Ah Yes Virgina Woolf, The Iconic Definetely Sapphic Literary Feminist.

ah yes virgina woolf, the iconic definetely sapphic literary feminist.

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Virginia Woolf, in a letter to Vita Sackville-West, February 1927.

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Virginia Woolf, A Room of One’s Own, September 1929.

More Posts from Blossomsandpetrichor and Others

3 years ago

reblog to make someone bisexual

4 years ago

Let me talk about Dazai Osamu.

Dazai is often so animated, whether it be flirting shamelessly with beautiful women, or trying to get on Kunikida’s nerves, or messing with naive little Atsushi, or irritating the living heck out of Chuuya.

Let Me Talk About Dazai Osamu.
Let Me Talk About Dazai Osamu.

But, emotions? In a previous post, I talked a bit about deciphering Dazai’s emotions, about how he shows real and true emotions only in certain very calculated and planned situations.

Even for a person who rarely shows true emotions, it is visible how his face changes when the Port Mafia is brought up. His voice, his eyes, the tightness in his jaws— everything changes.

Let Me Talk About Dazai Osamu.

Season 1 Episode 3, when Kunikida is describing the Port Mafia to Atsushi.

For me, this is a very important hint to decipher him, a tiny gap in space-time from where I can peek into his heart.

In Season 1 Episode 5, when he intervenes the sergeant’s nervous rant to say, “No, this wasn’t the Mafia’s doing”, he’s a changed man. He not only describes, but reminisces and relives the numerous times he’s seen the event he’s describing unfold.

Let Me Talk About Dazai Osamu.
Let Me Talk About Dazai Osamu.

He doesn’t meet anybody’s eyes, he’s staring into space. His voice is lower, a sharp contrast to the usual high pitched, lulting, lively voice. This isn’t the voice he uses to talk with his colleagues in the Detective Agency, with Atsushi.

In Dead Apple, while facing away from Atsushi, he says, “I might have stayed there, murdering people.” His head is angled towards the ground, voice low.

Let Me Talk About Dazai Osamu.

(what might he have been feeling then? that’s a topic for another day.)

In Season 2 Episode 9, while he’s talking directly with the Port Mafia boss, Mori-san, there’s is somethingly uncannily odd about his face— eyes open far too wide, smile far too forced.

Let Me Talk About Dazai Osamu.

I’ve searched long for the right word to describe this expression— it’s uncomfortable.

Haunted.

He’s uncomfortable, he’s uneasy, but he doesn’t know that, he can’t acknowledge that, he wouldn’t accept that, because how do you hide what you don’t know you’re feeling?

The problem here is, Dazai cannot see that he himself, was also a victim. He sees himself only as an abuser.

The fact that he’s also a victim, a young boy who watched his boss murder an old man, a young boy held at gunpoint so he couldn’t go to save his friend— he doesn’t understand his abuse. He doesn’t understand he was also wronged, he always sees himself as the wrong do-er.

Let Me Talk About Dazai Osamu.

Which is why he never let himself heal, because in order to do that, you have to notice your injuries first. Like he literally covered himself up in bandages, figuratively he did so too— made up a smile and built walls all around him, impenetrable, insurmountable.

In these specific moments though, his face betrays his mind.

His face makes it very apparent that he was affected, is still affected, regardless of whatever he tells himself.

Let Me Talk About Dazai Osamu.

It’s in these moments, that you see he has a living, beating heart, scarred and heavy and haunted with the trauma of his unspeakable past.

It’s in these moments that you see he’s human— still, despite, after all.


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hey if you died right now whats your ghost outfit you cant change it be honest


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4 years ago

he’s listening to his enemies begging for mercy as he plays carameldansen for the six hundreth fifty ninth time

What Is Kirby Listening To

what is kirby listening to

4 years ago
✧ ◦ Soukoku + Chibi! Soukoku ◦ ✧
✧ ◦ Soukoku + Chibi! Soukoku ◦ ✧

✧ ◦ soukoku + chibi! soukoku ◦ ✧

4 years ago

You just... summed up all of atsushi’s character interactions...

Who Is Nakajima Atsushi To You?
Who Is Nakajima Atsushi To You?
Who Is Nakajima Atsushi To You?

who is nakajima atsushi to you?


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4 years ago

I’m not sure whether I love or hate that modern math textbook word problems are more diverse than modern media

Step it up media.


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11 months ago

what if every Tumblr user suddenly looses their mouse?

4 years ago

this might be controversial but if battle of the labyrinth is your fav book you care about the metaphors, if the last olympian is your fav you just care about percabeth, if the lightning thief is your fav you care about family, if the sea of monsters is your fav you care about adventure, if titan’s curse is your fav you actually care about the plot


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3 years ago

Actual issues we should discuss about when it comes to pride:

events still being held during a pandemic

the presence of cops, politicians, and military branches in the parade and at other events (and how they prey on LGBT youth for recruitment at these events)

accessibility for disabled LGBT people

events being taken over by non-LGBT identities and corporations

some events and parades platforming TERFs or Drop The T groups

the omnipresence of alcohol at events (related to the corporate take over)

how many LGBT people cannot afford to go to ticketed pride events

the prevalence of the word queer at these events, considering it is still very triggering for many LGBT people

the complete sanitization and de-radicalization of pride so that no one associates it with its actual history and purpose

how pride is being used to sell shit and how pride month is officially just free advertising

how whitewashed the actual events are and i mean this literally–the focus is often on white celebrities performing shows and a white take on Stonewall’s history with very little support for groups of LGBT POC besides lip service like using the Philly Pride flag

The discourse we have every year instead:

is pride too horny?

it is too horny, you evil deviants

i saw a woman with no shirt on and a man in a leather harness i’m calling the cops

think about the children


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