Okay so when I got sucked into the phantom zone last week while watching youtube shorts a lot of the content it fed me was ADHD tips and a lot of it was either useless for me or redundant but there was one REALLY good tip about taking breaks that wasn't about taking breaks it was about RETURNING from breaks and the tip is: when you are about to go on a break, before you step away from your task (work, craft project, school stuff) decide what you'll do as the first thing when you sit back down at your task and set up your workspace to do that thing.
That means you've got an easy re-entry point to go back to doing the thing instead of sitting back down and having to make a decision or having to reorient from break mode to task mode. You have pre-reoriented and can just go back into working mode.
I've been doing this by circling what my next task on my tasklist is and bringing up the windows that I'll need for the task before I step away from my desk.
Brilliant hack, works great for me, hope it works great for you as well.
i keep seeing the increasing amount of antisemitism in leftist circles and as a jewish leftist i don't really like it. i don't like when people refuse to listen to jews when they speak about antisemitism.
nobody is immune to bigotry. just because you are a leftist (or claim to be one) it doesn't mean it's impossible for you to show microaggression.
Hey y'all. Here's something for you.
It kind of bugs me that Tumblr has seized upon “taking everything literally” as the Defining Neurodivergent Experience™ – not only because it’s actually pretty uncommon, but also because it’s erasing an enormous variety of other frequent communication style issues, including but not limited to:
Having your brain stubbornly seize upon the first interpretation that happens to pop into your head as the Only Possible Interpretation, regardless of whether it’s literal or figurative
Easily identifying several possible interpretations of a statement, but having absolutely no ability to parse for context and identify which of those interpretations is most plausible
Being confronted with a statement that has Implications, then getting thrown for a loop when it turns out that the speaker wasn’t considering any of that and really did just mean it literally
Perfectly understanding a statement’s intended meaning, but getting annoyed with the speaker anyway because they didn’t phrase it Correctly, seriously, are you the only person here who gives a shit about the goddamn Rules?
i want more nuance to be entered into the discussion of the green girl sorority and how differently cynthia plays elphaba in comparison to those who came before her because while a lot of people are rightfully like "why was elphaba not black from the beginning" and celebrating that she is now being played by a black woman, i think we need to be careful in just writing off all the elphabas of the past as Random White Girls when the role was championed (and often followed/succeeded) by a jewish woman
the pop culture archetype of the Wicked Witch has deep roots in antisemitism stretching faaaar far back. there is a level of reclamation happening in casting idina menzel, a jewish woman, to play the Misunderstood and Maligned young girl who is branded as exactly that. and stage!Elphaba is also written and acted with jewish stereotypes in mind--she is loud, aggressive, no-nonsense, blunt. she is quick to advocate for herself and shut down the discrimination she faces. all of this is very intentional! her personality is abrasive from years of abuse, and that makes propagandizing her easy. this is literally the thesis statement of the musical--it's not about aptitude, it's the way you're viewed.
cynthia's performance of elphaba is fucking INSPIRED despite going in a completely different direction. she's much more reserved, analytical, one of her key character traits is how well she can read people (see her calling out Galinda as insecure/putting on airs in their first scene together, clocking that Fiyero is using his party guy persona as a shield for his own depression) elphaba's attempts to blend in and make herself smaller all fail simply because of her existence, if not that then because she feels empathy so strongly she often struggles to hold back from acting, protecting.
personality wise, though, cynthia's elphaba is very quiet and closed-off, not at all the bullet-to-the-face that she is in the stage show, and... she still gets propagandized and maligned. though this seems to contradict the other interpretation, it tells of the other end of the spectrum of propaganda, one that black women watching (and many, MANY other marginalized folks) are sure to identify with--it does not matter how "nice," how reserved, how small a black woman makes herself. a racist society will still scrutinize her every action for a way to parse ill intent from it, brand her as an angry black woman who is dangerous and wicked, and write off any humanity she has in the process.
these two very different interpretations tell of the lie of assimilation. the fact of the matter is, when you are marginalized, there is no way to sand down your edges enough to make the people oppressing you "accept" you. that is why wicked is a tragedy at its core. whether loud and aggressive or quiet and unimposing, there is nothing elphaba could have done to make the people of Oz see her as anything other than a scapegoat to blame all their problems on.
so while i definitely appreciate that people are excited for black girl era elphaba, i would encourage us all to still show appreciation for what came before--that was not white girl era elphaba. that was jewish girl era elphaba. two houses, both alike in dignity, two stories both worth being told.
NO ONE knows how to use thou/thee/thy/thine and i need to see that change if ur going to keep making “talking like a medieval peasant” jokes. /lh
They play the same roles as I/me/my/mine. In modern english, we use “you” for both the subject and the direct object/object of preposition/etc, so it’s difficult to compare “thou” to “you”.
So the trick is this: if you are trying to turn something Olde, first turn every “you” into first-person and then replace it like so:
“I” → “thou”
“Me” → “thee”
“My” → “thy”
“Mine” → “thine”
Let’s suppose we had the sentences “You have a cow. He gave it to you. It is your cow. The cow is yours”.
We could first imagine it in the first person-
“I have a cow. He gave it to me. It is my cow. The cow is mine”.
And then replace it-
“Thou hast a cow. He gave it to thee. It is thy cow. The cow is thine.”
Friendly reminder that bisexual, pansexual, asexual, and aromantic people do not experience “straight passing privilege”.
Identity erasure is not a privilege, it is oppression.
I am exceptionally lucky in that my parents never hit me, grounded me, confiscated my things, banned me from my hobbies or threatened any of these actions to make me behave as a kid. as an adult it has made me realise how very very long a road most people have to traverse before they can take a statement like 'no rule that must be enforced by threat is legitimate' seriously.
every time i see trad gender roles people being weird about fibercraft i wanna tell them
-medieval and early modern knitting guilds were full of men learning and perfecting fancy knitting techniques to impress rich clients
-in cold, wet climates like the scottish highlands knitting was done by the whole family, in fact it was the perfect activity to do while a man was out on a fishing boat or in the pasture with his sheep and cattle
-men who were away from women for a long time had to know how to knit and sew at least well enough to mend their own clothes. soldiers knitted. sailors knitted. cowboys and frontiersmen knitted. vikings probably knitted (actually they would have been doing a kind of proto knitting called nalbinding, but that's beside the point). all those guys the far right love to treat as ultra masculine heroes were sitting around their barracks and campfires at night darning their socks and knitting themselves little hats
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