"p.s. Let Me Know If Brandy And The Kids Want One, Too! I Can Have Them Done In A Jiffy."

"p.s. Let Me Know If Brandy And The Kids Want One, Too! I Can Have Them Done In A Jiffy."
"p.s. Let Me Know If Brandy And The Kids Want One, Too! I Can Have Them Done In A Jiffy."
"p.s. Let Me Know If Brandy And The Kids Want One, Too! I Can Have Them Done In A Jiffy."

"p.s. let me know if Brandy and the kids want one, too! I can have them done in a jiffy."

(★ my Kofi) | (★ commission info)

More Posts from Brxxkenwings and Others

9 months ago

I'm autistic and I currently feel like shit checklist

Hi there. Are you autistic? Do you currently feel like shit and don't know why? Try this checklist to see if you can Fix The Problem!

When was the last time you used the bathroom? If you answered "I don't know" or "at least 3 hours ago", go now!

Do you need a drink? Go get one if you don't have one in front of you.

When was the last time you ate? If you haven't eaten yet today, consider eating A Meal, or perhaps A Snack. Something is better than nothing, eat whatever you feel able to!

Is there something in your immediate surroundings that is bothering you? If the light is too bright, turn it off. If there is an annoying sound, make the sound stop or reduce your ability to hear it (earplugs, headphones, etc.). If your clothes are bothering you, change them.

Is your space messy? Pick one area of your room and clean it up as best you can. Clean your whole room if you have the energy!

When was the last time you did An Activity? Scrolling on social media doesn't count. Try actively doing something fun! Play a game you like, read a book, make something, or go for a walk.

When was the last time you Spoke to a Person? Consider talking to a person you like if it has been a while.

How long has it been since you did something Special Interest related? Make some time to do that today. Infodump to a friend, have a nice long research session, look at related images or gifs, make art about it, whatever works best for you!

Try stimming actively! Put on some music and dance, spin in circles, go to the park and use the swings!

If you still feel like shit after trying all of these things, you might be tired or sick. Go to bed early and get some rest. Hopefully you will feel better tomorrow!

Hope that helps :)

11 months ago

Psychological support methods for Sun:

Dazzle and Jack: I can be your listening therapist

Foxy and Puppet: I brought an apology and an anime to watch together

Eclipse: Get off your ass, we're going to resurrect your dead buddy.


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1 year ago

Dialogue Thing #4

"How...how could you?"

"I swear, it's not what it looks like!"

"Don't give me that!! I know what's going on here!"

"But... I-"

"You SAID we could watch the season finale of Yu-Gi-Oh 5ds together!!"


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10 months ago

did anyone else feel the timeline split or was that just me

10 months ago
HEY SAMS FANS HOW WE FEELING TODAY? CAUSE I AM NOT OKAY-
HEY SAMS FANS HOW WE FEELING TODAY? CAUSE I AM NOT OKAY-

HEY SAMS FANS HOW WE FEELING TODAY? CAUSE I AM NOT OKAY-


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8 months ago

How to avoid White Room Syndrome

by Writerthreads on Instagram

A common problem writers face is "white room syndrome"—when scenes feel like they’re happening in an empty white room. To avoid this, it's important to describe settings in a way that makes them feel real and alive, without overloading readers with too much detail. Here are a few tips below to help!

Focus on a few key details

You don’t need to describe everything in the scene—just pick a couple of specific, memorable details to bring the setting to life. Maybe it’s the creaky floorboards in an old house, the musty smell of a forgotten attic, or the soft hum of a refrigerator in a small kitchen. These little details help anchor the scene and give readers something to picture, without dragging the action with heaps of descriptions.

Engage the senses

Instead of just focusing on what characters can see, try to incorporate all five senses—what do they hear, smell, feel, or even taste? Describe the smell of fresh bread from a nearby bakery, or the damp chill of a foggy morning. This adds a lot of depth and make the location feel more real and imaginable.

Mix descriptions with actions

Have characters interact with the environment. How do your characters move through the space? Are they brushing their hands over a dusty bookshelf, shuffling through fallen leaves, or squeezing through a crowded subway car? Instead of dumping a paragraph of description, mix it in with the action or dialogue.

Use the setting to reflect a mood or theme

Sometimes, the setting can do more than just provide a backdrop—it can reinforce the mood of a scene or even reflect a theme in the story. A stormy night might enhance tension, while a warm, sunny day might highlight a moment of peace. The environment can add an extra layer to what’s happening symbolically.

Here's an example of writing a description that hopefully feels alive and realistic, without dragging the action:

The bookstore was tucked between two brick buildings, its faded sign creaking with every gust of wind. Inside, the air was thick with the scent of worn paper and dust, mingling with the faint aroma of freshly brewed coffee from a corner café down the street. The wooden floorboards groaned as Ella wandered between the shelves, her fingertips brushing the spines of forgotten novels. Somewhere in the back, the soft sound of jazz crackled from an ancient radio.

Hope these tips help in your writing!


