A Compilation Of Resources

Jason does a really interesting thing in UtRH where he consistently positions himself with the other victims of the Joker. Every speech he makes about the Joker is essentially "them and, worse, me". The worse there being because Jason is Bruce's son. His argument over the various moments (and this goes for Lost Days, as well), comes down to this: It is bad enough that Bruce didn't kill the Joker before Jason died. That, in itself, when the Joker had already killed who knows how many, when he had already shot Barbara (and Jason was alive when that happened, canonically) - that is nearly indefensible.

But even if he forgives that. Even if he accepts that.

The Joker then killed Bruce's son. And not only did Bruce not kill him them, he continued to not kill him, even when bodies continued to pile up. Note that at this point in continuity, not only does Joker likely have a body count well into the triple digits, he's also attempted mass infanticide and killed Gordon's wife (fiance?).

And yet. For his moral code, for his peace of mind, because it would be too easy - Bruce lets him live. And inherently, in the world of DC as it exists, letting the Joker live means letting the Joker kill. Even if you don't agree, it's certainly what Jason believes, look at what he says:

"I thought I'd be the last person you let him hurt."

So here's our scene: Jason, who has been positioning himself as both Bruce's son and also just another victim of the Joker, is holding the Joker at gunpoint. The options are: let Jason kill the Joker, or kill Jason.

Him or me, you have to choose.

This is a choice. This was always the choice. Inaction is still a choice. Every victim of the Joker is also a victim of the collateral of the no killing rule.

Him or me, you have to choose.

Bruce has to choose. No more pretending his choice doesn't have direct victims, no more acting like no-killing doesn't also mean accepting that the victim's of the Joker are a sacrifice to the rule.

Him or me.

Him or me.

Him or me.

You have to decide. You have to choose, now, while his victim looks you in the eyes. You have to choose while the victim still has a voice to tell you you're making the wrong choice.

But Bruce is Bruce. And he tries a third way. And everybody loses! Bruce finds a way to win and everybody loses - but then, maybe that's been the choice he's been making this whole time, over and over. Until there were graveyards full of the consequences.

If Jason is going to be wrong, let him be wrong and cathartic. Let him be wrong and still a voice of every victim. Let him be wrong and unforgiving, uncomprising, demanding every hero to choose, to look at the graveyards full of bodies and know their role in it.

Let him be rage and grief and blood crying for blood, of everyone who has ever been collateral.

Two more OCs I redesigned recently. I think I did pretty good with them

Jason isn't actually OOC in BTFC.

Or, more accurately, the problem with Jason's character in BTFC isn't that he's OOC. Daniels, or the characters, never treat Jason's behaviour like it's a normal Jason thing to do. Nobody's out there saying "oh classic Jason shooting a civilian child in the chest haha!". And aside from like, you know, Jason's other traits are preserved: he's smart, one step ahead, has convoluted schemes, fancy gadgets, is generally scary competent, semi-suicidal, exhibits typical signs of bpd, has an unhealthy association between Batman and godhood, and his weak point is his mental health and general emotional vulnerability.

No, Daniels and Bruce don't think he's doing it because he's Jason. They think he's doing it because he went insane. Like, he wasn't brave enough to confront the truth about his tragic backstory, despite their repeated efforts for help, and he lost whatever what's left of his mind.

And that's what crazy people do right? They torture people and shoot children. They lose their values. Because, yk, they're cowards.

Of course Jason isn't behaving like Jason! He's getting the Joker treatment of dc villainification 101. And now I'm thinking about that last panel of Jason again.

Because like, sure, it reads as "Jason killed himself because he was crazy and too deep in to accept change." But also I can't stop thinking about that parallel between Jason falling at the end of BTFC and the Joker falling into that cuve.

The problem isn't that Daniels doesn't understand Jason Todd. The problem is that Daniels despises mentally ill people and doesn't understand trauma.

Who Needs Heaven? : Safe & Sound

jason todd x fem!reader

aka your daughters learn what happened to jason

warnings: nonspecific discussions on how jason died

(1) the drop-in

The sound of water splashing under toy boats and fish fills the small room.

You ring the washcloth out over the suds, Rory’s idle hands scooping up the excess. She entertains herself with the slowly dissolving bubbles between her fingers as you fill up your cup.

“Put your head back,” you tell her, nudging her forehead.

She does, squeezing her eyes shut.

You pour the cup of water over her head, combing through her hair. You refill the cup again as she pipes up. 

“Mommy,” she says with a casual lull in her voice. 

You pour it out again, making sure to rinse the shampoo at her roots, “Hm?”

