Traditional Hand-drawn Animation My Beloved

"Do I even have a purpose?"

"You're the reason I'm tolerating this world at all."

The Hero dodged. Too slow, the Dark Lord swung down his battle ax and cleaved a rock in half. The Hero went for his opening, but the Dark Lord parried. The Hero jumped over another swing, then feinted an attack. The Dark Lord anticipated the feint and swung at the Hero's sword's mid-arc, sending it flying. The Hero stumbled back from the blow, then rolled when the ax came down where he fell.

The Hero retrieved his fallen sword and smiled cockily. "I can do this all day."

The Dark Lord froze at that. The Hero launched into another attack. Dark Lord halfheartedly blocked his blow. Another attack. Block. It felt slow and deliberate, like a training exercise.

"What's wrong? Getting tired?" The Hero snarked.

The Dark Lord planted his ax in the ground. The Hero sensed something was different and stepped back. The two foes apprehensively waited for the other to make a move.

That's when the Dark Lord removed his helmet.

"I am," he said simply. He tossed his helmet to the side. "I am getting tired."

"You think it can just end? Like that?!" The Hero shouted. "After everything you did?!"

The Dark Lord's glowing eyes bore into his.

He picked up one of the skulls littering the ground around them, and tossed it to the Hero's feet.

"Whose bodies litter these battle grounds?" The Dark Lord growled. "Did you ever wonder?"

The Hero stared down at the skull.

"Ours," the Hero said lightly. He kicked the skull back. "A millennia of reincarnations made to come here and die over and over."

The Dark Lord stepped on the skull. It cracked, then crumbled into dust. "You're ready to do this for another millennia?"

The Hero faltered then. "As long as it takes," he whispered.

"As long as it takes for what?" The Dark Lord said.

"I... I just want to rest," the Hero admitted. "But time and time again, you razed my village and destroyed everything I love. You've taken everything, and now you get to call it quits and say you're tired? I've been tired this whole time."

"Your village turned away my people when we had nothing," the Dark Lord said. "We took what we needed by force."

"Don't you dare try to come off as the victim--" the Hero started in, but the Dark Lord interjected.

"We were desperate, and turned to forces we never should have trifled with. In turn, so have yours. Neither us have known love and peace since this started."

"Quit trying to act like we're the same," the Hero snarled, but there was a broken edge.

"We need to end the cycle," The Dark Lord said, and started towards him.

The Hero narrowed his eyes and raised his sword. The Dark Lord, undeterred, loomed above him. The Hero shook.

"Run me through, Hero," the Dark Lord said. "Slake your bloodlust. I will come back as many times as it takes."

The Hero held out his sword. The Dark Lord bared his throat and closed his eyes. A bead of blood dripped from where the blade grazed his throat.

The sword clattered to the ground.

The Dark Lord tilted his head.

"I don't want this," the Hero said.

The Dark Lord held out his hand. "It's time to rebuild, then."

The Hero took it. "I'll hold you to that."

You and the Dark Lord are destined to be reincarnated to fight fight one another throughout time. After 1000 years of fighting, the two of you decide to sit down and actually discuss an end to this conflict.

“I don’t know how to reconcile that my favorite piece of media was made by someone awful.” Because they’re a shitty person who made something good. It’s not that rare of a phenomenon. Shitty people make good things everyday. A piece of art being made by a terrible person does not make its effect null and void and making good art does not redeem a terrible person. People who are irredeemably nasty can say something true and honest on occasion. To reevaluate a work after finding out more about the artist’s horrendous biases and actions and still find things that are honest and true even when consuming it through a critical lens, that is a beautiful thing. If the artist’s actions and words completely destroy it for you and distort the meaning you once found, it’s okay to feel a sense of mourning and loss at that.

This is not to say that you should continue to lavish social and financial capital on the artist because you enjoy their art but to say that enjoying art made by horrible people does not mean you are in some way unclean.

