This Is My Version Of A ‘things To Keep In Mind When Writing Abusive/bad Parent Bruce’ But This Is

This is one of those true, declassified government things that always sounds made up but one of the things Henry Kissinger did with his career was use the CIA to help turn small, prosperous socialist nations into fascist dictatorships just to keep those nations powerless and possibly to keep socialist systems *looking* doomed and futile to the American public, like maybe just to scare Americans out of demanding better infrastructure or universal income. Yes it sounds like an insane conspiracy theory a maniac would invent. It also happened multiple times and several generations of people around the world are still living in misery because of it.

Anybody else ever think about how convenient it was that Micah, Scorpia, and Mermista were chipped in S5? You know, before the Best Friend Squad, Best Girl Entrapta, and Catra landed back on Etheria?

No seriously, how CONVENIENT that it was those three specifically that couldn’t interact freely one-on-one with Catra once she, the Best Friend Squad, and Best Girl Entrapta touched back down on Etheria. Catra caused Angella to be trapped between two dimensions, treated Scorpia like sh*t, and conquered Mermista’s kingdom. And yet Micah and Mermista never got to interact with her, and Scorpia just seemed to insta-forgive at the end of S5. Well, that’s not TOTALLY true, after being de-chipped Mermista looks around and sees Hordak and Catra and is like “So we’re just ok with this?”. The most reasonable question EVER.

So much was lost because Catra was not able to properly interact with these three (not to mention Glimmer only got to really interact with the father she lost at a young age RIGHT at the end). We see Catra apologizing to both Adora and Entrapta (not GOOD apologies where she acknowledges all she’s done against them and sincere remorse for her actions, but apologies nonetheless), but she never really does this with anybody else. She kind of tries with a chipped Scorpia, but the latter is chipped so that doesn’t go anywhere, and by the end she never even finished he apology before Scorpia hugged her.

No complicated feelings, no confrontations, no visible grudges being held (except for Perfuma in that one episode). But why, you ask, am I insisting upon this? Catra still apologized, or at least tried to, in Adora, Entrapta, and Scorpia’s cases. She doesn’t even really know Micah and Mermista anyway!

That’s kind of the point.

Catra only tries to apologize to those who she personally knew, she doesn’t actually acknowledge to harm she’s done to people outside of them. She never apologized for Angella, never apologized to Bow for all the things she did to him, heck she didn’t even try to apologize to Frosta for “ruining Princess Prom”. She just let Adora tell the others that she jumped sides and that she was cool now. And nobody really batted an eye (except for Perfuma in that one episode). Part of why Catra’s so-called redemption arcs sucks is because she’s barely made to really be confronted with all the bad she’s done, and try to atone for it.

Because she hurt EVERYBODY in the Princess Alliance in some way, and she doesn’t even offer a small apology? I know why Mermista and Micah especially were chipped, it’s because those two could hold a GRUDGE. We saw it with Mermista and Entrapta, and we saw it when Micah just glared at Shadow Weaver when he was saved by her. But of course, Catra’s “redemption arc” mostly revolves around ADORA, as does everything with her, especially because Catradora was shoved into S5 and they were sprinting to make that goal. You know, despite how that goal made no narrative sense, especially because before S5 Adora didn’t seem to have any romantic feelings for Catra, but that’s something for another time.

Anyway, Catra was barely made to acknowledge any wrong she had done to the supposed love of her life and the only two allies she had in the Horde. So it really doesn’t surprise me that she wasn’t made to acknowledge the wrong she did to everybody else (except Shadow Weaver, Catra didn’t have anything to apologize about there) by the writers. Catra was handled with kid gloves, and meanwhile Entrapta did NOT get that luxury.

I’m not saying Entrapta didn’t do anything wrong, but geez did the princesses hold more of a grudge for her than Catra. With some ableism splashed in there too, yikes. And yet, Entrapta actually worked on herself and did her best to atone. She risked her safety trying to get the location of Horde Prime’s ship, she tried to be more sensitive to other’s feelings. She fixed Mara’s ship so they could travel to space, she found a way to de-program the chips, she even visibly reined in her love and fascination for tech in order to get those chips off. Meanwhile, what did Catra do that showed that she was making a change to the Rebelion? To prove she was trying to atone?

The most she does is let them slip by without detection from HP’s forces, and that’s not even her doing, it’s MELOG’S!

Tl;Dr: Catra’s redemption was hastily done and poorly written. Nowhere can that be more found than the fact Micah, Scorpia, and Mermista were not able to confront her with their grievances and make her realize the affects she had on other people BESIDES those in her personal life

Aw, thank you so much!😆

All the sketches I’ve ever made of characters from SPOP!

Despite Entrapta being my favorite, I somehow keep drawing Catra. Huh. Maybe I just find her fun to draw…

A drawing I did of Adora back in January

Who Needs Heaven? : Safe & Sound

jason todd x fem!reader

aka your daughters learn what happened to jason

warnings: nonspecific discussions on how jason died

(1) the drop-in

The sound of water splashing under toy boats and fish fills the small room.

You ring the washcloth out over the suds, Rory’s idle hands scooping up the excess. She entertains herself with the slowly dissolving bubbles between her fingers as you fill up your cup.

“Put your head back,” you tell her, nudging her forehead.

She does, squeezing her eyes shut.

You pour the cup of water over her head, combing through her hair. You refill the cup again as she pipes up. 

“Mommy,” she says with a casual lull in her voice. 

You pour it out again, making sure to rinse the shampoo at her roots, “Hm?”

Her hand comes up to wipe the stream from off her forehead, “How did daddy get that scar?” 

“Well, daddy has lots of scars,” you say carefully. “You know that.”

She shakes her head, “Littler scars. He has a big one though, right here.” 

She points up and down her torso. 

“What happened?”

You take a breath, eyes focused on the dissolving suds. “What happened…”

She continues on, “He said scars come from when you get hurt and the bigger ones are bigger hurts. How did he get such a big hurt?”

“Um...” She’s quite young to hear that story, especially coming from you. Your older daughters have an awareness of what happened, though it’s never been formally discussed. You think Mia knows what the autopsy scar is and the twins definitely know he died at the very least. You’ve been made aware that there’s been…discussions at school about who their dad is and how he one day died and then years later magically reappeared. You and Jason had decided that you would talk to them about it eventually, but only when they were old enough to not be completely traumatized hearing it.

