I’ve been doing super duper rough speedpaints of Jotaro and Joseph in between points where I’ve been frustrated with the approximately 50 icons I have to design for an actual company.
Of course, these two aren’t finished by my actual standards, but I’ve been pushing myself to try to do smaller things on the side so that I don’t get overwhelmed with the sheer number of things I have to design. Also, I’ve been legitimately happy that Jojo’s Bizarre Adventure stood my “two month” test before I get bored with a series and dump it...so it’s in league with Panic! at the Disco and The Legend of Zelda in terms of fandoms for me at this point. (Although Joseph is inexplicably my favorite Jojo, and I’m disappointed that my intro was Jotaro back in the day with the fucking garbage OVAs, because NO WONDER MY INITIAL IMPRESSION WAS BAD AND I INITIALLY DIDN’T LIKE IT, JEEBUS.)
I’m glad I’ve gotten 80% of what I needed to finish while spitting these two things out too. And a few other non-essential things.
I kinda want to legitimately finish these. And make a few other Jojo things, too. I want a damn Kakyoin sketch for myself.
I’m currently on a Gotham kick--the typeface/font, not the Batman universe city.
Anyway, I doodled this in International Macroeconomics after a bit of thinking on my last self-imposed design challenge, because I wanted to make something that would WORK with the grid layout trend I’ve been seeing...
...this more or less came out as expected. I’m pretty content with it. I’d wager I could use this as a base for some sort of project later on if I got the right photographs and fiddled around with the black space. Or the white space. Doesn’t really matter, I guess!
My Type and Design class had us doing a wine packaging project out of the blue.
That said, this is the result of that.
I don't actually consider this to be a proper packaging project, especially considering that I have a larger packaging project on my plate at the moment, and my professor for the class that this is for allowed us to use mock-ups. Incidentally, you can find the mock-up I used for this over on Behance.
I did design everything else, though.
I just realized that I could have easily made an MS Excel spreadsheet for the economic model I usually construct for quoting design, instead of doing everything by hand with a pen and paper.
It would even automatically calculate annual metro-area inflation discrepancies FOR ME if I structured it like that, so that I can just feed it yearly data without worrying about it.
Doing it all on paper is just punching myself in the face.
So, I got hit with a clopening the first day at my new job, and I feel sick from sleep deprivation.
I'm considering sleeping and moving the stream to tomorrow afternoon after running a few errands that matter a whole lot to me.
Even if I’m not particularly happy with how this turned out, I can’t say that I started with a very happy premise, either...considering that I’ve mostly been in the mood to do venty typography. Also, trying to go out of my typographical comfort zone by 1) explicitly working with RGB colors, 2) trying to fiddle with glowing shit after years of not bothering, and 3) trying to use a screwball 8-bit font...probably didn’t help.
Regardless, I tried. I figure I should show stuff I don’t do too well with, too.
I’m also kind of mad at myself for forgetting to save the stupid .psd for this particular iteration, so if I want to make it look like this again, I’ll have to start from scratch.
The Instagram version of this is so much better, btw. Here is this thing in its non-pixelated glory.
Today I learned that Corel Painter has a new edition out now, Adobe Flash is now Adobe Animate, and that Toon Boom Studio is no longer available for commercial purchase.
I’ve been caught off guard with these developments. I’m disappointed and surprised.
Current lessons in DuoLingo land; being specific about translating 写真 as “photo” as opposed to “picture” because it’s already a pet peeve of yours to call photographs “pictures” in ENGLISH, and that’s technically what’s going on here already…is apparently a penalty in Japanese.
Also, taking a more literal translation with 良い is also a penalty.
(I’m concerned about this happening with Mandarin soon, too, even if I’ve yet to encounter that at this time.)
So, this is the result of my about 3-4 hours of work trying to draw the Gen 1 Starter Pokemon.
I was initially going to make it a short and quick cartoony thing, but then I decided to go into digital painting mode for some reason.
I’d also say that @galacticglaciers has the quote of the day, because I was listening to the Final Fantasy: Crystal Chronicles OST, and I laughed when it was described as a Celtic hoe down.
Here, have an animation for Star Trek’s 50th anniversary!
Even if it was technically an assignment for my advanced illustration course, I had fun with my sorry excuse for fan art (Yes, I grew up with Star Trek in the 90s. My parents and I would watch both TNG and Voyager together, and TOS on occasion.)
I also had fun revisiting nebulas and space as subject matter for digital painting, and this was a lovely excuse to do that, too. Also, this was actually the first time I’ve ever used overlays in something, to be brutally honest. You’d think I would have touched them at some point if I’ve known Photoshop for years...but nope. Not once.
I may have to make a Zelda 30th anniversary illustration and a Pokemon 20th anniversary illustration to accompany this as well, as I grew up with those, too...(and without parental influence.)
Greetings and salutations! I'm a graphic designer/illustrator, and this is my Tumblr. Feel free to check my about page for more info about me. Also, I only post my own things here—almost all reblogs will go to @dandyreblogs. Check that out if you're into aesthetics and other curious things.
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