Traversing Tel'anor: Insights Into Kaldorei Funeral Traditions

An older piece, inspired by Skyrim

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The Enigma of Elune & the Elements

The goddess Elune is known by many names across cultures and even planets; such as Mother Moon, White Lady, Night Warrior, Mu’sha, etc. She has a wide reach across various spheres of cosmology, and her domain seems to at least encompass the arcane, the natural, the astral, the spiritual, and in many unexpected connections–the elemental. It could be that, as Elune is considered a life goddess with some connections to the afterlife, she may have pseudo-elemental expressions of power because they are partially intertwined with spirit. This might explain the physical tangibility, and yet silvery-blue coloring that often manifests within elements of Elunian origin. The following is a collection of curiosities in which the goddess’s influence presents itself in such forms.

Water

The first, most notable link between Elune and the elements would be her thematic ties and manifestations of power within water. An iconic and central piece of Kaldorei culture is the moonwell: it is often the focal point of temples, and a place of respite in the wilds which restores mana, cleanses impurities, blesses armaments, purifies corruption, and even banishes maddened elementals. Dave Kosak, in his development of the Warcraft cosmology, describes the combination of spirit and water as one of the main vehicles for healing; both of which are linked to the outer ring of Nature. An old myth of the Kaldorei Empire described Elune sleeping inside of the Well of Eternity during the day, and rising into the sky as the moon each night. Today, moonwells are established through local wild spirits granting their blessing, a combination of natural and lunar magick, as well as a droplet of eternal waters from another purified well. All of these spheres together (spirit, water, nature, and arcane) encompass the very essence of Elune's moonwells.

Tears of Elune are one of the most recurring themes in relation to the goddess - seen in the pillar of creation, and lesser items scattered throughout the world. We do not know for certain how these tears form; however, there is an implication that they are a manifestation of Elune’s emotions, whether crying tears of sadness, or of joy. These remnants from the goddess seem to possess a myriad of properties the beholder can make use of: the Tearstone of Elune legendary ring has a chance to cast an additional regrowth on targets, Tears of the Goddess from the Hyjal raid slow the player’s falling speed, and Elune’s Tear can ease the symptoms of illness. Mu’sha’s Tears are gathered at the base of a waterfall in Highmountain, which are guarded by fiercely protective water elementals, to eventually be used during a ritual that allows us to witness the events of the War of the Ancients. Interestingly, these specific tears are said to “flow of their own accord,” entirely ignoring the rushing rapids that would normally carry away physical objects or other water currents; which may lend to the notion that Elune’s elemental manifestations are partially comprised of spirit. The Sisters’ Tear, born of Elune and the Winter Queen’s combined power, is yet another example of renewal and lifegiving springing forth from the goddess’s sorrow: which resulted in the growth of the World Tree, Amirdrassil.

Elune is described as having partial influence over the tides, a power that she shares with Neptulon, as evidenced by the Tablet of the Balancing Tides: "The whispers of Elune and Neptulon play on the tides, their words etched in stone are a tribute to the balance of their powers." There is additionally a brief archaeology quest in Throne of the Tides we can pick up from an ancient fountain. Delving into our historical knowledge from reading a Highborne Scroll fragment, we discover that the purpose of this fountain is to confer a blessing called “Waters of Elune,” which specifically increases our damage against the naga while inside the domain of Neptulon, further strengthening the alliance between the two. The goddess also seems to feel a responsibility, or at least have an interest, in purifying maddened water elementals. We see this demonstrated in Moon Priestess Tharill’s questline in Darkshore, who asks us to use a relic called the Orb of Elune; which has the power to soothe and permanently banish these beings back to their plane. This ultimately protects the elementals from the cycle of being resummoned, further manipulated, and driven to madness. As the orb was carried by Tharill just south of Auberdine, this may have been a prized and sacred relic of the town used in banishing angered elementals from the coasts of Darkshore. It would not be the first or only sacred artifact kept here, as Auberdine also once housed the Eye of Elune.

