And All This Isnt Even The Tip Of The Iceberg

blah blah Bethesda bad anyway

my favorite thing about Elder Scrolls is how goddamn fuckin weird it is

like on surface it's just some dnd game but like even a cursory glance shows tis fucking insane like:

The moons is the corpse of a god

the stars are actually holes in reality when alot of primordial spirits hated that mortals were becoming a thing and fucked off

The demon lord of forbidden knowledge/resident Cthulhu stand-in might also be the beta version of the entire fucking universe made sentient when it wasn't chosen to be the used reality

there are cat ppl that take the form of furrys, lions, or regular cats, so you can have a cursing Pirate legend whose an alcoholic & wanted in 5 countries but is also a like basic tabby cat

the wood elves are so pro-nature they're cannibals and also they murder vegetarians

Vampires came from the Lord of Rape doing well ya know

Werewolves came to exist bc the lord of hunt got bored and is a furry

sex is treated like a fucking ip copyright contract on what aspect of sex is happening and what god it's under. There's been many religious wars about this

The lizard ppl are part tree

the Dwarves all fucked off somewhere and disappeared bc they were so atheist they did math to break relativity and literally no one has any idea where they went God or mortal (except maybe Cthulhu and hes not telling)

Said Cthulhu stand-in treats hiding your grandma's secret cookie recipe & hiding a spell that would end the universe and slay a god the exact same and he will murder you for either

Everyone wants to fuck the Orcs but will never admit it and they got so bent out of shape that a demon god killed the og orc god, ate him, and shat him out bc she couldn't deal with everyone complimenting them all the time so now all Orcs are cursed to be hated but they're all still sexy & so is their god