Her hand comes up to wipe the stream from off her forehead, “How did daddy get that scar?” 

“Well, daddy has lots of scars,” you say carefully. “You know that.”

She shakes her head, “Littler scars. He has a big one though, right here.” 

She points up and down her torso. 

“What happened?”

You take a breath, eyes focused on the dissolving suds. “What happened…”

She continues on, “He said scars come from when you get hurt and the bigger ones are bigger hurts. How did he get such a big hurt?”

“Um...” She’s quite young to hear that story, especially coming from you. Your older daughters have an awareness of what happened, though it’s never been formally discussed. You think Mia knows what the autopsy scar is and the twins definitely know he died at the very least. You’ve been made aware that there’s been…discussions at school about who their dad is and how he one day died and then years later magically reappeared. You and Jason had decided that you would talk to them about it eventually, but only when they were old enough to not be completely traumatized hearing it.

You just hadn’t assumed that day would creep up on you like this.

You sit back, tense. “Did you ask him that?”

“No…” she says gravely. “I don’t wanna make him sad.”

You nod, trying to collect your thoughts. How can you steer away from this without attracting more questions? 

“Do you know what happened?” she asks, scanning your face.

You do your best to reset your expression to neutral.

You start without really knowing where the sentence is going, “We…we can talk about it later…”

Rory tilts her head, “Not now?”

You shake yours, “Not right now.”

That’s enough to appease her curiosity for the rest of the bath, but you know with that one, it won’t last long.

You’d gotten her dressed and sent her on her way, but your mind stayed heavy the whole time.

You walk downstairs slowly, hands still damp from the bath. As you turn the corner from the stairs you find Jason, reading contentedly by himself in the living room.

You cross the room without hesitation, climbing into the spot next to him on the couch. He doesn’t need to look up, only adjusts the position of his arm so its draped over you, pulling you into his side.

“So…” you start, “Rory was asking about your scar..”

He turns away from the book, looking at you with serious eyes. “What did she say?”

“She wants to know how you got it,” you tell him. “I didn’t tell her, but she didn’t want to ask you either.”

“Why not?” He asks quickly, face brimming with anxiety.

You shake your head, calming his worries. “She said she didn’t want to make you sad.”

He relaxes a bit at that, taking in the information.

You break the silence after a minute, quietly telling him, “I think it might be time to talk about it.”

He looks dejected, eyes on the floor. “They’re still little..”

“I’m not saying tell them everything right now, just…acknowledge it.”

“I don’t—” He sighs, “I don’t know how I’m supposed to tell them that.”

You think for a moment, nodding. 

“Tell them how you told me. Just…more kid words.”

He still looks resigned at the idea so you continue, “You know how to talk to them. Just tell them what you want them to hear. They’ll listen.”

He nods, eyes low. “Okay…”

You stand up, and he grabs your hand as you rise, pulling himself up too.

You give each other one more confirming look before calling up the stairs, “Girls? Come here.”

There’s a ten second delay before a scuttle of footsteps starts down the staircase, arriving with a low-liveliness, nearly bedtime energy amongst them.

The second you’re within sight of them, they’re keen that something’s not right.

“What’s going on?” 

“Is—”

“Everything’s alright. Nothing’s wrong,” you tell them. “We just want to talk to you for a minute.”

Your words don’t do much to ease their minds, but after a moment they slowly gather onto a single couch. They’re all squished in together and Rory’s half on top of Anna and Laine, the latter of which can barely move. Still, there’s no complaints to be heard, only an air of seriousness throughout the room. 

Jason clears his throat, though he has trouble looking at them, the easier option seeming to be the carpeted floor. 

“Alright,” he starts with a deep breath. “So my, uh, my Y scar…”

The air in the room drops the second the words are out, the girls all quiet and listening closely. You can tell this is something they’d been wondering about for a long time.

“When I was younger and I’d just started doing the, uh, special job my brothers and Bruce do…” He takes another breath, “Some things happened that shouldn’t have and I got hurt..”

“What things?” Ryan asks.

“I…I got tricked by a bad guy and…I just got hurt.”

It’s uncharacteristic for the girls to all look so dejected and serious like this. Goes to show that you were right—they do have an understanding of what happened.

Anna is the first to pipe up. 

“Did you die?”

“Anna—”

“It’s alright,” Jason interrupts. He collects himself before eking out, “Um…yeah, I-I did.”

He’s still stuck on those words and you have to silently push for him to keep talking, so as to not give their imaginations time to run wild.