Elune’s aqueous blessings were also a crucial part in the battle of the Molten Front within the Firelands. It seems that somehow, the nature of Elune’s blessings can circumvent traditional interactions between elements. The very existence of a moonwell, or any body of water for that matter inside the scorching plane of Ragnaros, would reasonably evaporate. The fact that this one is able to withstand the extreme heat of the Firelands speaks to a high resistance, if not complete immunity, to the effects of fire. Ayla Shadowstorm explains that the moonwell’s waters can indeed provide some protection against flame, as well as bless the expedition’s food stores. Once the well is filled, small bushes and trees begin to sprout nearby that eventually bear eternal fruits which can be used indefinitely while inside the Molten Front. While it is unclear what role Elune plays in the existence of wisps, these spiritual beings are considered “perfectly suited” to banishing elementals (similar to the goddess herself) as seen in this quest where the wisps aid us in closing the portals of fire elementals.

In the tauren mythos of Eyes of the Earthmother, Mu’sha as she is called, is said to "dance with the waters of the tides," "flow out of shadow’s reach like water," and bind injuries with the powers of water and wind.

Fire

The satyr camp of Sargeron in Desolace, known colloquially as the Palace/Sanctuary/Cathedral/Temple of Elune, reveals an interesting relic that links Elune to the element of fire. Unearthed from the ruins of the temple here, there is a tall runestone monument known as the Ancient Vortex Runestone. It is said that the ancient Kaldorei “revered the gems created by this mystical object, claiming that they were gifts from the goddess herself. It was believed that they were weapons capable of delivering them from any enemy.” As we progress in the questline, we are able to make use of these gemstones, which summon forth a giant firestorm, whose power is strengthened “either through sustained worship of Elune, or charged by spiritual energies of the fallen.”

During the war against the scourge in Northrend, the settlement of Stars’ Rest converted their moonwell to house the liquid fire of Elune, an offshoot of traditional moonwell waters. The very nature of this substance seems to be an oxymoron, combining two opposing elements of fire and water into one. However, if we consider again Dave Kosak’s notes on the life-giving essence of spirit; he links spirit and water with healing, and spirit and fire with holy powers of retribution. The fact that Elune’s liquid fire encompasses spirit, water, and fire then becomes clearer in the goal of this quest: to pour it over the corpses of scourge-blighted animals and cleanse them of their corruption. This essentially combines Kosak’s ideas through healing their bodies and demonstrating a retribution against the unnatural state of undeath. This may also speak to the circumventing of traditional elemental interactions, as the liquid fire of this moonwell (assumedly) prevents the vessel from freezing over.

In Darkshore, a moonkin named Aroom requests our aid in cleansing their corrupted brethren. They task adventurers with slaying a ghost of their kind who wields a relic called Elune’s Torch. After retrieving the torch, Aroom creates a ritual bonfire with the flames from this item, which allows the corrupted moonkin to find rest in the afterlife and “return to Elune, finally.” It could be that these flames of Elune act as spiritual purification, essentially burning away the madness or corruption clouding the moonkin’s minds. The fact that they are able to find peace (after this torch is used to create a larger and more substantial bonfire) may indicate that Elune’s flame acts as a beacon of guidance for the dead, which allows them to more easily move on from the physical plane.

There is also a unique type of silvery blue and purple fire found in Kaldorei settlements, old ruins, and temples that is vastly different from traditional orange, red, and yellow flame. The most intriguing are the braziers found in Azsuna and Tel’anor of Suramar, a necropolis assumed to be abandoned by its groundskeepers. Yet, all throughout the area there are braziers still burning brightly as if just fed with wooden kindling. It is unclear how they are sustained, but this may reinforce the idea that it is not true fire in the typical understanding of the element, but a mixture of fire and spirit together.

Earth

While Elune seems to be more distant from the element of earth than its counterparts, it is interesting to consider her manifestations that appear in traditionally earthbound mediums.

The first is Elunite Ore - ore in general being a naturally occurring rock or stone with valuable minerals inside. Elunite is described as being a fine material to work with, and directly blessed by Elune herself. The nature of Elunite is unclear; we do not know if it is an ore that is blessed by the goddess after its formation, or if Elune has a hand in its creation within the earth. It is not a usable material by miners and blacksmiths, perhaps implying that crafting with Elunite is a rare technique known only to select artisans, Elanaria (the questgiver) being one of them. It could also be that the privilege of shaping Elunite requires performing an act in defense of the goddess’s domain; as Elanaria tells us that in order to make our weapon, we must slay a satyr corrupting a moonwell, and defeat the shade of Elura who has cursed herself to guard her shipment of Elunite ore beneath the waves for all eternity.

