Here's What Sticks In My Craw: Why ON EARTH Does Fanon Imagine That Cas Has 'self-esteem Issues' And

Destiel is so good bc its love as corruption and love as salvation at the same time for both of them. Dean is corrupting cas he's making him feel emotions hes making him feel doubt he's leading him astray from the heavenly purpose he's had for millions of years but dean is saving cas, he's teaching him love and empathy and free will even if its in his incredibly flawed, human way. Cas is corrupting dean he's threatening to crack the facade dean has worked so hard to construct he betrays dean he leaves him he makes him confront things about himself he never wanted to. But he's also saving dean, he sees the good in him when dean himself cannot, he softens him and makes him laugh and he literally rebuilt deans soul and gave him something new to believe in. They ruin eachother and yet they saved each other from what they both almost became.

they couldn't let buck and taylor stay friends bc she would have been so tired of this bullshit so long again and been like evan buckley if you don't get your shit together and tell eddie you're in love with him so help me god i will announce it on the 5 o'clock news that two firefighters at the 118 are lovesick idiots incapable of just fucking talking to each other so how can they possibly be trusted with the people of los angeles

Aziraphale is the most character ever. He ran out of ideas so he declared war on hell. He canonically says fuck. His favourite colour is yellow. He’s literally an angel and can speak every language on earth but still isn’t fluent in french. He told his boyfriend to shoot him for his magic act and made him go through with it when their miracles weren’t working. He gave away his flaming sword and then lied about it for the next 6000 years. He has a bookshop that never sells books. No one’s doing it like him.

Teen Wolf Ship of the Day, January 2nd

Allison Argent x Lydia Martin

Allison loves the way that Lydia looks at her. She even loves how every so often they are yanked out of bed by a scream and the two of them grab what's needed and go looking for a dead body.

Headcanons under the cut

Allison can't/doesn't drive and Lydia drives her everywhere

Allison does archery with a group and Lydia loves to watch her girl do her sport in a non-life-or-death environment

They ice skate and Lydia absolutely skates circles around Allison

Lydia has a list of date ideas and they go on a date once a week

Lydia and Allison are an incredible team, with Allison's weapons and Lydia's scream. They absolutely solve so many crimes

They both love rainy weather and puddles and jumping around in them. Both of them are working on embracing a more childlike mentality every once in a while

They spend a lot of time together but have hobbies apart from each other because Lydia thinks its probably healthiest for them

For their birthday's each year Allison and Lydia give each other stuffed animals

Allison has been trying to read more fantasy and has gotten really into Brandon Sanderson while Lydia is more of a Terry Pratchett reader

They are looking into getting a cat, names on the roster are; Garlic Bread; Nosferatu; Jimmy Jorts; Lord Tuffington; and Sylvester Tom III

what is life? a never ending micromanagement hell?

Awhile ago @ouidamforeman made this post:

This shot through my brain like a chain of firecrackers, so, without derailing the original post, I have some THOUGHTS to add about why this concept is not only hilarious (because it is), but also...

It. It kind of fucks. Severely.

And in a delightfully Pratchett-y way, I'd dare to suggest.

I'll explain:

As inferred above, both Crowley AND Aziraphale have canonical Biblical counterparts. Not by name, no, but by function.

Crowley, of course, is the serpent of Eden.

(note on the serpent of Eden: In Genesis 3:1-15, at least, the serpent is not identified as anything other than a serpent, albeit one that can talk. Later, it will be variously interpreted as a traitorous agent of Hell, as a demon, as a guise of Satan himself, etc. In Good Omens --as a slinky ginger who walks funny)

Lesser known, at least so far as I can tell, is the flaming sword. It, too, appears in Genesis 3, in the very last line:

"So he drove out the man; and placed at the east of the garden of Eden Cherubims, and a flaming sword which turned every way, to keep the way of the tree of life." --Genesis 3:24, KJV

Thanks to translation ambiguity, there is some debate concerning the nature of the flaming sword --is it a divine weapon given unto one of the Cherubim (if so, why only one)? Or is it an independent entity, which takes the form of a sword (as other angelic beings take the form of wheels and such)? For our purposes, I don't think the distinction matters. The guard at the gate of Eden, whether an angel wielding the sword or an angel who IS the sword, is Aziraphale.

(note on the flaming sword: in some traditions --Eastern Orthodox, for example-- it is held that upon Christ's death and resurrection, the flaming sword gave up it's post and vanished from Eden for good. By these sensibilities, the removal of the sword signifies the redemption and salvation of man.

...Put a pin in that. We're coming back to it.)

So, we have our pair. The Serpent and the Sword, introduced at the beginning and the end (ha) of the very same chapter of Genesis.

But here's the important bit, the bit that's not immediately obvious, the bit that nonetheless encapsulates one of the central themes, if not THE central theme, of Good Omens:

The Sword was never intended to guard Eden while Adam and Eve were still in it.

Do you understand?

The Sword's function was never to protect them. It doesn't even appear until after they've already fallen. No... it was to usher Adam and Eve from the garden, and then keep them out. It was a threat. It was a punishment.

The flaming sword was given to be used against them.

