Oof I Felt This

This has been a PSA.

If Netflix's ATLA live-action series is aimed at the adults who watched the cartoon as kids, I wonder what a remake of Danny Phantom aimed at the now grown up fans would look like? Would it lean into the body horror? The dark concepts previously softened by the superhero themes and age restraints? Maybe there would even be a dissection scene! Please let it be funny though.

Beachvolley Day Blueberry Beach Vibes |100222 - Tangerine Tan |140222 - Timeout |280722

Black Coffee & Donuts ☕ 🍩

~A Trigun fan comic~

(Image description under cut)

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Yikes, hadn't thought about this. We just got a new eftpos machine at work, what if we get a blind client one day?

Replacing physical buttons and controls with touchscreens also means removing accessibility features. Physical buttons can be textured or have Braille and can be located by touch and don't need to be pressed with a bare finger. Touchscreens usually require precise taps and hand-eye coordination for the same task.

Many point-of-sale machines now are essentially just a smartphone with a card reader attached and the interface. The control layout can change at a moment's notice and there are no physical boundaries between buttons. With a keypad-style machine, the buttons are always in the same place and can be located by touch, especially since the middle button has a raised ridge on it.

Buttons can also be located by touch without activating them, which enables a "locate then press" style of interaction which is not possible on touchscreens, where even light touches will register as presses and the buttons must be located visually rather than by touch.

When elevator or door controls are replaced by touch screens, will existing accessibility features be preserved, or will some people no longer be able to use those controls?

Who is allowed to control the physical world, and who is making that decision?

kafka

Re-reading Karneval after Kaiju no. 8 is kind of wild. Every time the Circus crew talk about defeating their enemy, Kafka, I just think about Hibino Kafka and the face he'd make if he could hear them, lol.

Aro/Ace Terms Masterlist

Please let me know if I forgot anything

Types of attraction

Sexual - I wanna have sex with that

Romantic - I want to date that

Sensual - I want to hug that

Platonic - I want to be friends with that

Platonic crushes do exist. They are called “squishes”. You go through the same process of having a romantic or sexual crush but instead of landing them in bed, you’re on the floor at 2am with pizza rolls, Shrek in the background, talking about eldritch monstrosities (or whatever your shared interest is)

Aesthetic - that looks so heckin’ cool/pretty I love it

Intellectual - the desire to engage with another in an intellectual manner, i.e. having a conversation, picking their brain, and finding out how they think

Terms describing degree of attraction

Aromantic - lack of romantic attraction

Asexual - lack of sexual attraction

Aroace - lack of both sexual and romantic attraction

Demi - attraction only forms once a strong emotional bond has been formed

Grey/gray - rarely/seldom experiences attraction

Allosexual - someone who experiences sexual attraction

I think I’ve also heard/seen it referred to as ‘arosexual’ but that’s honestly a bit confusing

Alloromantic - someone who experiences romantic attraction

I personally shorten both of those to “allo” (pronounced ‘aloe’)

Apothiosexual - sex-repulsed

Apothioromantic - romance-repulsed

Apothiaroace - often shortened to just ‘apothi’. In addition to being aroace, apothis are repulsed by romantic/sexual scenes, items, displays, etc. to varying degrees

Sex-neutral and sex-positive/favourable aces exist as well

Not all of us have the same level of comfort with sexual and romantic activities so please check. I mean that applies to everyone anyway, but please check and don’t assume that just because someone is aro/ace, that doesn’t mean they are sex/romance repulsed

Queerplatonic - Queerplatonic typically refers to a relationship that bends the lines between a romantic relationship and a non-romantic relationship. A queerplatonic relationship (QPR) often goes beyond what is socially acceptable for a platonic relationship but does not fit the typical notion of a romantic relationship.

Alterous attraction - a type of emotional attraction to someone that isn’t entirely romantic or platonic.

