"I Like That Library Books Have Secret Lives. All Those Hands That Have Held Them. All Those Eyes That

are they… you know… [trying to die for each other while adamantly refusing to acknowledge their feelings] soulmates?

I'm writing my first fic, so are there any tips to write Harry so I don't Butcher his character, lol

Like, I can try and give advice, but writing is such a personal journey, and it can work very differently for every writer. Like, what works for me and helps me to stick to his character might not work for you.

What I can tell you is that the first HP fic I ever wrote had a Harry I will now consider OOC.

It's not the worst I've seen, but I know I'm better at it now than 4 years ago when I wrote that story because I know him better, and I became a better writer. But that first story has an OOC Harry, an OOC Voldemort, and, well, a lot of other characters are OOC there, too. I'm pretty sure Sirius is the only one I consider somewhat in-character in that story, lol.

I can explain what I do, which again might not work for you. The only way you'd know what does work for you is if you try different methods, experiment, and learn. Becouse if you know what you're doing and you're a good enough writer, there aren't a lot of rules you can't break or characterization you can't pull off. And to become a good writer there is no way other than writing. And reading. A lot.

You just gotta start writing and figure out what methods work for you to get the characters the way you envision them.

Also, please remember fanfic is supposed to be fun. I might be super picky about Harry's characterization, but I promise you there are a lot of readers who aren't and would be happy to read a good story even if Harry isn't characterized perfectly. As I said, I wrote some bad OOC fic in my life (40+ bad wips that would never see the light of day). These bad fics were necessary so I could get good. Becouse to get good, you need to start somewhere. So, as I said, write, don't be scared of making mistakes, figure out what works for you, and trial and error your way to victory.

That being said, this is my list of what I do to write any character consistently and in character, not just Harry, (and some writing advice in general, really):

1. Get the mannerism right

What I mean by that is that characters, like human beings, are capable of a lot under the right circumstances. When writing a fic a character isn't going to stay the same as in canon if their situation changes, so I find it more useful to think of how characters do/say things rather than what they do. Basically, any character can do anything and it would feel in character if the circumstances and how they go about it make sense.

For me, I know dialogue is one of my strengths as a writer, and I put effort into learning characters' dialects and speech patterns. Harry would use the word "bloke" and not "guy". He never uses "Bloody hell" or "Blimey". Harry's swears are often censored from the books, so I take it Harry says "fuck" or "sodding hell". When he thinks mid-sentence he says "er..." often. Harry, in general, doesn't speak as often as Ron or Hermione.

Ron, on the other hand, says "bloody hell" and "Blimey" often. He also says "mate" a lot. Hermione rarely shortens words. Often in the books, she would say "we are" rather than "we're" and is generally more formal in her speech. She also uses more words than both boys to get the same point across.

All these little patterns of speech add a lot to the characters feeling like themselves. The choice of words matters more than what they're actually saying, a lot of times. The what can be heavily influenced by the circumstances but the how should be familiar.

Let's take a reaction of surprise to the same good thing happening:

"Blimey, I can't believe it," said Ron, grinning from ear to ear.

"Oh, that's wonderful," Hermione said, smiling and turning to Ron and Harry, "You can see this too, right?"

"That's brilliant," said Harry, grinning at the sight of [thing].

So, these sorts of details just add a lot to characterization and I find that if you can pull the voice and mannerisms off, you can pull off almost any actions, and the character would feel in character as long as it's not outrageous.

2. "Character Bible"

I usually have a little "character bible" which is like 6-10 commandments of how the character needs to behave (key personality traits and behavior), and when I'm editing, I go back to it. What you choose to put in your "character bible" can change depending on what matters to you more as a writer. For Harry, my character bible is something like this:

Says more in his head than outside his head.

Snarks back when threatened, hot-headed when in emotional distress, doesn't say anything if it's a possibility (unless he likes who he's talking to).

Wit. Wit. Wit. (add witty remarks in narration or dialogue if the opportunity arises. Sarcastic humor is good for Harry's narration).

Very talented and smart, very low self-worth

Awkward, but no one but him knows this

"I won't!" (He does not do well with authority or direct orders. The quote is from GoF when he resists the imperious curse)

Trust issues galore (he doesn't really trust anybody besides Sirius. Only in HBP does he start to tell Ron and Hermione everything).

Selectively observant (Harry observes what he cares about. If he doesn't care, it might as well not have been there) and super judgmental in his narration.

Wants to be left alone and be content and safe.