And all this isnt even the tip of the iceberg

More Posts from D3m0n-c0nc3pt5 and Others

7 months ago
first slide, titled "how to draw some burn scars" with "some" being underlined. The text under reads "3rd/4th degree mostly, because most people on this website apparently never seen a burn survivor." below that is a red box with text reading "(all caps) all scars are different! (end caps) there is no one correct way to draw a scar. this is more of an overview than a step-by-step tutorial".
the right side of the slide has three drawings, each showing a person's forearm. The text above them reads "there's many types of scars, actually". The first one shows a hypertrophic scar, with the text "draw a darker patch of skin and shade underneath to show depth. notes: it sticks out a bit, it can be slightly discolored (darker), it's not really this bright red color that people draw burns with, it interacts with the rest of the skin - you can see it pull skin inward".
The second one shows a keloid scar, with the text "it sticks out a lot, much more discolored, it can be red, pink, purple, it doesn't with the rest of the skin as much - it has sharper, more defined edges". The third and last arm shows a severe contracture with the top of the hand resting on the forearm, with the text "burns make skin contract; scars affect range of motion (ROM) and can lock or limit movement, they afect all areas of the body vbut are most visible on the neck, joints, and hands". There's a fourth additional drawing showing a man's torso; he has a lighter burn scar on the far side of his ribcage, with his arm seemingly fused to it above the elbow. He has visible body hair but is lacking it on the scar itself. The several notes around it read "healed scars can also turn lighter; a burn scar has a tendency to pull surrounding structures* inward, here it makes a contracture. *-not only skin. scars affect cartilage (like in ears), nipples, etc. also notice the lack of hair on the scar".
second slide, titled "how do burns look like (for people who draw them but don't seem to know)". there's an arrow labeled "not like this (heart)" leading to a drawing of an anime girl with half of her skin being plain red and no other changes. text box below her reads "'don't worry man I watched ATLA when I was 14' type OC", with the following noted; "the Red, has fingernails despite 3rd degree burns, has eyebrows despite 3rd degree burns, has hair despite 3rd degree burns, eye is totally fine it's only fire LOL, nose and ears also fine, why is it red, more flexible than your average abled person, why is it red". below is a disclaimer reading "(one or two is fine, but why is it always all of it? burns do things, especially one as seveer as implied here)". the right side of the image shows pictures of body parts with burn scars on them, the first being a hand with a severe contraction in the fingers. the burn and contracted joints are labeled on the image. next to it is a drawn comparison between a non-burned hand with stretched out fingers, and a burnt hand with curled fingers. photo under that is of a pair of feet being held by a hand. the link below goes to "SurvivorNotVictim.com/Scar-Photos". my added text reads "not red! the scars mostly show through texture and tissue damage" and "no toenails". next to that is art of a scarred leg from the mid-calf down, it has visible skin pulling, no nails, and discolored patches of skin. text reads "some pinkness/redness can show, but it's A) not going to be a consistent color, B) other aspects of the scar still show up. Remember the body is 3D and skin pulls accordingly (more or less); scars form toward the ankle because it sticks out". at the bottom of the image is a portrait photo of Marzieh Ebrahimi, an Iranian woman with a chemical burn on one side of her face, smiling. Text next to her reads "a scar can be more defined in one place and less in another (forehead/chin); the skin is darker and less saturated, not red; Marzieh's scar is more visible because of her eye and nose than the discoloration". Next to that is a simplistic portrait drawing of her recreating the picture. Note reads "just some darkening of the skin, lighter and darker lines to imply skin pulling, and attention to some basic effects of burns (e.g., scar on eyebrow ridge = no eyebrow) looks more like an actual burn than the red paint thing".
Third slide, titled "skin grafts". On the right is a photo of a white woman posing with her scars visible to the camera, the source is linked as SurvivorNotVictim.com/Scar-Photo. Text reads "one of the most common visible kinds of skin grafts is the mesh one", with an arrow pointing to the woman's arm, where her skin has a mesh pattern. There is a drawn comparison of non-burnt skin and skin with the mesh graft for comparison. Text box reads "it leaves a specific kind of texture in the skin. Grafts sometimes have stronger highlights than other parts of the skin (you can see it on both photos)". Under that is a photo of Kenny Matthews (@IKenDawg), a Black man with burn scars. There is a text box on the right that reads "skin grafts will usually be thicker than the rest of the skin and thus can stick out; they can be discolored (both darker or lighter, more yellow or red, more/less saturation, etc.) and have a visible start and end. It applies to all skin colors BTW". Below that are two portrait drawings, one of a Black man with a large, darker skin graft on his cheek, and a white woman with yellowish grafts on her jaw and nose.
