Hello, that's trully a wonderful playlist! Thanks for it. I strongly recommend "Bored to Death" by Coconut Records - it's like the intro to the whole ATWQ series for me
Extreme Ways - Moby
Calm Like You - The Last Shadow Puppets
The Game - Deine Lakaien
The Shrine/An Argument - The Fleet Foxes
Black Sun - Death Cab For A Cutie
Brave New World - Kalandra
Familiar - Agnes Obel
Me And My Friends Are Lonely - Matt Maeson
Hi! I made this playlist taking into consideration both atmosphere of the song and its lyrics. Obviously, it’s not like every word in those songs fits into Snicketverse lore, but those songs just remind me of ATWQ, mostly the darker aspects of the series. I hope you’ll like it. I'm also making Ellington x Lemony Playlist right now, so stay tuned. And if you want me to make more playlists for fandoms listed in my bio, I’m open for suggestions. The songs are not only chosen for Lemony’s perspective, but for the other characters too.
I do not own any of the songs or the book series All The Wrong Questions written by one and only Lemony Snicket.
Link to my playlist on YouTube
Extreme Ways - Moby //
Extreme ways are back again / Extreme places I didn’t know / (…) I’ve seen so much in so many places / So many heartaches, so many faces / So many dirty things / You couldn’t even believe / I would stand in line for this / It’s always good in life for this //
Calm Like You - The Last Shadow Puppets //
I can still remember / When your city smelt exciting / I still get a whiff / Of that aroma now and then / Burglary and fireworks / The skies they were alighting / Accidents and toffee drops / And thinking on the train(…) / If he was calm like you / Locked up inside of your loops / Then he’d know for well / That all he had to say was / All he had to say was goodbye//
The Game - Deine Lakaien //
(…) Air full of grief / It is you now / Stuck within / Soul is burning / No chance to win / (…) And the hot sun / Paints the door / Your philanthropist / Sighed once more / Wind was blowing / Air through pipes / Holes in bodies / Mortal crimes / What have you done to the game / Was it a victory, a shame(…) //
The Shrine/An Argument - The Fleet Foxes //
I went down among the dust and pollen / To the old stone fountain in the morning after dawn / Underneath were all these pennies fallen from the hands of children / They were there and then were gone / And I wonder what became of them / What became of them (…) / I’m not one to ever pray for mercy //
Black Sun - Death Cab For A Cutie //
There is whisky in the water / And there is death upon the vine / (…) / There is a desert veiled in pavement / And there’s a city of seven hills / And all our debris flows to the ocean / (…) / There is an answer in a question / And there is hope within despair / And there is beauty in a failure, / And there are depths beyond compare //
Brave New World - Kalandra //
Witnessing the smoke that’s rolling in (…) / The scent of embers lingers in the air / It`s like a web / There is no escape from / It’s got you trapped / (…) / Never knowing what they demanded / (…) / You want to fight but you’re all divided / It’s not a world everyone can thrive in / Is this the world we were meant to grown in?
Familiar - Agnes Obel //
We took a walk to the summit at night, you and I / To burn a hole in the old grip of the familiar true to life / And the dark was opening wide, do or die / Under a mask of vermillion ruling eyes //
Me And My Friends Are Lonely - Matt Maeson //
I cope smothered in smoke / Deep high, drape my soul in / I know things that you don’t / I’ve met murdering folk / And they took one of our own / They took our innocent home/ (…) / If I leave it does not stop here, no / So is there any treason in the tricky little price I pay?
of course I do
videos i find myself frequently rewatching (most of these are film/television related, with some random topics and serotonin perks thrown in here and there)
how andrew wyeth made a painting
why miyazaki is a true romantic
over the garden wall: why is the unknown so familiar?
ginger rogers, katharine hepburn, and the 1941 oscars
the bisexual anti-fascist (marlene dietrich)
missed calls: a eulogy for the movie phone booth
edvard munch: what a cigarette means
parasite vs sunset boulevard: the disillusionment arc
anatomy of anatomy of a murder
saul bass’s movie posters
we’re all stupid and boring
the outsider’s guide to the social world
over the garden wall’s historical clothing inspirations
the psychology of heroism
comedy dies slow: the marvelous mrs. maisel
late night tv needs to change
the man from u.n.c.l.e (2015): style vs substance
when shakespeare got cool
the weird ways to adapt mary jane
aaliyah, britney, & the apathy of lifetime biopics
why chad and ryan switched clothes in high school musical 2
why megamind is a subversive masterpiece
school of rock’s perfect scene
the movies that inspired knives out
can 4 average people beat a pro crossword puzzler?
how david fincher uses pop music
the beach party genre
how to bring folklore to life
is the lonely genius real?
in defense of love at first sight
forming real human connections? sounds fake but ok
Writing Tips
Punctuating Dialogue
✧
➸ “This is a sentence.”
➸ “This is a sentence with a dialogue tag at the end,” she said.
➸ “This,” he said, “is a sentence split by a dialogue tag.”
➸ “This is a sentence,” she said. “This is a new sentence. New sentences are capitalized.”
➸ “This is a sentence followed by an action.” He stood. “They are separate sentences because he did not speak by standing.”
➸ She said, “Use a comma to introduce dialogue. The quote is capitalized when the dialogue tag is at the beginning.”
