Does Anyone Else Feel Me. Can Anyone Hear Me In Here.

FOR THOSE OF YOU WHO DO NOT KNOW

THIS IS A TRUMPET

THIS IS A TROMBONE

THIS IS A TUBA

AND THIS IS A FRENCH HORN

THANK YOU FOR YOUR TIME

Anyways reminder for folks to maybe stop uploading my shit on Pinterest…

where is any higher quality version of this image

why the fuck does english have a word for

but not for “the day after tomorrow”

???

angsty (romantic + platonic) dialogue prompts

@celestialwrites for more!!

♡ "it took you almost 4 years to fully trust me, and it took you all of one minute to stop."

♡ "do not waste your breath with lies, for once tell me the damned truth."

♡ "i have always wanted the good, the bad, and the ugly from you! i never wanted you to hide."

♡ "do you not get it? we don't ever get a happy ending, we don't ever go home!"

♡ "tell me you didn't, i do not care if it's a lie, just tell me you didn't."

♡ "you are a part of me and i cannot stand it."

♡ "don't waste away a life that was never yours. it was always hers."

♡ "every second i spend in pain without (s/o) is better than any day i spent not knowing them."

♡ "your tears will not bring him back." "fuck you."

♡ "that may just happen to be your gravest mistake, you thought you could fix her."

♡ "look me in the eye and say it. say it! say they're dead!"

♡ "i will be the greatest loss of your life."

REBLOG TO SUPPORT YOUR LOCAL WRITERS<3

Does anyone else do this?

I'm just gonna have this as helpful notes- I would love to draw taurs-

SHAKES YOU how do you draw taurs. i need help i genuinley cant wrap my head around the anatomy of it. optionally i need help with fat taurs but any kind of taur is okay

Ooh, I love these sorta questions!!!

So there are two main things folks usually struggle with when it comes to drawing taurs as a whole. 1, they struggle with quadrupedal anatomy and 2. connecting the humanoid upper body to the quadrupedal lower body. Obviously there's no shame in either of these things, drawing four legged animals, especially if you're more used to the anatomical structure of something more humanoid is quite tough! And finding the sweet spot where humanoid and quadruped meet to make a taur is a bit of a struggle for folks who're still figuring it out.

So! The first thing you wanna do really is just familiarize yourself with quadrupedal anatomy. Look at the skeleton of the creature you're trying to taur and see how things like their limbs bend differently or how they're just differently naturally posed as compared to someone who walks upright.

This is a very simplified skeleton of a cat, but you can pretty immediately see how differently everything bends. And I'm not saying it's something you have to perfectly master to know how to draw a taur (especially when you get to drawing fat taurs), but i highly recommend becoming familiar with how a quadrupedal body is structured, the silhouette of most animals is quite misleading! And absolutely use reference!

Heck, our first go at drawing taur Riley was super heavily referenced (I'll even share the ref image if anyone is interested!), and this still came out real jank. Practice makes perfect!

As for connecting the upper body to the lower body, this is a little more subjective and up to you, but I'll lay out some general guidelines.

Generally speaking, you wanna put the humanoid torso where the base of the neck is, the front of the torso kinda merging with the rest of the taur body just after the tummy, basically just before the crotch starts.

As for the back, you're gonna want to shoot for just shy of where the butt starts, waist having curved back outwards. It gets a little awkward if you go higher or lower than that. And obviously, you wanna make sure the torso is firmly planted in the center of where the neck should be, ehehe.

That's pretty much the basics though! As always, i recommend looking at how your favorite taur artists draw the creatures and studying off of that! Familiarize yourself with quadrupedal anatomy, and use reference!! You will absolutely get it down with time. I will absolutely cover fat taurs if there's interest in it, and ofc, lemme know if there's anything I missed or need to go over! I hope this helps!

Hi! White writer here, I’ve been going through your folklore tag and didn’t quite see what I needed to know. Anyways I’m working on a novel which features a town populated exclusively by preternatural/supernatural beings, which acts as something of a sanctuary for beings from all over the world. There’s more than one of these towns, again all over the world, but people immigrate. Anyways my question is about folklore and respectfulness? I don’t want to turn anything into a stereotype or be (a)

(B) disrespectful with cultures which, obviously, aren’t mine. It’s a small town and there’s a lot of borderline horror in the story, but I guess I’m asking about any recommendations on how to not end up reducing them to stereotypes. (This includes things like kappa, ghosts, various types of vampires, werewolves and shifters, fae, etc. no wendigos, I did read that post.) sorry if this is too broad or anything similar! If you’ve any advice though I’d really appreciate it!

Using folklore respectively

The key is showing a balanced perspective.

Every folklore, belief system, and religion has good and evil forces. The problems happen when you start to pull too heavily from the good or evil sides of any one folklore belief set.

For example, your kappa— do you have any positive Shinto forces in there? Or are you just pulling the monsters? If you’re just pulling from the monsters, especially if you’re pulling mostly marginalized belief system monsters, that’s where it gets very, very troublesome.

This might mean your core cast has to shrink down to account for a balanced perspective, and a few chaotic forces, and/or you’ll have to be careful with side characters to mention them (like, a line of dialogue about how a negative force is a threat and a positive force from the same belief system is handling it), but this is your basic formula for using folklore.

You’ll also have to be careful not to discredit certain beliefs that might make people uncomfortable (it has been expressed a few times that adding Judaism and Islam to all-myths-are-true gets touchy), so that sort of research will be required.

Bonus points that you learn more about each individual set of beliefs and end up more likely to stray away from pop culture sensationalist lists that focus on the weird Other Folklore. By spreading your focus to the less written about but just as important good characters, you create the sense of something whole.

I would also suggest considering looking at how each folklore treats good and evil. Western views tend to treat it as end points— evil is defeated [end], evil wins [end]— while other belief systems are more likely to acknowledge that good and evil will always coexist and the key is keeping them in balance.

As for the Wendigo:

It isn’t completely off limits. What that post is referencing is making sure to use the Wendigo in its original context. This means having it be a villain/ force of pure evil, and having some good Native beliefs to balance it out.

For example: if the Wendigo (or any other marginalized demon) is defeated by a Christian witch, that would have colonialist overtones by showing the “savage marginalized beast” be subdued by “good Christian people.” Even if you had a non-Christian European belief, that turns to “civilized Europeans.” There’s a lot of racism in this option. 

Meanwhile, if you had the Wendigo defeated by Wisakedjak (or the equivilent heroic figure in a marginalized belief system), then the Wendigo is being defeated by an equal, showing a balanced representation of the beliefs. You end up showing internal processes for handling our own demons, showing our cultures more thoroughly.

Tl;dr: so long as you show good and bad parts of the folklore, and don’t make blends that end up stepping on toes/are colonialist in the form of Europe Being Better, you’re worlds ahead and with proper research can flesh it out.

~ Mod Lesya