BNHA SEASON 6/ MANGA WAR ARC SPOILERS!!

AU where Dabi works that the crematorium that neighbour's Hawks' pizza workplace. 9-5, minimum wage. They're both so tired.

Hi! I saw some people saying that Hawks is gonna have a mental break, but honestly I don't see that happening currently, do you think there is a chance for that?? (I tough only him realizing that villains can be saved through Ochaco but nothing more than that maybe him been involved on the Todoroki plot but it's seems that they are now far away from him)

Maybe you are focusing on the extreme negative connotations with the word "mental break" and not really reading it for what people mean when they say that, which is:

Hawks's walls that close him off from everyone and everything and his own true emotions need to finally come down. And that happening is not going to be a fun or smooth or easy process. He needs to "break", as in, those mental walls/barriers need to break. And with that, an emotional and mental "break" should follow behind it.

I can vouch for several friends of mine who desperately want to see him cry. That's really what people mean when they say mental break. Because Hawks won't cry, he won't express hardly any emotion right now because he's not facing what he's done and what he really feels. I wrote about the villains needing to CRY and I feel the same applies to Hawks. The cathartic emotional and mental release people are wanting is because they want him to face his actions, face how he really feels about them, and challenge his way of thinking. That is not an easy process (See: Tomura), so it shouldn't just be something he casually shrugs off like no big deal. If you're thinking people are wanting a legit psychotic break then no, that's not true. And if they are, well, weird, but that's not the crowd I'm talking about here.

I'm sure you didn't want a whole thoroughly thought-out response to this but this is the consequences of your actions (jk)

You brought up Ochacko as Hawks realizing villains can be saved, and yes I agree that's a thing that should happen. Hawks killed Twice, and then proceeded to say he wants to be like Twice. That is not a normal thought process. And in the act of killing Twice, he struggled internally due to his own conflicting feelings on the Jin Bubaigawara he grew a sort of attachment to before the PLF raid, and used language indicating that he genuinely felt pretty fondly of Twice---and then proceeds to stab him in the back (literally). I highly recommend checking out @transhawks meta on the interaction between Hawks and Twice before he killed him, as it really points out some of the emotions Hawks was cycling through in that moment. Also, re-read that scene anyway because you can clearly see Hawks struggling with the situation, only to snap at the end.

So again, even within the context of fictional bnha it's not normal for Hawks to stab a guy in the back and murder him, express pretty much zero remorse about it at all, and then proceed to say you want to be like him because you like him as a person.

Hawks and Twice were put into a mirror situation of Izuku/Tomura, Shouto/Touya, Ochacko/Toga. Twice was Hawks's villain. And Hawks actually kickstarted the whole narrative of attempting to save a villain you've formed a connection with by appealing to their needs in some way and using who you are as a person to that villain. The thing about their situation is that Hawks failed. For obvious story-telling reasons, like he can't accomplish what the kids' goal is before they do, before they even get a chance to entertain the idea of it. But for character-related reasons such as Hawks refusing to face himself and be vulnerable. Twice was just openly vulnerable 24/7, but Hawks didn't let his walls come down even one bit, which was the problem in their dynamic. The problem extends beyond that because Twice is gone now, and you can see that Hawks won't even be vulnerable within himself, to himself, for himself. He just won't do it. And with these hero/villain pairs the manga has set up for the end game, vulnerability from BOTH sides plays a huge part in the kids succeeding at their goal of saving. Hawks refuses to do that, so therefore he failed.

And rather than reflecting on his time since then, what we get when Toga!Twice shows up again:

is Hawks immediately resorting to killing him again, still not facing the mess of a situation it was when he did it for real back in the PLF war.

When Hawks talks about Twice in the way that he does--such as wanting to be like him and liking him as a person (yk like when he killed him), it's framed pretty ominously:

And this panel brings me to his involvement with the Todorokis.

Do I know how Hawks's involvement with Toga will lead into/tie into his involvement with the Todorokis? No, I don't and can't really see the pathway YET, but he's tied to both and it's uncharacteristic of Hori's writing style to leave things unfinished/unaddressed, so I'm confident he's going to make it happen.