I love the expression transition and the cute little bounce, and the secondary animation on the ascot is just *chef's kiss*

Absolutely lovely work

Paper test animation I did yesterday!

It's 25 frames, 12 fps, with a few of the frames on twos, and drawn on sticky notes!!!

This is one of my ocs/personas :D

This is also my first time animating/doing frame by frame on paper! I animated this using a mix of pose to pose and straight ahead animation, mainly straight ahead :3 I am entirely self taught when it comes to animation, and if possible I would like some critique on this! However disclaimer that I am aware that my model changes a bit XD I did this within an hour because I was crunching for time between my free block and my first class in the morning. X3

Anyways, hope you folks like it, have a nice day!

Ps: if anyone who knows my characters has any more requests for animations of them, hmu! I actually really enjoyed this and I want to do more when I'm free!!!

🦑Inks for a squid kaiju concept I made a while back. Quite proud of these! 🦑

Now that his attacker was incompacitated, Alan set about making coffee. The aftermath of the fight left the kitchen a mess, so he opted to drink straight from the pot.

"I guess I should've taken you for a pessimist," the Shapeshifter huffed.

"That really is on you," Alan agreed. "You've been around what, 5 weeks at this point? You really should've known better."

"You knew for 5 weeks I was impersonating your partner?"

"Well, Bart never signed my birthday card. He also never washed the dishes."

"You made it seem like he washed them all the time! You made such a big deal about it!"

"Well, yeah. I hate washing dishes, and you were gullible."

The Shapeshifter shifted his weight to lean against the wall, positioning his bound arms and legs as comfortably as possible. "You really knew this whole time? And you didn't do anything?"

"He's dead, right? You killed him and took over his life?"

"Well... Yes. Shouldn't you be more bothered he's dead?"

Alan nodded. "Ah, well, yeah. These things happen." He poured a little something in with the coffee, swirled it, and took a swig.

The Shapeshifter grimaced at his apathy. "But, wait. You were lying about the drop point long before the birthday card."

"You think I trusted Bart? No one should be asking that many questions."

The Shapeshifter groaned. "No wonder none of the drop points had the Energy Forms. You were giving me the runaround this entire time."

Alan nodded. "Granted, you never had clearance to know they were Energy Forms. That is to say, Bart shouldn't have known to ask about them. Though, well, I only know because I don't trust my superiors."

"Oh, so you really have trust issues," the Shapeshifter snorted.

"Hey, I don't want to hear it from the guy who went buck wild and destroyed my kitchen because, what, I tipped you off that I knew you weren't my partner?"

More silence. "You're not even going to ask why I want them?"

Alan took a deep breath. "Maybe in the morning. It's 3am and I don't have it in me to listen to your monologue right now."

The Shapeshifter huffed. A wall clock ticked audibly. Who kept a wall clock anymore?!

"So, you going to turn me in?" The Shapeshifter asked.

Alan blinked slowly at him. "Well, yeah, I guess I have to now. You had to go and attack me, so yeah."

"You don't want revenge for your partner?" The Shapeshifter asked uncomfortably.

Alan groaned. "What, you want me to kill you too or something? I'm already facing enough paperwork as it is."

"Did you even like your partner?" The Shapeshifter pressed.

"Not as much as you, apparently," Alan griped. He stared down at the empty pot of coffee sadly, and set it down on the table. The table slowly tipped, the legs loose and uneven, and the glass slid off to the floor and shattered. Alan nudged at the broken shards of glass with his toe absently, and then sighed resolutely. "He was always snooping around in my desk and ratting me out for things that weren't anyone's business. Guess I kept to myself too much for his liking. Or maybe he just didn't like what he found."

"Now I have to listen to your monologue?" The Shapeshifter snarked.

"You can't ask a bunch of questions and complain about answers," Alan chided. "Anyways, I guess what I'm saying is I'll miss you as a partner. Besides the whole killing and betrayal thing, you weren't half bad."

