearing loss in one of their ears*, and you want your show to be accessible to them. Before you release your show, make sure to listen to it at least once on a single earbud in a noisy environment. Is your show still legible this way? Can a listener still enjoy it like this, and understand all the plot beats and character moments? If not, it's a good idea to spend some more time on your edit so that they can. (And it's still definitely OK to make your show sound *great* for those who have a great audio setup! Just make sure the show still works for those who don't.) *You likely also have audience members with hearing loss in *both* ears. Transcripts are important. I'm behind in getting them posted for Metropolis, I need to get on that. (Episode 3 of Metropolis is live, BTW. Just waiting for Spotify to pick up the RSS feed before the big announcement. 😅)
it's simple really: october is for horror movies with highly stylized villains and iconic monsters because they make for good costumes. early november is for gothic horror because of the fog and decay etc. late november is for zombies (commentary on consumerist culture). december is for psychological horror and stuff where they're trapped in a room because that's when you have to go to holiday parties with your family.
DEAD WEST PART 6: As above, so below is Live!
Please be aware there are a LOT of content warnings for this episode. Be sure to check them out before diving. ================================================ LISTEN HERE: SPOTIFY APPLE WEB RSS Your Preferred Player ================================================ Be sure to check out our Ko-fi and Patreon for options to support the show.
hello it is world radio day and I want to talk about the state of audio drama very quickly--
over on bluesky, there's a lot of chatter about saving AD at the BBC and it's really worth reading through the tag. public funding for the arts, especially a medium in which experimentation and diversity are prioritized, is crucial and I'm deeply concerned about the BBC getting out of the game.
and, for me, this feels like part of a bigger discussion. the state of art in general is, uh...tough right now. when it comes to getting stories that you feel represent you - that are exciting and inclusive and meaningful - we just have to hope that some big stakeholders have spines and want to still make challenging stuff. idk about you, but I don't want to put all my eggs in that basket.
audio drama has always thrived in america because of you - welcome to night vale, wolf 359, the bright sessions, even the magnus archives (which isn't american but very popular here) have all been able to exist because of listener enthusiasm and support, not public funding or investment from large companies.
the best thing about podcasts is that they are mostly separate from governing bodies/regulations. sure, we all rely on hosting services to carry our shows but if push came to shove, we could create our own RSS feeds. the state of both the us government and tech (and the ways in which those two things are becoming increasingly intertwined) makes me nervous for free expression, but I take comfort in the fact that a lot of shit would have to change for someone to be able to bully me into making my art less diverse.
we have to start aggressively supporting small studios and independent creators again. if you can do that monetarily, fucking great - atypical has a membership program, most shows have patreons or crowdfund, etc. - but that's not the only way to support the art you love. talking about it, making fanart, telling your friends, reblogging, live posting, whatever! we talk a lot about the health of fandoms/reblogging here on tumblr and that's part of it too--we need to start really actively participating in our enjoyment of art again.
anyway, here are two crowdfunds you can give to right now that are still trying to meet their goal:
Camlann Season 2 Heartglass
and an incomplete list of audio dramas that I've been enjoying recently:
Red Valley Un(con)Trolled Havana Syndrome Sherlock & Co
#do it #it is a fun listen so far #holmwood foundation
Now our Kickstarter is over, have a fresh link to our pilot to tide you over until the rest of season one arrives!
Hoping to release some fun snippets and extras on our feed as we go, so please be sure to follow us on Spotify, or anywhere else you get your podcasts!
WHAT IS THE HOLMWOOD FOUNDATION?
Our story follows Jeremy Larkin (Played by Sean Carlsen) and Maddie Townsend (Played by Rebecca Root), two co-workers at the mysterious Holmwood Foundation, as they are possessed by the ghosts of Jonathan and Mina Harker, and embark on a road trip across the country in an effort to achieve their ghost's wishes: to stop Dracula once and for all.
This is a story about identity and self discovery, family loyalty and devotion, all wrapped around a nightmare of a road trip with a rejuvenating severed head, incredibly sincere Victorian ghosts, and an analogue recorder
Reviews for Episode One:
The big reveal of what was in the remaining envelopes! Which turned out to be incredibly interesting and confusing both.
If you'd like to see what you can do with the list of words, I've posted them here.
Chapter 4: The Twinned Dancer
YES! YOU ALL HAVE TO CHECK THIS ONE OUT IMMEDIATELY.
Hands down one of my favorite listens lately, the world is grim and gritty but the characters ARE SO FUCKING GOOD. And the magic system is ::chef's kiss::
Hello people of Tumblr! Tumblrs? Tumblefolk?
We’re Last Dance, a dark fantasy audiodrama where your body is quite literally your temple. Follow a battlefield scavenger as he’s thrown headfirst into the bloodiest invasion his home has ever seen.
If you like The Silt Verses, Tumanbay and The Witcher series then we’re probably right up your alley.
@luxradium suggested that we get ourselves on Tumblr and so here we finally are!
You can find all our links in our bio, but for now you can see our the first panel of what’s apparently called a Quattrodectych. We have lots more quality fantasy art for the show to share, and I’d love to post a bit more of our worlds lore right here as it seems like it’d be well received!
Anyway, I’m looking forward to figuring out how Tumblr works - see you real soon.
- Max
*grabbing a new audio drama podcast in my teeth and shaking it like a dog with a squeaky toy*
be careful with what series you watch/read during emotional points in your life because they will forever contain a ghost of your past self within it now
Happy Trans Day of Visibility!
To our wonderful trans friends: we see you, we value you, we appreciate you.
Dead West is a horror audio fiction series that is a blend of folk horror and weird western themes told in a re-imagined American Gilded age. A time when everything was stolen, blood was let, and society grappled with modernity. Find our show on all Podcatchers! Be sure to leave a rating and review.
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