Hawks and Endeavor, my god. Hawks, for lack of a better way of phrasing it, wishes Endeavor was his dad. It's coded this way, Hori doesn't go out of his way to beat the allegations either with his art:

Hawks's parasocial attachment to Endeavor (who quite literally never pays any extra mind to Hawks or spares a thought toward him during this whole final arc (or ever tbh)) is not a good thing. It's not cute, it's not sweet, it's not a normal admiration. Hawks's commentary on the Todorokis, his intrusion into their conversation during the hospital chapters, his curiosity about special details (like Shouto's eye), him insisting on just supporting Endeavor literally no matter what--there is nothing positive about that. Hawks even says it himself that he admires Shouto for facing his family's problems, when Hawks never got to (through no fault of his own, but this is a testament to how he feels about the Todorokis). In a sense Hawks just...wishes Endeavor was his dad. I mean that's the most blunt way I can put it. He views Endeavor (the doll) as a source of comfort, like a child would/should their parent. Little Hawks and little Touya being placed in front of Endeavor, whose face is split evenly on the page, is not subtle. It's clear a choice has to be made, and Hawks is not the choice Endeavor is going to make. Touya is.

Now, if Horikoshi wants to write a satisfying conclusion for Hawks similar to that of the LOV setup to have an emotional catharsis moment later on, then he'll make this impact Hawks believably. That should NOT be something Hawks just shrugs off like it wasn't a big deal. Because it 100% will be/should be treated AS A BIG DEAL. He's clung to his image of Endeavor since he was a child. Endeavor the hero, who beats bad guys. Not Enji, the father who rejects heroism in the name of saving his villain son--who burned Hawks's wings and went after his mom let's not forget. That is not something we've seen Hawks contemplate internally. The whole fight Hawks is worried about Endeavor, meanwhile inside Endeavor's head he's thinking about himself or his kids. The relationship is not the two way street Hawks would want it to be. And it's gonna be made clear, and that should hurt.

So, two major things here that really shouldn't be just "¯\_(ツ)_/¯" moments for Hawks. Ochacko saving Toga (dressed as Twice) should be a pretty jarring awakening for Hawks that HE tried to save Twice, but he failed. But Ochacko is succeeding in saving Twice's friend. It should be a pretty upsetting event to look back on that situation and realize that killing Twice really wasn't the answer, or the only options, because Ochacko saving Toga (again, currentlydressed as Twice) is living proof. Hawks failed, and Twice, the guy he says he likes, is dead. Endeavor choosing family (Touya) over heroism (Keigo) should also be upsetting, because his childhood ideal Endeavor is gone.

Both of these things happening should be challenges to Hawks's thoughts and feelings about himself, and that should not be a smooth process that doesn't involve strong emotional reactions from the character. There's a LOT left to be done with Hawks and that's why people want to see it.

Am I confident that it'll happen to the level of that I am confident Tomura, Touya, and Toga will be saved? I wouldn't say I'm that high up on the confidence scale, just because Hawks has always been so weirdly handled by Horikoshi that I scratch my head at his choices with Hawks sometimes. But I AM confident they will be addressed. Hawks maintaining his cool guy demeanor would be really stupid and disappointing tbh, especially because the LOV losing their "cool" demeanor elevates their stories so well and I think Hawks deserves the same treatment.

this is where the todoroki mental illness begins this is where bnha gets GOOD

Touya and Keigo but make it TV Girl

Its so me I love spooky Hawks <3

Chat Deku deserves to win number one at least once. It’s his own book and anime-

We teach girls to shrink themselves, to make themselves smaller. We say to girls, you can have ambition, but not too much. You should aim to be successful, but not too successful. Otherwise, you would threaten the man. Because I am female, I -

A Thin Veneer: BNHA 374

As dedicated readers of BNHA and meta for BNHA meta would know, the way characters drawn and depicted, the way certain scenes are framed, all of that is crucial to points Horikoshi makes about his characters, the plot, and the themes he wants to convey. Something to note is expression and how people are drawn. On the subject of Hawks, we know from in-text reactions to him that he is seen as conventionally attractive, and typically has a cheeky or happy-nature in his expressions. It's alone or in tense movements that we see something else.

What we do have is faces that break the Uncanny valley, like the famous image pre-"attacking" Best Jeanist, or getting confirmation about the raid where he very much show-cased his heteromorphic side, or the frightening image of him from Jin's pov as he was shrouded in shadows and looked very much like a predator.

What's consistent in these images is 1. Hawks was in control at of himself when he makes those faces 2. They usually don't *take* away from him in terms of find him "palatable" even if he's frightening. And there's a point to this.

Hawks isn't unflappable; there are plenty of moments where he loses his facade and cool, and we can argue those faces were truer to his inner nature than the bubbly cheeky personality he puts on a lot of the time.

But facially, it's interesting that he was so solemn as a child, and when alone and comfortable with himself, he seems to be mostly blank-faced and not very expressive. Perhaps that is the "default" Keigo.

Why all of this talk of faces and how Hawks is drawn? Because with 374, something has changed, and it means something very heavy is coming up with Hawks in the future.

