A Family Can Be Two Exhausted Single Men And Their Twenty Teenagers

my boy kouta here telling some truth and doing god’s work, goodbye mineta

This might be a problem later

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Artist :  RQL (pixiv / twitter)

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izuku places his entire sense of identity and self-worth on being a hero, and having the quirk that allows him to be one. those two things, heroism and having this quirk, are inextricably linked to him - when he was quirkless, he couldn’t be a hero, and he got the quirk so he could be.

izuku also clearly identifies heroism as saving people. when he fails to save people - ie fails at being a hero - he feels worthless. if he doesn’t save, he’s not a hero, and thus is nothing.

now apply this reasoning to when he offers mirio his quirk after the overhaul arc. again, without a quirk, he can’t be a hero. why is he wanting to give away the very thing that he thinks makes him valuable to other people?

because he failed to save someone, so he’s already not a hero. he thinks he doesn’t deserve his quirk, the thing that gives him that worth and identity, because he doesn’t deserve to have any worth or identity. he’s already squandered it. he deserves to be nothing again.

hes kinda just chilling here yk

Eraserhead : Don't you think the fact we privatized half of law enforcement and merged it with the entertainment industry is highly problematic?

All Might : [eating All Might cereals] I'm so delicious.

HAPPY BIRTHDAY TO ROCK S O N

Shouji keeping Tsuyu warm *:･ﾟ✧

On the topic of asking you how to draw things we’re struggling with… how do you handle arms? Specifically arms and their proper connections to the body.

I’ve gotten into this habit of drawing only headshots (shoulders included) and when i try to extend it into an actual full body, I can never do the arms.

Everything else is fine, but the arms are just… no. They stayed pinned to the sides, or conveniently nonexistent, as I don’t know how to draw them proportioned properly otherwise.

I will try to explain but you can definitely find better advice elsewhere

I think first, having a solid understanding of what's going on underneath is important, here's some of the bones/muscles that are the most relevant. Knowing what the understructure looks like and how it all connects will help you figure out the surface stuff

When you move your arm, all those muscles and bones move too, when the arm goes up, it affects your clavicle, your scapula, your pecs, etc. So you're not just moving an arm, you have to think about how the shoulder/neck/chest will go along with it

same kind of deal with the back view

proportion-wise uhhh arms go down to about mid thigh and a persons wingspan is around the same width as their height head to toe