The Shapeshifter really didn't know what to say to that. Frankly, what was there to say? "I hope you work on your trust issues, buddy," the Shapeshifter tried.

Alan nodded. "Yeah. No one's allowed at my house anymore."

"That's not what I meant, and you know it."

"You better hope my insurance covers these damages."

The Shapeshifter pinched the bridge of his nose. "Seek therapy."

"You… Expected me to betray you from the start?" "Look. At this point I just asume that everyone is going to betray us and I am just pleasently surprised when I am wrong."

The Monster crawled out from under the bed. "You saw that, right?" He asked in his low, scratchy voice.

He skittered towards the light in the back of the closet, now dim. He felt along the edges of the wall with his claws and growled, "The portal's already closed."

Rainbow Panda stared at the closet, breath caught in his fuzzy throat. "We need to go after him."

The Monster's lip curled. "We? You want to work together with me?"

Panda sighed, world-weary. "I don't agree with your methods, but..."

"But you admit I was right," The Monster finished, a somber edge to his voice. "I tried to make him more afraid, more cautious. Now he's been taken who-knows-where."

"Oh, just admit you like scaring people," Panda scolded. He adjusted his bow-tie, a habit for whenever he was agitated. "If he wasn't so desperate to prove himself, he wouldn't have ignored his gut."

The Monster shook his head and pulled back the clothing in the closet, looking for a seam or crack left over from the portal. He seemed to be lost in concentration, and didn't reply. "We can return to our squabbling after the boy is safely home," The Monster said finally.

Panda bowed his head. "You're right." He slid off the bed and hobbled over to the closet. He picked up a small keychain flashlight from underneath a pair of discarded socks. "What even was that?"

The Monster shook his head. "I have lived in this house for many years," he said. "I have seen all kinds of imaginary creatures manifest into being, but I have never seen one promise a life reborn in a new world. Much less see a human take that promise at face value."

The teddy bear stopped in his tracks. "Isekai. Portal fantasy," Panda explained, voice quivering. "He's been reading webcomics and watching anime."

The Monster stopped to look over his shoulder. "Web... Comics?" He grunted. "How do humans use webbing in comic-making? That sounds made up."

"Do you not-... Wha--... That's not important!" Panda shrieked. "The boy is in grave danger! A key component to most isekai is being reborn into a fantasy world after dying!"

"But... How do we find him? Where did he go?"

They sat in silence, wheels turning.

Quietly, the teddy bear hobbled to the bookshelf. "We need to read," he said. He shook the bookshelf, causing some of the books to fall off.

The Monster groaned. "You read. I'll keep looking for a way to get through."

"These stories always start with a character feeling powerless and inferior in life," Panda said. "Oftentimes isolated."

"We should like such stories, then," The Monster laughed. He crawled under the bed and returned with a box of crayons.

"I need you to take this seriously. He followed that... That charlatan because he didn't see other options," Panda huffed. "What are you doing with those crayons?"

"Drawing a portal," The Monster said. "I know not of these new webbed comics--"

"Stories," Panda corrected. "Just say stories."

"--but I know of the old tomes, and the old tomes drew doors with crayons," The Monster finished.

He gently pulled out a red crayon between thumb and forefinger, and drew shakily over the moulding, an imperfect straight line up to his height. The line sloped angular, then back down. Finally, a doorknob, jaggedly circular.

"Did it work?" Panda asked, uncertain.

The Monster pushed on the door. It pushed in, ever so gently. The doorknob, like a writhing ball of yarn, floated from the wall.

Panda abandoned the book and padded over to the makeshift door. With bated breath he tried the knob, and sure enough, the door opened.

"O-oh," Panda said. "It... It opened."

He seemed to hesitate at the opening. The Monster tilted his head. "Are you afraid?"

Panda nodded, and grabbed his hand. They jumped into the abyss together.

Down, down they fell.