You just hadn’t assumed that day would creep up on you like this.

You sit back, tense. “Did you ask him that?”

“No…” she says gravely. “I don’t wanna make him sad.”

You nod, trying to collect your thoughts. How can you steer away from this without attracting more questions? 

“Do you know what happened?” she asks, scanning your face.

You do your best to reset your expression to neutral.

You start without really knowing where the sentence is going, “We…we can talk about it later…”

Rory tilts her head, “Not now?”

You shake yours, “Not right now.”

That’s enough to appease her curiosity for the rest of the bath, but you know with that one, it won’t last long.

You’d gotten her dressed and sent her on her way, but your mind stayed heavy the whole time.

You walk downstairs slowly, hands still damp from the bath. As you turn the corner from the stairs you find Jason, reading contentedly by himself in the living room.

You cross the room without hesitation, climbing into the spot next to him on the couch. He doesn’t need to look up, only adjusts the position of his arm so its draped over you, pulling you into his side.

“So…” you start, “Rory was asking about your scar..”

He turns away from the book, looking at you with serious eyes. “What did she say?”

“She wants to know how you got it,” you tell him. “I didn’t tell her, but she didn’t want to ask you either.”

“Why not?” He asks quickly, face brimming with anxiety.

You shake your head, calming his worries. “She said she didn’t want to make you sad.”

He relaxes a bit at that, taking in the information.

You break the silence after a minute, quietly telling him, “I think it might be time to talk about it.”

He looks dejected, eyes on the floor. “They’re still little..”

“I’m not saying tell them everything right now, just…acknowledge it.”

“I don’t—” He sighs, “I don’t know how I’m supposed to tell them that.”

You think for a moment, nodding. 

“Tell them how you told me. Just…more kid words.”

He still looks resigned at the idea so you continue, “You know how to talk to them. Just tell them what you want them to hear. They’ll listen.”

He nods, eyes low. “Okay…”

You stand up, and he grabs your hand as you rise, pulling himself up too.

You give each other one more confirming look before calling up the stairs, “Girls? Come here.”

There’s a ten second delay before a scuttle of footsteps starts down the staircase, arriving with a low-liveliness, nearly bedtime energy amongst them.

The second you’re within sight of them, they’re keen that something’s not right.

“What’s going on?” 

“Is—”

“Everything’s alright. Nothing’s wrong,” you tell them. “We just want to talk to you for a minute.”

Your words don’t do much to ease their minds, but after a moment they slowly gather onto a single couch. They’re all squished in together and Rory’s half on top of Anna and Laine, the latter of which can barely move. Still, there’s no complaints to be heard, only an air of seriousness throughout the room. 

Jason clears his throat, though he has trouble looking at them, the easier option seeming to be the carpeted floor. 

“Alright,” he starts with a deep breath. “So my, uh, my Y scar…”

The air in the room drops the second the words are out, the girls all quiet and listening closely. You can tell this is something they’d been wondering about for a long time.

“When I was younger and I’d just started doing the, uh, special job my brothers and Bruce do…” He takes another breath, “Some things happened that shouldn’t have and I got hurt..”

“What things?” Ryan asks.

“I…I got tricked by a bad guy and…I just got hurt.”

It’s uncharacteristic for the girls to all look so dejected and serious like this. Goes to show that you were right—they do have an understanding of what happened.

Anna is the first to pipe up. 

“Did you die?”

“Anna—”

“It’s alright,” Jason interrupts. He collects himself before eking out, “Um…yeah, I-I did.”

He’s still stuck on those words and you have to silently push for him to keep talking, so as to not give their imaginations time to run wild.

He takes the hint, stuttering, “But, um, it’s complicated, but I came back and—”

Laine interrupts this time, almost teary-eyed.

“Are you going to die again?”

Jason shakes his head quickly, “No. No, honey, not for a long time.”

It’s quiet for a moment as they process, sorting through the details into something their minds can understand.

Rory looks on edge, wide-eyed, as she asks, “Are you a ghost?”

“No, sweetheart,” Jason answers calmly with a shake of his head. 

That seems to calm her anxiety more than anything else.

“Are you better now?” Laine asks. 

Jason nods, “Yeah, I’m a lot better now.”

Ryan looks skeptical at the choice of words. “How did you…get better?”

He takes a shaky breath, “Well…your mommy helped me a lot. And then you helped me some more. And now…now I’m all healed.”

None of them seem to really understand, but they accept the answer anyways.

The next question is from Anna. 

“Is the bad guy in jail now?” 

Jason only momentarily stutters in his response, but pulls it together nicely. 

“It’s not something you need to be worried about. I promise. Nothing like that’s going to happen again to me or you or anyone.” 

This appears to appease most of the concerns flying around in their heads. 

He continues, “We can talk about it more when you get older, but…

You take the queue, nodding Rory and Lainey your way. 

“Let’s go get ready for bed, okay?”

You nudge the younger two upstairs, who, to your surprise, go without resistance.

You give Jason one last glance before heading up the stairs, happy to see him much more relaxed than he was at the start of this conversation.

He’s left downstairs with his eldest three girls, each nearly bursting at the seams full of their thoughts and questions. 

Jason thumps down on the couch between them, a heavy breath following.

The trio watch him quietly for a moment before Anna speaks.   

“I know what it is,” she tells him somberly. He looks at her with more melancholia than he would’ve hoped for.

She continues, “There’s autopsies on my show sometimes.”

Right, her show. The X-Files.

Jason nods, a bit remiss at the idea that she knows.

From his other side, Ryan pipes up. 

“Did it hurt?”

He shakes his head, “No, I-I wasn’t…” 

Wasn’t alive. He doesn’t want to say that, though. 

Ryan nods, understanding anyways. “Did it hurt when you died?”

He hesitates before answering, wavering between lying to protect their minds and telling them the truth. In the end, he decides that you’re right, they can handle it in small measures. 

“Yeah. It did, a little,” he confesses. ”But like I said, that’s not going to happen again.”

From behind Ryan, Mia speaks so softly Jason almost misses her words. 

“I’m sorry.”

He looks at her, brow furrowed. “For what?” 

“That that happened to you,” she says. Her eyes are filled with an equal sadness to his and it breaks his heart. Even more so that her words are so clearly meant sincerely.

“Oh.”

It’s all he can manage to say.