➸ “Use a comma when a dialogue tag follows a quote,” he said.
“Unless there is a question mark?” she asked.
“Or an exclamation point!” he answered. “The dialogue tag still remains uncapitalized because it’s not truly the end of the sentence.”
➸ “Periods and commas should be inside closing quotations.”
➸ “Hey!” she shouted, “Sometimes exclamation points are inside quotations.”
However, if it’s not dialogue exclamation points can ask be “outside”!
➸ “Does this apply to question marks too?” he asked.
If it’s not dialogue, can question marks be “outside”? (Yes, they can.)
➸ “This applies to dashes too. Inside quotations, dashes typically express—“
“Interruption” — but there are situations dashes may be outside.
➸ “You’ll notice that exclamation marks, question marks, and dashes do not have a comma after them. Ellipses don’t have a comma after them either…” she said.
➸ “My teacher said, ‘Use single quotation marks when quoting within dialogue.’”
➸ “Use paragraph breaks to indicate a new speaker,” he said.
“The readers will know it’s someone else speaking.”
So I’ll be honest, I’m not the best Jew to be writing this post. I first saw Fiddler on the Roof at age 19, and the first words out of my mouth were, “Wow! This is really Jewish!” (Meanwhile, my mom was commenting on the Yiddish anachronisms of this play about Russian Jews, because she’s a good Jew who actually Knows Jewish Things) But I hadn’t really heard or seen much about just how incredibly Jewish A Series of Unfortunate Events is, which is a shame because Lemony Snicket/Daniel Handler is himself Jewish. So Jewish, in fact, that he helped write the New American Haggadah (including a part about how, just as there are Four [types of] Children who ought to be accommodated during Passover, there are Four Parents who really ought to be ignored.) But seeing as I can’t find anyone better to write about all the cool Jewish culture and symbolism in A Series of Unfortunate Events, I’ll take over until someone else comes along and does a better job.
Spoiler warning, of course. There’s a lot of deep lore that gains new meaning when looked at through a Jewish lens, including the symbolism behind horseradish and the sugar bowl.
Keep reading
The series ended on an island but its bad beginning is still rife with controversy, confusion and contempt. As of today, we have no idea how the Baudelaire fire happened, or who escaped it, or why it was so important. In one of the most infuriating and frustrating pieces of dialogues Daniel Handler has ever written, we, the readers, are denied any answer to this mystery:
Klaus knelt down beside his sister, and stared into the villain’s shiny eyes. “You’re the one who made us orphans in the first place,” he said, uttering out loud for the first time a secret all three Baudelaires had kept in their hearts for almost as long as they could remember. Olaf closed his eyes for a moment, grimacing in pain, and then stared slowly at each of the three children in turn. “Is that what you think?” he said finally. “We know it,” Sunny said. “You don’t know anything,” Count Olaf said. “You three children are the same as when I first laid eyes on you. You think you can triumph in this world with nothing more than a keen mind, a pile of books, and the occasional gourmet meal.” He poured one last gulp of cordial into his poisoned mouth before throwing the seashell into the sand. “You’re just like your parents,” he said, and from the shore the children heard Kit Snicket moan. [Lemony Snicket - The End, Chapter Thirteenth]
There are about a million different ways to interpret Olaf’s reaction:
Someone else was actually responsible for burning down the mansion.
A group of several people (including Olaf) burned down the mansion for different reasons.
Olaf did burn down the mansion but the Baudelaire parents’ death had nothing to do with the fire, as at least one of them escaped the fire.
Olaf was coerced into killing the Baudelaire parents and was only an accomplice to the murder
Olaf feels that Bertrand and Beatrice are responsible for their own death and that they essentially brought it upon themselves
Klaus is more or less right but Olaf just enjoys not leaving the Baudelaire orphans any closure or certainty on this topic as a final “screw you” to his enemies.
The ambiguity of the universe and the inability to acquire perfect knowledge are major themes throughout the series, and Olaf’s ambiguous response is a testament. Nevertheless, there seems to be a kind of poignant sincerity in Olaf’s flippant dismissal. This is a dying man who has nothing left to lose; why would he lie? If a drama-queen has to make a final speech, said drama-queen uses it to send a deeply personal message. And the message here is that Klaus is… not wrong, exactly, but that his understanding of his parents’ death is biased and simplistic. Let’s take some time to examine Olaf’s point of view on the day of the Baudelaire fire.
Simply put: what the hell happened?
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1. Keep the flexibility in your spine
2. Stretch the muscles in the front
3. Strengthen the muscle in the back
The goal is to give yourself a double or triple chin. Keep your nose pointing forward, don’t let it tip up or down
Thoracic extension- use a chair with a seat back that comes up to the level of your shoulder blades. Try to bend back over the top of the chair without arching away from the seat back and without extending your neck. If the pressure from the top of the chair is uncomfortable you can place a towel there
If this isn’t enough of a stretch you can do one side at a time. If you have the right arm up step forward with the right foot and turn slightly to the left. Then do it on the other side.
There are lots more exercises for strengthening your back muscles but this is a good starting point and easy to do. I like doing it while driving
Tips:
Do the best you can
If it hurts stop
Envision future you saying thank you each time you do one of the exercises
we need more books that are written like YA novels but have characters in their 20s… like I can’t keep reading books about teenagers but I’m also not ready for the weird adult romance section of the book store