Chastity - actively refraining from sexual activities. This is NOT part of the ace/aro spectrum, though it is a common assumption when someone says they are ace/aro. Thankfully we’re getting a bit more representation in media now so it’s not as common of an assumption as it used to be, but it’s still there, especially in those communities.

Microlabels/Terms describing flavour of attraction Note: -sexual is used fo many of these so we don't have to deal with duplicates confusing things. All of these prefixes can be used with -romantic, -sexual, -platonic, and I imagine -alterous as well

Abrosexual - orientation fluctuates between a variety of orientations

Aceflux - similar to abrosexual, but orientation is contained to asexual spectrum

Acespike - someone who is asexual but may experience intense, brief, and random bouts of sexual attraction

Aegosexual - disconnect between oneself and the target of arousal

Amicusromantic/sexual - only experiences romantic attraction to those who they have formed a platonic relationship with (subset of demi)

Angled aroace - the same as oriented, but for those who are demi, grey, flux, etc.

Anthrosexual - someone who is attracted to humans and alterhumans regardless of gender identity/expression

Caedsexual - previously allo, but now ace due to past trauma

Cupiosexual - wanting a sexual relationship but not experiencing sexual attraction

Finsexual/gynesexual - attraction to femininity

Fraysexual - opposite of demi. Attraction dissipates once an emotional connection has been formed

Linsexual - attraction to androgyny

Lithosexual - experiencing sexual attraction but not wanting it to be reciprocated

Loveless Romantic/Lovelessromantic - those who cannot feel love or feel disconnected from love but can feel romantic attraction/don't feel disconnected from the concept of romance

Minsexual/androsexual - attraction to masculinity

Placiosexual - not wanting to be on the receiving end of sexual activities but wishing to perform them on others

Quiosexual - unable to distinguish between sexual attraction and other forms of attraction

Qui(r)oromantic - inability to distinguish between platonic and romantic attraction

Reciprosexual - not experiencing sexual attraction towards someone until you discover they experience sexual attraction towards you

Requiessexual - similar to caedsexual, but rather than trauma, ace identity originates from a state of emotional exhaustion, usually from a past sexual experience

Oriented aroace -  an aromantic asexual (aroace) individual who experiences a form of tertiary attraction, that they feel is significant enough to warrant a place alongside their aroace orientation. (i.e. gay aroace, bi aroace)

Examples of mixed orientations

Heteroromantic asexual biplatonic

Poly greyromantic pansexual

Apothi abroplatonic

Placiosexual aromantic finplatonic

Aroace cupioplatonic

Pan lithioromantic

Fraysexual biromantic aplatonic

You can get WAY more specific than what these cover, but just to give a general idea

Amatonormativity

Amatonormativity is the assumption that all human beings pursue love or romance, especially by means of a monogamous long-term relationship. The term was coined by Elizabeth Brake, in her book Minimizing Marriage: Marriage, Morality, and the Law (2011).

Trigun: Stampede, Wolfwood, and Food

So, I think a major part of any worldbuilding should always involve food, and where it comes from. The worldbuilding around No Man's Land in Trigun: Stampede is a little tricky in this regard, since there's shown to be no real agriculture or plant life (Meryl's utter shock at the "flora" on Ship Three as a total foreign phenomenon suggests it's more rare than in the manga) so sustainable human-friendly food sources are rare and not really addressed. We see characters eating worms, and presumably there's whatever it is worms eat, and beyond that, it's suggested that pretty much all of humankind's nutrition comes from plants.

The desert dudes living off worm meat refer to "plant-based food" as an "extravagance" in the opening scene of episode 4 (aptly named "Hungry"). Meryl, by contrast, is grossed out by the idea of eating worm meat -- I think we can infer then, that Meryl, being a college-educated city girl, probably had regular access to Plant-generated food, while Outlanders are more dependent on alternative sources of nutrition.

Wolfwood, I think, falls closer to the latter category -- He's very used to eating worms, as we see in this episode, not even flinching at grabbing and devouring a whole worm, and even smoked dried worm legs as a kid in a later flashback, so supplementing his diet and other aspects of his life with worms is probably something he's used to doing for survival:

And I gotta say, the way Wolfwood antagonizes the others about eating worm-based food?