He was only a little older than Mia when his life had been taken away from him and he’d been forced to reset everything he ever knew. And now, all these years later, he sits here surrounded by his children, his world that he was given a second chance to create. His children that don’t see a monster when they look at him, don’t see the scarred giant that he sees. They just see their dad. 

When they were still young they’d started getting almost excited whenever they got a scar from playing too hard because it made them more like him. It took Jason years to just bear the thought of his scars, but his girls look at them like art. Even when they know he got them in bad ways, they pour out nothing but affection. No disgust, no fear, no hate. Just love.

His eyes close and his face falls in his hands, overwhelmed by the idea of his children being such angels, despite being products of him.

“Dad? Are you okay?” 

He nods, face still covered. His voice is muffled as he says, “Yeah. Yeah, sweetheart, I just, um…” 

His words die off with little fight, and when his hands drop his eyes are red. 

Anna, who’s usually compulsed to only touch emotion with a ten-foot pole, is the first to wrap her arms around him, holding him tight. The gesture takes him by surprise, especially from her, and he tenses briefly before deflating like a balloon. Mia and Ryan are quick to follow suit, basically dog-piling over his opposite shoulder.

“It’s okay, dad. We love you. And your scars,” Ryan tells him. 

Oh, they think he’s sad.

Hell, thirteen years ago he would’ve thought he was sad. He only started to understand his feelings after his first daughter was born. He doesn’t tell them he’s not sad, doesn’t tell them that he’s crying because life slapped him around and then gave him everything he could ever want five times over. 

Instead, he just nods, pulling them impossibly closer.

who’s your fav daughter

The Alchemy vol. II

jason todd x fem!reader

aka the progression of your relationship with the red hood

part one

warnings: depictions of blood and injury, standard gotham violence, jason doesn't know how to have feelings, reader is angry, threats against readers life, implied concern of sexual assault

It might be a matter of deficiency in self-preservation skills, how the sound of your window sliding open does nothing to phase you. You don’t know if that’s your fault or his.

“How’s it goin’ down there?” You mumble, not sitting up from your position on the couch.

He pushes the window shut in his wake, huffing. “I am up here for a reason,” he says factually.

You crane your head back just in time to see him tug the red helmet off his head, setting it down on your side table. He has on his under-mask that covers the lower half of his face. You don’t like that one.

He glances around your apartment as he approaches with slow steps. “Why are all the lights off?”

“Forgot to turn ‘em on,” you tell him simply.

He frowns at you, confusion evident.

You pay him no mind though, taking an exaggerated breath and pushing yourself up off the couch before trotting over to the kitchen. You open the fridge and scrummage for a water bottle. Jason thinks it’s odd how long it takes you to find one in your own fridge. 

Once it's (eventually) in your hands, you chug down several gulps and toss the half empty bottle towards the counter where it lands with a sloppy thump and rolls.

When you return, he’s leant against the armrest of your chair, watching you. You stop in the middle of the room, a contemplating stare on the floor. He tilts his head at you, wondering what you could possibly be thinking so hard about.

You take a deep breath before plopping down to lay on the carpet all in one go. 

He peers down at you, barely trying to hide his amusement. “You’re drunk.”

You shake your head, “I’m not sober.”

“That’s—yeah.” He stands all the way, coming to lay down on the floor next to you, using significantly more coordination than you had.

He lays in between you and the couch, though it doesn’t seem you’d left him much room. If he minds, it doesn’t show. “What’d you do?”

“I jus’ went out with my friend,” you tell him, closing your eyes. “She moves pretty fast..”

It occurs to him that you might be laying on the ground because you got nauseous. He turns to look at you, scanning you over. “You good?”

“I feel great,” you keen. “I feel…swooshy.”

He gives you a bemused look. “Dizzy?”

You shake your head with a great deal of consideration on your face, “No, not even dizzy, just…swoosh.” You throw out a hand with a theatrical flick.

“Mhm.”

You pucker your lips to the side. “You come here a lot,” you comment, clearly working up to some greater observation.

“You’re in my neighborhood,” he shrugs. 

Your head tilts, “You live here?”

He pauses before correcting himself, “My territory.”

You hum, “Still. There has to be other people around here you know. ‘Specially if you’re passing out on balconies on the reg.”

He frowns, “I try not to make a habit out of it.”

You continue on, “Why do you always go to my apartment? There’s—”

“I don’t always come to your apartment—”

You deadpan, “You’re here like three nights a week. And I don’t even help you that much anymore, you’ve used up my whole first aid kit.”

You can literally feel the eyeroll like you have a sixth sense for it. “That thing wasn’t exactly impressive to start with..”

“Did enough for you, didn’t it? Anyways, my point is: I think you like me,” you say with a nod.

That has him going absolutely rigid, “What?”

“I’ve heard you’re an asshole.”

“What?”

You nod, “Like, people that run into you. They say you’re kind of a dick. You help ‘em ‘n everything, but also while being a dick. Sometimes.”

“Okay...”

“But you’re nice to me. Sort of,” you squint. “I think you like me.”

He hasn’t felt this straggled in a conversation in a while. “I—well I’m not here because you’re a world-class medic.”

You scoff, “There’s no world-class medics..” But then your tone switches up, into something lighter. “We’re friends aren’t we? I think we’re friends.” 

He shakes his head, staring up blankly. “Sure, we’re friends.”

“We’re friends and you like me,” you reiterate.

He really wishes you’d stop saying that. “Okay.”

“I like you too. Even though you’re kinda sketchy.”

He doesn’t know what to say to that.

You hum into the silence, looking up at the ceiling. “J…James, Jack, John…”

He smiles, gaze dancing across the egg-whitened popcorn texture of the ceiling. “I’m not going to tell you.”

You ignore him, “Jake, Jaden, Jason, Josh, Joe, Jesse…”

You’re about three shots too drunk to notice the way he briefly stiffens. 

“Juuhhh…” you lull your head to the side, the letter fading out slowly as you look into his eyes. If you focus, you think you can make out a few of those little specks of green again.

He seems to already be running his own study on your irises, his eyes now softer than you can remember seeing them before. 

His next words are whispered, the sounds barely escaping. “You’re pretty.”

What?

“What?”

“What?” He seems taken aback by his own words, like he also wasn’t expecting them to climb out of his mouth.

You can literally feel sobriety seeping back into your blood. “I’m…pretty?”

He blinks a few times, apparently trying hard to decide on what position he’s going to take here. “I—well…yeah.”