He takes the hint, stuttering, “But, um, it’s complicated, but I came back and—”

Laine interrupts this time, almost teary-eyed.

“Are you going to die again?”

Jason shakes his head quickly, “No. No, honey, not for a long time.”

It’s quiet for a moment as they process, sorting through the details into something their minds can understand.

Rory looks on edge, wide-eyed, as she asks, “Are you a ghost?”

“No, sweetheart,” Jason answers calmly with a shake of his head. 

That seems to calm her anxiety more than anything else.

“Are you better now?” Laine asks. 

Jason nods, “Yeah, I’m a lot better now.”

Ryan looks skeptical at the choice of words. “How did you…get better?”

He takes a shaky breath, “Well…your mommy helped me a lot. And then you helped me some more. And now…now I’m all healed.”

None of them seem to really understand, but they accept the answer anyways.

The next question is from Anna. 

“Is the bad guy in jail now?” 

Jason only momentarily stutters in his response, but pulls it together nicely. 

“It’s not something you need to be worried about. I promise. Nothing like that’s going to happen again to me or you or anyone.” 

This appears to appease most of the concerns flying around in their heads. 

He continues, “We can talk about it more when you get older, but…

You take the queue, nodding Rory and Lainey your way. 

“Let’s go get ready for bed, okay?”

You nudge the younger two upstairs, who, to your surprise, go without resistance.

You give Jason one last glance before heading up the stairs, happy to see him much more relaxed than he was at the start of this conversation.

He’s left downstairs with his eldest three girls, each nearly bursting at the seams full of their thoughts and questions. 

Jason thumps down on the couch between them, a heavy breath following.

The trio watch him quietly for a moment before Anna speaks.   

“I know what it is,” she tells him somberly. He looks at her with more melancholia than he would’ve hoped for.

She continues, “There’s autopsies on my show sometimes.”

Right, her show. The X-Files.

Jason nods, a bit remiss at the idea that she knows.

From his other side, Ryan pipes up. 

“Did it hurt?”

He shakes his head, “No, I-I wasn’t…” 

Wasn’t alive. He doesn’t want to say that, though. 

Ryan nods, understanding anyways. “Did it hurt when you died?”

He hesitates before answering, wavering between lying to protect their minds and telling them the truth. In the end, he decides that you’re right, they can handle it in small measures. 

“Yeah. It did, a little,” he confesses. ”But like I said, that’s not going to happen again.”

From behind Ryan, Mia speaks so softly Jason almost misses her words. 

“I’m sorry.”

He looks at her, brow furrowed. “For what?” 

“That that happened to you,” she says. Her eyes are filled with an equal sadness to his and it breaks his heart. Even more so that her words are so clearly meant sincerely.

“Oh.”

It’s all he can manage to say.

He was only a little older than Mia when his life had been taken away from him and he’d been forced to reset everything he ever knew. And now, all these years later, he sits here surrounded by his children, his world that he was given a second chance to create. His children that don’t see a monster when they look at him, don’t see the scarred giant that he sees. They just see their dad. 

When they were still young they’d started getting almost excited whenever they got a scar from playing too hard because it made them more like him. It took Jason years to just bear the thought of his scars, but his girls look at them like art. Even when they know he got them in bad ways, they pour out nothing but affection. No disgust, no fear, no hate. Just love.

His eyes close and his face falls in his hands, overwhelmed by the idea of his children being such angels, despite being products of him.

“Dad? Are you okay?” 

He nods, face still covered. His voice is muffled as he says, “Yeah. Yeah, sweetheart, I just, um…” 

His words die off with little fight, and when his hands drop his eyes are red. 

Anna, who’s usually compulsed to only touch emotion with a ten-foot pole, is the first to wrap her arms around him, holding him tight. The gesture takes him by surprise, especially from her, and he tenses briefly before deflating like a balloon. Mia and Ryan are quick to follow suit, basically dog-piling over his opposite shoulder.

“It’s okay, dad. We love you. And your scars,” Ryan tells him. 

Oh, they think he’s sad.

Hell, thirteen years ago he would’ve thought he was sad. He only started to understand his feelings after his first daughter was born. He doesn’t tell them he’s not sad, doesn’t tell them that he’s crying because life slapped him around and then gave him everything he could ever want five times over. 

Instead, he just nods, pulling them impossibly closer.

who’s your fav daughter

people whose favourite female character is seen as an extension of a shitty wlw ship by the fandom, and not as their own complex and amazing character, deserve financial compensation.

Sorry I had to do this xD Petey with his last opponent: Grampa!