Yeah, it's a power play in some respects -- he's making a point to Vash about 'kill or be killed' to survive when he catches and throws a worm at him, and he's taunting Meryl to get a rise out of her with the roasted worm meat at the end of the episode.

But there's something very "Gross Big Brother" about it -- he's antagonizing them, but there's also some underlying level of care in it. He is showing Vash how Wolfwood thinks it's necessary to survive; he's bullying Meryl into eating the food that's available, because Wolfwood probably grew up with the understanding that you couldn't afford to turn your nose up at whatever food you got.

It's food, it's there, it's a valuable and scarce resource, and as much of an asshole as Stampede!Wolfwood is, he has those ingrained big brother instincts to look out for those around him. And food is an important part of that, because when you live with scarcity, food is life.

The whole bit with Zazie in disguise might be a charade (assuming Wolfwood already clocked Zazie from the get-go and it didn't take the worm devouring them for that card to be revealed) but it still pulls from Wolfwood's characterization in the '98 anime where he gives two of his last pieces of food to a couple of hungry-looking kids:

And the sentiment of "you still deserve to eat" as an expression of care is still real for him, especially given his smile when Vash repeats his words, finally eating some of the worm meat at the end of episode four:

Our worldbuilding implication is that food is scarce and rare in the Outlands, and Wolfwood is someone who knows how to survive by any means possible -- including eating whatever is available -- which is something he's nonetheless willing to share with others, because at his core he's a decent person who isn't as selfish as he may pretend to be.

And food is one hell of a love language.

Rewatching Trigun's 98anime (subs this time, being used to the eng dub) since I was curious to note the characters' shifting pronoun usage.

For reference, Stampede Vash always uses the softer, more humble, modest, boyish 'boku' - as expected (like Trimax Vash), even after his glow up in ep12, he still regards himself the same way. While Knives (Nai) exclusively uses the harder, more assertive, masculine 'ore'...ever since he was a little baby, which immediately differentiates them apart, but is...extremely (lmao) edgy of him.

But in the 98anime? Oh my god, it's all flipped around and completely different! Which quite interestingly reveals a lot of contextual nuances to many characters, and quite frankly rewatching in Japanese trying to catch all these things only thoroughly kicked my ass throwing in so many difficult-to-understand, unexpected curveballs; I'm both shook and humbled by what I've heard!

Because 98 Knives refers to himself as 'boku' O____O;; even during his most 'villainous' lines yelling at Vash too. Him having that casual but 'polite' poised dissonance in his voice comes off extremely unnerving;;; when he speaks of horrible things thru such an 'innocent' self-perception like that. (Even Legato uses 'boku' like him! Same in Stampede.) Damn I'm disturbed. He and Vash notably both used 'boku' when they were kids, but Knives in particular never really stopped saying that from their childhoods, so that says a lot about him. (His "did you just shoot me [boku]!?" comes off very uncannily childlike. No wonder Vash freaked out in guilt.)

But 98 Vash? Whoa, he requires a whole damn essay flips around ALL the time, interchangeably using BOTH! :O Often switching pronouns between 'ore' & 'boku' within the same episode, or even as quickly as every other sentence, even towards the same person. Depending on the immediate context/topic of what he's saying and the emphasis on how he's saying it. Via all his posturing, which 'persona' he switches into, his familiarity/humbleness/honesty/trust--even hostility towards certain people, and his mood's silly vs seriousness levels. Often reflective of how determined/confrontational/casual he is vs being walled off (masking) to openly repentant, lost or distressed too - but not always! It's Extremely inconsistent fascinating but confusing!!! Because there's no....fixed 'rules' to his usage. For ex he'll often use 'ore' casually within his own internal monologues to his more bombastic public self-introductions, or even when he's at his most serious in private moments about grave matters, like settling his past during his scar scene with Meryl. Even Eriks!Vash still uses 'ore' when confessing his guilt to Wolfwood about the Fifth Moon! So there feels to be a general preference for using 'ore' when he (internally and externally, both in casual and serious contexts) needs to show his 'determination' - aka being the man (the ideal 'Vash'?) he wants to become.