Swirling around them were strange lights and discordant sounds.

Laughter.

Music.

At the end of it, a large field of grass.

The boy was hunched in the center of the field, shaking.

Panda ran to him. "Wait! I'm here! You don't have to be afraid."

The boy turned, tears in his eyes. He was... Laughing? His smile died seeing the small stuffed bear.

"What are you doing here?" The boy said. Annoyed.

A girl and boy around his age emerged from the long grass.

"What is that thing?" The girl said.

The Monster backed into the shadows of a tree and hissed at the sunlight.

"We came to save you!" Panda said proudly, chest puffed out.

The new boy snickered. "Save him? He just destroyed a lich, and you think he needs you?!"

"Maybe the little bear is going to save him from loneliness," The girl said with a snarky smile. "Oh, wait, he doesn't need you for that, either."

Panda, taken aback, looked back at The Monster helplessly. The Monster shook his head.

"This world is dangerous," Panda tried.

The boy huffed a laugh. "So is my old one. At least in this one I have the power to fix it."

Panda wilted. "You... You can change the old world too," He whispered. "We could change."

"I'm not a child," the boy said. "I'm sick of being treated like one."

"But--" Panda grabbed his arm, and he pushed him back.

"I'm not going back," the boy growled, and pulled out a sword. "Back off or I'll run you through."

Panda backed away, tears in his eyes. Then, stupidly, foolishly, he lunged for a hug. "I'm not letting you--"

The boy was true to his word. The Monster watched from the shadows as the sword pierced through the back of the stuffed toy. Panda went limp.

The boy laughed, high-pitched.

"That was a bit dark," the girl said, a little disapprovingly.

"Well, he did warn him," the new boy said snidely. "Besides, he was probably a spy from the Iridescent Wastes. Why else would he look like a rainbow puke bear?"

The boy discarded the teddy bear, and the three left the field towards a path to the edge of a small town. The Monster rushed to the stuffed toy and clutched him tightly.

"My old friend," The Monster moaned.

Panda did not respond. His little bowtie lay crooked, held on by a string.

The Monster sobbed, because how couldn't he? He was alone in this strange world to save a boy who didn't want saving, and lost the closest he had to a companion.

The sun melted into the horizon and cast long shadows over the grassy fields, and The Monster craved his little hideaway under the cozy bed. He crept to the edge of town, skittering across cobblestone streets. He knew well how to camouflage, and that he did when townspeople passed by with their oil lanterns.

A small tailor's shop sat at the corner of a long strip of shops, and The Monster scuttled over to the rich fabrics and glistening buttons in the window. He clutched the teddy bear tightly, and crawled in through the open door. The tailor, done with his long day, closed the shop door and locked it. He blew out the lamps that lit his workstation and proceeded to bed.

The Monster waited until the coast was clear, and searched around for an appropriate needle and thread. He wasn't adept at stitching, having only seen it as a small Monster many years ago, but gently he poked the stuffing back in and jaggedly stitched closed the hole in Panda's chest. He took a small piece of ribbon and wrapped it around his wrist to keep his small friend secure.

The Monster waited for the tailor to retire to bed. He crawled underneath, holding the stuffed bear aloft. He hoped the Under-the-Bed network worked in webbed comics. He felt around with his clawed hands until they grabbed onto the crook in the wooden floorboards. He smiled, sharp and toothy, as a jagged passage revealed itself to him.

--

Panda woke up in a sweat, which was strange because he had never once sweat before. He shifted in bed, and felt strange, like he was much, much too long. His fur was all on top of his scalp, the rest replaced by soft, smooth flesh. His eyes had lashes, and his little bowtie was replaced by a pajamas.

"What am I?" he asked, and even his voice was different, less squeaky and more... Human?

"We await your orders, my Prince," a soldier announced from the door.

"Prince?" Panda repeated. "Prince of what?"

