Askyridersdomain - UnTiTlEd

askyridersdomain - UnTiTlEd

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8 months ago

People in fandoms* associated with Neil Gaiman are not showing each other the grace they should be in a stressful time, and I would like to remind people of some things:

Not everybody knows about the allegations because it is not being reported widely in mainstream media. Gaiman has engaged a PR/crisis management firm that has done work with Marilyn Manson, Russell Brand, and Danny Masterson to actively squash coverage.

The story broke on a site unfamiliar to a lot of non-UK people. There was confusion as well as outright misinformation about whether the site was a TERF outlet (it is not). While Rachel Johnson, the lead reporter on the story, is a TERF who has publicly clashed with Gaiman about trans rights, she has behaved responsibly and ethically as a journalist regarding this. I wrote more in depth about these things here.

Everybody deals differently with finding out creators are problematic. The method you prefer is not the only correct way of coping. Some people are able to divorce art from the creator and some people are not. This is an attitude that can change over time. And if you feel like you need to express frustration that somebody else's method isn't the same as yours? I would recommend shutting your fucking trap.

If people know about the allegations, it's shitty to assume they're ignoring them or think they're false until somebody explicitly says so. There are many things people don't say online, and you are not owed disclaimers or explanations.

Fandom is more than the work itself. Some people find strength in the community that has formed around it, and rely on each other to help cope with and grieve this loss. The love you have for the work and your fellow fans is not something that belongs to the creator. It never has and that can't be taken away.

Your personal relationship with a creator's work will change over time. That's inevitable regardless of whether they turn out to be problematic or not. And when those works are deeply significant and formative, like many of Gaiman's works are to me** and countless others? That's fucking tough. Be kind to yourself and others when working through this. I love you all.

--

* I have seen this in Good Omens most prominently, although I am sure there are other places where it is happening as well.

** I have been a fan of Gaiman's work longer than some of you have been alive. It has not been a great month or so.

1 year ago

Hot Shit | Tom Cardy

7 years ago
Best Of Their Generations ★
Best Of Their Generations ★
Best Of Their Generations ★

best of their generations ★

7 months ago

this made me cry so now i need everyone to see it

This Made Me Cry So Now I Need Everyone To See It
7 years ago

Reblog if you would be devastated if you found out one of your followers committed suicide.

7 years ago
Much Better
Much Better

much better

Much Better

ugh, so close. tommy stop moving

7 years ago

I didn’t think I would ever ship everyone together but then I watched Descendants 2.

7 years ago

Uma:*decorating a Christmas tree* Uma: where’s the angel to put on the top Harry: Harry: *throws gil on top of the tree* Uma: perfect

7 years ago
You Are The Moon

You are the Moon

1 month ago

Starkid is one of the absolute best arguments for supprting independent art. The fact that the shows you're invested in can't get canceled by Big Daddy Streaming, the quality is always amazing, the love of the cast and crew doesn't get squeezed out by surprise budget reductions, the fact that since crowd funding provides almost all costs up front (plus the presence of voluntary digital ticket/in person tickets for additional funding), the fan base can access the full material for whatever cost they can contribute (even if you can give nothing monetarily, you will still get a professionally shot version of the material eventually, without surprise fees or password crackdowns, AND with captions/completely accesible regardless of location). The same goes for Tin Can Bros, Shipwrecked, and all the other associated theater and web series companies loosely connected to Starkid. Like, I cannot believe the amazing content provided to us at the same level as Broadway or streaming services with billion dollars at hand, with almost none of the catches that come with others. Like, I cannot believe that we get all of this right at our hands.

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