Send A Heart And A Ship For A Brief Snippet!

Plein Air Paintings by Tomas Honz

LETS TALK ABOUT SPARRING

I’ve read a lot of fics, have seen many shows, and have watched many movies that are completely inaccurate when it comes to sparring. NOW, i know it’s fiction, and I greatly enjoy it nonetheless, but I would like to share a few things with you, as a person who trains in Historical European Martial Arts (HEMA). There are a few general things in this, as well as stuff more focused to a certain european weapon. (this is all Historical European stuff, obviously if you’re writing for a different region, this probably won’t apply that much.)

SPARRING

-you don’t practice with real sharp swords. Never. It’s incredibly dangerous, especially since sparring is trying to practice your killing/injuring skills. In older times, you would use wood, maybe wrapped in leather or canvas to practice. Today, you use weighted nylon swords/weapons, and you usually wear a mask while doing so. Steel is and was an option, but the blade will be completely dull, and the tip will be bent over itself.

-It’s practically impossible to knock someone off their feet while sparring, unless you are hooking your foot or weapon behind their leg. It’s hard to push back and cause someone to fall, since they can just retreat back a bit.

-YOU. DON’T. SPEND. HOURS. SPARRING. ESPECIALLY WITHOUT A BREAK. It’s exhausting, the most people usually go is 10 minutes before they have a break. During Training, you only spar for about 2-5 minutes before stopping and having a rest.

-You try your hardest never to cross your feet. It’s dangerous and it unbalances you. Your opponent can take advantage of you easily.

-Usually, you want to strike your opponent with the last ¼ of your blade, basically just the tip and a little below. That’s the sharpest point, and you get the most force behind it.

-Swords aren’t super heavy. Stop the giant, huge, I-can-barely-lift-this trope. Longswords are usually 3lbs. It’s not heavy when you pick it up. However, it gets heavy when you’re holding it up above your head for a while. Swords were not made to be heavy, especially since you would have to hold them up in battle for sometimes hours.

-It’s incredibly hard to engage in witty banter and such. You are constantly moving and trying to strike your opponent. Since it’s fiction, you can do what you want, but just know that trying to have a conversation while sparring is like trying to have one while running. It tires you out even more, and usually just comes out breathless and wheezy.

-Swords are not lightsabers. You cannot try and hurt someone with just any part of your blade. It will just annoy your opponent. Now, for sparring, you will want to focus on hitting your opponent with the edge of your blade, and you won’t really ever be trying to hit someone with the flat of your blade.

-In sparring, you will get hit. And get bruises. I count five from just 2 days ago. (Also reminder that bruises don’t form for 1-3 days.) If you happened to get a hard thrust to the ribs, they will probably fracture. It happens. I haven’t had it personally, but those who’ve trained longer have. The worst injury I’ve gotten is a bruise on my chest that didn’t fade for nearly a month.

-Grip!!! You don’t clutch your sword super tight. No. It limits movement. My instructor taught me to hold firmly with the thumb, pointer, and middle finger, and use the other two as more guiding fingers. You swing your sword with your wrist, not a big giant arm movement. That is tiring and slow. 

I will be focusing on using a one handed sword in this next bit, specifically a Scottish Regimental Broadsword. A basic sword to build off of.

-FOOTWORK. It’s not a super complicated series of perfectly planned out steps. It just isn’t. With Regimental Broadsword (which is what I will focus on, since it’s what I’ve trained with most), you have to have a good base (rear-weighted stance, front foot pointed at your opponent, back foot turned sideways), and then once you have that, you just have to move around and try not to get hit.

-Slipping. (Continuation of footwork). With a rear-weighted stance, the goal is to be able to move the front foot anywhere. You should actually be able to keep your front foot an inch off the ground without having to adjust your back foot. Slipping is when this comes in handy. If your opponent takes a swing at your front leg, you should be able to just slip it back to go next to your other foot, and swing your sword up to get your opponents head. Slipping is really important.