Fourth slide, titled "nose and eyes". The left side features various nose drawings, while right and bottom show different kinds of eyes. The text in the nose section reads "Usually if nose was visibly burned, it will be seen on the nostrils and septum". The first nose drawing shows someone with pale skin and nostrils pulling strongly downwards. Second one shows a person with darker skin and fourth degree burns; his eyes are covered by skin and the external parts of the nose are largely gone, leaving the red internal part visible. Text attached reads "With very severe burns, the external part of the nose can be removed. In this case the nose will be red because the insides of the nose are red". Third drawing shows a white man with burns below his eyes; his septum is completely gone, and the nostrils pull to the sides. Attached text reads "Nostrils can also pull to the sides, making the nose wider. Sometimes the septum will be absent if burns were severe enough. That generally causes some degree of asymmetry". Last nose drawing shows someone with a lot of keloid and hypertrophic scars on his face, with one of them formed around their nose. Text attached reads "Nose can also pull to one side. The constricted nostril can then be very flat". There's a simple sketch underneath that shows a nose with symmetric and asymmetric nostrils from below. Eye section. The first text box reads "Eyes are not affected as often as you'd probably assume (mostly because blinking and all) but eye damage is frequent in chemical burns (as opposed to thermal)". First drawing features a darkskin person with burns on their forehead and around their left eye. The skin pulls their eyelids upward and to the side at a 45-degree angle, resulting in the red of the eye showing on the sides. Attached text reads "Eye pulls out and up, so the red parts show accordingly. The eyelids themselves are stretched, eye is fine". Second drawing is of an Arab man with a chemical burn on the left side of his face. He's missing his eyebrow and eyelashes on that side. He has ptosis and his actual iris is blurrier while the white part is redder. Text reads "Here eyelids pull down so the eye looks like it's drifting up". Third drawing shows a person with tan skin and severe burns. They have no hair of any kind, and their nose bridge is significantly pushed to the side. Their right eye is wide open with a red shiny eyelid at the bottom, their iris pointing extremely outward, and blood vessels showing. Their left eye looks very small with swollen eyelids and partially opaque iris. Text reads "The redness you can sometimes see is a result of chronic conjunctivitis, it's not an open wound situation. Here the right lower eyelid is missing so it looks like it's red and shiny. The left lower one is turned outward and it causes corneal scarring, which results in parts of the eye looking white(r) and the eyelids to swell". The bottom section features four eye adjacent conditions and their characteristics. The first one shows a person with one of their eyes missing and an empty pale-red socket visible. It's titled "Enucleation". Text underneath reads "If the eye is as badly damaged as in 90% of OCs with burns then they will get it removed. Despite popular perception there is quite literally nothing 'gore' about an eye socket. The redness/whiteness is the same thing as on your eyelid when you pull it. The empty socket has a much smaller opening and is very flat in comparison to a full socket. If the character has a protruding brow ridge, the shadow will fall on the whole area". Second one features a dark-skinned person's eye, which is brown with a white spot on the lens. Text reads "Cataracts is a condition of the lens, so it affects the lens by making it to appear clouded. Causes blindness". Third one shows an eye of a pale person; it's slightly red with blood vessels visible and the irid is blurry with a large opaque spot in the middle. Text reads "Corneal scarring causes pain, red sclera, and the opaqueness that can happen over the whole eye, not just lens. Also causes blindness".
Continuation from the previous slide. Last one shows an eye with the upper eyelid fallen down. Text reads "Ptosis is caused by nerve damage more than anything else. It makes the eyelid fall down, but does not affect the eye itself. Can technically make someone unable to see if the eyelid doesn't open". Fifth slide description starts from here. It shows a three-step process of drawing the skin texture. First step shows a patch of light skin, titled "get a base". Second step puts various brown lines of different sizes on the skin, largely going from the upper left to bottom right, spreading out on the right. Text reads "Draw slightly darker lines of various lengths to imply contractures". There’s a second, smaller drawing, first with the lines going in similar direction and the other with the lines all pointing different ways and going over each other. Text above them is "try to keep them going in a direction that makes sense" and "not just random strokes" respectively. Third step adds some shadows and highlights on the scars. Text reads "add subtle shading to show texture changes, can also add highlights". Below that is a small drawing of a patch of skin with a red line going through it; one side is shaded and one isn't for comparison. The upper right has a drawing of a man shown from the back; he has burn scars on his left shoulder. That shoulder is less muscular than the right one, and he has keloids and grafts visible. Text underneath reads "You really don't have to draw 10000 lines to show the contractures. A few smaller and some bigger ones do it just fine. Remember that you can ad keloids, hypetrophic scars, and graft discoloration!".
sixth slide, titled "other things to think about". it features a few different burn survivor characters and the text "no two burn survivors are the same". first one is a Black woman with a burn just on her face and neck, empty eye socket, and no ear, wearing a very wide-brimmed sun hat. note next to her reads "sun protection". below her is a white man with scarring on the side of his head, including two large keloid scars. he's missing a lot of hair on his scalp. underneath him is a drawing of a Latino man with short black hair and contracture scars on his forearm, fusing it around the elbow; he's wearing a large compression glove on his hand. in the center of the image are two women; a South Asian young woman wearing a pastel hijab using crutches with a visible prosthetic leg, and a Black woman with short pink hair and all four limbs amputated using a powerchair. The first woman has no actual burns visible while the second one has her stumps covered in distinct discolored scars, but they're both smiling at each other. text between them reads "burns can result in amputation, either because of the initial damage or infection. sometimes burns are visible, sometimes not so much". under them is a portrait of a white woman scratching her neck with her remaining fingers. she's completely bald with scars on her head, face, and hand. her eye is slightly red with a discolored white part in the middle of the iris. text next to her reads "research actual symptoms of burn scars (like scratching) (like sun protection), etc."