So. Again. We have our pair. The Serpent and the Sword: the inception and the consequence of original sin, personified. They are the one-two punch that launches mankind from paradise, after Hell lures it to destruction and Heaven condemns it for being destroyed. Which is to say that despite being, supposedly, hereditary enemies on two different sides of a celestial cold war, they are actually unified by one purpose, one pivotal role to play in the Divine Plan: completely fucking humanity over.

That's how it's supposed to go. It is written.

...But, in Good Omens, they're not just the Serpent and the Sword.

They're Crowley and Aziraphale.

(author begins to go insane from emotion under the cut)

In Good Omens, humanity is handed it's salvation (pin!) scarcely half an hour after losing it. Instead of looming over God's empty garden, the sword protects a very sad, very scared and very pregnant girl. And no, not because a blameless martyr suffered and died for the privilege, either.

It was just that she'd had such a bad day. And there were vicious animals out there. And Aziraphale worried she would be cold.

...I need to impress upon you how much this is NOT just a matter of being careless with company property. With this one act of kindness, Aziraphale is undermining the whole entire POINT of the expulsion from Eden. God Herself confronts him about it, and he lies. To God.

And the Serpent--

(Crowley, that is, who wonders what's so bad about knowing the difference between good and evil anyway; who thinks that maybe he did a GOOD thing when he tempted Eve with the apple; who objects that God is over-reacting to a first offense; who knows what it is to fall but not what it is to be comforted after the fact...)

--just goes ahead and falls in love with him about it.

As for Crowley --I barely need to explain him, right? People have been making the 'didn't the serpent actually do us a solid?' argument for centuries. But if I'm going to quote one of them, it may as well be the one Neil Gaiman wrote ficlet about:

"If the account given in Genesis is really true, ought we not, after all, to thank this serpent? He was the first schoolmaster, the first advocate of learning, the first enemy of ignorance, the first to whisper in human ears the sacred word liberty, the creator of ambition, the author of modesty, of inquiry, of doubt, of investigation, of progress and of civilization." --Robert G. Ingersoll

The first to ask questions.

Even beyond flattering literary interpretation, we know that Crowley is, so often, discreetly running damage control on the machinations of Heaven and Hell. When he can get away with it. Occasionally, when he can't (1827).

And Aziraphale loves him for it, too. Loves him back.

And so this romance plays out over millennia, where they fall in love with each other but also the world, because of each other and because of the world. But it begins in Eden. Where, instead of acting as the first Earthly example of Divine/Diabolical collusion and callousness--

(other examples --the flood; the bet with Satan; the back channels; the exchange of Holy Water and Hellfire; and on and on...)

--they refuse. Without even necessarily knowing they're doing it, they just refuse. Refuse to trivialize human life, and refuse to hate each other.

To write a story about the Serpent and the Sword falling in love is to write a story about transgression.

Not just in the sense that they are a demon and an angel, and it's ~forbidden. That's part of it, yeah, but the greater part of it is that they are THIS demon and angel, in particular. From The Real Bible's Book of Genesis, in the chapter where man falls.

It's the sort of thing you write and laugh. And then you look at it. And you think. And then you frown, and you sit up a little straighter. And you think.

And then you keep writing.

And what emerges hits you like a goddamn truck.

(...A lot of Pratchett reads that way. I believe Gaiman when he says Pratchett would have been happy with the romance, by the way. I really really do).

It's a story about transgression, about love as transgression. They break the rules by loving each other, by loving creation, and by rejecting the hatred and hypocrisy that would have triangulated them as a unified blow against humanity, before humanity had even really got started. And yeah, hell, it's a queer romance too, just to really drive the point home (oh, that!!! THAT!!!)

...I could spend a long time wildly gesturing at this and never be satisfied. Instead of watching me do that (I'll spare you), please look at this gif:

I love this shot so much.

Look at Eve and Crowley moving, at the same time in the same direction, towards their respective wielders of the flaming sword. Adam reaches out and takes her hand; Aziraphale reaches out and covers him with a wing.

You know what a shot like that establishes? Likeness. Commonality. Kinship.

"Our side" was never just Crowley and Aziraphale. Crowley says as much at the end of season 1 ("--all of us against all of them."). From the beginning, "our side" was Crowley, Aziraphale, and every single human being. Lately that's around 8 billion, but once upon a time it was just two other people. Another couple. The primeval mother and father.

But Adam and Eve die, eventually. Humanity grows without them. It's Crowley and Aziraphale who remain, and who protect it. Who...oversee it's upbringing.

Godfathers. Sort of.

say what you want about teen wolf but it's body horror game goes crazy stupid, even actual like high budget media still doesn't come close when it comes to range. every villain, every season, whether it's lycanthropy, fugue states, catatonia, sleepwalking, your body as a sacrifice, possession, mind control, genetic chimeras, your body being erased entirely, someone rooting through your mind with their actual fingers, consensual and non-consensual body modification, death and undeath, your body refusing to heal or your body never not healing, never leaving any evidence of what's happened to you, not being able to breathe like it's supposed to, not being able to move at all, your body as an animal, your body as a weapon in someone else's hands. body horror is her specialty and she is never afraid to get icky gooey absolutely filthy disgusting with it and she NEVER has an off day.