“I could draw naked ladies. I could do them on folded paper so that when it was closed up the lady had her clothes on and then when you opened it up…wey-hey! The only trouble was before she did the washing my mum used to go through my pockets for school dinner tickets and, of course, one day she found one of my naked ladies. I came home and my dad said, I want a word with you. Did you do this? It was like death. Anguish. Tears.”
— Paul McCartney on his claim to fame in school, from The Paul McCartney World Tour concert program, 1989 (via theoldpaulband)
In May Pang book “Loving John”.
Linda: “Don’t you miss england?”
John: “frankly.” “I miss Paris”
I wish I could’ve seen the look on paul face when john said he “missed paris” I know he probably would’ve been starstruck im guessing,
also John said he wanted to name his second son,Sean “Paris” ……..
but i dunno maybe he just really like Paris,I’m not gonna let my theories in the way of these, take them as you please,
Stuart was going to stay in Hamburg, cos he’d fallen in love with this girl Astrid [Kirchherr], who was part of a little set who called themselves the Exi’s, existentialists. They were very cool in black, tight trousers, little high-heeled boots. She was blonde, she had a short Peter Pan pageboy haircut, she looked dead cool. We’d never seen a chick like it. She dressed like a boy, a very slim little boy, so it was all, Fuckin’ hell, look at her! I think we all fancied her but she fancied Stuart, who’d been the one guy who’d never been able to pull anything in our band. We’d always pulled before old Stu, but he got these great shades and struck a James Dean pose, got his hair going groovy like James Dean, so she went mad for him. And their group used to really like Stuart. I think it went: Stuart, John, George, me, Pete Best. That was their order of preference. They took some great photos of us.
- Paul McCartney interview in Paul Du Noyer, Conversations with McCartney (2015) pp.34-35
Clip from The Today Show, 1986; interview conducted by Rona Elliot.
Rona Elliot: “How have you managed not to be stuck in time, to just keep your life going?” George Harrison: “I don’t know… there’s no other thing to do except, as the man said, The only thing I knew how to do was to keep on keeping on like a bird that flew. Anyway, you just keep going and past, you know, the past is gone — that’s another thing this guy that built my house [Friar Park] said: 'Past is gone, thou canst not that recall, future is not, may not be at all. Present is, improve the flying hour, present only is within thy power.' So I mean, that’s all there is to it, there isn’t anything — nothing exists except now. You know, the past is gone and the future doesn’t exist until you get to it and it’s the now. So you just have to be here now, and do your best.” -The Today Show, 1986 “‘One of [George’s] favorite things to say was, “Be here now,”’ [Olivia] says. His song by that title, from his 1973 album ‘Living in the Material World,’ remains one of her favorites, and it’s one she plays any time she feels in need of a booster shot of moral support. ‘Sometimes he and Dhani would be talking and Dhani would ask, “Well what if this happens?” or “What if that happens?”’ she says. ‘George would say, “Be here now. Be here now.”’” - The Los Angeles Times, March 9, 2005 “‘Be here now because it’s not like it was before.’ Occasionally it’s nice to have somebody tell you that. He offered advice about living. He didn’t preach, he would just say, Oh don’t let that get to you. Be here now, the past is gone. I listen to that on purpose so I can remind myself.” - Olivia Harrison, The Times, September 24, 2014
successfully drew enough for a photoset *pumps fist*…. i love mcharrison ;__;
I’ve been deep deeeeep in reading quotes about how they were adorable bros back in grade school….i needed to doodle…
the ones with dialogue were coloured by @miss-shydeer UoU!!
Hold up ,,, Mal called Paul his love in his diaries?
Yes. In his autobiography. He also analyzed their relationship in his diaries. For some context, here's a longer passage from Ken Womack's book, Living the Beatles Legend (Chapter 31).
As January 1970 came to close, Mal began drifting into an emotional slide that had been developing over the past several years. "Seem to be losing Paul," he wrote on January 27. "Really got a stick from him today. He let me down," and ominously added "Fixing a hole," "Pepper," and "directorship" to a growing list of disappointments. Apparently, the conversation had turned yet again to the issue of Mal's servile role in Paul's life, with the roadie believing that the association was bounded by friendship and love. "A servant serves," Mal wrote, "but he who serves is not always a servant," he added, echoing John's philosophy from December 1968. "Love is as sharp and piercing as a sword, "Mal reasoned, "but as the sword edge dulls — you sharpen it. So love's keenness needs honing — needs honesty." *
[...]