Overview of some topics when it comes to drawing characters who are burn survivors.

DISCLAIMER. Please keep in mind that this is an introductory overview for drawing some burn scars and has a lot of generalizations in it, so not every “X is Z” statement will be true for Actual People. I'm calling this introductory because I hope to get people to actually do their own research before drawing disabled & visibly different characters rather than just making stuff up. Think of it as a starting point and take it with a grain of salt (especially if you have a very different art style from mine).

Talking about research and learning... don't make your burn survivor characters evil. Burn survivors are normal people and don't deserve to be constantly portrayed in such a way.

Screenshot that reads, "In a 2022 survey of the burn community, Phoenix Society for Burn Survivors found 59% ranked 'burn survivors & the media: changing the portrayal of the survivor' as a top need for support."

edit: apparently tum "queerest place on the internet" blr hates disabled people so much that this post got automatically filtered. cool!

1 year ago

this looks so sick

Epigenised (Opal-CT, Lussatite) Helix Ramondi Snail Fossil, From Dallet, Puy-De-Dôme, France.
Epigenised (Opal-CT, Lussatite) Helix Ramondi Snail Fossil, From Dallet, Puy-De-Dôme, France.
Epigenised (Opal-CT, Lussatite) Helix Ramondi Snail Fossil, From Dallet, Puy-De-Dôme, France.
Epigenised (Opal-CT, Lussatite) Helix Ramondi Snail Fossil, From Dallet, Puy-De-Dôme, France.
Epigenised (Opal-CT, Lussatite) Helix Ramondi Snail Fossil, From Dallet, Puy-De-Dôme, France.
Epigenised (Opal-CT, Lussatite) Helix Ramondi Snail Fossil, From Dallet, Puy-De-Dôme, France.
Epigenised (Opal-CT, Lussatite) Helix Ramondi Snail Fossil, From Dallet, Puy-De-Dôme, France.
Epigenised (Opal-CT, Lussatite) Helix Ramondi Snail Fossil, From Dallet, Puy-De-Dôme, France.
Epigenised (Opal-CT, Lussatite) Helix Ramondi Snail Fossil, From Dallet, Puy-De-Dôme, France.
Epigenised (Opal-CT, Lussatite) Helix Ramondi Snail Fossil, From Dallet, Puy-De-Dôme, France.

Epigenised (Opal-CT, Lussatite) Helix Ramondi snail fossil, from Dallet, Puy-De-Dôme, France.

3 months ago

I put every bird I could think of into this wheel. Spin the wheel. You're that bird now.


Tags
4 months ago

Thank you, /r/ProgrammerHumor, I love you endlessly.

Redditors competing to make the worst volume sliders possible...

Thank You, /r/ProgrammerHumor, I Love You Endlessly.
Thank You, /r/ProgrammerHumor, I Love You Endlessly.
Thank You, /r/ProgrammerHumor, I Love You Endlessly.
Thank You, /r/ProgrammerHumor, I Love You Endlessly.
Thank You, /r/ProgrammerHumor, I Love You Endlessly.
Thank You, /r/ProgrammerHumor, I Love You Endlessly.
Thank You, /r/ProgrammerHumor, I Love You Endlessly.
Thank You, /r/ProgrammerHumor, I Love You Endlessly.
Thank You, /r/ProgrammerHumor, I Love You Endlessly.
Thank You, /r/ProgrammerHumor, I Love You Endlessly.
2 months ago
Life Story
Life Story
Life Story
Life Story
Life Story
Life Story
Life Story
Life Story
Life Story

Life Story

10 months ago
A Guide To Designing Wheelchair Using Characters!
A Guide To Designing Wheelchair Using Characters!
A Guide To Designing Wheelchair Using Characters!
A Guide To Designing Wheelchair Using Characters!
A Guide To Designing Wheelchair Using Characters!
A Guide To Designing Wheelchair Using Characters!
A Guide To Designing Wheelchair Using Characters!
A Guide To Designing Wheelchair Using Characters!

A guide to designing wheelchair using characters!