But then he'll flip around using 'boku' for some of his most exasperatingly fake ✨playful✨ bits when he's kidding and messing around in mock courtesy (bonus: he even uses 'watashi' as a joke for his ridiculously long 'formal' name introduction to Wolfwood).....AND 'boku' will be used for his most sincere humble (polite) conversations back with family members he knows at Home, and when he connects back to his childhood with Rem in his dreams. The Diablo ep is a good example: he uses 'ore' throughout the ep until he reverts to 'boku' after speaking to Rem deciding not to kill, and that humbling shift, like to that of a lost younger boy, makes so much sense. The shift happens again when Eriks!Vash thinks about Rem feeling just as lost: "what should I [boku] do?" And after the tragic incident at Home when he's depressed and masking himself behind his glasses, while quietly reflecting to Wolfwood with a reproachful, "Everyone who touches me [boku] dies." ...Before immediately changing back to 'ore' in the next sentence firming his resolve to face Knives.

But in general it really depends and you have to listen hard (pay close attention) to hear how much contextual teasing, sincerity, irony, genuine respect, or...humbling self-reproach and self-depreciation he uses. Indicative towards how much (or how poorly) he internally regards himself and how he externally presents himself to others, because it changes. All the time. His personal pronouns aren't fixed! ...Basically, I'm just as confused as Meryl (and it really makes narrative sense why she's so confused by him), not knowing which 'persona' is the real him! x'D

...Oh but a really good moment, in ep24 when Meryl pleads at him to be honest with her for once about all the tragedies, he uses 'boku' explaining everything to her about Knives. That's....really good. :O Like umm...him using 'ore' before with her (in the scar scene) kind of erected a subtle barrier when he refused to elaborate further, but using 'boku' so sincerely for her request.....like it..extends her the same humble level of courtesy/trust he'd use towards the 'family' he loves back at Home (+Rem)....but it's so loaded, cause he's being honest but still...distant telling her why he's better off alone. :')) Man...(the aaangst) Oooooh, but then ep25 is very telling too, cause he's mentally lost for the whole ep, always using 'boku' so anguished and self-deprecatingly....until Meryl saves him and he gives her his softest genuine 'boku' yet, after he recovers back to himself donning the red coat again, thanking and assuring her he'll be alright. :'D (Hooray~) Before internally switching back to 'ore' on his final quest setting out alone for Knives. Ep26: he still keeps that distinct assertive 'ore' in front of Knives "I [ore] will survive!" and 'boku' for Rem: "I [boku] will continue to believe in you, but will look to my own [jibun] words for guidance." :')) (Bonus: 'jibun' is added when he philosophically thinks in terms of 'oneself'/'myself' from now on.)

Bonus nuance: while younger Vash may have dependently followed Knives' lead around--back when they both used 'boku' together, older (current) Vash--using 'ore' with him, feels like he's grown to assume the role as the more independent, responsible older brother now, when he finally understands how to put Rem's last words to 'take care of Knives' into practice. :'))

So tl;dr: Vash tends to have a casual leaning preference for using 'ore' in most situations both private and public, but especially for whenever he asserts his determination involving Knives with a confrontational edge. 'Boku' is used exclusively (politely, with genuine deference & care) towards extended family members he loves (like Rem, Brad, Doc, and eventually.....Meryl; using the softest 'boku' towards her I've ever heard. ;.;) And for whenever he humbles himself in distress, feeling lost in turmoil or self-reproach. But it's not set in stone! Since both pronouns can be used sincerely or ironically in jest, for whenever he's feeling silly or playing a bit (donning a mask), easily switching depending on presentation or context too. 98 Vash simply does what he wants! While Meryl screams in confused exasperation!

