I haven't seen anyone talk about this yet, so I might as well.
They've updated their content policy to comply with payment processor Stripe and Paypal's censorhip. They gave 24 hours. On March 16th 2024, Gumroad TOS will no longer allows sales of any written or drawn nsfw content.
This is going to hurt for so many creators. Giving that little time leaves people's source of income wildly unstable, especially with such a huge overhaul of what content is allowed.
I hate this. I hate what censorship is turning the internet into. I hate that nsfw content creators keeo getting pushed to the fringes, that they need to digitally migrate so often, because nowhere can be trusted to allow their art for long.
I don't know what to do next, there isn't some sort of "here's what you can do to help!" People just deserve to know.
i cant get over the king charles portrait. they made that thing to age in his place. that painting hangs in the house of a too-friendly family you find in the post apocalyptic wasteland who inexplicably has a ready supply of fresh meat. if mario jumped into that painting he wouldn't find a charming platformer he would be flayed and hanged like a medieval criminal by an unseeable force in a droning red void. that painting is a color blindness test for people who work in IT but believe in the divine right of kings. that painting is going to weep the sequel to blood. after he dies charles is gonna crawl outta that thing like sadako.
hey what the fuck. our temple!
the temple of online teens to thirty somethings who listen to swans and natural snow buildings and the microphones and black midi and car seat headrest and coil and daughters and duster and godspeed you black emperor and have a nice life and neutral milk hotel and sigur ros and songs ohia and xiu xiu and animal collective and aphex twin and my bloody valentine and the velvet underground and talking heads and kate bush and joanna newsom and nick drake and captain beefheart and fishmans and the residents and les rallizes denudes and the smiths and the gerogerigegege and kero kero bonito and death grips and bjork and stereolab and radiohead and kanye west and slint and slowdive and cocteau twins and nas and a tribe called quest and elliott smith and television and pixies and sonic youth and dinosaur junior and the strokes and pharoah sanders and talk talk and black country new road and sufjan stevens and ajj and jeff buckley and sweet trip and leonard cohen and frank zappa and depeche mode and the clash and the stooges and unwound and tom waits and boards of canada and fiona apple and arcade fire and brian eno and boris and merzbow and sunn 0))) and melvins and ween and mount eerie and portishead and lcd soundsystem and wilco and big thief and pavement and kraftwerk and candy claws and yes and gang of four and sun kil moon and sun ra and burzum and death in june and current 93 and nurse with wound and psychic tv and this heat and wire and nick cave and bob dylan and the dismemberment plan and grouper and the brave little abacus and herbie hancock and beach house and patti smith and charles mingus and fugazi and minutemen and american football and yo la tengo and boredoms and wipers and the mars volta and fleet foxes and oasis and pulp and big star and sophie and flying lotus and the flaming lips and thundercat and mf doom and weezer and stars of the lid and jeff rosenstock and red house painters and tim hecker and steve reich and david bowie and lou reed and nico and jpegmafia and danny brown and husker du and misfits and r.e.m. and the replacements and soft machine and van der graaf generator and scott walker and philip glass and pj harvey and low and big black and new order and magdalena bay and steve roach and neu and can and magma and spiritualized and mort garson and henry cow and john zorn and faust and ornette coleman and xtc and the books and oneohtrix point never and nujabes and de la soul and rush and king gizzard and the lizard wizard and the cure and capn jazz and mitski and lana del rey and weyes blood and bon iver and giles corey and silver jews and the mountain goats and clipping and machine girl and deaths dynamic shroud Has just fallen into the ocean. ssorry
which fetish is like the flimsy lime-colored palm bit
come play weird fetishes with me like theyre bionicles. we can mix and match
Have you guys seen the clip of Anderson Cooper reporting on the hurricane? He's crouching down, holding on to the earth for dear life?
Well turns out the hurricane made him pregnant. He's pregnant with the wind and rain now. CNN released a special report about how they gave him an ultrasound, and how his stomach is full of some new type of djinn or sylph or similar aqueous wind sprite.
He doesn't seem to be in any pain, but whenever Wolf Blitzer asks him about the child, Cooper just rubs his belly and mutters something about "forging a new link in the great chain of being"
enough flat earth theory, its time for flat earth praxis
i think we shouod terraform earth to make it completely flat because itd be fun
At the shore of dark skies
Photographed by Freddie Ardley - Instagram
to be honest, to me starting at the top seemed easy. the way i learned was basically a sequence of "this is how x really works under the hood"-type revelations, which suited my learning style reasonably well. im sure i could have gone the other way around too, though i feel like you might have lost me starting at assembly because a high level language was relevant to my other interests then in a way assembly wouldnt be
half of the mystique around "tech stuff" that most people experience is mostly just because they don't know the difference between a "tech enthusiast" as constructed by Apple et al's marketing team and "people who know computers work" and how there's very little actual overlap between these two categories. the only actually good programmers are the ones who want to fuck the computers or perchance have undergone some other technopsychosocial adaptation, which does not correlate with knowing how many dozen cameras the latest iphone has or being able to get along well with the business major interviewer at a startup called Zyergote who drives a tesla
my charming habit of whispering "onetwothreefourfivesix" in moments of embarrassment or uncertainty
A tiny Hawaiian squid, Euprymna scolopes, has become a model for thinking about this process. The “bob-tailed squid” is known for its light organ, through which it mimics moonlight, hiding its shadow from predators. But juvenile squid do not develop this organ unless they come into contact with one particular species of bacteria, Vibrio fischeri. The squid are not born with these bacteria; they must encounter them in the seawater. Without them, the light organ never develops. But perhaps you think light organs are superfluous. Consider the parasitic wasp Asobara tabida. Females are completely unable to produce eggs without bacteria of the genus Wolbachia. Meanwhile, larvae of the Large Blue butterfly Maculinea arion are unable to survive without being taken in by an ant colony. Even we proudly independent humans are unable to digest our food without helpful bacteria, first gained as we slide out of the birth canal. Ninety percent of the cells in a human body are bacteria. We can’t do without them.
As biologist Scott Gilbert and his colleagues write, “Almost all development may be codevelopment. By codevelopment we refer to the ability of the cells of one species to assist the normal construction of the body of another species.” This insight changes the unit of evolution. Some biologists have begun to speak of the “hologenome theory of evolution,” referring to the complex of organisms and their symbionts as an evolutionary unit: the “holobiont.” They find, for example, that associations between particular bacteria and fruit flies influence fruit fly mating choice, thus shaping the road to the development of a new species. To add the importance of development, Gilbert and his colleagues use the term “symbiopoiesis,” the codevelopment of the holobiont. The term contrasts their findings with an earlier focus on life as internally self-organizing systems, self-formed through “autopoiesis.” “More and more,” they write, “symbiosis appears to be the ‘rule,’ not the exception… . Nature may be selecting ‘relationships’ rather than individuals or genomes.”
Anna Lowenhaupt Tsing, The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins