Not socialist in a “I won’t have to work” type of way but socialist in a “I’ll still be working but I won’t be worried I won’t make the rent” type of way. In a “billions won’t be hoarded by one person” type of way. In a “janitors, fast-food workers, child care workers, preschool teachers, hotel clerks, personal care and home health aides, and grocery store cashiers, will live comfortably” type of way. In a “the sick and elderly will be cared for” type of way. In a “no child should work” type of way.
Honestly, I completely understand why Taylor Swift would hide her queerness. Not only because is the safest option for her but because she is a petty queen. Imagine being told you have to hide who you are to archieve your dreams. Then you worked hard and followed the rules. You get crushed sometimes, but that is okay, because you recover and go back bigger than ever. You live your love in secret, hiding in plan sight, only for the ones that are like you to see. Then you are higher than you ever been. You are not great but the greatest.
Now you reveal your queerness. Completely out for everyone to see, there is no deniying it now, it is imposible to do so.
Imagine crushing the persona that everyone has admired. Imagine destroying the God they have created and worshipped, the one that you hated so much, just by being yourself.
What a beautiful satisfying revenge would be to change the paradigma so quikly, just by being freely and unshamedly yourself. What an amazing feeling would be to laugh at everyones face by saying: "hey, the thing you have adored all your life, she doesnt exist. I have been lying to you in order to be loved, and the people you call dumb or crazy or delusional for reading what I was saying, for seeing through my lies were right"
By the way, this is kind of the premise of mastermind and dear reader (and the midnights album as a whole). Just in case you were wondering.
Of course Taylor Swift is straight. Is totally straight to dress up as Sappho and hide in a glass closet to sing in the MV of the first track of your really queer album where you sing "thats my man" so many times that is just campy and ridculous considering how queercoded that lyrics are. Those gaylors are just taking it too far.
I was just listening to suburban legends and, first thing first, what and absolute total banger. I genuinely cannot understand why I did not listen to this song more often. And second, the lyrics are like, really queer-coded.
The one that really called my attention was "1950s gymnasium". Now, if you dont know that, in the 1950s the lavander scare, a process where queer people where maked to be outcast on the society by the goverment, took place. People needed to hide and did not really know who to trust (since the people caught "guilty" were force by torture and manipulation to give names or other queer people), it was really a strugle. She says she is "standing in a 1950s gymnasium" like, trying to survive the scrutiny and navigaiting her life not knowing who to trust about her true self alongside other queer people. All together in one place, practicing not getting caught (and we all now that era was when Taylor was really bad at hiding her alleged relationships with women)
Then, theres the chorus. I didnt come here to make friends, when would you need to clarify that in a straight scenario? Almost never and, based on the lyrics, I dont think thats the case. And then the "you kissed me on a way thats gonna screw me up forever" its really deep if we read it as queer. Taylor queerness was an obstacle to her career, something that should be hidden and secretive because the consecuences of it being know were too catastrofic (like in the 1950s). Her queerness could screw her career and dreams forever, so that kiss (that I think represents her whole relationship with the muse) could screw her up forever, everything she has worked for could go away because of who she was in love with. Yet, when she hold her, it hold her together, so it was worth it.
Now in the second verse, there are (appart from the 1950s lyrics) a few things that caught my attention. First, the fantasy she has about surprising everyone with their mismatched sings, its a fantasy because it cannot happen. Its not posible, that is why it is a fantasy. Second, theres the lyric, "You'd be more than a chapter in my old diaries with the pages ripped out" she says "You'd" as in a way of hoping, like saying: if our love was not something we have to hide you will be more than a than a chapter in my old diaries with the pages ripped out. Now, this thing about ripping of pages of a diary is honestly heartbreaking. She feels so afraid, she needs to hide that much that she even erased any prove of her love from her diaries, one of the most personal things anyone could ever own, were you pour your feeling to yourself and yourself only; she could not even trust her diaries to keep her love secret.
To finish, we have to tie it all to the title: suburban legends. A history that everyones knows yet no one can tell if it is or not true, because there us no proof. It could be real or not, but everyone has heard of it. Taylor saying her and her muse were born to be suburban legends insinuates that the relationships she is singing about was secret, very few people knew that it existed for real (bacause it was not safe) but everyone heard the rumors about it.
Disclaimer: this is just my interpretation and by sharing this I am not saying this is the truth or that Taylor said that to me or something like that. I am just reading and analising the art she putted out there.
If you disagree, get the fuck out. Male victims are as valid as female victims. We all should care.
Of fucking course
What sick bastard doesn’t
Y’ALL HAVE TIME TO REBLOG THIS. IT TAKES LESS THAN FIVE SECONDS.
Seeing that I thought, isnt midnights an experimental album that has songs written all throught Taylor life?? The ones that she is confessing all her truth (or the one she wants to share)?? If that is correct, then what she is impliying is that all her music, more specifically, the vault tracks, are her real thruth. To me, it just feels like a call for us to listen to her music and what she writes about (she is first and foremost a storyteller) more than about the narrative that she so loudly sells to the world.
Also, being a little bit more delusional, I think at the end of it, we will get out of the night and step into the daylight, whatever that means. For my personal bias, I think is a coming out of some short or something like that, but I think she is going to reveal some kind of groundbraking truth when this era is over.
Not every unpleasant experience you have is a trauma. However, I think we can all agree that not getting tickets to the eras tour is the biggest trauma anyone can have
lesbians love and support our trans sisters 💖💖
That album title is sooo gay
I know I am late, but Happy Hanukkah to jewish people (and everyone who celebrates). Specially this year, with everything going on, remember you are loved and cherished.