You blink once, relaxing. “I think…I think you’re pretty too.”

“What?”

“We can’t do this again.”

He breaks eye contact, looking almost dejected.

You turn your head down to where his hand thrums against the carpet. “I mean, I know I haven’t seen your whole face in one go, but I see the top half now and the bottom before, so I…maybe I shouldn’t be saying this.” You reset with a shallow breath, “I don’t know what your whole face looks like.”

“That was,” he blinks, eyebrows raised. “Fascinating.”

“Thanks,” you say flatly. You close your eyes again, though this time you remain facing him.

He feels a slight pang of guilt for the way he continues to ogle at you, eyes tracing over every detail of your face. But that ounce of guilt does nothing to outweigh the reward of gazing upon you. He didn’t mean to say it but he definitely meant it: you’re really fucking pretty.

Your eyelashes flutter for a moment before stilling, a display of peace washing over your features. It’s when your breathing steadies over and your face relaxes completely is when he starts to feel like a creep. It takes a lot of strength for him to force his eyes shut, depriving himself of the view.

And he doesn’t do it on purpose, but after a few moments his inhales and exhales take to the same rhythm of yours. The thin layer of the rug isn’t doing much to protect his back from the hardwood below and he’s pretty confident later he’ll curse himself for lying like this for so long. 

But as he lays, he doesn’t find himself focused on the dark red-gray of his eyelids like usual, so much as the warmth from the proximity of your bodies. He’s usually so concentrated on whatever the hell is going on in his head and it prevents him from really truly resting, but now, the only thing taking up his attention is physical sensations.

He feels this warmth in his heart that if he didn’t know any better, he’d call burning. His hands feel numb and he can distinctly feel the beat of his own heart in his chest, thrumming away.

He presses his lips to your forehead with a feather light touch, slow to pull away. He doesn’t make it all the way back to his original position before his movement lulls and his body relaxes again, joining you gladly in unconsciousness.

Gotham City has a particular gift for inconveniencing you at the worst possible moment and doing it multiple times a week.

Tonight's round of problems resulted in an entire city district getting shut down, the district which is regrettably right between your job and your apartment.

So on top of having to hole up into your work for two hours longer than you were supposed to, it took you an extra 45 minutes getting home while trying to maneuver around every other person in the same situation. And just to cement the quality of this night, the door to your apartment building slams nice and hard against your side and the light in the hallway is out.

You groan when you fail to get your key the lock the right way for the third time, lodging it in a final time and shoving the door open. You flick on the kitchen light and dump your bag onto the counter, kicking the door shut behind you.

You take a deep breath, eyes closed, as you lean your head back against the wall. The second you crack your eyes open again, a pile of red mass on the floor behind your couch catches your attention and startles some energy right back into your chest.

“Oh, shit,” you scurry over towards the window, crumbling down onto your knees in front of him. Your eyes dart across the red helmet, trying to makeout any signs of consciousness. “Hood?” 

There’s no response from him, no movement. You tug his helmet off, finding him eyes-closed with blood running down the side of his head. You push a hand down on his chest armor, shaking him. “J? J!”

His eyes flutter open slowly under his domino mask, adjusting to the light. With the disorientation on his face he looks younger, more his age. His hair is tousled up and you can make out some distinct curls in it when it's undone like this. 

He grimaces, gloved hand coming up to his head. He looks wearily at the blood on his fingers, before plopping his hand back down and blinking up at you. “Hey..”

You sit back on your heels with a sigh, “What the fuck?”

He makes a strained effort to sit up on his own so you try to heave him up by his forearm. As he comes up all the way you glance behind his back at a bag crumpled discarded on the floor. You can barely see some sort of fabric poking out the top. “What is that?”

“Huh?” He throws back a tired glance, “Oh. They're..curtains.”

“Explain.”

He looks at you blankly, “You don’t have any curtains.”

You blink. “Explain.”

“It’s dangerous for people to just be able to look in and see you. So. Curtains.” For a guy who reads Dostoevsky, he’s not much of a wordsmith. Though that could be the concussion. 

You reach around him and pull some of the fabric out of the bag, inspecting the linen. They match the theme of your living room.

You set it back down, blinking. “Thanks.”

He only gives a half-hearted shrug.

You look back at him, “How bad is the…?” You gesture to the side of your head.

He feels at the blood again, “It’s mostly just a cut. Shoulda stopped bleeding by now.”

You nod, “I’ll, uh—I’ll clean it up.”

He looks at you, shaking his head. “You don’t need to. Your kit’s almost empty anyways.”

“I restocked it,” you tell him, rising to stand. He lets you go retrieve your aid box without protest, listening blankly to the faucet run in the bathroom while you’re gone.

You return momentarily, damp rag in one hand, kit in the other. “Here, sit on the couch,” you tell him, nodding him up. 

He lugs himself up off the hardwood and onto the cushion with a groan. You position yourself on the cushion next to him, leaning over to inspect the cut. You brush through his hair as gently as you can, though you have to suspect he wouldn’t have minded either way—if only based on the pain threshold you know him to have.

As much as you are completely in his space, you’re having trouble getting all the access you need to fix him up right. You turn and adjust your angle this way and that but none of it works. 

You huff, sitting back. “I can’t..”

He nods his permission at you without delay, and you shift yourself over to sit fully on his lap, straddling him on the sofa. You put your focus into cleaning his wound, but you have to notice how deep he’s breathing and how he’s seemingly trying very hard to avoid eye contact. You’re sure your own breath is uneven and telling, and frankly you’re kind of hoping he has a concussion just so he might not notice it.

An unexpected sting has him flinching and grabbing your hips on instinct, a certain heaviness lingering in the air after contact. His hand tenses and he’s about to remove them from you completely when you manage to catch his gaze, and the few moments of silent eye contact are enough to convince him to stay. He forces his hands to relax against your waist, his fix on your face wavering before fizzling away completely.

You go back to dabbing at the blood and it’s clear that his thoughts get the better of him quickly. “You should move.”

“But then where would you go?”

He makes a rumbling noise from the back of his throat at that, saying nothing more.

You continue to wipe away at the blood until you can’t see it anymore, beyond the slice of the cut. You misjudge your own spatial awareness as you pull back from him, and the tips of your noses graze. Though the contact surprises you, you don’t move away from it. You become very acutely aware of his touch on your waist, how warm it feels atop your shirt. 