I hope this helps anyone who's trying to design their oc using a wheelchair, it's not a complete guide but I tried my best! deffo do more research if you're writing them as a character

2 years ago

Have noticed that differences between humans and fantasy races or beings tend to fall neatly into either “physiology” or “culture,” so here, some ideas for how fantasy beings can differ from humans in their thinking and perception:

They all have synesthesia. All of them. There are lots of forms of synesthesia, so, plenty of angles to explore. Imagine a species for whom numbers, calendar days, and other abstract concepts just...have colors and smells, and it’s hard for them to understand how people...think about things otherwise. Or maybe they can’t understand the distinctions others make between, for instance, sound and visual stimuli. The linguistic rules that say an image can be “blurry” but a smell can’t are incomprehensible to them. It gets even more interesting if the associations are in some ways consistent between members of the species.

More ideas for sense perception, possibly applicable to the synesthetic species: What if, just like we have a large number of senses but sort them into five (pain, touch, and proprioception are not the same senses, but we categorize them all as ‘touch!’) they don’t have categories for ‘types’ of sense perception, at all. In their own language(s), they can describe their experiences to others this way, but they have to learn to be able to clarify for non-members of their species whether they saw something or heard it.

Superhuman time sense, or no time sense. The fascinating thing about humans is that we can percieve time based purely on internal cues, but we’re kind of bad at it—we often have to count to give exact measurements of seconds, and we’re prone to not realizing how long or how late we’ve been doing something. Perhaps a fantasy being can percieve time in a more exact fashion—which could lead to amusement about how humans’ time sense tends to warp relative to how much fun they’ve been having. Or, perhaps a fantasy being can’t perceive time at all without external cues (for example, sunrise and sunset). This would make being isolated from those cues, like if they were trapped in a dungeon, incredibly scary and disorienting. They would also have a difficult time if they were asked, “How many days were you trapped down there in the dungeon?” They would probably respond, “There weren’t any! It was dark!”

A telepathic species, but they don’t have a “hive mind” or no sense of individuality. It makes sense that it would take an active effort to “read” someone’s thoughts, past just noticing how they’re feeling or the general “trend” of their thoughts. So it would be cool to have a telepathic species with, y’know, a sense of boundaries regarding thoughts. It’s probably a lot like touch in humans—certain levels of closeness or intimacy are permissible in certain levels of relationship, and a lot would be inappropriate with a stranger. Yes, they technically can sift through your memories, but why would you do that, what the fuck is wrong with you. For humans, rape is practically the worst thing you can do to a person. Among this species, entering someone else’s mind and viewing or actually tampering with someone’s thoughts is just as absolutely abhorrent, except that they probably have many different levels of unacceptable and unthinkable acts of violation that we can’t meaningfully distinguish in our languages. Among these beings, friends might share pleasant thoughts and experiences, relationships are a subtle interplay of feelings and thoughts and images. Being allowed to go deeper into someone’s mind is always a huge deal. Yes, members of this species might occasionally be recruited to pry information out of people, but doing that is just so vile to the vast majority that it’s not at all a common thing, even if only because the punishments are so severe.

A species whose memory just doesn’t degrade. Everything that goes into their memory remains perfectly preserved for...well, ever. They’re fascinated by, and a little suspicious of, the way human memories seem to change over time, how anecdotes humans tell have little inconsistencies in them, and how humans can straight up forget things. It seems like a terrifyingly chaotic way to live.

Alternatively, a species whose way of encoding and storing memories is just...different. It’s pretty weird, when you think about it, that mnemonic devices...work. Like, singing a song or saying a nonsense rhyme to remember information? “Thirty days hath September” is easier to remember than just...remembering which months have which number of days? Imagine being a member of a fantasy race that just...can’t?? remember things?? That way? Then they catch a human trying to alphabetize something and singing the ABC’s under their breath and they’re like “what the FUCK are you DOING”

A species that doesn’t really have “stages” of emotional or cognitive development. Like maybe their brains develop before they hatch or emerge or whatever, but once they’re conscious, they pretty much have an adult brain. The fact that humans spend part of their lives cognitively limited and unable to regulate their emotions because they’re underdeveloped, and not because of a lack of experience, is very bizarre, and the fact that being out in the world, making bad decisions with that half-developed brain, is in fact necessary for humans to develop properly is even weirder and honestly a little freaky.

1 year ago
The Son Of The Dragon Lives Up To His Name
The Son Of The Dragon Lives Up To His Name

the son of the dragon lives up to his name

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Beginner concept artist, lover of fantasy works 2003 baby

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