Just A Quick Note From Your Friendly Neighborhood Bookworm/indie Author

you should come within biting range. no reason

Where to Find Free, Legal Books

If you have access to a public library and/or have college credentials;

Libby - Ebooks, digital audiobooks, and magazines from your public library. Free, but requires a library card. Materials aren't infinite, so popular titles will often have a several week long waitlist.

Hoopla - Another service often bundled with a library card. The selection is smaller than Libby, but you have a limited number of instant borrows per month to cash in.

EBSCOhost Research - Ebooks and research materials, usually offered through a college. Where I do most of my reading lately, TBH.

Worldcat - Browse the world’s libraries from one search box. Easiest way to find out where to go to check out a book if you can't find it at your usual spot.

US residents will likely have a public library near them, but if you cannot go in person and sign up, there are a number of public libraries that don't require anything but a local address to get an Ecard. The libraries that offer this change frequently, so ask around.

Also keep in mind that US public libraries don't typically purchase self published material. If you're looking for your favorite tumblr author's book, you might want to try the links below instead.

If you can't get a library card (or couldn't find what you're looking for)

Open Library - Large collection of ebooks. Some materials may not be available currently due to ongoing legal issues.

Project Gutenburg - Another huge collection of ebooks, probably the most well-known option on this list.

Standard Ebooks - Professionally formatted public domain ebooks (sourced from places like Project Gutenburg but then turned into dynamic epubs)

LibriVox - Public Domain Audiobooks. Extremely limited library, but provides a rare service.

Audible Free Trial - Amazon offers a free trial of their service, with one free title on signup. You need a viable payment method to get access, but you keep the book even after you cancel. Don't give Amazon your money, folks.

I'd also recommend trawling youtube and soundcloud for user-made audiobooks. The quality varies, but I've been surprised at the results.

Other cool resources

StoryGraph - A non-Amazon GoodReads alternative, for those who like to challenge themselves to read more or enjoy writing book reviews.

Banned books list - Around since 1994 and currently still updated weekly, this site showcases books that are either banned or have been attempted to have been banned somewhere in the US. Some are available to read for free on site.

it’s cause you always on that borrowing grief from the future

heyy can we do a sexy roleplay where im a prince from a fallen kingdom and youre the powerful warrior who has taken me for their own pleasure. yes? yipeeee ok so before we start first here's a google doc with the whole history of the fictional land we're both from and the intricate geopolitical workings of the- oh yeah and here's a supplementary doc on the agriculture and trade routes of said fictional land and stuff and yes this is important. the dirty talk has to be lore accurate

“There is no ‘chosen one,’ there is no destiny, nobody wakes up one day and finds out they’re amazing at something. There’s just slamming your head into the wall, refusing to take no for an answer. Being relentless, until either the wall or your head breaks. You want to be a hero? You don’t have to make some grand decision. There’s no inspirational music, there’s no montage. You just don’t quit.”

Futuristic Violence and Fancy Suits - Jason Pargin

oh, that’s fluff. that’s fluff of my character that I think should get run over by a bus.

i want to coin a phrase that's the opposite of writer's block. call it the muse's fire hydrant. thirty thousand story ideas are being beamed directly into your brain and if you don't write them all at once you will die.

Some Things To Consider When Writing Weapons Training

Your character will hurt. Even if they don't get hit, it can be exhausting training, especially if they're just starting. It can be a weird set of muscles to use, and things like their shoulders will hurt if they do what a lot of people do and tense up while holding the weapon.

They will drop the weapon. There are a lot of reasons why people drop weapons--because the weapon is awkward to hold or the person isn't used to holding them, because it gets hit out of the person's hand, because their own hand gets hit, etc--but it happens.

People get hit by accident all the time--including the person holding the weapon. When I've done jō practice, I consider it a success if I don't hit myself with it while I'm practicing. And even when doing controlled sparring or paired katas, people still end up hitting each other, especially on places like the hand.

Practice weapons still hurt. Depending on what you're doing, they're usually made of either wood or rubber rather than metal, but just because they're not metal, it doesn't mean they don't hurt. Bruises are really standard, especially if you're practicing something like knife fighting where you're doing a lot of hand-to-hand blocking.

The goal of training is not to hurt your opponent. People who (intentionally or through carelessness) hurt their sparring partners are bad at training and will probably be kicked out of it or at least get a very strong talking to. Good training will also teach them how to train without getting hurt and strongly discourage doing things in a dangerous way.

What they wear will differ widely depending on the discipline. HEMA and fencing tend to have a fair amount of protective gear (helmet, etc.), as does kendo, while disciplines like aikidō, iaidō, and jūjutsu are more likely to have people wearing a gi or hakama. This will impact how they feel about hitting opponents--it's always riskier to hit someone in a place with no protective gear.

Some weapons' training is primarily defensive, and some is primarily offensive, and some is both. Some training (knife defense, gun defense) is primarily about disarming someone with one of those weapons, where the actual use of the weapon is just as a training tool. In those cases, the specifics of the attack are usually emphasized less than the specifics of the defense. HEMA and fencing are much more offense-focused, with the goal being more about landing a hit. In forms like that (or in a similar fictional form), you'll see the mentality that the best defense is a good offense, as opposed to the mentality that the best defense is a good defense (or the best defense is running away).

Knowing one form of weapons training is (often) helpful in learning another. Even while they differ a fair amount, different weapons styles can often use similar patterns in terms of strikes, blocks, and steps. Part of this is that there are only so many useful places to hit a person and only so many ways to step. There are other things that are fairly universal as well, like awareness of your blade and your opponent's blade, awareness of your body, and awareness of relative distance.

Just finished a book in which some characters spent a lot of time on horses, and whenever they dismounted after riding all day, they were described as sinking to the floor because their legs can’t carry them anymore, or hobbling towards the nearest chair and collapsing onto it with their whole body aching. It was so ridiculous it took me out of the story every time. These are characters who live with horses and ride nearly every day. They should be fine. They’re good riders, there’s no reason for their legs to be painfully cramped after a day on the saddle. I feel like the author was trying to add realism but only went riding a few times and felt horribly stiff and sore afterwards and assumed that’s just how you feel after a day’s ride no matter what. I promise it’s not!! Your characters should be the kind of good-tired you feel after any other type of satisfying workout your muscles are used to. Drawing on your own experience to write characters that live very different lives is such a bad bet. Maybe someone did tell her it would no longer be so painful if she just kept practising and she dismissed it as obvious horse propaganda