The soldier looked at him with mild concern and embarrassment. "Apologies, it is early still. I will ask your personal attendant to assist you."

Suddenly a whole team of people were poking and prodding Panda, and he remembered idly how he got passed around and brushed and dressed and tossed about during a birthday party once, and wasn't this sort of similar?

He was brought down to breakfast, and that was a little more out of his depth. He didn't quite have a mouth, or teeth, or any sort of involvement with food before. He pushed the food around with a fork, trying to judge what was and was not supposed to be part of the food. The cloth seemed safe enough, but he got strange looks trying to nibble that. Thankfully the attendants assumed he had no appetite, and he was able to skip the whole thing.

In the drawing room, scary-looking men were peppering him with questions. "I believe we are at a disadvantage trying to flank them from the west side," the General said. "I say we sacrifice the new recruits to get them off-guard, then head them off in the mountains. They'll think they're winning and get sloppy."

"S-sacrifice people?" Panda said. "No! Don't do that!"

The General gave him an odd look. "My Prince, are you well? You yourself proposed the idea."

"W-well, it was a bad idea," Panda said, eyes sparkling with tears. "It sounds like we have a lot of big feelings, but we should use our words when we're hurting. Not hurt other people."

The General crinkled his nose. "My Liege, are you mocking me?"

Panda crumpled into tears. "No! No, no no and I don't get what's going on!" He wailed.

The military commanders and lords looked helplessly at the Royal Advisor, who in turn looked upon the Prince with a mixture of morbid fascination and disgust.

"Perhaps you should retire early, my Prince," the Royal Advisor said.

Panda grimaced. He looked over the map before him and whimpered. He tried his best to be brave, but this was far outside his element. The Royal Advisor gently guided him out the door.

"Perhaps he has... Reverted to a more child-like state as a result of the accident?" one of the Lords in attendance murmured.

"The Prince did take quite a fall," another agreed.

The door shut behind them, and the Royal Advisor guided Panda back to the Prince's room.

"Rest now, sire," the Royal Advisor said. Panda nodded uncertainly. The door closed and he dropped to the floor.

"...Monster?" He called from below the bed.

It was silly to half-expect his old friend to be underneath, but-- apparently not silly enough. From the floorboards appeared the telltale fanged creature, long claws climbing up from a set of endless Nightmare stairs.

"Monster!" Panda cried, and threw his arms around the beast, who flailed and hissed at the unexpected embrace. The Monster slipped out of his grasp and fled to a far corner, wild-eyed and heaving. The teddy bear slipped from the ribbon and fell to the floor.

"Who are you," The Monster said, baring fangs, "Who calls upon a wretched creature such as I."

Gently, Panda picked up the teddy bear and tilted his head. "You... You kept me," he said softly. He hugged his old body close. "You do care."

A low, beastly rumble from the back of the beast's throat. The Monster slowly lowered his shoulders, anger and fear replaced by curiosity. "...Panda?" he asked, uncertain, "Is that you?"

"Yes, Monster. I explained isekais to you, right?" Panda explained. "Death in an old world, and rebirth in a new one!"

"But you died in the new world," The Monster said. "Are you trapped here?"

Panda shook his head. "I don't know. What's important is getting the boy to safety. We'll figure the rest out later."

A child goes missing late one night after investigating a light emanating from their closet. The Child's teddy bear and the monster that lives under the bed must put aside their differences and form a truce in order to rescue the child.