The next earthly manifestations of Elune come in the form of gemstones, which traditionally find their origin from “deep in the earth, brought to the surface by explosions of molten rock.” Some are also “crystallized slowly from hot fluids and gases, formed from liquids filtered into cracks and pockets in rock, formed when rocks were heated and pressurized by earth movements, and recombined to form new, different minerals.” It is unclear whether Elunian gems are created similarly, or whether they are perhaps crystallized magic of some kind. As mentioned in the section of Fire, the Ancient Vortex Runestone was said to produce gemstones that Elune bequeathed to her followers here to defend themselves with. Additionally in Winterspring, there is an old altar that once housed a precious relic called the Gem of Elune that allowed direct communication with Her, and through which she “channeled her infinite wisdom.” In Outland, there are also rare jewels called Stars of Elune that can be prospected from various native ores, and dropped by random enemies.

In the Legend of Elun’Ahir, the goddess is said to be one who gifted Eonar with a branch of G’Hanir, a Mother Tree that once existed inside the Emerald Dream. After Aman’thul ripped it from the earth, its roots still grew below ground, nourished by Eonar’s tears: “Below ground, the roots fed upon the tears of Eonar and grew strong. The war was long, but in the end, the titans claimed victory. And Eonar was pleased, knowing Elune's legacy would endure. It is said that much later, as the world entered a new age, mysterious guardians arrived who dedicated their lives to protecting the roots.”

There are also several flowers said to be touched by Elune. One grows in the shadows of Duskwood, called Elune's Grace, which glows with the intensity of the moon and attracts wolves to its location. The flowers required to craft various Blossom Crowns during the Lunar Festival supposedly hold a strong connection to the goddess as well, imbued with a "solemn peace," "Elune's might," "happiness," and "great fortune." Myrael Lunarbloom also wields a staff whose flowers bloom during this time of year, greatly empowered by a moonwell pilgrimage ritual. She even says, "Flowers flourish under Elune's light. She was always known to cherish them."

Air

The Eyes of the Earthmother tells of the goddess’s early mythological origins, and her sphere of influence includes both water and wind. It seems that Elune (Mu’sha in this story) works with the wind most commonly as a means to communicate, and to deliver thoughts, words, and feelings. While the Earthmother slumbers, Mu’sha’s powers were said to be diminished, and she could no longer harness the winds' power since they “whipped up in storms and blizzards.” She is also described as “sharing secrets” with the winds, later sending upon them a plea to the Earthmother. Eventually, the Earthmother is able to find her way back to Mu’sha, because “the winds pulled at her hands, and guided her swiftly to find her Sun and Moon.” After the Earthmother’s sacrifice, Mu’sha pays homage to her by carrying her last words on the breeze for the tauren to hear, as well as setting the winds across the tides so that her voice could always be followed. Mu’sha’s favored weaponry was also said to be the bow and arrow, the efficacy of which is highly dependent on wind flow. Her movements are described as “quick as the wind,” and when her brother, An’she, is severely wounded, she calls upon these forces in an attempt to heal his injury: “Mu'sha tried to bind her brother's wound with water and wind, but no matter what she did, he continued to bleed.”

An in-game connection between Elune and the realm of wind is from a side quest in Darkshore just following the events of the Cataclysm. Sentinel Selarin, at the Auberdine refugee camp, leads the endeavor to eradicate the Twilight’s Hammer wind elementals overtaking the ruins of the town. An arduous process that requires an intricate solution, as the Twilight’s Hammer can continuously resummon the elementals at their command. In order to put an end to this, the elementals must be “slain;” after which we take their bracers, thought to be physical bindings anchoring them to this plane. The way to stop this cycle once and for all is to place the bracers into a moonwell. This act is said to not only prevent the elementals from being resummoned, but completely destroying the bracers as well. While this is not said to “soothe” them like the Orb of Elune, this seems to accomplish the same goal of freeing the enslaved elementals and the remaining Kaldorei.

