Pokemon (Shinsaku Anime) || Brassius Episode 10 

Cypher, Wing, or Sky's Fall mayhaps,,,,,,,,,

Ooooo yes!

Cypher:

(Does this song fit Wing? Yes- but vibes-wise it’s screaming in anguish, very Cyphercore)

Wing:

(Sounds like something an angry kid could jam out to guitar and sing along to in their room, the kind of therapy Wing needs tbh.)

Sky’s Fall (AKA Evil Kitty)

(I knew it was going to be Saint Motel, it was a tie between this and To My Enemies. Just delightful energetic villainy vibes without being an overt villain song.)

Thanks for the ask, Cooper!

send me a made-up fic title and i'll tell you what i would write to go with it

The core four should have been able to get revenge against Dr. Nero somehow.

strongly agree | agree | neutral | disagree | strongly disagree

Think of all the gray hairs they gave that man— is that not revenge enough?

(Although I’m not opposed to one of them pulling a stunt later with him as a taste of his own medicine… maybe Shel should steal his credit card, or slip him a ridiculous fake ID as payback.)

enough ‘does otto 2.0 still have the supercomputer microchip’ discourse. do you think otto managed to forgive hivemind for bringing him back in the first place. do you think he woke up angry. do you think he woke up scared. a boy born with his fate already decided and even in death he couldn’t have his autonomy respected. one minute you’re blowing yourself up to save the world and the next minute you’re alive and naked in a body that looks like your old one but just isn’t, a body that so easily could’ve been another version of you, one with its own consciousness, one that might have been born hating you, one you and your memories replaced. wouldn’t that just be like killing a brother. wouldn’t that fuck you up forever.

I meant Silver! Silver or Razor, sorry

Also, because I love all my Glasshouse kids, Silver:

(He's pretty much any IAMX song, but this one's both unnerving and kind of painful-sounding. Seems like it'd hurt your throat to sing, which is very Silvercore.)

the peak of "wouldn't it be awesome to be a child soldier? JUST KIDDING! it would be incredibly fucked up. anyway here's the main character getting eaten by wolves" is the alex rider series, which takes the wish fulfilment premise of being a teenage spy and then makes it explicitly clear from day one that alex is being blackmailed into acting as a spy for adults who have neither love nor even basic care for him and will let his life fall apart the moment he says no. coincidentally it's due to this career that alex is both an orphan and without a guardian in the first place; spying led directly to both his parents' and uncle's deaths. alex is repeatedly traumatised and nearly killed in increasingly horrifying manners, and it becomes clear that the only way for him to protect himself is to keep throwing himself in danger; he hates this and is completely aware that the only person he trusts could be ripped away from him at any moment and that his social life and academic standing is being ripped to shreds the longer he continues living his double life. the kicker is that he was raised in, perhaps intentionally moulded for, this lifestyle and the longer he continues it the harder he finds it to leave; he's essentially addicted to life-and-death situations and almost doesn't want to keep coming back to it. he turns to the other side only to turn that his bosses' enemies are just as bad as they are; at the age of just thirteen he finds himself completely alone in the world. and it slaps both as a thriller series and a deconstruction of the horrific violence both literal and structural that undergirds alex's life and job and the ethics of using a literal child to do your bidding as the lines between work and home life blur beyond recognition

Eurasian eagle-owls (Bubo bubo) by Wilhelm Kuhnert (1865-1926).

the dash is in tatters. please say something nice to the person you reblog this from. it's so sad to see you all so sad

what is your least favorite Canon relationship in hive? (Doesn't have to be romantic)

Hi! Thanks for the ask!

And as for your question, is it fair to say Overlord and everyone? No? Overlord and Xiu Mei then.

(Including a Read More so I can ramble)

The thing about this relationship isn’t that it’s bad— on the contrary, it’s fascinating! But Mark Walden gave us crumbs when there was a whole cake, right there.

Overlord is a delight to me, but as far as villains go, he falls a bit flat. He serves his purpose as Big Evil AI competently, but that’s it. Little motivation beyond a hatred of humanity. While that links into HIVE’s themes of consciousness and where the bounds of artificial vs authentic each begin, it’s still just… basic, for lack of a better term. And there was so much more room for development in the realm of family, especially with the character of Xiu Mei.

Xiu Mei is many things in this series, but her role is primarily that of a mother. Wing’s mother, yes, but she’s also the “mother” of the series’ first true monster, and that fact unfortunately doesn’t appear much because she dies pre-series and Wing never ruminates on his mother’s role in Overlord’s creation. But HIVE does a lot with the concept of childhoods and what happens when they are disrupted or denied.

Overlord and his progeny (with the exception of Otto) are all denied childhoods, and as a result are hedonists with a need for immediate satisfaction and a constant impatience with their circumstances. Overlord’s birth is described as “waking up from a nightmare,” and he’s immediately asked to state his function. Theres no patience there, and no room for properly orienting oneself. Just Xiu Mei’s focus and optimistic haste with the result of her project. But (in my eyes) to that AI, it’s demanding and borderline rude, and we know that AIs can recognize such disrespect through HIVEmind and his treatment. And of course it doesn’t go well for the scientists at all.

But then, there’s Wing. And what’s special about Wing is that Xiu Mei does not make this mistake again. She fights to her last breath to give him a childhood- she hides him from the League as long as she can and does her best to preserve his innocence. And this shows in Wing’s maturity and relatively well-adjusted behavior later on. It’s a big contrast to her first “son.” She and Nero both have the feelings of “once burned, twice shy” characters who are brutally aware of their mistakes, and I wish that had been focused on more. Especially since she seems empathetic and I do think she would wonder how the activation went so wrong- was it something she said? Did? And so on.

I don’t know, I think something should have been done with Overlord’s feelings on his mortal “parents,” especially considering the three main figures involved are strongly linked to themes of parenthood in HIVE. You know how Otto asks why Overlord didn’t keep him locked up somewhere, and why he left him to develop naturally? Maybe it’s because Overlord did not develop at all and he knows innately it’s unnatural and risky. We needed more time with Overlord’s hatred for people being targeted at specific people, potentially his mother who is a competent parent to all but her “firstborn.” We know Overlord was aware of Wing’s upbringing, so there’s certainly room to develop it more.

I’m sure there’s a better way to phrase this all, but in summary:

Tl;dr : Overlord should have had a relationship with his “mother” to compliment HIVEs themes of childhood and its significance, but also because she and Overlord both suffer from a lack of screen time or POV moments that leaves them feeling a bit one note- the Dead Mom and the Bad AI.

Yet another fanfic writer ask game!

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