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9 months ago

Hey so first off, absolutely love your blog. I have learned so much and I can hardly wait to implement it! My question is: I have a character with vitiligo (and’s Celiac’s and rheumatoid arthritis) in a comic book I’m working on, and I want to represent that, but the problem is the comic is abstractly colored to display the characters’ emotions rather than their actual physical appearances, and my art style is designed to be pretty minimalist so I don’t need huge amounts of time and energy to actually make the comic itself (I’ll attach a picture at the bottom for easier reference). My current plan is just make lighter patches of the abstract color in place of skin color, but while that works great in theory, in practice it doesn’t show up well in lighter colors, including his default color, and since absence of color indicates absence of emotion, I don’t want to just leave them blank for the lighter colors either. Do you guys have any suggestions for alterations so I can more clearly represent that?

Thank you so much in advance!!

a simplistic drawing of a man with curly hair looking right. He is colored in variations of light grey

This is the guy in his default color. This was also the drawing I first ran into the light color problem with

Hi!

So I don't really think there are other ways to draw it than “lighter skin” for vitiligo, as that's kinda what it is, visually speaking.

What I'd keep in mind is that vitiligo isn't always super visible.

four photographs next to each other. The first one is of Curtis J McDaniel, a young Black man with dark skin and a large vitiligo patch covering most of his face. The second is of Holly Marie Combs, a middle-aged white woman signing a photo, with a hard to spot vitiligo spot on her hand. Third and fourth picture are of hands of people with vitiligo, first one has paler skin and the second has very dark skin. The vitiligo colors were colorpicked, showing that they are essentially the same on both hands.

[source for images: 1 2 3 4]

If the character's skin color changes, then the vitiligo patches will be less visible when it's lighter. That doesn't mean he suddenly doesn't have it, just like how people with pale skin still have their vitiligo, no matter how apparent it is at first glance.

Regardless of skin color, vitiligo patches will tend to be of a very similar color - it's not just lighter skin (an incredibly wide category), but loss of pigment.

drawing of two heads, one with dark and second with light skin. They both have vitiligo patches shown to be the same color. The same comparison is copied below; first in gray scale and second in green scale. In top right there is a crossed out version, with the dark-skinned head having brown patches, and the pale head not having any vitiligo at all. next to all the drawings are the hands from the first image, shown both in color and grayscale, again showing the difference that is still visible without colors.

However, if his skin isn't human-colored but instead gray or green (or anything else), the shade of the patches will slightly shift to be less saturated or have a different undertone. But if he goes between going dark blue and light blue, the vitiligo would still be the same shade of very light blue, rather than getting darker when the rest of skin is darker. I see this a lot with how people draw characters with vitiligo, and it just Doesn't Work Like That (top right on the image above, also featuring the trope of pale people never having vitiligo for some reason).

If his skin color constantly shifts, then his vitiligo will be more visible one time and less at other times - there's not much you can do about that, it's just how contrast works. That said, sharp-edged and larger patches will be more apparent to readers than smaller ones.

So basically his vitiligo patches should probably float at a similar amount of pigment regardless of how the rest of the skin looks like, with slightly different undertones depending on the skin color at the moment. Sometimes it will show up more, sometimes less, if you want to make it clear to the readers then you can first show him in a color that makes it more obvious.

two very simple drawings of the character from the original ask. the first shows him in dark purples, with a pale vitiligo spot on his face. it's captioned "vitiligo". the second one shows him in pale grays, with an even paler gray vitiligo spot. it's captioned "also vitiligo (smiley)".

Either way, he has vitiligo!

Hope this helps,

mod Sasza

1 year ago

Dialogue Thing #9

"WHAT'S THAT, DEPRESSION!? I CAN'T HEAR YOU, MY MUSIC'S TOO LOUD!!"

"Dude, it is three in the morning..."

"I CAN'T HEAR YOU, EITHER!!"


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9 months ago
brxxkenwings - I Am A Cryptid Crawling Through Their Own Head

[Image Description]

A three panel comic featuring Sun and Moon with two panels on top and one big one on the bottom.

[Upper Left Panel]

Moon is gesturing pointedly at Sun, who is off picture.

Moon (speaking): Sun, you CANNOT drink four bottles of glitter glue!

[Upper Right Panel]

Sun is standing next to a table with open bottles of glitter glue. The table is sticky and covered in it. Sun is holding a wine glass full of glue, with their other hand on their hip.

Sun (speaking): I'm sorry, I didn't order a glass of YOUR OPINION!!

[Third Lower Panel]

A box with the word, "Inevitably" is in the upper corner of the panel. Sun is laying face down on the floor in a puddle of glue, with a bit of it sticking to their ray.

Moon, with a blank expression, tosses a rose towards Sun on the floor.

Sun (speaking, in small text): Moony...Parts...and Service...

[End of Image Description]

THIS IS NOT SUN AND MOON SHOW RELATED!

Based on a tiktok I saw at one point. I haven't drawn fanart in a while, but I couldn't resist.

I changed up their outfits a bit. If I need to change the image description, let me know.

Okay, bye.


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1 year ago

Dialogue Thing #7

"You wanna tell me why you smell like a burnt pancake?"

"...Do you want the answer that's gonna make you laugh at me?"

"..."

"..."

"I...just tell me if we're gonna have to clean up the kitchen or call the fire department."


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brxxkenwings - I Am A Cryptid Crawling Through Their Own Head
I Am A Cryptid Crawling Through Their Own Head

A fandom nerd who dabbles in a bit of every art form. Writing and drawing especially.

132 posts

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