While not a manifestation of elemental power per se, Elune’s influence upon the winds is also demonstrated in priestesses who channel her power through song; as well as relics like the Chimes of the Moon in Tel’anor: “The Sisters say that Elune sings a song, notes pure and beautiful. The Chime does not ring often, but when it does it is the same note as the one She is singing.” During the War of the Ancients especially, the strengthening magic utilized by the Sisters was invaluable to the war effort, notably through battle chants: “Then, another welcome surprise—chanting came from the center of the advance. The Sisterhood of Elune, resplendent in their battle armor, strengthened the fighters further. Day might have held precedence at the moment, but the priestesses’ rhythmic singing literally fed the nocturnal warriors. It was as if the moon herself suddenly hung over the host.” (Demon Soul, Ch. 8)

While we may think of this magic as under the strict purview of the elementals, it has been said that "Elune’s true nature is not fully understood," and the breadth of her power and influence may be even more vast and complex than initial impressions.

Whisperwind by Macarena Kahl

Some night elf inspired items I drew for a roleplay event!

Myths of the High Priestesses

- Headcanon Speculations -

The lore and legend of High Priestesses past have largely been lost to the ages; although scattered findings and enduring myths sweep away some of the dust from the buried tales of Elune’s chosen.

Haidene - Bearer of the Basin

Haidene was the first known chosen of Elune in all of the Kaldorei’s recorded history. It is said that she heard the Goddess’s true voice, and as a child no less.

An unsubstantiated legend tells that Haidene heard the will of the Goddess to make pilgrimage across Kalimdor and create the very first independent moonwell for the burgeoning Kaldorei to thrive across the continent, and that Haidene used the iconic basin as a vessel of safekeeping for the blessed waters of the Well of Eternity. Haidene supposedly experienced dire straits on this pilgrimage; she and her kin on the brink of fatal thirst. Haidene gathered what little of their water remained, enough to sustain her for far longer if she chose to drink from it alone. The others pleaded with Haidene to drink deep and preserve herself, for she was the very incarnation of the Goddess. In a selfless act of faith, she cast the basin skyward and beseeched Elune, that she would give herself in body and soul if only it were filled, so her people could live to see another moon, and press on to the bountiful lands ahead. It is said that for her benevolence, Haidene was granted the title of High Priestess by goddess and kin alike. It was on this night that Elune taught Haidene the sacred artisanry of the ever-flowing moonwell, the very same that still persists in her statues today. It is only rumored, but this moonwell could have been the one nestled in the heart of ancient Moonglade, having since flourished into Lake Elune’ara.

Tales that have only endured by way of oral tradition say that Haidene's blessed waters were shared in the first feast of Lahassa during the earliest epoch of the Kaldorei. There are even theories that the sacred Chalice of Elune may have belonged to Haidene, the relic permanently blessed from this momentous celebration made possible by Elune and the land’s combined bounty.

Elunarian archaeologists claim that Haidene may have established the temple in Desolace, known today as the Palace or Sanctuary of Elune. A place so ancient that its real name has been lost and blotted out by demonic desecration. Many of the relics recovered here are thematically linked to Haidene: The Cup of Elune as a relic of physical and spiritual cleansing, and Elune's Handmaiden as a relic of celebrating victory and sacrificial offering. The embers recovered here from Elune’s Brazier may have indeed been borne from an actual flame, or they could be remnants of Elune’s liquid fire; an apt medium for High Priestess Haidene.

Kalo'thera - Ascended of the Stars

Kalo’thera was the next known chosen of Elune, following Haidene. Her name evokes meanings along the lines of “stellar warrior.” Unfortunately, there are no known depictions of Kalo’thera's true likeness; although some choose to stylize her in darkling garbs and armor reminiscent of the new moon, due to purported ties to Elune’s Night Warrior aspect.

It is said that Kalo'thera “ascended to the stars” at the temple of old Hajiri, though these ancient words have not been elucidated further. None now live who remember seeing Kalo’thera’s ascension ritual with their own eyes, but there are a myriad proposed theories as to what this could have meant.