His head leans forward just barely before stopping. He retreats slightly and his body ultimately decides to come closer. He doesn’t stop until his lips, slightly parted, skim across yours.

Your breath catches as he looms nearer, lips touching against yours softly. He tests that pressure out for a moment, before moving to kissing you with more intent. You kiss him back, and though there’s an increasing resolve on both of your parts, the connection itself remains gentle, reposeful.

The last slight movement of his lips gradually slips away as he rests his forehead against yours.

A long beat passes before he’s tightening his grip on your waist and pulling you up to stand. You aren’t given the time to process the shift as he’s moving straight past you, head down. He pauses only when he gets to the window, back turned to you.

“Sorry—I’m…” his shoulders drop, “Sorry.” 

He climbs out and scales the fire escape in total silence until he’s gone completely.

You stand frozen in position, staring at the window with incredulity burning across your face.

What the fuck?

Two weeks pass of voided midnight visits. 

You’re not sure what to make of that. He kissed you, not the other way around. You couldn’t possibly have done something to upset him or throw him off since he’s the only one who did anything. All in all, it’s a little disappointing.

There had been tension there and it wasn’t shocking for you to learn that he wanted to kiss you. It was a bit of a surprise for him to actually do it, though not a bad one. But you were thrown for a grand fucking loop when he immediately bailed out.

Maybe you can’t read him as well as you think because you’d expected him to at least say something about it. It was a borderline given that he would come back and there would be a bonus surplus of tension but then there would be a resolution. Because he wouldn’t kiss you and then never come back. Nobody would do that, it doesn’t make sense.

It’s a little more than embarrassing to admit that you’ve been purposefully staying home in the hope that he’ll drop in. After fifteen nights of disappointment, you decided to put your focus elsewhere.

You’d asked a friend of yours to go out with you tonight, and never one to decline a night out, she agreed happily. 

The bell above the door jingles as you crack it open, peaking your head in. You find Chloe quickly, stood behind the bar with bottles in hand.

“Hey gorgeous,” she smiles at you, waving you in.

You step in, air conditioning hitting you hard. The sparkles on her cocktail dress catch your eye as she turns this way and that, trying to find the right spot for the whiskey. 

Chloe hums to herself as she searches, honestly taking a bit longer than she should. “You been cool?”

You nod, “Yeah, just—you know…” She doesn’t. Your affiliation with the Red Hood is something you’ve kept to yourself, though you don’t know why. It would be safer, more responsible to let someone else know about these drop-ins, but something about it feels personal. A strange feeling to tack onto it, you think. A regrettable one, at least. 

You take a deep breath, “You’ve been busy. Jessie call out again?”

She laughs dryly, “Oh yeah, of course. But it's fine, I love staying over an hour after close.” She sighs, “I’m almost done anyway.”

You circle around the bar, looking over the several yet-to-be-sorted bottles. “You need help?”

“No, there’s—” she cuts herself off as she looks over at the front door, face dropping. “Oh, shit. Duck.”

“Wha—” she yanks you down to the floor to crouch awkwardly behind the counter.

You hear the bell ring as the door swings open, followed by several pairs of footsteps and low voices.

“—Christ, if she forgets to lock the door one more fucking time I’m gonna kill her.”

You look at Chloe through furrowed eyebrows, her grip on you still tight. She shakes her head and puts a finger to her lips.

A second man mutters something you can’t make out.

The first voice continues, “Go around back and lug the crates in, we gotta start packing that shit.” 

Another voice, “The crates? They’re not here..”

There’s a heavy beat before the first voice speaks, “What the fuck do you mean they’re not here? She needs them now.”

“Well…the first shipments will be in later this week. The next batch’ll take until the end of the month, probably.”

A sigh, “Dumbass…”

The first voice huffs, “The end of the month? Are you fucking kidding me? I told you to get that shit ready weeks ago and you’ve got it coming in at the end of the month?” 

“I’ll…I’ll see what I can do to get it sooner.”

“Yeah, you do that,” he grumbles. “Motherfucker. I need a drink. Get a bottle of something.”

One of the men rounds the counter, tracks falling short at the sight of you and Chloe huddled against the counter.

“What the fuck?”

You and Chloe are wide-eyed and frozen as he sneers down at you. Still, he looks like he’s trying to be tougher than he is, compensating for size that he does not have, with an attitude that doesn’t match up with the way he sped around the counter to get the other man a drink.

Another guy comes around and you quickly recognize him as the man in charge. He frowns at Chloe, sighing, “You’re not supposed to be here still, Chloe.”

She shifts her weight, “I was just…finishing inventory…”

The bossman’s eyes move to you, laced with nothing but inconvenience. “Oh and you brought a friend. Great.” 

“Mr. Murray, we were just ab—”

He’s quick to cut her off with a hand, “Chloe. Stop talking.”

Her face falls flat and her words die off without hesitation.

“Get up.”

She’s pushing herself off the ground instantly while you’re still on the floor catching up with what the hell’s going on. As she moves out from behind the bar, you scurry to follow her. Your arm bumps against hers as you fiddle with the seams at the bottom of your outfit.

You dressed to go out with your friend on a Friday night, not to meet three mobsters in a closed bar with no witnesses. That’s to say, you’re feeling a little exposed.

You stand in the center of the bar, the three men looking various degrees of annoyed looks across their faces. Though the oldest looking of the bunch has something else in his eyes as he looks you up and down, in no rush to hide his engrossment in your bare legs.

“How old are you, honey?” Even without the blatant ogling, that’s never a good question to hear from a fifty year old man.

Your eyes avert to the floor, lips pursing. 

“Hey, don’t be rude. I asked you a question.” He nudges your chin up a bit rougher than necessary, forcing you to look him in the eyes. 

Somehow, you feel like there’s no answer here that would help you. 

The man at the bar serves as an unexpected saving grace of sorts, muttering, “We don’t have time for this.”

Your pursuer shakes his head, looking you over in a way that makes you feel very small. “I think we got plenty of time.”

“I disagree.”

All heads whip to the doorway where the Red Hood leans against the frame, checking his phone. A never invited but always welcome addition to the party. At least for you.

The man in front of you instantly steps back, putting some distance between the two of you. Hands across the room instinctively fly to holsters only to begrudgingly relax at their sides, probably figuring drawing on Red Hood isn’t in their best interest. Though your focus lies on the bell above his head that didn’t make a peep whenever he came in.