Scraps

We're scraps to feed for larger mouths

The medals we earn adorn their necks

The food we prepare they rend and scrape

Their clean homes, our cracked skin

We're scraps to feed for larger mouths

The spreadsheets, waivers, all-nighters

The mandatory overtime, 'voluntary' vacation

As family, friends, community becomes strangers

We're scraps to feed for larger mouths

They bathe excess in bleach

Destroy 'out-of-season' and 'imperfect'

Unwanted treasure that never trickles down

We're scraps to feed for larger mouths

They shrink the box and raise the price

Formula and cinnamon with lead filler

Locked away from desperate hands

We're scraps to feed for larger mouths

They take your words and art

Remove the feeling and the context

But most importantly, the watermark

We're scraps to feed for larger mouths

Big words not meant for us

They'll pulverize until the pain means nothing

Your screams are taken as aggression

We're scraps to feed for larger mouths

Cries in the waiting room, unheard

Life is precious, they'll say to bodies

Who in neglect, turned to corpses

We're scraps to feed for larger mouths

In fear, they cut us smaller

Yet they shovel mouthfuls much too quickly

The scraps will make them choke

Their First Villain

Secret Santa gift for @the-modern-typewriter Prompt: "Scary villain x hero in a Christmas setting of your [the writer's] choice. Could go spicy, could go whumpy, could go unexpectedly sweet!" Hope you like this! Merry Christmas!! 🎅🎁

“You recognised me,” the villain observes, his tone unnaturally flat. His face betrays no emotion.

“Kinda hard not to, with your…” – the hero tilts their head at where the villain’s magic continues to spread, coiling around their limbs and securely fixing them in place – “…snake thingies?”

The individual tendrils really do vaguely resemble snakes, although the magic in its entirety reminds them more of some writhing alien monster plant from an old Sci-fi B-movie whose title they cannot remember. It’s not a good comparison anyway. The movie hadn’t been scary at all.

They experimentally try to wrestle one of their arms free, but despite the magic’s apparent fluidity, the moment they push or pull in any direction, whatever give appeared to be there all but disappears and they can’t move a millimetre.

“Oh.” The villain’s eyes widen. “You can see it.”

“See it. Feel it. Didn’t expect it to be this hot.”

An awkward pause follows.

They are decidedly not blushing. It’s just warm. All of them is so warm now that the villain’s powers have moulded themselves around the hero like something liquid but alive. Wherever the tendrils touch bare skin – their ungloved hands and that area just above their ankles where their pants don’t quite meet the rims of their boots – the raw energy buzzes, prickles just short of stinging.

They’d been shivering just minutes ago in their much too thin poncho and the not seasonally appropriate Agency office uniform. Well, they still are shivering, just no longer from the cold.

Where the villain’s magic is fever-hot, his scrutiny runs icy.

“You can see it, but not fight it,” he muses. “How curious. The Agency must be understaffed to send their defenceless little office drones out into the field.”

The hero would be glaring if the villain weren’t underscoring the point by pulling his magic tighter with the mere flick of a finger. That small, anxious sound that escapes them in response brings a self-satisfied grin to the villain’s lips.

“It’s Christmas,” the hero says, once the magic has settled again.

The villain raises a brow.

“Most of the regulars are on holiday, Christmas being a time best spent with family … or so I’m told.”

“Yet you are working.”

“Don’t have anyone.” They aren’t technically without family just … Sometimes, family isn’t a place of refuge and welcome. Not a home to turn to for holiday celebrations or company. Some families fashion themselves exclusive clubs with strict rules that refuse or revoke memberships as they please. The hero forces some levity into their tone. “I have nowhere else to be today, so, I’m helping out here.”

The villain chuckles. “Helping is perhaps not what I would call that.”

“Hey, I did recognise you,” they say, defensively.

“And look where that got you.” His smile is sharper than before, meaner. “Am I your first villain? My heartfelt condolences.”

They don’t dignify that with an answer. But the answer is yes. The villains they watched being interrogated through one-way mirrors at HQ don't count.

“Pity,” the villain says with zero warmth, “that you couldn’t just look the other way. What is it with you people that you're always so eager to cause unnecessary conflict.”

“Reporting suspicious behaviour is kind of my job.” It comes out barely above a whisper and carries the distinct cadence of an apology.