She may have fulfilled all of her earthly duties as wished by Elune, or proved herself an exemplar through astounding feats; and was rewarded with the status of demigoddess for her service as high priestess. Some believe that Kalo’thera now exists as a constellation in the realm of midnight from this divine act, perhaps other demigods and demigoddesses represented in this form as well.

She may have been slain in battle, “ascending to the stars” perhaps referring to her joining the Night Warrior’s embrace along with the other souls of the valiant dead riding across the night sky. The story of this ascension ritual might then be a widespread coverup by those who witnessed Kalo’thera’s true end.

She may have invoked the ritual of the Night Warrior, subsequently being torn apart in body by the wrath of the new moon. Ancient legends speak of the Night Warrior’s power being used as the driving force for carving out the Kaldorei Empire, Kalo’thera perhaps spearheading the expansion with this dark boon to wrest lands from the myriad world powers of the Pre-Sundering age.

Old myths describe a rare and lost regalia, called nightcloth, almost as if an opposing material to mooncloth. This was supposedly worn during the expansion era to better blend into the shadows of nightfall for battle, some claiming by Kalo’thera and the other Night Warrior witnesses. The exact origins and techniques of crafting nightcloth seem to have faded along with history; however, there are speculations that this fell out of favor within the Sisterhood due to the dangerous associated ritual that ended up slaying the invoking avatars, and even onlookers. Kalo’thera may have been the one to engrave the tablets of Bashal'aran describing the Night Warrior and the other aspects of Elune. There is a deep blue, nearly black, flame in the heart of the Ameth’aran ruins as well. Some Elunarian scholars theorize that perhaps its color owes to the Night Warrior’s midnight powers. This flame was later twisted by Athrikus Narassin using a moonstone seal to bind souls in a spiritual prison; curiously still, souls thought to be under the purview of the Night Warrior. Some say that Kalo’thera was the first to be granted knowledge of the Starshards spell by the Goddess, its namesake partially deriving from Kalo’thera. A superstition of the Sisterhood claims that it is Kalo’thera herself who now grants moonpriests this power, crystallizing pieces of starlight and raining them down from the midnight heavens to her earthbound descendants who call upon the aid of the stars.

Dejahna - Zenith of Conviction

Dejahna was the third known chosen of Elune, following Kalo’thera. She was the mentor and predecessor to Tyrande Whisperwind.

Those who braved the Tomb of Sargeras, once Dejahna’s primary temple in life, claim to have seen her incorporeal form. If her spirit is at all reflective of her appearance in life, then Dejahna preferred dark robes, with silver accents and blue gemstones. It may have been customary for a High Priestess to don specific garbs, as Tyrande replies to the news of her appointment to this position with, “I’ll become high priestess—at least until this war is over—but I will keep my present garments—” (Demon Soul, Ch. 17) Dejahna’s darkling robes could also be due to her presiding over the burial site in the depths of the temple, perhaps a ceremonial garb for rites involving the dead.

Some say that Dejahna’s harshness and austerity arose from Kalo’thera as her assumed mentor; others say that an influx of unfaithful Highborne attempting to join the Sisterhood as a last resort was seen as a mockery of the order. Dejahna supposedly then raised the standards of entry to rigorous heights, some dubbing her the Zenith of Conviction for her high expectations from novices.

Given Azshara’s growing distance from the faith, and attempts to eclipse Elune with devotion from her subjects, old rumors claim that Dejahna held a particular bitterness for the queen by the outbreak of the War of the Ancients. This may have been in part due to Azshara’s appointment of her own High Priestess: Siralen of Vashj’ir.

Dejahna’s temple hosted a handful of templars, perhaps this ancient version of a lunar paladin having once been a prestigious rank within the faith.

An ornate vial was recovered from the Cathedral of Eternal Night, whose glass was said to “bear the mark of Dejahna.” It is unclear what this mark truly is, but it could be that each High Priestess, or even priestesses as a whole, have personal sigils rooted in the Elunarian language similar to a common signature. This vial could have been her personal vessel of moonwater, or one of many that she bestowed blessings upon by way of this mark. Considering its name of "Eternal Moon,” this may refer to the blessing or enchantment on the vial lasting eternally or having a resilient quality to its magick; as it did survive the temple sinking to the bottom of the ocean, being raised again by Gul'dan, and being pillaged by demonic forces and adventurers alike.