Hood shuts his phone off and puts it away with a quiet sigh before glancing up at the tension-filled room. He literally double takes when his helmet scans past you. You somehow feel more in trouble now than you did two minutes ago. 

“Hood..” the bossman says measuredly. “What are you doing here?”

He stares at you for a second longer before tearing his gaze away. “Just thought I’d check up on you, Murray. Make sure you’re not causing trouble in light of our agreement.” He makes a point of looking back at you and Chloe at that last part before looking to Murray expectantly.

He waves that off easily, “This is nothing. Just two late-shift employees.”

Hood takes a piqued breath. “You picked a bad time to lie to me,” he says flatly.

Murray shakes his head, “Look, we’re just cleaning up a mess. No harm.”

“Really?”

“This clean up benefits you too, they heard too much. The one girl—Chloe, get out. She’s fine, she’s not talking.”

Chloe wastes no time exiting hastily. Bye Chloe.

He continues, “We only need to kill one of them.” He says it like this is an ideal compromise. You’re feeling differently.

Hood huffs, pulling out a gun from his holster. “I’m thinking it’s implied that killing innocent people is a form of causing trouble. Which is in direct violation of our agreement.” He cocks the gun, pointing it at Murray’s head.

Murray steps back dramatically, throwing his hands up. “Hey, an alliance is an alliance!”

Hood wavers his head to the side, “Alliance is a strong word. Temporary tolerance maybe…”

The short man pipes up, “Okay, calm down, calm down. Nobody needs to get killed. We can cooperate.”

“That’s the spirit,” Hood quips, lowering his gun.

The older one shakes his head, “We don’t have anything on her, she’ll talk.”

The short man demurs, “We don’t know that—”

“She saw too much, we can’t have her walking around with that information,” Murray says, moving towards you. 

Hood puts his hands up like some kind of mediator, “Nobody’s killing anybody.”

Murray scoffs, “You were gonna kill me!”

Hood's hands drop as he stands in full, “And I still might!”

Boldly, Murray steps up to him.

But Hood looks down at him, easily a full head taller than him and at least twice his muscle mass. “Let's weigh out your odds here, Murray. Is that a fight you’re winning?”

The look on Murray’s face tells you it’s not and he struggles to maintain this chest to chest confrontation.

It only takes him a moment of wavering to decide to back off, though he sure as hell doesn’t look happy about it. 

Hood pushes past him, grabbing you by the arm and pulling you towards him. 

Murray splutters, watching you go. “You can’t—I-I know people.”

“I am people,” Hood grumbles, steering you towards the door.

Though you can be sure they have them, no one voices any objections aa he pulls you outside.

His stride doesn’t even falter as he marches you down the sidewalk in the direction of your apartment. Aside from the sound of the breeze wisping past your ears, it’s silent between you.

After two blocks you get the strong impression that this muted exchange of energy is just going to keep on, so you force yourself to find something to rattle off about. “That uh, that seems like something he’s gonna be mad about.”

He huffs, “Yeah, well he can get over it or die so I guess it’s a personal choice.”

You frown at his tone, “What’s your problem?”

That was, apparently, the wrong thing to say as his head snaps in your direction. “Why the hell are you out here?”

His sharp attitude has you stumbling a bit. “Why are you out here? You have a concussion.”

“I don’t have a concussion,” he grumbles. “And I just saved your life so maybe complaining about it isn’t your best move right now.”

You try to stop and face him but he doesn’t let you, keeping you moving along with him. “That’s what we’re doing? Really?” 

Are these about the social skills that you had expected from him based on your first meeting? Yeah. But that first meeting was months ago. He’s proven again and again that he has half a brain and the ability to read a room so you’re really not fucking sure what the hell his problem is. He won’t acknowledge that he kissed you and all but jumped out your living room window, but he will snap at you for asking about his concussion that there’s no way he doesn’t have. Especially if he’s acting like this. 

He ignores your comment, blatantly at that. “Did they say anything about a drug shipment?”

This is what we’re talking about? Sure. Fine. At least you’re talking. 

You open your mouth briefly before closing it again, eyes narrowed. “I don’t know.”

He tries again, “What about Nocturna? Did you hear that name?”

“I…I don’t know.” You weren’t exactly taking notes behind the bar counter. 

His head drops down heavily, “Okay, I think I’m seeing a trend for how this conversation’s gonna go...”

You gawk at him, astonished that he thinks it’s you who’s handling this discussion poorly. “You cannot be serious right now.”

He sighs, slowing as you approach the steps to your building, “Just—why’d they let Chloe go?”

You blink a few times, “I mean, she has a drug problem…” You guess that might be where she’s getting them from…

He nods solemnly, “Okay.”

You huff, turning to walk up the steps, shoulders heavy. You hope he’ll come up with you and maybe, just maybe, address the elephant in the room. 

“Are you—” you turn around to face him again, met with nothing but vacant air. 

A deep, tense, breath from you before calling out, “Really?”

One month. One month. And he decides to show up tonight like it’s no time lost. But there was some fucking time lost.

Count ‘em up, that’s one period, two paychecks, three grocery trips, four laundry days, and thirteen showers. And that stupid fucking vigilante ransacked your head during every single one.

You went through the five stages of grief for this bizarre, undefinable relationship and then discovered about six more while you were at it. 

So when you walk out from the bathroom, you’re a little pissed to see him sitting there on your living room floor, helping himself to a glass of water. 

Maybe it’s his domino mask that gives his expression the illusion of neutrality. Or maybe he really has no idea how insane it is that he would occupy your apartment like this after skipping out on you for an entire lunar cycle.

He leans against your armchair, inspecting a scratch on his lower arm. You enter silently, watching him the whole time as you make your way over to the far end of the couch.

He doesn’t look up at you though, not until after a minute or two of silence. 

“You got any bandages left?” he asks, throwing a glance over his shoulder. 

You stare at him incredulously. 

After ten seconds with no response from you, he turns around fully, frowning. “What?”

“Are you kidding me?”

“I—” he squints, eyes flickering across your face. “No?”

You continue to gawk at him, not trying for any words.

He stares back, eyes wide. “I don’t know what you want me to say...”

You tear your gaze from him, preferring to stare at the wall. “You know what, I think I know what your problem is.”

He gives a laugh with little life to it. “I only have one?”

You bite down on your lip, “You only have one I’m ready to kill you over.”