First off, let's read about a certain trope

If a character is deranged or has just lost it for a moment, one eye is drawn as being very different than the other. Commonly, the Mad Eye (or its iris/pupil) is much larger than the other. Can also double as an unspoken Oh, Crap! moment. For extra effect, may be paired with Twitchy Eye.

Consistently, Dabi has been shown to be drawn with this trope time and time again. It's featured in promo art, in his battles, and this example up top. Dabi is clearly mentally unstable, openly and not unlike his friend Twice. The "Mad Eye" trope is meant to be a visual indicator of mentally instability. There's nary been a time where we've seen Hawks drawn like this. Even when he was drawn smirking before "killing" Best Jeanist, the eyes were the same.

It's interesting that his expression and eyes were relatively stable through out the process leading up to killing Bubaigawara Jin. But in the same panel where he kills him (right in the image above), half his face is obscured. Still, there's still an element of control here. I, and many other meta writers, have written about how control is a specific element in Hawks's character. His skill is in his technique, where he lacks in pure power, his skill in using his quirk in extremely adaptable and creative ways shows that he has an intense amount of control over it. And essentially his quirk is in that - controlling feathers do the various things they're capable of (sensors, listening devices, controlling their movements, flexibility, hardness, etc).

When being in control is so crucial to Hawks's quirk functioning, and being out of control so crucial to his narrative (the frequent caged bird references), it's interesting that most of the time Keigo is control of himself, even if he isn't in control of his circumstances. It's what made the HPSC make him a spy and what makes him, in my opinion, an interesting character.

By interesting, I don't mean "good" or "bad", moral or immoral or amoral, etc. I mean interesting in that he's complex and there's still mystery to him. It's very hard to understand Hawks because Keigo's story and personality are layered and presented to us in a way that it's difficult to get a full picture.

So what do we see in this chapter?

Keigo losing control.

He's been remarkably poised this war arc. He started by immediately trying to assassinate AFO without hesitation: While he's had emotional moments, one of the most striking things is that in earlier chapters against AFO, he's been repeating something that shows where his mindset is:

This whole fight Hawks has been telling Endeavor to keep a cool head, to not be provoked, to regain control of himself. He also keeps trying to play the circumstances - delaying so heavy-hitters like Enji can get a shot in, making sure everything it together.

Something else to notice is Hawks is wounded over the left side of his wave, and there's blood drying over his eye. However, there are numerous pictures of him in this state where his eyes are open at the same time or half-closed and there's no indication that he can open more than other.

As you can see here, this is Hawks with the blood over his eye in various expressions. Even when stressed, his expression never gives us indications of the "going mad" trope as the most recent chapter does. Thus, whatever is going on cannot be explained as due to his wound - it hasn't been shown before.

Why make so much of a single panel?

Because it's important.

We have Hawks, known for being very in control of himself and who tries to be in control of situations around him, and we have heavy build up by Hawks being the one to remind Endeavor to not lose it.

And yet....

This is not like anything we've seen from him so far. The mere sight of Twice alive again, the knowledge that what he did was for naught, heck, All For One is provoking him just on that basis:

"Time to learn how it might have turned out if you hadn't made his death your top priority back then."

Hawks's extrajudicial assassination of Twice became a viral moment, and don't forget it was drawn that way in the same time Japan had started undergoing protests for police brutality in 2020 due to viral videos of local beatings going viral amongst Japanese social media and twitter. Hawks has had to face immense scrutiny and criticism over his choice to kill Twice for the past few months, and his reaction to it has been to publicly apologize that he couldn't find another way to deal with him and to privately tell Best Jeanist that he admired the person he killed and wishes to be like him.

There's been no real show of regret, no reflection. And suddenly, with the appearance of Twice once more, we see a crack in this veneer:

Hawks's first words at the sight of the man he killed is to scream that the clones have to be killed immediately. Hawks's first expression at sight of Twice is one not of collected focus, nor even his usual anger or frustration.

He's drawn as if he's fucking crazy.

Horikoshi doesn't do panels like this for nothing. The way the panel beautifully lines up with one of Dabi's back covers, and the fact it's the first time Hawks has been drawn with the "mad eyes" trope is significant. It's showing us that Hawks, for the first time that we know of, is losing control of himself. And for a character whose narrative has been about controlling what people think and know about himself (and letting others do that for him), that's elemental to breaking down all we know of him.

This panel promises to show us another side of Hawks, a side he cannot hide away, or charm and joke his way out of. Naked, raw, and with no ulterior motives to control the situation, this face promises that we might finally hear what Hawks thinks of his actions and the reaction to them.

Two spot images I drew for @prince-liest​ ‘s fic Hop, Hop, and Away! written for the @hopstepflyzine.

Leftover Sales are open!

parting gift