The upper levels of Dejahna's temple contained the "Hanging Gardens," which were actually tended to by an ancient named Agronox before he fell to corruption. It could be that because this temple was the heart of night elven worship in the empire, an ancient's service in a temple was a rare sight; or, Agronox's existence here could mean that others of his kind served alongside Kaldorei priestesses in other parts of the Pre-Sundering world as well.

Dejahna fell in battle during the War of the Ancients, and named Tyrande as her successor to take the mantle. This is an interesting development, as it would seem like such a position is granted directly by Elune, as seen with Haidene. However, in Demon Soul, Marinda is sent to deliver the message of Tyrande’s succession: “‘Before her death, she named a successor…’ Tyrande nodded. This was to be expected. The new high priestess had, of course, immediately sent out messengers like Marinda to spread the word of her ascension.” This being “expected” implies that naming a successor was a traditional practice in passing on the mantle. Supposedly as Dejahna was dying, she “insisted that only her attendants would know.” (Ch. 17) This could just be referring to healers seeing to her wounds, or it could be that within the Sisterhood at this time, there may have been a specific rank for tending to the High Priestess; an interesting parallel to the handmaidens of Queen Azshara. Marinda also reveals “…that, normally, there would be a ceremony, a long entailed one that as many worshippers as possible would be invited to see.” Elunarian faithful from all over Kalimdor likely traveled great distances to see such a monumental event. This role in general also seemed heavily involved at the time, “leading this chant and that. The temple also held a blessing each evening for the rising of the moon and the good will of the gods. In addition, the leading nobles always had to have some sort of recognition ceremony for various anniversaries and other events…” (Ch. 17)

A final piece of High Priestess lore we learn from Marinda comes from the reasoning behind Dejahna’s choice: “She was of clear mind, sister. And you should understand, she had made mention of you before this. The senior sisters all understood that you were the one…and no one among them argued the decision.” (Ch. 17) This uncovers an interesting dynamic in the old Sisterhood then, that there was at least a dialogue among the senior sisters, if not a democratic process settled through debate around the next chosen High Priestess.

Siralen - The Contended

“Let this statue stand as an everlasting testament to High Priestess Siralen in the name of all she has done to nurture Quel'Dormir Temple into a glowing beacon of faith. May her newfound service under Queen Azshara herself shine as a testament to the potential of the noble birth nurtured in our beloved, Vashj'ir.”

The case of Siralen is a strange one, as she was not passed this mantle from a High Priestess within the Sisterhood – as was tradition. She was instead granted this title by Queen Azshara, supposedly for strengthening the faith of Quel’dormir Temple in the royal city of Vashj’ir. It is interesting to speculate how priestesses across Kalimdor reacted to this decision: whether they saw it to be just as divine an act as being appointed by Elune herself or a current High Priestess, or if they disagreed with a bestowal that strayed so far from the role’s sacred history. Many of Azshara’s epithets insinuate that she was viewed favorably in tandem with the goddess, such as Daughter of the Moon, Flower of the Moon, and Radiance of the Moon. Although, others lean towards eclipsing Elune’s worship, like Light of a Thousand Moons, for example. In any case, the appointment of Siralen then introduces the question of authority, and whether the High Priestess of the Sisterhood was considered of higher, lower, or equal status.

Noteworthy still that her service is “under Queen Azshara herself,” and it could be that this nurtured faith was actually to the Queen, as Elune is conspicuously not mentioned anywhere in this engraving. It also reads, “a testament to the potential of the noble birth nurtured in our beloved, Vashj’ir,” perhaps alluding to a growing and more obvious class divide between the highborne and common Kaldorei; or at least the boundless arrogance of the highborne caste.

Other Notes:

The ancient high priestesses may have each worn a traditional headpiece depicting the Elunian cycle that was passed on through the ages. Tyrande Whisperwind still has this in her possession, and it was noted to have been entrusted to her during the War of the Ancients. -Headpiece of the Elunian Cycle, a quest reward from [Full Might of the Elves]

Shadows of the Empire II

"...the land of Suramar has been wild for ten thousand years." [Trail of Echoes]