Anybody else ever think about how convenient it was that Micah, Scorpia, and Mermista were chipped in S5? You know, before the Best Friend Squad, Best Girl Entrapta, and Catra landed back on Etheria?

No seriously, how CONVENIENT that it was those three specifically that couldn’t interact freely one-on-one with Catra once she, the Best Friend Squad, and Best Girl Entrapta touched back down on Etheria. Catra caused Angella to be trapped between two dimensions, treated Scorpia like sh*t, and conquered Mermista’s kingdom. And yet Micah and Mermista never got to interact with her, and Scorpia just seemed to insta-forgive at the end of S5. Well, that’s not TOTALLY true, after being de-chipped Mermista looks around and sees Hordak and Catra and is like “So we’re just ok with this?”. The most reasonable question EVER.

So much was lost because Catra was not able to properly interact with these three (not to mention Glimmer only got to really interact with the father she lost at a young age RIGHT at the end). We see Catra apologizing to both Adora and Entrapta (not GOOD apologies where she acknowledges all she’s done against them and sincere remorse for her actions, but apologies nonetheless), but she never really does this with anybody else. She kind of tries with a chipped Scorpia, but the latter is chipped so that doesn’t go anywhere, and by the end she never even finished he apology before Scorpia hugged her.

No complicated feelings, no confrontations, no visible grudges being held (except for Perfuma in that one episode). But why, you ask, am I insisting upon this? Catra still apologized, or at least tried to, in Adora, Entrapta, and Scorpia’s cases. She doesn’t even really know Micah and Mermista anyway!

That’s kind of the point.

Catra only tries to apologize to those who she personally knew, she doesn’t actually acknowledge to harm she’s done to people outside of them. She never apologized for Angella, never apologized to Bow for all the things she did to him, heck she didn’t even try to apologize to Frosta for “ruining Princess Prom”. She just let Adora tell the others that she jumped sides and that she was cool now. And nobody really batted an eye (except for Perfuma in that one episode). Part of why Catra’s so-called redemption arcs sucks is because she’s barely made to really be confronted with all the bad she’s done, and try to atone for it.

Because she hurt EVERYBODY in the Princess Alliance in some way, and she doesn’t even offer a small apology? I know why Mermista and Micah especially were chipped, it’s because those two could hold a GRUDGE. We saw it with Mermista and Entrapta, and we saw it when Micah just glared at Shadow Weaver when he was saved by her. But of course, Catra’s “redemption arc” mostly revolves around ADORA, as does everything with her, especially because Catradora was shoved into S5 and they were sprinting to make that goal. You know, despite how that goal made no narrative sense, especially because before S5 Adora didn’t seem to have any romantic feelings for Catra, but that’s something for another time.

Anyway, Catra was barely made to acknowledge any wrong she had done to the supposed love of her life and the only two allies she had in the Horde. So it really doesn’t surprise me that she wasn’t made to acknowledge the wrong she did to everybody else (except Shadow Weaver, Catra didn’t have anything to apologize about there) by the writers. Catra was handled with kid gloves, and meanwhile Entrapta did NOT get that luxury.

I’m not saying Entrapta didn’t do anything wrong, but geez did the princesses hold more of a grudge for her than Catra. With some ableism splashed in there too, yikes. And yet, Entrapta actually worked on herself and did her best to atone. She risked her safety trying to get the location of Horde Prime’s ship, she tried to be more sensitive to other’s feelings. She fixed Mara’s ship so they could travel to space, she found a way to de-program the chips, she even visibly reined in her love and fascination for tech in order to get those chips off. Meanwhile, what did Catra do that showed that she was making a change to the Rebelion? To prove she was trying to atone?

The most she does is let them slip by without detection from HP’s forces, and that’s not even her doing, it’s MELOG’S!

Tl;Dr: Catra’s redemption was hastily done and poorly written. Nowhere can that be more found than the fact Micah, Scorpia, and Mermista were not able to confront her with their grievances and make her realize the affects she had on other people BESIDES those in her personal life

A while ago I made sketches of possible costumes for various Miraculous. So far I’ve done sketches for the Pig, Rabbit, Bee, and Goat. Might come back to these later…

Okay you know what fuck this shit I'm tired, screw nuance actually. I think murder is okay now.

Passionfruit

'Hazbin Hotel' Animators Expected a ‘Passion Project’ But Got a Helluva Time

We spoke to a dozen employees about the work culture at SpindleHorse Toons, the studio behind Amazon and A24's 'Hazbin Hotel.'

A recent article came out about the mistreatment and pay of Spindlehorse employees, please spread this around.