to me the deserter seemed personally important because as an eastern european, i have met this guy irl. he is intensely familiar, down to the phrasing, sometimes (the whole "a liberal and a pederast" bit, oof) and DE acknowledges this literal old communist on an uninhabited island, acknowledges the reasons why he is the way that he is, and just straight up tells you "you cannot be this way. you have to find a way to become something else". that last bit is the difficult part, of course
playing disco elysium for the first time felt so familiar because it was made by communists. i kept getting the feeling of - i see you! i know you! every time i came across encyclopedia worldbuilding checks and recognized the tools of historical materialism brilliantly used. i wince when i see people describe DE as just being ironic about communism or whatever - no! this is the most communist game ive ever played!
sometimes i see people point to the deserter's character as evidence that DE isn't truly a communist work, but i don't think the deserter is meant to be a paragon of communism in the game. he's a revolutionary stuck in the past and that is his grave error. "The material base for an uprising has ended," "The historical condition for a revolutionary opportunity has passed. It will not come back anymore. However hard I try, whatever I do." but everything you've seen the game proves his statement wrong. DE's world still has the objective conditions for revolution because the working masses are sick of all the ruling order's shit, and there are plentiful opportunities to develop the subjective forces as we see in the communist quest that young people are willing to continue the communist struggle. but the deserter cant see that from his position and his trauma - ultimately this is what makes him fail as a communist because he has let go of the basic principles: that world is always changing; that change is made by people, through class struggle; that a communist must always be grounded and alert of their own material context.
the scene in the communist quest where you get through to steban and it tells you that "you're witnessing his ironic armor melt before you" - i think that was the devs taking their ironic mask off, too. i believe that because steban's reasons for his communism are the same as mine. we have to struggle even if it's hard and even if they kill us because this is what keeps us human. to struggle for freedom is the next best thing to actually being free. to fight for communism is to fight for the future. it is not about being imprisoned by failures of the past. in fact it IS about failure - because the movement is the working class's school in the struggle for power and we need to learn from each failure and move forward.
i just know that if my comrades and i were somehow in a room with the devs and we had to sing the internationale, we would all know the words. in different languages, but we'll sing the same melody and when we get to the part, the word "international" will be sung in unison. do you get me? i think disco elysium is to some young game-savvy communists of the world today as "what is to be done" was to lenin's generation. something something international communist solidarity...
by Wisława Szymborska tr. Stanislaw Baranczak and Clare Cavanagh
Nothing has changed. The body is a reservoir of pain; it has to eat and breathe the air, and sleep; it has thin skin and the blood is just beneath it; it has a good supply of teeth and fingernails; its bones can be broken; its joints can be stretched. In tortures, all of this is considered.
Nothing has changed. The body still trembles as it trembled before Rome was founded and after, in the twentieth century before and after Christ. Tortures are just what they were, only the earth has shrunk and whatever goes on sounds as if it’s just a room away.
Nothing has changed. Except there are more people, and new offenses have sprung up beside the old ones — real, make-believe, short-lived, and nonexistent. But the cry with which the body answers for them was, is, and will be a cry of innocence in keeping with the age-old scale and pitch.
Nothing has changed. Except perhaps the manners, ceremonies, dances. The gesture of the hands shielding the head has nonetheless remained the same. The body writhes, jerks, and tugs, falls to the ground when shoved, pulls up its knees, bruises, swells, drools, and bleeds.
Nothing has changed. Except the run of rivers, the shapes of forests, shores, deserts, and glaciers. The little soul roams among these landscapes, disappears, returns, draws near, moves away, evasive and a stranger to itself, now sure, now uncertain of its own existence, whereas the body is and is and is and has nowhere to go.
where was your first job?
Fast food service (McDonald’s, Burger King, Wendy’s, ect.)
Restaurant service (waiting tables, dishwasher, ect)
cashier/bagger at grocery store
life guard
I’ve never had a job
other (put in tags)
(Im currently trying to get my first job and I’m curious what the most common first job is)
I love cooking things and then not sharing them with people. For me, cooking is really an act of disconnection and hatred.
from impossible to difficult to unfamiliar to familiar to easy to automatic
Ulixes-core posts compilation
Brutalism haters will say "Top 10 worst most evil buildings in the world, signs that humanity is doomed and a dystopian apocalypse is upon us lest by the Lord's mercy they all be demolished" and then show you 10 of the most gorgeous badass buildings you've ever seen in your life. every time
they did not call me any particular nickname in college because I did not have any characteristics or traits
my first newsletter entry is about the work I did this year on my longform comic project, strike the spark! it's about a group of friends in a socialist study club who are trying their best to support their school's union and their impending strike! I hope to finish the book next year. you can read the newsletter here! 🍀