I’ve actually gotten off of my butt to produce a logo design draft at 4:00 AM for my roommate’s new company that they’re using for subcontracting work. (And my portion of rent is gonna get reduced for this, so eeyyy.)
I somehow managed to forget a couple of Adobe Illustrator shortcuts off of the top of my head, but I got back into the groove of it after a few seconds.
Other than a few technical tweaks and any personal requests, I’m pleased with what I can spit out in about 2.5 hours.
So, I got hit with a clopening the first day at my new job, and I feel sick from sleep deprivation.
I'm considering sleeping and moving the stream to tomorrow afternoon after running a few errands that matter a whole lot to me.
While fretting over what the bloody hell I’m doing for a freelance client I have on hand (because it’s teetering into Clients from Hell territory), I decided to go ahead and make this thing after working on a few tweaks to Truffle’s Instagram photos (because glowy eyes are not cool.)
I’ve been obsessed with Somebody That I Used To Know remixes. Particularly, I’ve been hooked on this 80s remix and the Tiesto remix.
I decided to go ahead and make a retro typgraphic thing for myself as a result.
I’m almost done with this particular page, but I didn’t have the stamina to continue after a while—although I’m working on rough drafts for future pages.
Also, I spent nearly an hour not knowing that this update to Adobe Photoshop CC 2018 and it’s brush tool literally happened five days ago, and I’m just...an extra level of annoyed that I thought that it was Lazy Nezumi, and I couldn’t figure out how to turn off the smoothing mode for an hour until I figured out that it was Photoshop itself.
On the extra cool side, it’s super cool to see that Photoshop actually has proper screentone stuff now. Really. I’m experimenting with it to see how I can use it better. (Although I’ll probably just get better over time anyway, tbh.)
The first panel is almost done! That said, aiming to the hatching look vaguely like medieval woodcuts is not as easy as I was hoping it would be, so it seems like this might be another one of those time-sink pages. :/
I’m semi-proud of the fact that I did some 3D modeling recently.
I’m still not the best texturer in the world (even though 2D digital painting is something I’m super familiar with), but it’s something!
I’m just happy that I won’t have to do many streetlamps ever again...because I can just use my own model as a reference!
During the time that I’ve been overwhelmed with coursework and work to pay the bills, I forgot that I made this birb. It has been rescued from the annals of my hard drives after I decided to organize my files.
I’m almost done with some actual stuff I’ve decided to do over the holidays. I promise I won’t spam anyone with more terribly made typographic birbs. (I don’t even have any more terribly made typographic birbs.)
I apologize for the upload spree (unless you follow a lot of people)—but I am re-uploading the finished zombie dude that was previously a WIP on here.
Basically, I’m pretty happy with my Victorian proto-Zombie from The Monkey’s Paw attempt.
I was thinking about how I starting learning Adobe Photoshop stuff way back in 2007 when I was 15…and back when Adobe Photoshop CS2 was cutting edge, you had to pay for it. Which is unlike now, where CS2 is officially free from Adobe (sort of), but Creative Cloud subscriptions are a thing, but that’s even more expensive.
I also thought about the first album design I ever made back then as well, and my dad kindly posted it on Facebook and tagged me in it.
I forgot how bad it was. Dear lord, the back and front have no cohesion, warped text is terrible, there’s way too many fonts, and tilting text is generally a no-no unless you really know what you’re doing… but I actually appreciate looking at it, because I’m looking at it and going “Oh wow, I’ve improved a lot in the past 10 years.”
It’s also really interesting to see what’s stayed the same, because there’s a few things I can clearly pinpoint as consistent things. Firstly, I clearly like either A) bright colors, or B) dark and moody stuff. Secondly, I am clearly a nerd, considering that the first one has a modded amp tube diagram on the back, and the second one has a Sierpenski gasket. Thirdly, I always seem to have ridiculous ideas for song names.
It’s nice to have reminders of how far you’ve come. It really is. I was the kind of kid who got frustrated with a lot of my work and would just wantonly throw things I made out if I deemed it to be terrible for what I could do later. That hasn’t helped me too much nowadays.
(Also, I’m very, very tempted to redesign the old one. I could probably make something a lot better now.)
So, this is the result of my Twitch Stream! I’m pretty stoked that I’m back in the swing of things after Hurricane Irma, and I’m pretty happy that I made A LOT of progress on the page in the past 4.5 hours (although I felt like I wasted a bit of my time with Lazy Nezumi. I want to see if I was doing something wrong, because I only found it useful for two things.)
I also appreciate that the quote “Vaporwave Trash Child’s Baby” is now immortalized in a Facebook status of @arzeron‘s, and I got some good pointers for drawing babus from @galacticglaciers.
I’m dead serious about this seamless dolphin vector pattern I made a while ago.
I ended up scrapping this a while ago, simply because pastel dolphins really aren’t something that fits in with the rest of my main portfolio, but...yeah...I did make this a while ago.
Dolphins. Yeah.
Greetings and salutations! I'm a graphic designer/illustrator, and this is my Tumblr. Feel free to check my about page for more info about me. Also, I only post my own things here—almost all reblogs will go to @dandyreblogs. Check that out if you're into aesthetics and other curious things.
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