“Ah yes, and my mere existence struck you as suspicious behaviour because …”

Admittedly, once they’d recognised the villain, they hadn’t taken the time to consider his appearance beyond the magic he’d been wearing around his shoulders like a particularly weaponizable scarf. The lack of a combat suit in favour of a sleek, dark coat over a woollen jumper and cargo joggers – either an outfit designed to blend in or just what the villain happens to like to wear when he isn’t working – hadn’t registered any more than the total absence of weaponry other than his powers. And while he could have hidden those better, it’s not like he could have simply left them at home.

There hadn’t been time to ponder. It had all happened so fast. Their eyes had met, and a moment later the hero had already been scrambling away from the crowd, past a stall selling mulled wine and into the nearest alley, where they’d scrolled through their contacts with stiff, unfeeling fingers. The villain had caught up with them before they’d managed to call for backup.

Their gaze darts to the remnants of their smashed phone, sprinkled across the muddy snow, mere metres away but entirely useless even if they could reach it.

What if the villain hadn’t had anything nefarious planned? What if the hero’s brain had naturally jumped to the most prejudiced conclusion all on its own?

Of course, it is unfair to treat his mere presence as if it is a crime. But the things he could do ...

They think about the parents with their cameras, filming their ice-skating children, the squealing toddlers on the merry-go-round, the nice old ladies selling tea out of the back of a car.

“You could be a danger to all those innocent people,” they defend their judgement.

“And you could be a danger to me,” the villain replies coolly. “Would be unwise, letting someone roam free who can pick me out of a crowd with a glance. Perhaps I should thank you for revealing yourself. Very ill-advised. But quite convenient. You were so obvious about it, too.”

He has crossed the distance between them while speaking. Close enough now to reach out and tuck an unruly strand of hair behind their ear with his cold, slender fingers. His other hand settles almost gently on their throat, atop the magic that has slivered around their neck at some point during the conversation.

The tip of a new tendril is in the process of worming its way lower, nestling into the collar of their shirt. It laps against the crook of their neck and they cringe away from the touch as much as the magic allows. It doesn’t hurt. It would be so much easier if it did. The touch is light; it kind of tickles and, given the overall direness of the situation, the hero really isn’t in the mood for that. Or, they shouldn’t be.

Unhelpfully, their traitorous mind supplies them with a thoroughly inappropriate image of what else someone who isn’t the enemy could be doing to them with magic such as this.

“Tell me,” the villain says as the power shifts upwards, tilting their chin back with the movement, so his nails can bite into the newly exposed skin below their jaw, “is there anything else troublesome about you, or is it just the eyes?”

He looks most pleased when their breath hitches despite their best efforts to remain stoic. His grip tightens. He’s studying them intently, staring at their eyes like those are priced gems he considers adding to his collection.

Maybe, underneath the mockery, he actually does consider them somewhat of a threat. If he didn’t, why would he be looking at them like that.

It’s stupid, truly and utterly stupid, to feel flattered. This is not respect, they know, just sharp, calculating consideration. His attention promises imminent danger, might turn lethal at any second. It’s not something they should revel in. Still, it feels good, too – being seen.

Has anyone ever really seen them before?

Or perhaps that is the lack of oxygen speaking.

They struggle to focus their vision but all the twinkling Christmas lights in the trees are starting to smudge into dull, red and golden blurs. Vertigo is clawing at them.

There is absolutely nothing they can do against the villain's grip. They're so pitifully out of their depth.

They think about their bland, only half-furnished two-room apartment; their first day at the Agency HQ; their nth day – no more eventful than the first – sitting at the exact same desk in the exact same office and working on the exact same old computer; their colleagues’ looks of pity when their 14th application for a transfer to field work is being denied and their boss tells them, in stern admonishment, that their skill sets just aren’t suited to solo missions. They think about her condescending smile when she finally does assign them the Christmas market job, clearly convinced the worst thing that could possibly happen here is people getting drunk enough on punch to start throwing punches.