3. Edit.

I'm sorry to say it, but reading through your own writing again and again and fixing it up every time helps so much. After I finish writing a chapter I take a break to go to bed and then come back the next day and reread the chapter with new eyes and correct everything that seems out of character, any phrasing that feels awkward, spelling and grammar errors if I notice them. But this first go-through immediately after is mostly for characterization, voice, and plot.

In general, during a first draft, your goal is to get it written, making it good is what editing is for. That's why my mantra during the process of writing the first draft is: "I'll fix it in post".

4. Let the character take the wheel

This is more specific to my own writing method, but, you know how there are method actors? So I'm a method writer. Sorta, I'm half-joking.

What I mean by this, is that I get to know a character by writing them (a lot) and then I don't really need to think about it. Like, I just write what feels right to the character. Like, whenever I'm unsure about a scene, I'd go: "Harry take the wheel" and just type what the character thinks, in my mind. It's kind of hard to explain, but it's sort of discovery writing in small limited doses, essentially. I sort of let the character take over for the scene. Like I'm not writing the story, just typing it. Kinda like demonic possession, just, not.

I know it's not really the characters and that I'm writing it, I just find this process hard to explain. When you write a character a lot and often, you can become capable of writing them naturally. Almost like breathing. Like writing your own narration, except, it isn't. But it takes effort to get to this point.

Again, this won't necessarily work for everyone, but it's what I found works for me.

5. Unsure? Open the books

The books exist and if you're unsure how Harry would react to something, just, check. I have an ebook version of GoF open when I'm writing my fic, which takes place in GoF. So, if I'm unsure how Harry would phrase something or react to something, I just check.

6. Get a Beta Reader

My best advice though, is to find a fandom friend to beta read for you, someone you trust to tell you if you're writing OOC and help you fix it (preferably they would also be a writer). Becouse sometimes you don't see it yourself after you just wrote it. My beta for my fic also helped me write my novel, and she knows me as a writer, I know her as a writer, and she knows what sort of things she needs to pay attention to in my writing and vice versa.

That first OOC fic I mentioned? I let her read it, and she told me that the pacing is crap and Harry is acting off (in nicer words, she was very polite about it, but that's what she meant). And that sort of feedback is invaluable for improving and I'm incredibly grateful to her.

Sometimes, you need to hear the truth, even when it's unpleasant, that's how growth happens.

(Now she practically never comments on characterization or pacing, improvement!)

7. Perfect is the enemy of good

I don't think my characterization of Harry is perfect. I don't think my writing is perfect. Whenever I go back to edit, I always find more stuff to fix. But there is a point where you gotta stop fixing it and just post it. Because you'll never know how it will go if you don't do it.

At some point, after all the editing, you just need to declare your work is "good enough" (having a beta really helps in telling when "good enough" is, especially at first, since most writers tend to be hyper-critical of their own work). You'll always reread your work and think "oh, I could've wrote this line better" or "oh, that sounds wrong" even after you post it (but so could the best authors to ever live, I'm sure. It's just how it is).

So, It won't be perfect, nothing ever will. But it can still be great and amazing and make someone's day, even if it isn't "perfect".

So, don't be scared to make mistakes or butch it up on your first attempt, you're human, you're learning, and you can improve. But that can only happen if you start writing because nothing teaches better than hands-on experience.

Relatives tend to share mannerisms and if you want a nice little detail for your stories, I recommend including that.

A father and son share the same restless or anxious movement like chewing on the inside of their lip or tapping their fingers. A mother and daughter both raise their eyebrows when they’re in deep thought. Two siblings both tilt their heads when something is intriguing. A younger brother copies his older brother’s posture. A grandchild copies the way their grandfather crosses his arms behind his back when he walks. A father throws his hat down when his sports team loses and his child grows up to do the same.

Adding niche similarities between my characters and their families is one of my favourite things to develop and one of my favourite ways to connect them despite whatever relationship and differences they may have.

They could hate their family and yet they tap their foot side to side when they’re standing in one spot like their father does, and they scrunch their nose when they close their eyes like their mother did. This can be used to portray your character’s struggle with their family, and amplify their fear over ending up like their family. It’s a subtle addition and yet it adds more depth to their turmoil.

Or on the flip side, it can help show how much your character admires their family by emulating them. It can help show how important their bond with their family is to them by showing those shared, unconscious similarities.

Shared mannerisms are a small detail but they will be noticed by somebody and appreciated.

idk, I'm so fed up with Al that I had to get it off my chest...