He sits with that for a minute. A long minute, before asking softly, “What is it?”

You shake your head, glaring at an unoccupied nail in the wall. “That you’re an idiot,” you mutter. You start to walk away before turning around again after a few steps. “Where the hell have you been?”

He blinks, “Uh, there’s just been a lot of—”

“Bullshit.”

He’s about to argue his point, but quickly decides to concede, “Yeah.” He takes a deep breath, sitting back. “I…wasn’t prepared for this conversation,” he says carefully.

You scoff with a nod, “Yeah, neither was I, but it’s happening. I m—what did you think was going to happen here? I—you kissed me, you kissed me!”

“No I—” he huffs, “I shouldn’t have done that, okay?”

“What the fuck does that mean?”

He sighs, throwing his hands up at his sides. “What do you want me to say?”

You shrug without genuinity, “Anything that could possibly rationalize that sequence of decisions. You kiss me, run away, ghost me for a fucking month, and then show up again like nothing happened.”

He shuts his eyes, shaking his head. “I know, I know, I’m sorry!”

“I’m not asking you to be sorry, I’m asking you to pick a fucking lane and stick to it!”

He falls silent at that, eyes on the floor. It’s quiet for long enough that you start to think he’ll accept the silence as his cue to leave. You’re not sure if you want him to or not.

You take a deep breath, eyes closed. “I need you to start being straight with me. Now.”

He doesn’t look up, taking his time to find his words. “I am sorry,” he tells you. “I…I’m not good at this. I’m not good with words so I shouldn’t have fucking done it.”

Honestly you weren’t expecting him to actually come up with a reason, so you’re not prepared to weigh out whether or not it’s a good one.

“I like you...a lot. And I didn’t know—I don’t know—what to do about it so I kissed you and I didn’t think it through, and…I guess I panicked.”

That’s more than enough for you to warrant looking back over at him. It doesn’t take long for your gaze to start shifting around awkwardly while you scratch at your neck. “I would’ve taken you for more of a fight over flight kinda guy.”

He nods to himself. “Jus’ depends..” he says quietly.

And then it seems neither of you have anything else to say. You’ve run out of angry words to spit and he’s run out of apologies and excuses. But neither of you feel like you’re done.

The quiet lingers on for a painful amount of time. Your annoyance dissipates into something else, something more uncomfortable, but you couldn’t find a name for it. It’s got your thoughts going faster though and your chest feeling more hollow. Maybe not hollow…maybe just softer. 

He cuts through your thoughts before you can, “Are you mad that I kissed you?”

You shake your head, “No. I’m mad about what happened after.” You’re just mad about what happened after. Should’ve said just.

He thinks about that for a moment. 

“I can be honest with you,” he tells you. The way he says it, it’s somewhere between a peace offering and an assurance to himself.

You look at him again. He reads oddly vulnerable for a man his size with his reputation. You believe him. 

He goes on, “I trust you, you know? I want you to trust me too, if you can.”

You blink a few times, processing. “I…I don’t know anything about you.”

He nods, an anxious aura radiating around him. He leaves you hanging for longer than a few moments, getting you convinced that the conversation is just going to end there.

It doesn’t though, and after a few minutes, he sits up and reaches up to his mask.

It has you sitting up too, like he just pulled out a gun. Your hands fly up instinctually, as though this is completely uncalled for, as if he’s crazy for doing it.

He pauses his movements for a moment, making eye contact with you. His eyes reaffirm his words. He trusts you and he wants you to trust him.

You allow your hands to relax onto your lap and he continues on, taking his mask off.

You’re not revealed to much more of his face than you’d already seen before, but entirely in view like this, he’s a sight. You try not to stare but there’s little reward to removing him from your sight whereas the alternative…

All together like this you can see how his features balance his face out so nicely and make for a warm countenance, if not rough.

He takes a deep breath, setting his mask to the side. “My name is J…” he says with assurance. “Todd,” he tacks on.

You don’t mean to, really, but you’re sure the frown on your face is evident as puzzle pieces start forming and connecting in your mind. 

J…Todd…J…Jay…Todd…Jason…Todd…

Your mouth hangs open, “You’re Jason Todd. You’re de—” Well a couple things are starting to add up. “How are you…how are you not—”

He waves that away, tiredly. “It's a long story. Not particularly happy, either.”

Autopsy scar. Fuck. 

“I mean, I’ll…” he hesitates, “I’ll tell you if you want me to.”

He says it, but discomfort is painted across his face. You’re quick to shake your head, “It’s okay.”

He nods, likely relieved.

You stand up from your seat, crossing the room to sit down next to him. You’d half-expected him to tense up, but his body relaxes when you lean back against the chair.

You close your eyes before asking, “Who’s Nocturna?”

“She’s just this woman that’s been causing trouble for us.”

You don’t say anything and he continues on, shaking his head. “She’s more annoying than anything.”

You open your eyes, looking over. “Yeah?”

He shrugs, “Just trying to take over the underworld, the usual stuff. Nothing you need to worry about.”

You give a laugh that’s barely more than an exhale, relaxing your body completely..

There’s the slightest lull in activity before he sets his hand down on the floor, right on top of yours. The sounds of your breathing are the only thing that fill the room for a few minutes, save for the occasional car horn.

He glances at the clock on the wall, nearing midnight. “I have to go...” He says reluctantly.

You try not to let the disappointment show through your body language. “Go where?”

He pauses before telling you,  “A cemetery.”

You nod vacantly, “Oh. Just for fun, or…?”

He gives a dry laugh, “Just meeting an associate. They’re a bit dramatic, so.”

“Yeah, I’d say.”

“I’ll come back—I’m going to come back,” he mutters against your hairline.

You don’t respond, but you both know he’s good for his promise.

He looks around your apartment for a second before seemingly getting an idea. He pushes himself up off the ground and heads for your kitchen. You watch as he rips a sticky note off the deck on your fridge and scribbles something down on it. 

He returns to you, kneeling down and pushing the square of paper into your hand. “Here,” he says, looking you in the eye. “If you need anything. Anything.”

You engulf the note in your palm, nodding sincerely. His eyes flicker across your face, like he’s thinking about something. He hesitates for a moment, turning towards you, away from you, then towards you again. He holds the back of your head tenderly before pressing a sweet kiss to your forehead.

You look at each other up close for a second with nothing short of starry eyes before he turns away and ducks out the window.

