56 posts
KIERAN DUFFY YOU ARE SO TRAGIC PLEASE LET ME SAVE YOUđ˘đ˘ PLEASE I WILL LET YOU PLAY HORSE GIRL GAMES ON MY PC PLEASE đ˘đ˘đ˘
Idc he still alive
TECH IN THE INTRO TECH IN THE INTRO TECH IN THE INTRO-
More Tech.
sadie adler u will always be famous | RDR2 text post 7/???
these kids and their ipads đđ
had contractors come by and forgot i was wearing this shirt
Jack in the inbetween years
miss him
TECH-NIC-ALLY
Tech won't die. He's a survivor
My late contribution to plan 99 anniversary.
Rewatching the season 2 finale and I'm like... Yes granted, we probably saw a lot of what we wanted with CX2 and all that BUT they did bait us a whole lot, too.
With the goggles and with the dialog choices for example.
At the end of the day, killing off a character for a gut punch only works if you actually follow through emotionally, and S3 of TBB just didn't do that. I get it if other people think it did, but I won't ever be able to agree with that. We see no one find out. There's no memorial for Tech on Pabu or anywhere else, there's barely any mention of his impact on people. Nearly every mention of him was about how his skills were absent. It was a bad narrative beat of which no real use was even made except to focus on how it made things harder for them to do.
S3 remains a true disappointment to me, and I'm unlikely to ever be especially interested in it and its one billion dropped plot threads or the way Phee was tossed aside in favor of Ventress and how Tech's death wasn't engaged with in any meaningful way.
Will they ever walk it back and return him? I guess we'll see. It's happened before. (Echo, Gregor, Ahsoka, etc.) I have vague hope.
Prepare to meet... MR. ANGRY EYES! @bad-batch-lurker
hard to be an outlaw
Little Jack and Rufus âĄ
Good times...
shaak ti and her little clonelings :] i know it wouldve been impossible but all of them deserved a mama
CW:Gâr3 , EMOTIONAL đđđ
did he ⌠did he make mlp fanart of himself and arthur âŚ
idk. sorry
Awesome sauce take rdr1 wouldâve been cooler if Dutch was schizophrenicâŚ.just sayingâŚ..dutch is schizo in my heart cause im schizo
What is up with Dutch and this STUPID ass face he makes
I HATE IT
Funny sketch
Hosea: *hears gunshots and shouting*
Hosea, under his breath: Not my circus, not my monkeys, not my circus, not my monkeys, not my --
Hosea: *realizes it's Arthur and John fighting the law*
Hosea, turning his horse around: My circus, my monkeys! My circus, my monkeys!
shaun the sheep nudibranch (costasiella kuroshimae) | source
charles
Rare happy Arthur Morgan drawing from me
Okay, but what about Crosshairâs sacrifice? Because he makes one, and itâs a doozy.
Heâs being tortured. He takes advantage of the one lull in the pain and attention from the guards to break out. He could try to escape, whatever Emerie says, but he doesnât. He knows heâs being held by a monster who sees him as property. He knows heâs a non-person in the empireâs eyes. He knows that theyâre just going to keep hurting him until he talks, and still. He throws his one chance at getting away from all of thatâmaybe even his one chance at ever seeing his family again and making things right, as far as he knows at the timeâto send a message and warn the batch about whatâs coming.
And then, far from talking once heâs recaptured, he determines that heâs going to keep silent and protect his family, believing at the time that Hemlock is going to torture him to death if he does.
Itâs a sacrifice every bit as heroic and selfless as what Tech does in Plan 99. Whatâs more, Crosshair maybe has an actual choice where Tech doesnât. Tech is going to fall one way or another, his real choice is just making sure the others donât take that risk with him; Crosshair is told the suffering will stop if he just tells Hemlock how to find Omega. And he still chooses to stay quiet because he wants to keep the people he loves safe.
But it doesnât work.
Now, Iâd argue that Techâs sacrifice doesnât work either, or that itâs at least not exactly an unambiguous success. He gets the others to safety, but itâs barely, and things immediately go wrong. Everyoneâs badly hurt, Omega almost dies, they lose any chance they had at finding and saving Crosshair, the whole mission was pointless, Omega gets taken, and then they spend months floundering around because the guy who knew how to do the things they need to do got thrown off a train. In factâŚcontrary to almost every other entry in wars, none of the self sacrifices in TBB are total successes, and many make things worseâthough more on that in another post.