I hate Al, I hate stupid prompted images that flood every space. I hate Al popping up every time I open anything on the internet. I hate people who pretend that prompting is such a skill and so much work but are scared to actually disclose they used Al for their stupid images and text. What are you scared of? I hate people who think writing "make me a ..." makes them a creator of anything. I hate people who think generative Al is an improvement and innovation. It's not! The fact that something is new doesn't make it good! Do you know viruses? There's always a new one at the corner.

Can't you see it? It makes you dumber with every use. Your creative skills decline with every command you give to a machine. Your communication skills deteriorate every time Al writes an email for you or you talk to your virtual girlfriend. Your ability to decide about yourself shrinks every time you ask a machine what to do, what to buy, what to say. Your critical thinking vanishes (well, assuming you even had any to begin with) whenever you ask "grok, is it true?". Whenever a computer does homework for you, whenever it writes an essay for school (which you won't even proofread) or spits a picture you were supposed to make yourself for a class, you become more stupid and less skilled. It won't make you into a good writer or artist just as watching work out videos won't give you muscles.

And you mock people who don't want their brains to rot, who maintain their values, who don't want to destroy their integrity and planet, who improve their talent and skills and spend their time actually thinking and learning stuff.

You can't even see how big corporations fuck you hard and slow every time you pay them to improve their Al monster, dangling colourful pictures before your eyes like a cat toy, cackling seeing your pupils blow wide. They promise you money and lure you with a vision of fame that those pathetic, broke artists will never see in their worthless lives. But you will. You'll have it all! Just feed their wallets with your money and databases with yourself and turn off your brain. You really think you'll have money and fame? Who will ever see your pretty pictures under millions of other pretty pictures? Who will read your book, when John Pickle published 30 only yesterday using Al? Who will watch your great movie when someone else has already made one with their own face and now they're kissing their favourite actor in space in a ship with too many details? Well, at least you can use someone else's voice to scam their family. If you get caught by the police you'll have your two minutes of fame before the Al erection supplement commercial rolls in :)

Al is here to stay! Yeah, like the putrid smell of your rotten brains.

the coolest and most beautiful part of the Latin Rite (of which there are many) is the celibate priesthood

the anti-aging industry is disgusting. we will inevitably age, you don’t have to inject your face with botox and drink from specialized straws when you can just face reality.

aging is beautiful. God created us this way, and we should allow ourselves to feel life to its full extent instead of fearing our beauty being lessened.

when your worth is placed on character instead of outer-appearance, you will glow with happiness, and that’s what truly makes someone gorgeous forever.

James: Why don’t you just tell Marlene how you feel about her?

Remus: James had to ask Lily at least a hundred times.

James: And guess what, we’re married now.

Remus: Exactly, what have you got to lose?

Sirius: Her.

My kink is very gross (true love).

i don’t know about you guys but the main reason i am still on tumblr in 2024 is BECAUSE it is the most cloutless least influential social media app out there and that is the experience i am after. absolutely none of this will ever translate into significant attention or real success in my life and that is so beautiful.

can you imagine lily finding the marauders map and trying to open it 

mr. moony would like to ask lily if she could please put the map down before all hell breaks loose

mr. padfoot would like to tell lily not to put the map down because he’s quite looking forward to mr. prongs shitting his pants

mr. moony would like to tell mr. padfoot to stop saying shit

mr. wormtail would like to tell lily her hair looks nice today and also is mr. prongs doing okay?

mr. prongs is not doing okay

mr. padfoot would like to ask lily if she could find this piece of parchment more often

mr. prongs would like to say fuck you to mr. padfoot and would also like to ask lily if she has ever had feelings for a lad named james potter

mr. moony would like to slam his head against a wall

mr. wormtail thinks perhaps lily should put this parchment down and walk away

mr. prongs does not want lily to put this down as he’s still waiting on an answer about the whole james potter thing

mr. padfoot is having the time of his life 

mr. padfoot would also like to say that this james fellow seems like an awful human being who smells like dung. at least, that’s mr. padfoot’s impression

mr. prongs would like to tell mr. padfoot to SHUT THE HELL UP

mr. moony apologizes to lily

mr. prongs would like to say that james potter is in fact a wonderful bloke and mr. prongs has heard he would make a wonderful boyfriend

mr. padfoot thinks mr. prongs is good at being subtle

mr. prongs thinks mr. padfoot should stick his head up his ass

and lily’s like “what the fuck”