As for 98 Meryl, she often uses the book-standard, more formal/professional 'watashi' when introducing herself (Stampede Meryl too), and her speech patterns are typically very polite and pleasant to listen to (with many lovely 'desu-wa' sentence finishers.) ...Until she changes to the informal, more feminine 'atashi.' Ex: when screaming at Milly to let her go (to Vash) as the city blew up during the Fifth Moon incident. The raw sincerity in her voice for that change is so...🥺 of her. Note, cause most other girls - from Rem, Milly, younger kids like Lina, to older (but youthful) grandma characters all informally use 'atashi.' So for Meryl to drop her usual formalities when her honest feelings come out ("I [atashi] need to go there!" - to the epicenter where Vash is) means a lot. :')) ...Ah! Cause she slips to 'atashi' again in ep25, in front of Vash (while he uses 'boku' at his most mentally lost and openly wounded state) at his bedside. o///o Oh my... Using 'atashi' again while crying to Milly in regret that she couldn't confess anything yet to Vash on his sendoff. So yes, Meryl's feminine 'atashi' side shows whenever she expresses her honest feelings. :'3

Now 98 Wolfwood is a special case, cause he speaks primarily in Kansai dialect, which is extremely hard for me to understand what he's saying in modified/shortened slang all the time. (Compared to say, Meryl who speaks very cleanly and polite.) I've heard him use 'ore' when offering kids food, the more rural/casual form 'oira' when confessing his turmoil to Milly at his most vulnerable, 'uchi' when talking about 'our orphanage,' 'washi' (the 'old man' form of watashi) when speaking in more formal/aged terms of 'God', to the slang form 'wai' (he casually prefers this one a lot, and Stampede Wolfwood uses 'wai' too, esp when introducing himself to new people, for most of the few eps he's even in, and it makes him sound like...way older than he actually is?) to even 'jibun' when talking about himself with distance in flashbacks. The impression he gives off is like that of someone who's come from a rural/street kid (orphan) background...but who speaks like a chill elder now?? who's aged far too soon for his years. That's my best interpretation of what's happening. (His slang 'wai' even slurs to sound like 'oira,' almost like 'wai-ra' sometimes; gah it's really hard for me to discern, I'm sorry.) Bonus: he teasingly calls Milly 'my honey' in english, while she playfully answers him back with the pronounced 'a-na-ta' (dear), so they def have an inside thing going on. Bottom line, he's very complicated *bangs head on desk* and his accent is too unfamiliar/beyond my meager course level to fully grasp! :'D

To sum up (to the best of my hearing comprehension):

Stampede Vash: always boku, modest and unassuming towards everyone 98 Vash: BOTH ore & boku; not fixed. Casual preference for ore vs more humble courtesy using boku, but it's extremely context/mood/persona dependent, since he can mask & switch for jokes. Has a serious confrontational/determined edge using ore vs Knives--as if Vash becomes the older brother here, but always reserves the softer boku towards Rem and the found family he loves Stampede Knives: always ore, ever since he was a baby; so much edge 98 Knives: boku, coming off unnervingly childlike vs Vash's ore Meryl (both): watashi, but changes to atashi (98) when her honest feelings towards Vash show Wolfwood (both, Kansai dialect): primarily wai, but can use many other forms Legato (both): boku Roberto: ore Milly: atashi, but can mask using watashi when she's not fine Rem: atashi (98) & watashi (Stampede) Stampede Luida: watashi, but atashi when casual with teen Vash Brad (both): ore Dr. Conrad: watashi Stampede Elendira: watashi Stampede Zazie: boku

Now besides the animes, since Trimax is a whole other overwhelming complicated beast, and since I don't have access to check (nor would I even be able to easily read/understand) the Japanese raws, I'd be VERY interested in someone's investigation and breakdown into the manga's pronouns, especially for Trimax Vash, since I've heard that beyond 'boku,' he shifts and evolves throughout his journey too, possibly ending on a very soft wizened, matured 'watashi' that I'd love to hear more!