They think of their first split-second impression of the villain as just another guy standing by the ice rink with a cup of something steaming in his hands and a mellow, unguarded smile curving his lips.

They hope this montage doesn’t count as their life flashing before their eyes. It’s way too sad a summary of their depressing lack of accomplishments.

They think, with equal parts age-old bitterness and new-found sarcastic vindication, about their colleagues’ infantile, unofficial, end-of-the-year office rankings where flashier heroes with more impressive abilities always receive titles such as most likely to hook up with a hot reporter or most epic battle or best one-liners.

Meanwhile, all the hero has to show for are three consecutive wins of least likely to die on the job.

Which might have been a reassuring sentiment if it weren’t so clearly code for “you’ll never be a real hero”. Real heroes risk their lives on the job all the time.

Well, look at them now!

Will their colleagues manage to come up with a new title for them in time, they wonder, if the villain kills them now, just a week before this year’s poll results will be released?

Most unexpected death has a nice ring to it.

They should be trembling in terror. Might have, if the villain’s magic weren’t encasing them so – tight but soft and deceptively warm, lulling them in. The sticky heat of it leaves them squirming, stuck in a confusing limbo between gooey not-quite-discomfort and hot-bath sluggishness.

They’re drifting. Until they’re not.

It’s impossible to discern how much time has passed or when exactly the villain has released them; but their thoughts are beginning to clear and their brain catches up to the fact that there is air in their lungs again, and that the breathless, hiccuping gasps uncontrollably tumbling out of their mouth aren’t sobs. It’s laughter.

“Are you enjoying this?” The villain sounds incredulous.

They shake their head. “I don’t know,” they manage, between hysterical giggles. “Maybe. Yes?”

“How did you know I wouldn’t kill you?”

“I didn’t.”

That startles a short laugh out of him.

“I’ve never” – they pant, still struggling for air – “felt this alive before.”

“That sounds ... unhealthy.”

There is a long pause in which the villain silently stares at them while they are more or less regaining control over their breathing.

“You wouldn’t get it,” they say then, perfectly aware they must seem most unhinged. “Bet you don't even know what boredom is. Because your life is fun. Mine is not. I practically live at my stupid job, and my stupid job doesn't even pay well. No one there gives a fuck about me. And nothing exciting ever happens. So can I please just have this one damn moment without being judged?”

The villain hums, low. “And here I thought we were ruining each other’s days.” He presses a hand to their forehead. “Did the heat fry your synapses?” he asks, sounding more amused than concerned. His other hand comes up to cup the nape of their neck, as if he can’t help but reach out. Just as they can’t help but lean into the cooling touch. His gaze drops, as if drawn, to their lips. “Or, are you just naturally this unusual?”

They can smell gingerbread and mulled wine on his breath.

“Are you going to kiss me?” they ask, because yes their synapses are definitely fried and they do not care about consequences, awkwardness, or sanity anymore.

“Would you like me to kiss you?”

“I’d certainly much rather be kissed than killed. Obviously.”

“Obviously,” he repeats, smirking. “But we've established I’m not about to kill you. And that wasn’t a yes.”

“It’s not a no either.”

“Not how consent works, darling.”

They scoff. “You didn’t ask for consent first when you strangled me five minutes ago.”

The villain laughs again, in genuine delight judging by how his magic ripples and purrs.

“Okay, fair enough,” he whispers, shifting so his lips almost brush theirs.

The kiss that follows is sweet, surprisingly chaste, and initiated by the hero.

“So, since you mentioned earlier you have nowhere else to be today,” the villain says, afterwards, mischief gleaming in his eyes. “Have you ever had the pleasure of being kidnapped?”

Pleasure, as it turns out over the course of the next few hours, is an understatement.

If anyone at the office were to find out what the hero has been up to during their first (and best) and possibly only solo field mission, not only are they guaranteed to get fired, their colleagues will also surely create an entirely new office ranking category in their honour:

First to be seduced by a supervillain.