-Advance and Retreat (other continuation of footwork). While moving forward or back, you always want to feel the ground with a heel-toe movement, so you can tell if there are rocks or branches and such. Advancing, you want to move your front leg first. Retreating, your back leg.

-Traversing (last continuation of footwork)(maybe). Transversing is basically advancing in on your opponent in a circular motion. You’re trying to get close and personal. Reminder to not cross your feet. You will loose balance and probably end up getting whacked with a sword. Traversing is a spiral motion sort of. Your opponent can avoid getting trapped If they do it as well.

I will probably come back and add more soon, because there’s more I know, but can’t remember at the moment.

Rain by Raymond Carver

Woke up this morning with a terrific urge to lie in bed all day and read. Fought against it for a minute. Then looked out the window at the rain. And gave over. Put myself entirely in the keep of this rainy morning. Would I live my life over again? Make the same unforgiveable mistakes? Yes, given half a chance. Yes.

slow down for your disabled friends. thats like a bare minimum kindness that we shouldnt have to ask for. i love that youre so quirky and walking fast is a cool personality trait to you and all that but i bet you can count your physically disabled friends on less than one hand

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Has your name every appeared in the credits of a book, or is it likely to in the near future? Then you should join AUTHORS AGAINST BOOK BANS! Transcript below the cut. A version of this zine formatted for print is available to download on my patreon.

Do you make books? Yes? I want YOU to join Authors Against Book Bans! By Maia Kobabe

WHAT IS AABB? 

A coalition of writers, illustrators, editors & other book creators, standing united against the unconstitutional movement to limit the freedom to read. We support the availability of diverse voices in our libraries, in our schools, & in our culture. We pledge to band together against the oppression of literature, to speak when our voices are silenced, to go where our bodies are needed, & to fight to ensure this freedom.

Our concern is not only for the books, but for the children, families, educators, librarians, & communities who suffer when the freedom to read is challenged and taken away.

WHAT CAN AABB OFFER YOU? 

- Regional groups working on legislation to protect authors & the freedom to read state-by-state

- Online trainings on digital security, public speaking, & how to counter book challenges in your community

-Affinity groups for BIPOC authors, queer authors, authors with disabilities, indie, nonfiction, romance writers & more

-Support if your book is challenged!

-A very active discord community

Author: What if my book hasn’t been challenged? 

Maia: JOIN!

Author: Ok, but what if I’m really busy and can’t do much organizing right now? 

Maia: JOIN ANYWAY! 

Even if all you do is sign up, your membership will help lend weight to the letters AABB sends to publishers & legislators. As of January 2025, AABB has 3500+ members. Check out the recent open letter to publishers on AABB’s socials & feel free to share it with your contacts. 

An Open Letter to Our Publishers- instagram.com/p/DCzYmKcR8uq

Maia: I’ve been facing intense challenges to my book since 2021. Knowing that I am not alone in the fight against censorship is what keeps my spirits up! 

Watching the folks in AABB share information, co-write legislation, show up to library & school board meetings, & speak up to publishers about the need to protect diverse books & minority authors has been amazing! 

This is a weird & scary time to be an author, but you are not alone! Join thousands of us fighting for the freedom to read, the freedom to write, the freedom to teach, the freedom to learn, & the freedom to share our stories!

Authors Against Book Bans -

Authors Against Book Bans

Our Mission Statement We are Authors Against Book Bans. We, a coalition of writers, illustrators, anthology editors and contributors, and ot

AABB on instagram / AABB on bluesky

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Feeding the Worms

Ever since I found out that earth worms have taste buds all over the delicate pink string of their bodies, I pause dropping apple peels into the compost bin, imagine the dark, writhing ecstasy, the sweetness of apples permeating their pores. I offer beets and parsley, avocado, and melon, the feathery tops of carrots. I’d always thought theirs a menial life, eyeless and hidden, almost vulgar–though now, it seems, they bear a pleasure so sublime, so decadent, I want to contribute however I can, forgetting, a moment, my place on the menu.

Bonfire Opera - Danusha Laméris