He Looks So Scrumptious In These Gifs

@ SM ent

Winwin deserve’s more lines/screen time

Reblog if you agree

CHOI SU YEON IS A GREAT FUCKING FRIEND FOR:

1) straight up asking youngwoo if she likes Junho too. No beating around the bush and dragging the love triangle (?) On.

2) A GREAT FUCKING FRIEND FOR TRYING TO GET YOUNGWOO TO HELP HER REALISE HER FEELINGS AND GIVE ADVICE DESPITE LIKING JUNHO HERSELF. Like when she says "that's how you asked him? Love is not an interrogation"

3) FOR SAYING IT'S NOT HARD TO LOVE YOUNGWOO. I LOVE HOW SHE GENUINELY GETS UPSET (always) WHENEVER SOMEONE OR YOUNGOO HERSELF UNDERESTIMATES HER. Aka when she stormed off after the scene.

4) FOR ASKING JUNHO UP STRAIGHT WHETHER HE LIKES YOUNGWOO AND NOT HER BECAUSE SHE HAS BEEN SEEING THE SIGNS. I love how she doesn't fucking self-inserts and asks him about his feelings for Youngwoo instead of herself and doesn't push Suyeon-Junho agenda.

5) FOR STANDING UP FOR YOUNGWOO AND SAYING DON'T BREAK YOUNGOO'S HEART TO JUNHO. LIKE. 👏👏👏 QUEEN SHIT. I REALLY REPLAYED THAT PART. I FUCKING LOVE HER MAN.

6) for standing up for Youngwoo when that bitch ass attorney minwoo was talking about nepotism. I love how the preview shows she still stands up for Youngwoo BECAUSE SHE KNOWS YOUNGWOO IS SMART AND DESERVED THE POSITION AND HER HAVING TO TRY HARD FOR SIX MONTHS SHOULDN'T ACTUALLY BE A THING.

God, I FUCKING LOVE CHOI SUYEON. SPRING SUNSHINE INDEED. I'M SO FUCKING GLAD THE SECOND FEMALE LEAD ISN'T A TOXIC, JEALOUS, COMPETITIVE BITCH BUT AN AMAZINGLY WRITTEN CHARACTER AND A GREAT FUCKING FRIEND.

In this household we LOVE AND APPRECIATE CHOI SUYEON.

MY STRAWBERRY GOT A DECENT LINE

PERHAPS WINWIN POPPED OFF!!

BALLERINA

A rare wild Jungwoo in his natural habitat being chased by security (2018)

Miyazaki’s visual storytelling thrives on a sense of flatness that doesn’t diminish but rather enriches his worlds. By compressing the layers of his compositions—merging the foreground’s details, middle ground’s action, and background’s context—he crafts images that feel like living illustrations. Take the Warawara swarming with dishes in "The Boy and the Heron" or the jubilant feast scene in "Spirited Away" : both are packed with vibrant details, yet the visual plane feels collapsed, like a tableau unfolding all at once. This "flatness" isn't a flaw but a deliberate technique, pulling us into the frame as if we’re unrolling a scroll of visual wonder. It’s not depth that Miyazaki aims for—it’s a sheer density of storytelling in every frame, a reminder that 2D animation’s strength lies in its ability to immerse without imitating.

SM sleeps on his talent and his potential too much :'(

reblog if you know winwin is really worth stanning for.