But Crosshairâs sacrifice? Crosshairâs sacrifice is a disaster. The message he sends with the intent to warn his family only low is exactly what brings them out of their sanctuary to find him. Itâs why Tech was on Eriadu to make his sacrifice in the first place. It gets a kid Crosshair loved so much even at that point that he was willing to, again, be tortured to death if it would keep her safe captured by the exact person he was trying to save her from.
He makes a choice at the end of season one that breaks his family apart a little more than it already was; he makes a choice here to protect them with the best of intentions, and no hope of escape or reward, and it just makes everything worse. Itâs like he canât outrun that first terrible mistake of choosing to stay with the empire. No wonder he hits a point where he wants to die.
And then we leave him there. Thinking that the bravest thing he ever did just compounded his first terrible mistake of choosing to stay with the empire, and broke his family forever, saying that itâs his fault and he needs to die for itâwithout actually unpacking that or allowing the trajectory of his arc to bring him to a point where heâs at peace with himself.
This one of the reasons why I think weâre not quite done with this story or these characters*. You can actually play with historical irony and have a characterâs intentions backfire like this, but you do actually have to deal with it after the fact. You need to lean into it. Force the viewer to look how awful it is in the eye. And if youâre doing it with a character like Crosshair, with an arc like Crosshairâs, you do have to do it in a way that allows the character to come to some kind of terms with themselves. Offer self-reconciliation, or, alternatively, go full in on the other direction, and make it explicitly clear that reconciliation is impossible.
But if you are completing the arcâwhich, given the trajectory and given that this is still a Star Wars show for kids, I have to think they eventually are, even if they havenât done so yetâŚat least let us know for sure that heâs not a suicidal, non-functioning alcoholic whose only reason for not walking into the sea is that it would make Omega sad because literally that is the most likely outcome for him given where we left him IF we donât get more story in the intervening time period and what the hell did we do all this for if Crosshair is just going to keep suffering forever. Finish off his arc and tie up his threads at the very least.
But they donât. In fact, they sidestep any opportunity to do so, and any closure with Crosshair besides solidifying the fact that Hunter and Omega trust him beyond words, by not giving him any lines after Tantiss, not making him part of the âWhatever we want, kid,â conversation (he and Wrecker walk in after that partâtheyâre talking with Echo and the other clones in a conversation we donât get to hear), and never having him say anything about himself after declaring that he deserves to die.
Which is fine as long as thereâs more story to tell; leaving certain things off as an unmitigated and unpacked disaster is actually very Empire Strikes Back. I just think that leaving Crosshair (and the audience) thinking that his sacrifice was useless is unlikely.
*Just to clarify, when I say that I think thereâs more to this story, and that we hit the end of a chapter and not the final ending, Iâm not saying that I think the next show is going to be TBB 2: Too Bad Two Batch or anything like that. I donât think it will be. I think itâll be a show following mostly Rex and Echo, maybe with a new POV protagonist as an audience touchstone (young Hera pllllssss though thatâs just a wishlist item), in which the bad batch characters appear in and out (some more than others) and in which their unfinished arcs and threads from TBB fold into and serve a larger clone story that actually ties up this era. Thatâs what I mean when I think thereâs more and that TBB was a sort of middle chapter designed to get everyone to where they needed to be for the next one.
(This is not a serious analysis, do not take it seriously)
I think it is fucking funny that people around Arthur keeps questioning his sexuality and while he has no fucking clue about it, he also ain't helping his own case.
When rejecting some of the prositutes you might encounter reactions like "oh so you don't like pretty girls" or "oh you are one of those, I don't judge" to which Arthur might just replies "thank you."
Street kids will mock him by saying "looking for the cheapest whore house?" "As if he even likes women!"
The one time he is kissed on the mouth is by a dude, Bill thinks Arthur literally fucked a dude and was ready to accept him as one of theirs AND ANOTHER OF THE CANONLY GAY CHARACTERS (Alden, confirmed by the Rhodes saloon bartender) WRITES KISSES ON THE NOTES HE GIVES ARTHUR.
At the same time Arthur says "I think there are both men and women worth loving in this world" and there is a glitch where a man WILL LITERALLY WAKE UP IN BED NEXT TO ARTHUR.