On February 11, Mal joined John and Yoko for a lip-synched performance of "Instant Karma!" on Top of the Pops, with the roadie, clad in beige suit and a light-green tie, playing the tambourine. By this juncture, Mal's long-standing relationship with Paul was in freefall. A few days earlier, he have been awakened by a 1 p.m. telephone call from the Beatle. It went "something like this," he wrote in his diary:
Mal: yeah? Paul: I've got time at EMI over the weekend. Would like you to pick up some gear from the house. Mal: Great, man. That's lovely. Session at EMI?! Paul: Yes, but I don't want anyone there to make me tea. I have the family – wife and kids there. Mal: [thinking to himself] Goes my poor head, "Why????" **
By the next week, Mal found himself behind the wheel of the Apple van, moving Paul's gear from EMI Studios to Morgan Studios, another Northwest London facility where Paul could work incognito. At one point, Neil cornered Mal about Paul's surreptitious recording sessions, demanding to know more. "Where's Paul?" he asked, to which Mal tersely replied, "Not telling you."
In other instances, Mal ordered a Mellotron for Paul, while keeping him fully stocked with plectrums and other gear. In late February, Paul asked Mal to move everything back to EMI, where he was set to record "Maybe I'm Amazed" in Studio 2. For Mal, everything came to a head at 7 Cavendish Ave., when "my long love, Paul, to whom I have devoted so many years of loyalty, turned around to me and said, I don't need you anymore, Mal." *** *, ** : Evans, "Diaries." [1963—1974.] 10 vols. Malcolm Frederick Evans Archives. Entries from Jan 27 & Feb 5, 1970.
***: Evans, Mal, 'Living the Beatles Legend: Or 200 Miles to Go.' Unpublished MS, 1976. Malcolm Frederick Evans Archives.
“George was younger, the little one. He was very sweet, with his little tooth and the cocky songs he was singing. He was really cute, and was an essential part of the team. When all of them were harmonising together was incredible!”
— Klaus Voormann, “Hamburg Days” (1999)
“When he has that funny grin on his face, so that his little Dracula-tooth was showing — that was it! There he was, this little cocky underage boy singing cocky little songs like “C[‘mon] every body” or Joe Brown’s “I’m [Hen]ery the eight[h], I am” and then he played his little guitar solos, unmistakable George, nearly breaking his fingers on this cheap guitar, he hated so much. He couldn’t wait to earn enough money, to at long last be able to buy an expensive guitar. So when he got his first Grets[c]h, he proudly showed it to everybody. 1971 George let me have this Guitar. I loved it. Finally I had to give it back to him, which I think is perfectly right. He gave me a beautiful tel[e]caster as a replacement. Ain’t that great?”
— Klaus Voormann, “Hamburg Days” (1999)
“…George grinned his cheeky, crooked boyish grin beneath his thick brown head of hair. He was irresistible, and not just for the girls.”
— Klaus Voormann, on the first time he saw The Beatles; translated from “Warum spielst du Imagine nicht auf dem weißen Klavier, John?” (2003)
The whole idea of calling it ‘Lennon-McCartney’ instead of Paul Lennon and John McCartney… other way round…
Paul McCartney interviewed by Joe Smith, 22 October 1987
Paul & Linda McCartney photographed by Robert Rosen, April 22nd, 1982.
❝ There was a Music Awards Party at Abbey Road, the famous recording studio. It was 1982 and I crashed it. Paparazzi were outside, it was snowing and they were there freezing with their zoom lenses. My snappy was in my pocket, the security guy saw me and because I always liked to dress well must have mistaken me for a pop star. He said, "Hurry up inside the awards are starting," and whisked me through the doors. Next thing I know I am inside standing next to Paul and Linda McCartney. We began a conversation and I asked to take a shot, they were in a joyous mood and most accommodating as you can see. On the third click they kissed - I got it! That photo went worldwide and I sent them a print to say thank you. Six months later I bumped into them again, but didn't assume they would remember me; however Linda called to me, "Darling are you ignoring us? Come on, give me a hug." It meant so much to me, maybe more than anything, that she loved that photograph. ❞
— Robert Rosen
Wikipedia Cynthia Powell https://en.wikipedia.org/wiki/Cynthia_Lennon
TAG of BEATLES in my Tumblr https://kichisaburo3.tumblr.com/tagged/BEATLES
それでも付き合いたての蜜月期はハンブルクからジョンは度々手紙を送り、それは目にしたミミが卑猥だと激怒するほど明け透けにラブラブなものだった。その手紙や、ジョンと愛し合ったという事実は永遠にシンシアだけのもの。ジョンの妻という重責、それでもそれはかけがえのない日々だったろうな pic.twitter.com/XWB9VftkVW
— Emmie Bead (@emmie_bead) September 10, 2024
11 SEP 2024 Wednesday