You open up your palm and look down at the paper, at the ten digits scrawled across it.

Huh.

Must be official. 

🧨 reblog or die (this is a threat) 🧨

yall. yall.

new bill introduced to nulify OSHA. OSHA.

congress.gov

H.R.86 - 119th Congress (2025-2026): NOSHA Act

Summary of H.R.86 - 119th Congress (2025-2026): NOSHA Act

Even the goddamn magats are upset.

the way that some people talk about jason and batman and the joker is so jarring to me because it relies on some unspoken assumptions that i will never buy into

1. the assumption that taking a life inevitably always makes the person who did it worse. killing someone isn’t always this earth shattering thing that harms the person who does it and fundamentally changes their outlook on things. i guess if you have never met a veteran or someone who survived an armed robbery or any number of other things you might make that mistake, but like some of the people who fought in wwii came home and were normal members of the community and the times that their bullets hit the mark were not necessarily the parts of the war that kept them up at night. these assumptions that once you kill you are wicked and have to feel bad and do this whole show of repentance are insidious. if you are gonna look at all this through the lens of christian morality you should at least be aware that that is what you are doing but you cant have just one character be wicked and unclean because of his actions when the bible says that everyone is wicked and unclean by our nature and all sins are equal. a lot of people object to that view but if thats how you see it batman and jason and the joker are all sinners and are all as bad as each other so at least be consistant about how you apply that moral framework.

2. the assumption that being robin or being taken in and trained by bruce means full agreement with and acceptance of every part of bruce’s personal philosophy on justice and morality. jason was a homeless child and even if all this was explicitly laid out for him he could not have agreed since he needed bruce as a matter of survival. bruce’s ideology is extremely important to him and he can teach it to his children all he wants but they are not beholden to it above all else the way he thinks they should be. jason has to live according to his own beliefs regardless of how unacceptable bruce finds it and it is unfair and hypocritical of bruce to get bent out of shape about it.

3. the assumption that killing is always bad. maybe i have listened to too many episodes of behind the bastards but some people will do significant and appalling damage to others no matter what unless they are dead. those people can’t be allowed to keep causing harm. it isn’t glorious and there is no honor about it but it is right and just that they be stopped. there is no reason to strive for purity or ideological high ground when you can provide a measure of safety and justice to victims and prevent future harm instead.

4. the assumption that bruce didn’t have to answer to jason. parents have a duty to their children and it is my opinion that that duty does not end when the child dies. bruce adopted jason and made himself responsible and accountable for everything that happened to jason under his care. that responsibility was ignored over many instances. i am not going to detail the things that led to jason’s death here but it was not good or effective parenting. after jason’s death the disrespect starts pretty immediately with bruce compromising evidence of his murder in order to preserve his ability to continue as batman and continues with bruce getting rid of pretty much all traces of jason’s presence in his life. he is only spoken of as a mistake, a lost cause, or a cautionary tale and is assigned blame for his own death, a death that batman never bothered to fully investigate since he was buried next to the woman who led him into the trap. a new kid is endangered and the joker and batman both continue doing whatever they want as if jason’s life only matters for the way it affects them. bruce needs to answer for all of this, as his son jason has a right to expect more from his father. now the extent to which that extends can be debated but it is clear to me that jason deserved better from bruce.

conclusion: killing is accepted in society in certain circumstances, you may or may not agree with this but self defense laws and even things like jury nullification exist because people knew there should be some wiggle room since no one could have the full context of every situation that would ever arise. ending a life is not normal or ideal but it is not an unfathomably rare experience and it does not always weigh on the person who does it. bruce has never to my knowledge killed someone so he has no idea how he would actually respond but that still isn’t even what jason was asking him to do. all he had to do was be present and not move and he would have been the only parental figure who didn’t let jason down.

Anyways so Bruce Wayne is an overgrown manchild with attachment and control issues and hitting your kids, even if they are adults, is fucked up.

The Robins & co are not often possessed in a way that "justifies" beating them.

Just because the "adult batkid" swings first (usually because Bruce is being preemptively shitty, like lying to them and forcing them to the place they died at to re-trigger them about their death, or having secretly faked their death after their real actual temporary death and forcing them to submit to pretending to be dead and going undercover on a mission he wants them to go on, to pick some non-random examples) does not mean subsequently beating them into submission isn't abusive as he has a position of emotional power over them.

Additionally, there are ways to abuse your kids without beating them. Such as Tim's 16th birthday thing. Everything Bruce did to Stephanie pretty much. Isolating them (multiple incidents of this including the 16th birthday thing, the implications that Bruce doesn't want Robin!Jason to work with the Teen Titans, Stephanie again, his general stance that Cass doesn't need to get involved in more civilian things because "she isn't interested" & encouraging her worst habits). Pressuring Duke operate in the suit Bruce gave him despite his personal preferences being something else might not be strictly "abusive" bit it's definitely over-controlling of him.

And look I don't give a fuck what in-universe justifications there are. if the person you have power over, adult or child, stops hitting back, you really don't have any fucking excuse if you keep beating them (RHATOv2 25, I think the dick thing was still in forever evil, right? or was that the beginning of Grayson?). I'm still not over the "I wasn't beating my kids I taught them a coded language that I was sending them messages by hitting them." <- not a normal thing!! No I don't care that they're vigilantes no one else in-universe does that shit!!! FUCKING NO ONE!!!

And! I mean there are instances where that's the case like Dick cussing Bruce out about Jason's death and Bruce punched him. Yeah I'm familiar with visual symbolism and what that was meant to do at the time, that doesn't change the fact that when we get further patterns of the behavior, the context stops fucking mattering. (Uhh, didn't he also hit Tim after Catwoman left him at the altar? I don't really read for him often so idr.)

God, other people probably could go on in more detail and my recollection here might not be perfect bcs for once I'm not just going and pulling up every fucking source like I normally would, sue me I'm sick, but hoooly fucking shit. "Yeah he hit them but it wasn't abuse" that's really the take you're going with here??? That's really the take you're fucking going with here????

Last Thursday the FDA started raiding queer businesses and bars to crack down on the sales of Amyl Nitrate (Poppers/Video Head Cleaner) . Haven't seen many people talking about that. Also RFK is claiming that the "first thousand people who died of aids were adsitected to poppers" which is impossible since VHS cleaner isn't addictive and it's impossible to prove anything about the "first thousand people who died of aids" since nobody knows who those people were.